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#Pueblo Co style Green Chile
dewitty1 · 2 years
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Saturday Six (Stuff)
It's been one of those weeks where I'm so stressed, I don't even realize it, and I make myself physically ill.(¬д¬。)
Therapy homework is really hard.Σ(-᷅_-᷄๑)
I think I need to find a part time job, but I really don't want to do anything that I can't do from home, and on my own time. I like being my own boss.(。-ω-)ノ
Work is work. I'm working on stripey fabric slipcovers now. Wheee.ヾ(´A`)ノ゚
It's barely going to be Halloween, but Xmas decorations are already out. Ughhhh. (’-’*)
It's finally decided to be Fall/Autumn here. We had RAIN yesterday! (*´▽`*)
Bonus - I'm making SOUP this weekend! (Pueblo style Green Chile!) Yum! (っ˘ڡ˘ς)
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foxgambling694 · 3 years
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Hemingway A Moveable Feast
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Hemingway A Moveable Feast Quotes
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Hemingway The Sun Also Rises
Ernest Hemingway, A Moveable Feast Joseph Roth, The Radetzky March OTHER NYRB CLASSICS OF INTEREST A Time to Keep Silence Patrick Leigh Fermor Between the Woods and the Water Patrick Leigh Fermor (introduction by Jan Morris) Roumeli: Travels in Northern Greece Patrick Leigh Fermor (introduction by Patricia Storace) Mani: Travels in the Southern. The two men discuss Hemingway’s writing, and the fire-eater suggests to Hemingway that the fire eater tell Hemingway stories for Hemingway to write out, and that they split the profits. Hemingway pays for the meal and leaves, saying he will see the fire-eater soon. About The Book “There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other.” —Ernest Hemingway, A Moveable Feast Ernest Hemingway’s classic memoir of Paris in the 1920s remains one of his most beloved works. Ernest Hemingway: A Moveable Feast. Steve Newman Writer. Ernest Hemingway, Cuba, 1960. Image: Abe Books. When you re-read A Moveable Feast today one can feel both the.
Season 8 premiered in November 2020 | Check your local listings.
Come along for a mouthwatering ride and catch the spirit of pop-up cooking with Moveable Feast with Relish. Australia’s top celebrity chef Curtis Stone, stand-up comedian and chef Alex Thomopoulos, and author and James Beard Award-winning chef Michelle Bernstein team up with some of the most innovative chefs and food artisans as they cook up a feast using the best seasonal ingredients and each region’s little-known food treasures. This season, follow along as Alex samples the best of New England cuisine, including an excursion to Martha’s Vineyard.
Sunset feast at the Beach Plum Inn in Martha’s Vineyard, MA, featuring acclaimed chefs, Jessica B. Harris and Jan Buhrman and hosted by Alex Thomopoulos.
Episode Descriptions:
Episode 1: Seattle, Washington
Explore the Pacific Northwest as Moveable Feast with Relish travels to Seattle to get a memorable taste for the region known as Cascadia. Host Curtis Stone jumps aboard a seaplane with Chef Tom Douglas as they head to Coupeville on Whidbey Island. Chef Tom is the winner of three James Beard Awards, and together with Chef Renee Erickson, they are a driving force behind the food scene in Seattle. First stop: a visit to Penn Cove to see where mussels grow in what’s considered the best environment in the region. Next, we meet up with Georgie Smith of Willowood Farm, which is one of the most painted and photographed farms in the Pacific Northwest. With their ingredients in hand, the chefs then collaborate on the creation of a true regional feast that includes steamed mussels; a spiced mussel and saffron soup; and a grilled whole salmon with Walla Walla onions and fava leaves.
Episode 2: Taos, New Mexico
Experience the rich history of Taos, New Mexico as Moveable Feast with Relish samples this mountainous region’s native ingredients. Host Curtis Stone meets Christopher Lujan, who grows ancient heirloom blue corn, highly prized by indigenous cultures, in the high-elevation mountains of Taos Pueblo. Curtis also pays a visit to Romero Farms, known for growing everything from oats to heirloom varietal chilies. All of these ingredients then come together with the help of Chef Andrew Horton and Chef Chris Maher, owner of Taos’ well-known Cooking Studio Taos, as they serve-up the best of New Mexican cuisine which includes beautiful blue corn cakes; local lamb tacos; and a flavorful green chili stew.
Episode 3: Santa Fe, New Mexico
Settled at the foothills of the Rocky Mountains, Santa Fe, New Mexico is home to a culinary scene of mixed influences and Southwestern flavors and ingredients. In this episode of Moveable Feast with Relish, Host Curtis Stone is joined by Chef Martín Rios, co-owner of Santa Fe’s award-winning Restaurant Martín, and Chef Leslie Chavez, who also has a strong background in catering and pastry in New Mexico. Together, they visit The Rooted Leaf and Celestial Bee, a farm that produces exquisite bee honey and fresh, highly cared-for produce. They also visit a local chile farmer to see how Chimayo chile, a local heritage pepper, is dried and ground. At a colorful hacienda in Santa Fe, Chef Rios makes rosemary-roasted turnips and Chef Chavez makes a sopaipilla with the locally sourced honey.
Episode 4: Carmel, California
Visit the charming seaside town of Carmel, California for this episode of Moveable Feast with Relish. Host Curtis Stone joins Michelin-starred Chefs Justin Cogley and James Syhabout as they forage for seaweed at low tide along the area’s iconic 17-Mile Drive. They then travel to a vineyard in Carmel Valley that specializes in Pinot Noir and learn how its exquisite estate-grown wines benefit from the land’s proximity to the Pacific Ocean. An intimate feast is then prepared at Aubergine at L’Auberge Carmel, where Chef Cogley serves as executive chef. Topping the menu are dishes that feature the locally sourced ingredients: foraged seaweed and vegetables; farm-raised rack of lamb; and Monterey Bay abalone.
Episode 5: San Luis Obispo County, California
In this episode of Moveable Feast with Relish, Chef Curtis Stone heads for San Luis Obispo County, where he jumps into the waters of Morro Bay Oyster Company, known as a hub for oyster farming since the early 1900s. Curtis is joined by internationally-known Chefs David Rosner and Sherry Yard to source local Pacific Gold oysters. Then they head to Rutiz Family Farms, followed by a trip to a local vineyard. Together, the chefs then prepare a grand feast set against the backdrop of the region’s most spectacular volcanic peaks. On the menu are SLO County-sourced ingredients prepared in a variety of ways: raw oysters served with chili and ginger granita; grilled yellowtail tuna and fennel accompanied by roasted oysters; and a dessert of caramelized fennel and fruit strudel a la mode.
Episode 6: Puerto Rico
Chef Michelle Bernstein heads for Puerto Rico, stopping first at Frutos del Guacabo, which provides some of the highest quality fruits and vegetables to chefs in 160 hotels across throughout the island. Michelle also makes a trip to Tommy Forte Seafood Market, known for selling everything from swordfish to shark. Michelle is then joined by Chef Kevin Roth, who combines his love for Puerto Rico with a passion for barbecue, along with Chef Ventura Vivoni, who makes art out of local ingredients. Fresh fruit is used in courses throughout the feast, and a variety of seafood is prepared along the way.
Episode 7: Portsmouth, NH
This week on Moveable Feast with Relish we’re in Portsmouth, New Hampshire to throw a party with James Beard Award nominee Chef David Vargas, known for dishing up some of New England’s best Mexican cuisine, and Chef Will Myska, celebrated for bringing real Texas-style barbecue to the Northeast. Field trips include a stop at Maine Meat Butcher Shop to source local, organic, grass-fed meat, to Big Scott’s Local Grown to source a specialty heritage corn grown exclusively for Chef Vargas, and finally to Vernon Family Farm for pasture-raised chicken and to cook up a harvest feast over an open fire. On the menu: grilled Vernon Family Farm chicken; corn and fire-roasted pumpkin and apple stew; smoked lamb with root vegetable salsa and mezcal gastrique; and an Italian riff on Mexican street corn salad.
Episode 8: Boston, MA: The Food Project
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This week on Moveable Feast with Relish, we’re on the road in Boston, where a vibrant and diverse immigrant community is making a delicious mark on the food scene. Among those blazing a trail are multiple James Beard Award-nominee Chef Irene Li and fellow Chef Tamika R. Francis. It’s fall in New England, so the chefs source some of the best the season has to offer, including fresh cranberries and honey! Then it’s off to visit the incredible Food Project, an organization that grows some of the best produce right in the heart of the city, where the chefs also cook a New England feast unlike any you’ve ever seen. On the menu: scallion pancakes with cranberry chutney; braised spiced goat with celery root puree; roasted beet salad with herbs, and cranberry-tequila cocktails with rosemary and lime.
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Episode 9: Ogunquit, Maine
This week on Moveable Feast with Relish we’re in Ogunquit, Maine—a true natural wonder. Host Alex Thomopoulos joins two James Beard Award-winning chefs, Mark Gaier and Clark Frasier, whose restaurant, MC Perkins Cove, helped solidify Ogunquit as a culinary destination. The chefs source Maine's famous cold-water lobsters aboard the Finestkind with local lobsterman Goat Hubbard and pay a visit to Woodland Farms Brewery to source and sample some of the best beer in the region. Then it’s back to Mark and Clark’s private home, nestled in the woods, for an intimate lobster feast. On the menu: chilled lobster salad with tarragon vinaigrette; Maine mahogany clams with dark beer and fermented black beans; Thai-style grilled lobsters; and a wild blueberry tart.
Episode 10: Martha’s Vineyard: Menemsha
This week on Moveable Feast with Relish, we get an insider’s look at this culinary gem of an island, and its thriving farming community. Host Alex Thomopoulos joins two of the island’s great chefs: Jan Buhrman, who has also been voted pretty much “the best at cooking everything” by her fellow islanders, and James Beard Lifetime Achievement Award winner Jessica B. Harris. Field trips include a stop at The Grey Barn and Farm to sample some award-winning cheeses, and a tour of MV Mycological, a shiitake mushroom farm that combines ancient Japanese growing techniques with modern sustainable practices. With ingredients in hand, the next stop is the Beach Plum Inn, one of the most picturesque inns on the island, where our chefs prepare a truly memorable feast. Visual studio c programming. On the menu: leg of lamb with lavender and red wine; mushroom consommé with cheesy popovers; winter squash risotto; and a Grey Barn pear tart.
Episode 11: Martha’s Vineyard: North Tabor Farm
This week on Moveable Feast with Relish we’re headed to Martha’s Vineyard to experience a unique slice of life in a fishing village on this quaint New England island. Joining Host Alex Thomopoulos are two of the island’s favorite chefs, James Beard Award winner Chris Fischer, and Michelin-starred Chef Daniel Eddy. Field trips include a stop at Cottage City Oysters to source some incredibly sweet, briny oysters grown in deep, cold ocean waters. Then it’s off to the legendary Larsen’s Fish Market, where we’ll select fish from the freshest catch of the day. Then it’s time to harvest vegetables and cook up a succulent seafood feast at North Tabor Farm in their custom-made wood-fired oven. On the menu: wood-fired fluke with brown butter and oysters; a classic green salad with shallot vinaigrette; and potato and fennel gratin with green tomatoes and cilantro.
Episode 12: Boston, MA: Gibbet Hill
This week’s episode of Moveable Feast with Relish reveals Boston’s undeniable passion for creating truly epic feasts. Host Alex Thomopoulos is joined by two chefs credited with propelling Boston’s Italian food scene to new heights - James Beard Award-winning Chef Karen Akunowicz and the only Black chef-owner in Boston’s fine dining scene, Douglass Williams. Chef Akunowicz, a pasta guru, takes us to One Mighty Mill to source the secret to her award-winning pasta - local, fresh-milled wheat. Then it’s off to the picture-perfect farm Gibbet Hill for fresh vegetables. Finally, it’s time to cook and feast. On the menu: farro pappardelle with rabbit, figs, prosciutto and mushrooms; roasted duck with farm vegetables and golden raisin-poppy seed sauce; focaccia garlic bread; and blueberry-concord grape shortcakes with mascarpone cream.
Episode 13: Boston, MA: Courtyard
This week on Moveable Feast with Relish, Host Alex Thomopoulos meets up with two of Boston’s most innovative chefs, James Beard Award winner Chef Jamie Bissonnette and rising star Chef David Bazirgan. Field trips include a visit to Lookout Farm to harvest a fruit once reserved for the nobility, the Hosui Asian pear. Then it’s off to the pioneering Boston Smoked Fish to source their famous smoked salmon bacon. With ingredients in hand, the chefs head back to Chef Bazirgan’s restaurant, Bambara, to cook up a courtyard brunch. On the menu: smoked haddock with green papaya and apple salad; classic potato roesti with salmon bacon, cider-poached eggs, and harissa hollandaise; and an Asian pear and cranberry clafoutis.
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'For reasons sufficient to the writer,” wrote Ernest Hemingway in notes for a preface to his collection of about-to-be-posthumous Parisian fragments (a preface later pieced together by Mary Hemingway as if from Cuba in 1960), “many places, people, observations and impressions have been left out of this book”:
There is no mention of the Stade Anastasie where the boxers served as waiters at the tables set out under the trees and the ring was in the garden. Nor of training with Larry Gains, nor the great twenty-round fights at the Cirque d’Hiver. Nor of such good friends as Charlie Sweeny, Bill Bird and Mike Strater … It would be fine if all these were in this book but we will have to do without them for now.
This tactic of teasing the customer with the hint of splendors withheld—like Dr. Watson’s making us wonder about the untold Holmes adventure of the giant rat of Sumatra—was rounded off with another piece of coquetry, when “Papa” closed by saying:
If the reader prefers, this book may be regarded as fiction. But there is always the chance that such a book of fiction may throw some light on what has been written as fact.
This challenge may or may not have been intended as literal. But the first thing to say about the “restored” edition so ably and attractively produced by Patrick and Seán Hemingway is that it does live up to its billing, in that at last it gives us the Stade Anastasie and Larry Gains (a handsome black Canadian heavyweight now lost to history) and thus manages that fusion of food writing and pugilism that is somehow associated with Americans in Paris, and not just because of Papa and A. J. Liebling. The new story “A Strange Fight Club” is well worth having, too. It pictures Larry Gains’s Parisian opponent thus:
The new heavy weight was a local boy who had been employed carrying parts of carcasses in the stockyards until he had an accident which affected his reasoning power.
This capture of the elemental brutishness of boxing—and by one of its aficionados—does a good deal to reaffirm Hemingway’s sometimes mocked reputation as a master of the terse and muscular sentence.
There has always been much speculation about how much the redaction of A Moveable Feast is a product or consequence of its relation to the sequence of Hemingway’s marriages. It was largely written about his time with Hadley, touches on his defection to the arms of Pauline, and after his suicide was pasted together by Mary. If we make the common assumption that Mary desired to downplay her predecessors where possible (there is no way to write the lovely Hadley out of the script altogether), then this would furnish an explanation for the reappearance of two fragments in particular: the marvelous little study of Hemingway’s outings with his firstborn son, titled “The Education of Mr. Bumby,” and the intriguing episode “Secret Pleasures,” in which Hemingway writes with undisguised sexual excitement about the good and bad “hair days” that he shared with his first spouse.
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Hemingway A Moveable Feast Quotes
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Sarah Smarsh
The Bumby pages are frankly sentimental but nonetheless somehow dry, while the little boy’s attempts to be a man in two languages, and to keep up with his father’s enjoyment of café society, are simply charming. (Once you have heard the proprietress of Shakespeare and Company grandly referred to as “Silver Beach,” you are doomed to remember her that way. And you will perhaps also recall Bumby’s announcement of what he has learned from his nanny’s husband, Touton: “Tu sais, Papa, que les femmes pleurent comme les enfants pissent?” A different version of Papa, to be sure, but one worth having.)
Even in this record of spontaneous innocence, however, the chance is not missed to take another sidelong whack at Scott Fitzgerald:
“Monsieur Fitzgerald is sick Papa?” “He is sick because he drinks too much and he cannot work.” “Does he not respect his métier?” “Madame his wife does not respect it or she is envious of it.” “He should scold her.” “It is not so simple.”
Again, there is nothing to complain of here in point of terseness and economy, but it sent me back again to that supremely unsatisfactory moment in the original collection, in the chapter titled “A Matter of Measurements,” when Fitzgerald invites Hemingway to lunch at Michaud’s restaurant and tells him: Todoist and siri.
“Zelda said that the way I was built I could never make any woman happy and that was what upset her originally. She said it was a matter of measurements. I have never felt the same since she said that and I have to know truly.”
By his own account, Hemingway thereupon leads the author of The Diamond As Big As the Ritz out to the men’s room, conducts a brief inspection, and reassures (or, to be more exact, fails to reassure) his pal that all is well, and that he’s looking down on his penis, literally and figuratively, rather than taking the sidelong perspective. I have never trusted this story, if only because—as Hemingway himself later admits—“it is not basically a question of the size in repose. It is the size that it becomes.” So, unless the viewing in the Michaud pissoir was of an engorged and distended “Scottie”—which it plainly was not—then Papa was offering Fitzgerald a surrogate form of consolation. And was then planning to write about it! (That Zelda was a lethal bitch who wanted her husband at least to fail and perhaps to die is for once not confirmed by another new inclusion, “Scott and His Parisian Chauffeur,” where she is pictured as behaving really quite gracefully under pressure and where the same Mike Strater whose absence was deplored in the original preface is also shown in a fairly good light on a train from Princeton to Philadelphia.)
I suppose that another way of betraying a friend of whom it’s thinkable that you were jealous, and who would, as it happens, do you the good turn of introducing you to an editor like Maxwell Perkins and a publisher like Scribner, would be to write about him thus:
Scott was a man then who looked like a boy with a face between handsome and pretty. He had very fair wavy hair, a high forehead, excited and friendly eyes and a delicate long-lipped Irish mouth that, on a girl, would have been the mouth of a beauty (italics mine).
All right so far, perhaps, even with that emphasis noted, but then: “The mouth worried you until you knew him and then it worried you more.” And this in the second paragraph of the first page of the chapter about his friend—the one he is later on bluffly cheering up about his sand-castle masculinity …
It might be trite to pick on the verb worried, but undue or conspicuous anxiety about such matters has been known to furnish a clue about the author himself, and Hemingway more or less forces one to contemplate this very contingency. The brilliance of the anecdote in “A Strange Enough Ending,” in which the author bids adieu to Gertrude Stein and her partner, is that it is almost the sound of the other shoe dropping after that rugged earlier moment in “Miss Stein Instructs,” in which Stein dismisses male homosexuality as truly and horribly unnatural. Hemingway writes,
I heard someone speaking to Miss Stein as I had never heard one person speak to another; never, anywhere, ever. Then Miss Stein’s voice came pleading and begging, saying, “Don’t, pussy. Don’t. Don’t, please don’t. I’ll do anything, pussy, but please don’t do it. Please don’t. Please don’t, pussy.”
As someone wrote about Dorothy Parker’s short story “Big Blonde,” the talent (I won’t say genius) here lies in getting the reader’s imagination to shoulder the bulk of the work. A pretty revenge, I dare say, if slightly and crudely rubbed in a few lines later when Miss Stein is described as resembling “a Roman emperor.”
And so to the excerpt that has continued to excite perhaps the most comment. Closing the original chapter in which Miss Stein expresses her loathing for male perversion, Hemingway writes that he went home to Hadley and “in the night we were happy with our own knowledge we already had and other new knowledge we had acquired in the mountains.” Read these words alongside the following lines originally excised from the restored chapter titled “Secret Pleasures”: “When we lived in Austria in the winter we would cut each other’s hair and let it grow to the same length.” Presuming these to have been the same mountains, or even perhaps assuming slightly different peaks, the whole concept of matching coiffureappears to Hemingway to have been almost unbearably exciting:
Hemingway A Moveable Feast Quotes
“If you don’t think about it maybe it will grow faster. I’m so glad you remembered to start it so early.” We looked at each other and laughed and then she said one of the secret things … “How long will it take?” “Maybe four months to be just the same.” “Really?” “Really.” “Four months more?” “I think so.” We sat and she said something secret and I said something secret back.
Hemingway A Moveable Feast Pdf
Gosh. And this, as some addicts will already know, is merely an amuse-bouche for the main course of another unfinished Hemingway effort, “The Garden of Eden,” at the end of which it seems that hair must be discarded altogether, and shaved heads become the sexual totem. Not even Adam and Eve went so far in their admission of guilt and nakedness, but perhaps a man whose mother once dressed him as a girl and trimmed his crop to suit, and crooned to him as “Ernestine,” had some old scores to settle in the androgyny column.
What is it exactly that explains the continued fascination of this rather slight book? Obviously, it is an ur-text of the American enthrallment with Paris. To be more precise, it is also a skeleton key to the American literary fascination with Paris (and contains some excellent tips for start-up writers, such as the advice to stop working while you still have something left to write the next day). There are the “wouldn’t be without, even if you don’t quite trust” glimpses of the magnetic Joyce and the personable Pound and the apparently wickedly malodorous Ford Madox Ford. Then there are the moments of amusingly uncynical honesty, as when Stein and Toklas met Ernest and Hadley and “forgave us for being in love and being married—time would fix that.” The continued currency of that useless expression the lost generation becomes even more inexplicable when it is traced to a stupid remark made by Gertrude Stein’s garage manager, and such quotable fatuity, however often consecrated by repeated usage, is always worth following to its source. Most of all, though, I believe that A Moveable Feast serves the purpose of a double nostalgia: our own as we contemplate a Left Bank that has since become a banal tourist enclave in a Paris where the tough and plebeian districts are gone, to be replaced by seething Muslim banlieues all around the periphery; and Hemingway’s at the end of his distraught days, as he saw again the “City of Light” with his remaining life still ahead of him rather than so far behind.
Hemingway The Sun Also Rises
NB: This book is best read or reread in the company of a beautiful book of photographs and quotations: Hemingway’s Paris, edited by Robert Gajdusek and published by Charles Scribner’s Sons in 1978.
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biofunmy · 5 years
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36 Hours in Albuquerque – The New York Times
Any conversation about travel to New Mexico seems to start with Santa Fe, the tourist-magnet about 60 miles up the road from Albuquerque, the state’s largest city. But Duke City (so called for its namesake, the Duke of Alburquerque, the early 18th-century Viceroy of New Spain) has been emerging from its neighbor’s shadow ever since the popular drama “Breaking Bad” began in 2008. Home to sizable Native American and Latino communities, both with major cultural attractions (including the National Hispanic Cultural Center, which holds more than 700 cultural events a year), Albuquerque expects more time on camera since Netflix bought local ABQ Studios last fall and announced a plan to bring $1 billion in production to the state over the next 10 years. Entrepreneurs are starting up midcentury-modern tours, dealing clever T-shirts and kombucha at the Rail Yards Market, opening craft breweries and redefining retail. See the city at its most colorful during the Albuquerque International Balloon Fiesta, Oct. 5 to 13, when hundreds of hot air balloons launch in early morning mass ascensions.
Friday
1) 3 p.m. Walk and talk
Get your bearings on a “Mezcla de Culturas” walking tour with Heritage Inspirations. Among its guides, Bobby Gonzales, a 13th-generation New Mexican, leads two-hour rambles ($75) through Old Town, Albuquerque’s original settlement, established in 1706, and the emerging Sawmill District next door. While strolling through hidden courtyards and adobe-lined streets, he talks about the Spanish quest for gold that led explorers north from Mexico to Albuquerque on the Rio Grande. He identifies vernacular architectural styles like New Mexican farmhouse with adobe walls and metal roofs, and tells offbeat stories about the 36 days the Civil War came to town and Old Town’s attempt in the 1950s to divert some of the tourist traffic heading north to Santa Fe by remodeling Victorian buildings in Pueblo-evoking fashion.
2) 5:30 p.m. Depth of field
Surrounded by 25 acres of lavender fields and gardens, Los Poblanos Historic Inn & Organic Farm, on the agricultural fringe of Albuquerque, champions farm-to-table fare at its restaurant, Campo. Residing in the farm’s restored dairy buildings that date back to the 1930s, Campo, which means field, focuses on cooking with fire and using local ingredients in dishes such as roasted vegetable tostada ($15) and grilled rack of lamb ($40). Its prime seats are at the chef’s table, where guests are served an eight-course meal with a front-row view of the open hearth ($120). Make a reservation in advance or dine at the bar, where the entire menu is served. Arrive before 6 p.m. to browse the inn’s Farm Shop next door which deals local artist-designed blankets, carbon steel cookware and ceramic dishes from Japan.
3) 8 p.m. The Reign of Spain
Flamenco dance has a long history in Albuquerque, dating back to the 16th century, according to the University of New Mexico. Sponsored by the university and the National Institute of Flamenco, a local nonprofit dance school, the annual Festival Flamenco Alburquerque each June has been running for 32 years. Catch the Institute’s performers and visiting artists on weekends at the Hotel Albuquerque at Old Town, which hosts its Tablao Flamenco Albuquerque show (tickets from $10), featuring dancers as well as a guitarist and a singer, called a cantaor, or two. Together they perform impassioned and improvised dances that spellbind audiences sipping tempranillo, nibbling on tapas and cheering, “Ole!”
Saturday
4) 8 a.m. Cupcakes for breakfast
By offering a balance of indulgent and healthy foods with a focus on fresh ingredients, Jason and Lauren Greene have cornered the brunch market with their perpetually thronged Grove Cafe & Market. Provisioned largely by local growers, the menu ranges from poached eggs with prosciutto and asparagus ($12.95) and avocado toast with salad ($10.25) to toasted tuna sandwiches ($10.95) and chocolate ganache, sea salt cupcakes ($3.50). Diners order at the counter before finding a table, and while early risers may avoid the crush, sharing the line with enthusiastic fans eases the waiting time.
5) 10 a.m. Midcentury rewind
Sign up with Modern Albuquerque to get out to the Nob Hill and Highland Business District neighborhoods for a look at the city’s midcentury modern developments on its Retrograde Tours. Many of the buildings visited on the 90-minute Hairpin Legs walking tour ($24; summer tours are 75 minutes for $20), including motels, coffee shops and offices, line Central Avenue, also known as Route 66. The owners, Thea Haver and Ethan Aronson, introduce travelers to the so-called Mother Road in its prime through exuberant designs, including boomerang-shaped roofs and starburst neon signage.
6) Noon. New Mexican diner
Dating back to 1942, when drugstores commonly had soda fountains, Duran Central Pharmacy has expanded on the tradition and given it a New Mexican accent. Guests enter through the pharmacy and gift shop and follow their noses to the bustling diner on the left where orange vinyl stools line the curved lunch counter, and the griddle behind it sears hand-rolled flour tortillas. They come ready to dip into the green or red chile sauce smothering the huevos rancheros ($9.30) or concealing a chile-topped burger ($10.30). On your way out, browse the gift section for jars of the restaurant’s signature chile sauce and flour-sack dish towels printed in bright graphics by the local brand Kei & Molly Textiles.
7) 1 p.m. Into the woods
Work off those huevos on the 16-mile Paseo del Bosque Trail, a multiuse trail that follows the Rio Grande through its cottonwood “bosque” or forest where it’s cooler, even on the warmest days. The Pace shared bike program stations rental cycles conveniently throughout town ($1 for 15 minutes). But to go farther, faster and more comfortably, rent a hybrid bike from Routes Bicycle Tours & Rentals where the staff readily offers directions and maps ($20 for four hours). The company also runs two-hour tours daily (from $50) and may customize the route based on your interests in history, architecture or even “Breaking Bad.”
8) 3 p.m. High Desert Minimalism
After browsing the many Old Town shops selling souvenir ristras (strings of drying chiles) and Native American turquoise jewelry, hit the stylish Spur Line Supply Co. in the Sawmill District. The owner, Tess Coats, has assembled a collection of artisan-made and New Mexican goods in a showroom-size space, offering everything from apparel to housewares to vinyl records. Her own 1971 Airstream trailer sits in the middle of the store, filled with, recently, vintage clothing, ice buckets and inflatable pool toys. Shoppers will find locally made jewelry, Dryland Wilds botanical beauty products, macramé plant hangers and fun T-shirts, including one that salutes the state as “Land of Mañana.” A coffee shop invites lingering at the communal table or out on the patio.
9) 4 p.m. Pueblo immersion
Of Albuquerque’s many interesting museums, don’t miss the Indian Pueblo Cultural Center, which pays tribute to the culture, history and artistry of the 19 Native American Pueblo communities in the state (admission $8.40). Exhibits focus on spiritual beliefs, dry farming, adobe building and the Pueblo Revolt of 1680 against Spanish colonizers. Pottery displays examine distinct Pueblo styles, videos capture traditional dances, and interactive exhibits relate stories and greetings in Pueblo languages. Beyond the exhibits, the center’s shop, Shumakolowa Native Arts, sells fine pottery, jewelry and books. Its restaurant, Pueblo Harvest, serves Native American dishes and hosts live music every Thursday through Saturday, 6 to 9:30 p.m.
10) 6 p.m. Brew crew
New Mexico is small in terms of population (roughly 2 million), but big in terms of beer. The Brewers Association puts the state at 10th in the nation in terms of breweries per capita. More than 40 breweries and taprooms are in and around Albuquerque. Start a tasting tour at the handsome Bow & Arrow Brewing Co., founded by Native Americans Shyla Sheppard and Missy Begay, producing sour, barrel-aged and other beers using regional ingredients (most pints $5.50). Next, hit the industrial Brewery District to try the Elevated I.P.A. ($5.50) at La Cumbre Brewing Co. It’s worth the trip farther from the town center to stop by Steel Bender Brewyard, a lively, all-ages-friendly taproom and restaurant in an industrial setting. Order a Compa lager ($5 pint) or the Judy, a barrel-aged saison ($9), and soak it up with a two-fisted Steel Bender cheeseburger topped with a fried egg and green chile strip ($14).
Sunday
11) 8:30 a.m. Outdoor gallery
One of the largest petroglyph sites in North America lies just on the western edge of Albuquerque in Petroglyph National Monument. Here, Native American ancestors to the modern Pueblo people carved images of turtles, parrots, hands, geometric designs and other symbols onto rock surfaces between 400 and 700 years ago. Archaeologists estimate that the 17 miles of escarpment within the park hold more than 25,000 images. Three hiking trails offer opportunities to see them. The shortest, the one-mile Boca Negra Canyon walk, passes up to 100 petroglyphs on a steep and rocky hill of volcanic boulders (free admission; parking $1 to $2). If you have more time, hit the 2.2-mile Rinconada Canyon to see up to 300 carvings.
12) 10 a.m. Trains and tamales
May through October, the Sunday morning Rail Yards Market (free) combines local food — farm produce and prepared food — crafts and live music with an opportunity to see Albuquerque’s atmospherically crumbling Rail Yards. Once one of the city’s biggest employers, the train yard is home to the vast Machine and Boiler Shops with broken windows and rusty beams, now popular settings for film productions, including “The Avenger.” After sampling market fare, save room for tamales from nearby El Modelo Mexican Foods, which began making tortillas by hand in 1929. Fans line up at the to-go counter for tamales generously stuffed with shredded pork in spicy red chile ($2.60) and sloppy green chile brisket burritos ($5.15). There’s no indoor seating, so grab a stack of napkins and find a table in the shade in the adjoining parking lot or yard.
13) Noon. Panoramic perch
Legend has it that Sandia Peak to the east of town gets its name, which means watermelon, from the glowing light of sunset that paints its rock face pink below a green crest of trees that resembles the rind. Albuquerque’s observation deck and natural air-conditioner lies at 10,378 feet, reached via the 2.7-mile Sandia Peak Tramway line ($25). At the top, hiking trails include a one-mile route to Kiwanis Cabin, a mountain refuge built by the Civilian Conservation Corps in the 1930s. There’s also a ski resort in winter and, newly, Ten 3 restaurant, serving food, drinks and expansive views.
Lodging
The art-filled Hotel Chaco in the Sawmill District pays homage to Chaco Canyon, an ancient Pueblo cultural center in northwestern New Mexico, with its stacked stone masonry and circular lobby inspired by sacred kivas. The rooftop lounge Level 5 is a great place for sunset drinks and its gift shop, Dakkya, deals fine Native American pottery. Rooms from $230; hotelchaco.com.
Originally opened in 1937, the El Vado Motel was restored in 2018 with log-beam ceilings and platform beds. A series of restaurant “pods” face the former Route 66 motor court, now filled with tables, creating an outdoor food hall. Beer growlers in the rooms can be filled at the taproom next to the lobby. Rooms from $137; elvadoabq.com.
You can also rent a traditional adobe home near Old Town. VRBO lists two-bedroom adobes that are walking distance to many attractions from about $100 a night. Vrbo.com.
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