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zebu-helan · 1 year

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What Should You Consider While Backtesting A Strategy - Part 1

Backtesting is an excellent method for determining how our trading algorithms will perform in practice (might is the key word). However, understanding what it all means can be difficult for a data scientist who does not have a background in finance. Sortinos or Sharpies? Returns or financial profitability? This should not deter you, though, because some of the best funds in the world are managed by people who do not work in finance. Instead, now is the moment to learn.

In this post, we'll go over some of the most important techniques to determine whether or not your trading strategy is working. If you truly comprehend these fundamental signs, you will have a solid foundation for evaluating various strategies.

Setting Up Performance Metrics

These are some of the first criteria or measures you could use to determine how well your trades are performing. Most of the time, the measurements focus on two crucial aspects of a strategy: the change in the value of the portfolio and the risk of generating such gains or losses. Understanding these two things will allow you to determine what it does effectively and where it falls short.

Financial metrics

All of the stats in this section tell you how much money you made (or lost) when you followed a specific strategy. The total quantity of money is an excellent starting point, but there are other indicators that provide us with further information:

Annualized Return: Your trading strategy's average annual percent profit (or loss).

Win/Loss Ratio, Average Win/Loss: Total (or mean) (or Average) Profits from Successful Trades The total (or average) amount of money lost on bad trades.

The percentage of profitable deals is the total number of profitable trades.

When we talk about a % return on capital, we normally mean that the approach is a multiplier on your starting money. This is useful most of the time, but keep in mind that it is only partially true.

Next, in order to completely comprehend a strategy, we must grasp how we make money. For example, do we frequently have little wins followed by large losses? We may begin to comprehend how our plan will operate by examining alternative combinations of profitability, win/loss, and profit/loss.

Risk-based metrics

It's just as crucial to see significant profits as it is to understand that the strategy may lose money in the long run. "No risk, no reward" is a phrase only winners employ. The great majority of those whose risky bets did not pay off do not admit it. The following critical metrics are significant in this case:

Annualized Volatility: The standard deviation of the daily return of the model over a year. Because volatility is used to quantify risk, a higher vol model signifies greater risk.

Highest Drawdown: The most negative change in the overall portfolio's value or the greatest decline in PnL. It is determined by the greatest difference between the high and the next low before a new high is established.

Drawdown is an important risk aspect to consider because our backtest will always cover the entire period, but we're much less likely to keep a lost trade open in real life.

If you had purchased Amazon stock in 1998, it would have been wise to keep every share and acquire as much as you could during the dotcom bust. In truth, few people would stick with a contract if their money fell by 10%, 20%, 40%, 80%, or more.

#online trading company #online trading platform #lowest brokerage #stock market #stock market basics #basics of share market #stock market beginner #stock split #stock trading

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wwwbastrophomenhealth · 1 year

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Viking Door Phone Oil Rubbed Bronze

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flight-reservation-system · 2 years

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Airline Reservation System

What Is Airline Reservation System ?

· Airline Reservation System is a web-based booking solution that helps in consolidating information from all airlines through the use of global distribution systems. The system gives inventory and rates in real time to customers as well as travel agents.

· Airline Reservation System covers the details about flight schedules and its fare tariffs, passenger reservations and ticket records. An airline's inventory covers all flights with their available seats.

How Airline Reservation System Is Beneficial For Travel Business ?

· We are Award-winning Airline Reservation Software Development Company across the world. On airlines websites, we integrate hotels, transfers, sightseeing, cars, cruises, and dynamic packaging modules apart from airline IBE.

· We provide airline reservation and booking software design services for inventory management modules, incorporating centralized database architecture for real-time data, flight schedule and seating management, waitlist management, codeshare, and re-accommodation.

· Airline reservation system, also known as Flight Reservation System is fully airline reservation software solution integrate GDS/Flight XML services in travel agent travel portal so they can easily access all flight information and functionality online to reduced operational cost, development and maintenance time.

· The main goal of this software is to reduce the manual errors involved in the airline reservation process and make it convenient for the clients to book the flights as when they require such that they can use this software to make reservations, modify reservations or cancel a particular reservation.

· It is designed for online travel agencies to give ease of booking to the users, where they can search and book flight tickets in real-time. Users have the flexibility to choose the preferred seat and updated with further steps of booking.

· Our Flight Reservation System Software manages customer information in case of emergency, e.g. flight cancellation due to inclement weather. The flight companies will utilize this profile to track customer choice and travel patterns to serve them better, plan routes, for better marketing and effective scheduling of flights.

Why Airline Reservation System Is Important For Airline And Travel Business ?

· We are a pioneer name in the travel technology industry, we provide the airline reservation system with API integration of GDS like Travelport, Amadeus, Galileo, Sabre etc. We also provide airline reservation system with third party API integration such as Travel Boutique Online, Yatra Akbar Travels Online etc.

· We enable you to run your airline smoothly while enabling you to boost your airline profitability. We provide cutting-edge IT solutions to airlines of different sizes and all business models.

· Flight Reservation System is a major contributor to the growth of airline and travel industry. It updates inventories of several airline companies real-time. It is integrated with the global distribution system, which handles and runs the international booking of flights.

Airline Reservations System functionality includes

· Internet Booking Engines for reservation

· Reservation/Booking Management

· Airline Hosting System and Services

· Airline Scheduling

· Fares Engine

· Internet Booking Engine Statistical Module

· Airline Inventory Hosting & Management

· Airline IBE Hosting

· XML interfaces for distribution of airline system data

· Travel Agent Reservations

· Full GDS Type A & Type B reservation connectivity

· Direct Access from all GDS systems for reservations

· GDS E-Ticketing

· Amadeus, Sabre, Worldspan, Galileo, Abacus

· Interline with other Airlines

· IATA Interline Eticket (IET)

· IDEC Interline Settlement for IET

· Airport Departure Control System Module

· PNL export to other Airport Departures Control Systems

· Airport APIS (APP) transmissions

· Reservation Reporting Modules

· 3rd party system interfaces

· Scalable database system for all sizes of airline

· Hosting of other systems

CONCLUSION: For more details, please visit our website: https://www.flightsreservationsystem.com/airline-reservation-system

#Flight Ticket Reservation System #Airline Reservation System

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buntssanghaedu21 · 2 years

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Why should you do MBA from top MBA College in Mumbai

When you join Top MBA college in Mumbai you can learn the best of the course. For several professionals getting an MBA seems like the next logical step to advance their career. The benefits of MBA are applicable irrespective of your industry or your professional focus area. But some individuals might wonder if it is worth pursuing the degree or not.

The benefits of business management studies

The better awareness of the global market

Getting an MBA degree puts you close with other students from globe who have different work experience and perspectives on the global economy. Additionally to learn from professors is nothing less than a bliss.

Better communication skills effective communication is a fundamental skill that is required by all the professionals to succeed. Communication may be considered a soft skill compared to the hard skills like constructing a pnl model and it’s no less valuable. An MBA can help you learn some verbal and written communication skills that allow you to successfully convey the concept 2 different people at different levels to ensure everyone is able to work together towards a common goal.

Expand the professional network Earning and MBA makes you apart of the global network giving you access to respected and intelligent experts you might not have otherwise had a chance to connect with. By and being part of a broader community you will also have the opportunity to build relationship with other professionals in the classroom and beyond.

Better job opportunities In a highly competitive job market an advanced degree can help you stand out in crowd. Beyond being part of a broader community you will also have the opportunity to build relationships with other experts in the classroom and beyond. Employees typically look to hire or promote a candidate within MBA because they have the skills in marketing and finance that others within the organization might lack. It allows them to hit the ground running the various initiatives and help the company increase the profits.

#MBA college in Mumbai

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davsondavid · 3 years

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#e-commerce #online business #6 Figure Business Model #ecommerce #ebooks de pnl #ebusiness #make money 2021 #6 Figure Business #work from home #6 Figure earnings #How to start online Business

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sarah94 · 4 years

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Tu veux connaître mon cœur, mais y’a des drôles de plaies ⚡

#pnl #vmas #pnl music #adidas #wwe #model off duty #actor #model #r&b

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limonadecandy · 3 years

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nobody asked for this, but here’s my review of my 5 fave albums of 2020

Rina Sawayama - SAWAYAMA

When Rina Sawayama came out with Rina in 2018, I won't lie, I was quite disappointed. She was another queer woman singing about how much she loved other women, with the pretty Y2K aesthetics as only way to set her apart from the other artists. On November 2019, “STFU” was my wake-up call on how unique Sawayama is. Very few people can brag about juggling between alternative R&B, 2000's pop and nu-metal so flawlessly. Her voice allows her a musical versatility that hasn't been heard since Lady Gaga. SAWAYAMA goes even further, by making a complete pastiche of current and older tropes in american pop. The recuperation of nu-disco by the straights (“Comme des Garçons (Like The Boys)”), the cheesy 2000's ballad (”Chosen Family”, “Who's gonna save U now?”) pop-punk being worthy of deeper lyrics, here about fetishisation (”STFU!”), or dance-pop-stars used as publicity pancartes (“XS“), everything gets deconstructed under the very sharp eye of this political science graduate. Sawayama highlights everything that went wrong with american pop the past decade. A very british point of view, already seen in Blur's “Song 2″, which was a parody of the gimmicality of US grunge.

Pop parody is as well commmonly found within the hyperpop genre, whose fundations have been laid in London, by the label PC Music. Coincidentally, Danny L. Harle, one of its first members, can be found under the credits for “Chosen Family”. Clarence Clarity, her faved producer, re-ups for most of the album ; Clarity is also a frequent collaborator of hyperpop figure Dorian Electra, and remixed Charli XCX & Christine & The Queens' “Gone” last year.

Depending of everybody’s definition of hyperpop, SAWAYAMA can fit or not into the genre. There's no obvious noisy arrangements or autotuned vocals, but the self-awareness, the parody, the cyber and Y2K aesthetics can be found all over. Rina Sawayama seems to have intergrated all the lessons from this underground genre to airdrop it into the mainstream. If the future of pop is a politically charged maelström of finely crafted musical references, sung by a very skilled woman artist who's in charge of her artistry from A to Z, then we no longer don't have to worry for pop music’s future.

Laylow - TRINITY

French-language hip-hop has been experiencing its golden age since 2015, with a mainstream coverage and popularity never experienced before. The success of unclassable albums like PNL's Le Monde Chico, Damso's Ipséité, or Orelsan's La Fête est Finie, have allowed local rappers integrate new genres to their sound, far from the expectations usually put on french rap, that was before then forced to include political lyricism and funky instrumentals to be considered worthy of a critical praise.

Although mysterious, Laylow is not a newcomer into the French rap scene. He is a close friend of the experimented parisian rapper Jok'air, and of Sneazzy, former member of 1995, arguably the most influent crew of the past decade. After featuring on their songs in 2017, he dropped four maxi Eps, including Digitalova, where he established once and for all his distinctive image : cyber-streetwear-high-fashion. Unsurprisingly, this fashion addict grew up listening to G-Unit and Ja Rule, representatives of the « bling-bling » side of hip-hop and its distinctive aesthetic sense.

However, Laylow's music doesn't sound in any way like his american models. It's throughoutly modern, claustrophobic at times, a gloominess commonly found in UK grime and early trap, paired with Autotune and synths that confere a synthetic feeling. There's something about Laylow's aesthetics that evoke, once again, PC Music's hyper pop, albeit in a less optimistic and more serious manner. The Toulouse-native doesn't rap about his everyday life, or his cosmopolitan past living experiences (he grew up between France, Ivory Coast and Tunisia) – he raps about an imaginary world that might become our daily reality in a few years.

An obvious reference can be seen in the album's title, Trinity : the Wachowski sister’s Matrix trilogy. The album's protagonist lives in the Matrix. While living a lavish existence, made of heavy drugs and parties (”Megatron”) he is seduced by the charming Trinity (“Trinityville”), and falls deeply in love with her, until he loses his mind (“Burning Man”). Afterwards, he is hit by delusions (“Poizon“), and ends up wandering in the streets alone, more depressed than ever (“Nakré”, “Logiciel Triste”). A trajectory that might be inspired from Paris 75016 by Lolita Pille, a controversial novel which describes the downfall of a parisian heiress to the hands of a playboy, in between two sniffs of coke, nights spent inthe hippest VIP clubs of Paris, big sports cars and overpriced Dior dresses.

Trinity might indeed be about capitalism, although in subtlety : the desire of owning overpriced products, the temporary joy of showing them off, and then, paychecks reminding us of the actual state of our finances. That brings us back to Laylow's beloved « bling-bling » US rap and their sense of camp, where you would see rappers from the lowest classes of american society flaunting real gold chains. An approach less parodic than SAWAYAMA's that focuses on the concrete psychological effects of capitalism. The discussion with the homeless man in “… De bâtard ” also works in favor of this theory.

For the french rap media “Le Règlement”, Trinity is, more prosaically, about a dystopian society where happiness software have replaced drugs to cure depression, sensibly inspired from Spike Jonze's Her. Everyone will see what they want to see in this album.

Regardless of its message, Trinity is an ambitious dystopian nightmare, made of haunting hooks, brutally honest words, and flawlessly picked guests (Alpha Wann, known for his finely crafted lyrics and being another 1995 alumni; the commercially succesful Lomepal and his emotional vision of rap, or the fashion icon S. Pri Noir). Would it be in english, it would be found at the top of most « Best Album of the Year » lists.

Kid Cudi - MAN IN THE MOON III : The Chosen

The therapist of a generation finally unveils the final act of his iconic trilogy. After polarizing experiments (Speedin’ Bullet 2 Heaven, Indicud) and a somewhat rushed therapeutic album (Pain, Passion & Demon Slayin'), Man on the Moon III : The Chosen is meant to be Kid Cudi's return to mainstream. The recent successes of Kids See Ghosts, with the tuteral figure of Kanye West, and, earlier this year, The Scotts, along his psychedelic spiritual son Travis Scott had paved the way for an outstanding perfprmance ; the music just had to match up. Unsurprisingly with Cudi, it does.

Man on the Moon III shows a very intricate knowledge of current hip-hop trends. Rather than copying it, Cudi integrates it to his compositions. Many may find the FL studio trap drum pattern redundant or overdone ; in Man of the Moon III, it is encountered with parsimony, and punctuates the track rather than supporting it entirely. An approach that evokes his use of pop hooks and choruses in the earlier parts of the trilogy. Just like his eternal sidekick Kanye West, Cudi seems to know how to write tracks that get better with the years. It might not be surprising to see it highly ranked in best of the decade lists in 2029.

As he closes the album with the sentence « To be continued », questions arise. Can we expect a Man on the Moon IV ? Probably not. The Man on the Moon has healed. He won't be a victim of the devil (his addictions) anymore, the lord has shown him the way. Along with Trippie Redd in “Rockstar Knights”, the Man on the Moon learnt that he is not alone in his loneliness, and learns how to tame it without relying on artificial paradises. Man on the Moon III feels like the end of a coming-of-age series. This is very likely not the last we'll hear of Scott Mescudi. Earlier in 2020, he hinted at the return of his neo-psychedelia band WZRD ; it's also very likely that the commercial success of The Scotts foresees a future collaborative EP between the two kings of alternative hip-hop. The Man of the Moon trilogy was a therapy not only for Kid Cudi, but for an entire generation. Mental health is now a common focus in hip-hop lyrics ; in MOTM 3, Cudi pass his baton to the young guns, such as Trippie Redd, who shares his love for mixing hip-hop and alternative rock, or Phoebe Bridgers, whose heartfelt lyrics about depression and anxiety have gained the hearts of many listeners worldwide.

King Krule - Man Alive!

Although more underground than his american counterpart, the British child prodigy is also well known for his frank portrayal of addiction and depression. His 2017 trip-hop masterpiece The OOZ received applause from your favorite self-proclaimed experts (hm sorry, should've simply said mainstream music columnists), who had been waiting for an equally hipster-friendly follow-up ever since. The thing is, despite his privately tutored education, Archy Marshall, better known as King Krule, isn't like them.

Behind his poetrical verses, there's a young man whose addictions have dragged to the lowest of lows. A modern dandy. The modern dandy subverts jazz, the bourgeoisie's favorite musical genre, and trails it on the road of rapping and punk sensibilities, two genres deeply intricated with working class history. The modern dandy watches the television, the upper-class’ resented television (”Cellular”, “Theme for the Cross”), and doesn't feel moved by superficiality (”Please Complete Thee”). To alleviate his existential pain, the modern dandy has tried everything, from drugs, to murder, to exile, before simply acknowledging he can't escape it.

MOTM3 and Man Alive! feel like two alternate endings of the same story : the Man of the Moon is throughoutly aware of the impact he has on people, and seems to be telling his stories so it becomes life lessons, a proof that we can go through it. The American Dream at its finest : even the lowest part of the underclass could pretend to living a successful existence. Man Alive! is a class-conscious album. No country in the world loves their working class more than the United Kingdom, despite the current treatment they've been subjected to by Tory governements throughout times. Working class stories punctuate British media, no matter if it's in television shows, music, or films. In these stories, a working class person can definitely escape their initial life settings ; however, they will always be working class underneath.

That's exactly what Man Alive! is about : the long lasting effects of depression, the social stigma of drug addictions, love and fatherhood erigated as universal remedies. Healing is possible, but still impacts your existence and your social identity. Man Alive! reminds the listeners to not forget and embrace where they are from, even if it’s socially perceived as “wrong”. The content might seem depressing at first approach, but once you dig into it deeply, there are still things you can hold into to survive. Appreciating the little things of life. Appreciating the love you receive. Man Alive! is without a doubt King Krule's most hopeful work yet.

Fiona Apple - Fetch the Bolt Cutters

What could be said about the most critically accaimed album of the year that hasn't been regurgitated a dozen of times already? Fetch the Bolt Cutters is a feminist firebrand, obviously. A post #MeToo album, a DIY prophecy, we get it. However, Fiona Apple goes even further than dwelling in the girlboss narrative pop culture has tirelessly branded as feminism over the past years : Apple redefines womanhood.

Apple's womanhood is standing together against a society that pits women against each other for men’s pleasure (”Shameika”, “Ladies”), Apple's womanhood is about men drugged by their own power raping innocent women (”For Her”) or being constanly put down by capitalistic and its nearly robotic avatars (”Relay”). Womanhood is a pain, but an escapable pain, as shown in the song that gives its name to the album, as well as in in “On I Go”, a mantra calling women back to action.

Suburban white moms love their esoterical feminism, based on the divine feminine and shoving expensive jade eggs down their vaginas. A commodified, sectarian, trannsphobic and at times harmful form of feminism, coopted by charlatanist brands lsuch as Goop. On the other hand, outside of the maisntream, Apple's feminism is throughoutly inclusive. She doesn't want women to pit themselves against each other anymore (”Ladies”) ; she's a white woman giving flowers to her black classmate (”Shameika”). Apple's view of feminity is not based in the reject of men, but on unifying women and anyone that has once been perceived as female on the basis of what they've gone through due to their gender. No divine vulva bullshit here, just raw power and the intention to fight back.

Fetch the Bolt Cutters is probably her most energetic album. The rythm often gets carried away, and so do her words. It's at times extremely catchy (”Relay”, or again, “Shameika”). Regardless, the crude lyrics won't make it possible to broadcast on national radios. Apple writes catchy songs unintentionally. Her intent is not to sell, but to tell, and she tells it in such a striking way that her words remain in your heart even long after the first listen. Even her experimental arrangements, such as her dead dog's bones on “Drumset”, leave a lasting impression. A cross-genre approach that evokes at times one of the greatest (and most criminally underrated) pop albums ever, Sheena Ringo's Kalk Samen Kuri no Hana.

Fetch the Bolt Cutters is worth any praise it received, and grandiosly introduced an entirely new generation of listeners to Apple's talent. One of the most important voices of our times, that had sadly been silenced for too long by an industry that despises women who are aware of their worth.

#review #english isn't my first language #text post

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dustedmagazine · 4 years

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Dusted’s Decade Picks: The Lists

Protomartyr, who appear on at least three of these lists.

Of course, those picks from earlier today didn’t just manifest out of thin air; most (if not necessarily all) of us wound up coming up with some sort of decade-end list in the process of picking an album or two to ruminate upon, and a few that didn’t have specific pieces on singular works still had a little something to say about the decade just now passing away. Below the cut, then, is a more expansive but less wordy account of what various Dusted personnel found most personally essential in the 2010s. Enjoy!

Andrew Forell’s Ten Others of the Tens:

Algiers – Algiers (Matador 2015)

Burial – Rival Dealer (Hyperdub, 2013)

Deerhunter – Halcyon Days (4AD, 2010)

Goon Sax – We’re Not Talking (Chapter Music, 2018)

John Grant – Pale Green Ghosts (Bella Union, 2013)

John Murry – The Graceless Age (Evangeline, 2012)

Low – Double Negative (Sub Pop, 2018)

My Bloody Valentine – m b v (m b v, 2013)

Nick Cave & The Bad Seeds – Skeleton Tree (Bad Seed Ltd, 2016)

Tim Hecker – Rave Death, 1972 (Kranky, 2011)

Ben Donnelly’s A Decade of Albums, Alphabetical

Sina Alam – Cut Pieces (Tekehaye Borideh Shodeh) (Sina Alam, 2011)

Marisa Anderson – Traditional and Public Domain Songs (Grapefruit Records, 2013)

Shana Cleveland & The Sandcastles – Oh Man Cover the Ground (Suicide Squeeze, 2015)

Demdike Stare – Tryptych (Modern Love, 2010)

Esben and the Witch – A New Nature (Nostromo, 2014)

Fire! Orchestra – Exit! (Rune Grammofon, 2013)

A Hawk and a Hacksaw – You Have Already Gone to the Other World (LM Dupli-Cation, 2013)

Heron Oblivion – Heron Oblivion (Sub Pop, 2016)

James Holden & The Animal Spirits – The Animal Spirits (Border Community, 2017)

Kelsey Lu – Blood (Columbia, 2019)

Cate Le Bon – Cyrk, Cyrk II, Mug Museum, Reward (Turnstile, Mexican Summer; 2012, 2013, 2019)

Zabelle Panosian – I Am Servant of Your Voice (Canary, 2017)

Stara Rzeka – Cién Chmury Nad Ukrytym Polem (Instant Classic, 2013)

Ufomammut – Eve, Oro: Opus Primum, Oro: Opus Alter (Supernatural Cat, Neurot; 2010, 2012)

Ulaan Passerine – Moss Cathedral, The Landscape of Memory (Worstward; 2016, 2017)

Various Artists – Sky Girl (Efficient Space, 2016)

Derek Taylor’s Ten for the Decade

Wadada Leo Smith – Ten Freedom Summers (Cuneiform, 2012)

Joe McPhee & Paal Nilssen-Love – Candy (PNL, 2015)

Jaimie Branch – Fly or Die (International Anthem, 2017)

Evan Parker – As the Wind (Psi, 2016)

Sonny Rollins & Don Cherry – Complete Live at the Village Gate (Solar, 2015)

Ellery Eskelin – Trio New York (Prime Source, 2011)

Henry Threadgill – In for a Penny, In for a Pound (Psi, 2015)

Peter Evans – Zebulon (More is More) 2013

Various Artists – FMP In Ruckblick (In Retrospect) (FMP, 2011)

William Parker – Wooden Flute Songs (AUM Fidelity, 2013)

Ethan Milititisky’s 10 Others That Deserve More Attention:

The Whines — Hell to Play (Meds, 2010)

Terry — Terry HQ (Upset the Rhythm, 2016)

Fly Ashtray — The Eponymous Object (Self-Released, 2012)

Metal Mountains — Golden Trees (Amish, 2011)

J. McFarlane’s Reality Guest — Ta Da (Hobbies Galore, 2019)

The Coolies — Kaka (Feeding Tube, 2015)

Hidden Ritual — Zebra Bottle (Monofonus Press, 2015)

Watery Love — Decorative Feeding (In the Red, 2014)

Uranium Orchard — Knife & Urinal (Cold Vomit, 2018)

Rose Mercie — Rose Mercie (Monofonus Press, 2018)

Ian Mathers’ Personal Top 20 of the Decade (Alphabetical)

Chelsea Jade — Personal Best (Create Music Group, 2018)

Clinic — Free Reign II (Domino, 2013)

EMA — The Future’s Void (City Slang, 2014)

Julianna Barwick — Will (Dead Oceans, 2016)

King Woman — Created in the Image of Suffering (Relapse, 2017)

Leverage Models — Leverage Models (Hometapes, 2013)

Los Campesinos! — Sick Scenes (Wichita, 2017)

loscil — Sea Island (Kranky, 2014)

Low — Double Negative (Sub Pop, 2018)

Mansions — Doom Loop (Clifton Motel, 2013)

Mesarthim — The Density Parameter (Avantgarde Music, 2018)

Mogwai — Hardcore Will Never Die, But You Will. (Rock Action, 2011)

The National — Trouble Will Find Me (4AD, 2013)

Picastro — You (Function, 2014)

Protomartyr — The Agent Intellect (Hardly Art, 2015)

Sleigh Bells — Reign of Terror (Mom + Pop, 2012)

Spoon — They Want My Soul (Loma Vista, 2014)

SubRosa — No Help for the Mighty Ones (Profound Lore, 2011)

Swervedriver — I Wasn’t Born to Lose You (Cherry Red, 2015)

Zeal and Ardor — Stranger Fruit (MVKA, 2018)

Jason Gioncontere’s 10 From the 10s

Recency biases can render exercises such as these moot; fortunately my palate continues to evolve at a glacial pace. Compounding matters is the flash-cube sized attention span the Digital Age is leaving us with in its wake. If it hasn’t honestly hasn’t affected the way you digest and connect with music one iota you are luckier than I. From the opening notes I knew all these albums below were a different beast, each and every time I am left with no choice but to go on the journey in its entirety as intended. Best efforts were made to sequence these in number of rotations:

David Nance - Calling Christine (CDR, 2016)

Helen - The Original Faces (Kranky, 2015)

Dreamdecay - N V N V N V (Iron Lung, 2013)

Uniform - Wake in Fright (Sacred Bones, 2017)

Lou Barlow - Brace the Wave (Joyful Noise, 2015)

Protomartyr - Under Color of Official Right (Hardly Art, 2014)

Axis:Sova - Weight of a Color (Kill Shaman, 2012)

Beachglass - Clouding (Bandcamp, 2017)

Birds of Maya - Ready to Howl (Richie, 2010)

La Hell Gang - Thru Me Again (Mexican Summer, 2014)

Jennifer Kelly’s 2010s Favorites

Nick Cave & The Bad Seeds — Push the Sky Away (Bad Seed Ltd., 2013)

Protomartyr — Under Colour of Official Right (Hardly Art, 2014)

Sleaford Mods — Divide and Exit (Harbinger Sound, 2014)

Meg Baird — Don’t Weigh Down the Light (Drag City, 2015)

Heron Oblivion — Heron Oblivion (Sub Pop, 2016)

Amy Rigby — The Old Guys (Southern Domestic, 2018)

Steve Gunn — The Unseen in Between (Matador, 2019)

Patois Counselors — Proper Release (Ever/Never, 2018)

Damien Jurado — Maraqopa (Secretly Canadian, 2012)

Skull Defekts — Peer Amid (Thrill Jockey, 2011)

Jack Rose — Luck in the Valley (Thrill Jockey, 2010)

Rangda — False Flag (Drag City, 2010)

Tim Clarke’s A Baker’s Dozen From the 2010s

In a nod to The Quietus’s regular feature, here are 13 albums that have meant a lot to me in recent years. I’m sure there have been musical trends during the 2010s more worthy of coverage than a personal list of favorites, but if one thing’s clear from this list it’s that, for better or worse, my taste hasn’t changed much in the ensuing years and is rarely swayed by the flavor of the month (or year, or decade). Most of this is expansive guitar-based stuff, and they’re all albums I don’t hesitate to revisit to this day. So, if that sounds like your bag, you can’t go wrong with any of these, presented in alphabetical order:

Big Thief — U.F.O.F. (4AD, 2019)

Chris Cohen — Overgrown Path (Captured Tracks, 2012)

Loma — Loma (Sub Pop, 2018)

Sandro Perri — Impossible Spaces (Constellation, 2011)

Radiohead — A Moon Shaped Pool (XL, 2016)

Roommate — Make Like (Strange Weather, 2015)

Andy Shauf — The Party (Arts & Crafts, 2016)

Shearwater — Animal Joy (Sub Pop, 2012)

Chad VanGaalen — Light Information (Sub Pop, 2017)

Mark Van Hoen — Where is the Truth? (City Centre Offices, 2010)

The Walkmen — Lisbon (Fat Possum, 2010)

Wild Beasts — Smother (Domino, 2011)

Women — Public Strain (Jagjaguwar, 2010)

#dusted magazine #lists #best of 2010s #andrew forell #ben donnelly #derek taylor #Ethan Milititsky #ian mathers #jason gioncontere #jennifer kelly #tim clarke

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bankermatch · 1 year

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octoswan · 5 years

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Is Promised NL really good or not? I've heard that it's a refreshing element to the shounen genre and since you kind of hate shounen anime but still watch the PNL that means it's really worth it or it's still a generic serie that you've spend time on?

I think it’s great and really recommend giving it a watch! Shounen anime isn’t my favorite because it’s so formulaic, and almost all of them have long arcs featuring fights between yelling boys on checkered stadium floors lmao. BUT that’s obviously not all shounen anime is. Promised Neverland is definitely very different, and a breakaway series on its own. The main main protagonist is a girl, for one thing, so we’re already breaking away from the model a bit (and holy shit, none of the girls are sexualized! +1000 points). It’s an amazing horror thriller, with themes you don’t really see in mainstream anime. For one thing, it’s written by a proper writer (the original manga artist draws it, the writer writes it) so the series is very well plotted thematically. It’s also very left-leaning (one of the underlying themes as you get deeper into the series is the destructive hierarchical machine that is capitalism), which is refreshing because shounen anime has been leaning further and further right in the last decade (following nationalism trends in Japan). I recommend watching the first season of the anime first, because they really draw out the drama in a way the manga doesn’t.

Some trigger warnings for the series would be: disturbing dystopian themes, body horror, violence and gore, and i guess children in constant peril? lol

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allbestfemale-blog · 5 years

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flight-reservation-system · 2 years

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