#Nikkor AIs 50mm f1.4
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Nikkor 50mm F1.4 Pré-AI
Cout test d'un objectif.
Nikkor 50mm F1.4 Pré-AI
Mon exemplaire a été produit en 1962. Il date d’une époque où la photographie noir et blanc était la norme avant que la photographie en couleur ne se démocratise au milieu des années 70. Conçu pour le monochrome, il me convient donc parfaitement.
L’objectif donne des images de qualité et offre un rendu contrasté.Il possède aussi cette capacité à donner une gradation dans…
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#35mm#argentique#matériel photo#matériel photographique#nikkor 50mm f1.4#nikkor pré-ai#objectif photo#test de matériel#tirage argentique#vintage
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Rock Pool by Zou san
Via Flickr:
On the beach at Prestonpans
#Scotland#East Lothian#coast#beach#Firth of Forth#Sony#nex-3n#Sony NEX-3n#Nikkor#50mm-f1.4-ais#flickr
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もう一本、オールドレンズ。
NIKKOR-S･C Auto 50mm F1.4
50mm F1.4は他にNippon Kogaku表記のS Autoと非AIのNEW NIKKORを持ってるけど、S.Cが一番面白いかな。
開放時の甘い描写と光線の加減で発生するリング状のゴーストがいい感じです。
でも絞ればコントラストがついてキッチリ写る。
価格もお手頃、十分遊べるレンズです。
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Rainy Day. Nikon F3, Nikkor AI-S 50mm f1.4, Ilford SFX Trichrome.
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VW✨
Film Kodak ISO200 🎞
Nikon FM3a + Nikkor Ai 50mm f1.4
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Forty years ago, Feb 22, 1984 Paris. A date and place that defined my eye. In July 1983 I received a gold foil envelop with a French postmark, containing an invitation to submit work in a photo exhibition in Paris. At the time I had no clue who the organization was or how they knew of me. Then a 25 year old struggling photographer.
I did not take it as being real thinking it was a scam because of the $500 entry fee. Giving it some thought, I visited the French Embassy in Chicago inquiring if this organization was real. After the embassy official reviewed and xeroxed the paperwork. I was given a phone number to the Embassy and asked to call in a couple of days. I called and was told it was real. I sent the international money order per payment instructions a day later. About a month later a French postmarked package was delivered, containing 25 invitations for my guests and photo mount specs, packing/shipping labels/instructions.
Here the invitation and three of the six images that were sent to be my first photos exhibited in an exhibition in Paris.
“Waiting for Rain”
Model: Wendy Braun
Location: Lower Wacker Drive Chicago, Illinois
Nikon F3HP, Nikkor 85MM F1.4 AI-S
Film: Agfa APX 100
“VaROOMMM!”
Royal Bastards
Kenny
Location: St. John, Indiana
Nikon F3HP, Nikkor 50MM F1.4
Film: AFGA APX 100
“Ready, Set, Go”
Royal Bastards
Ken, Ian, Dan and Pat
Location: St. John, Indiana
Nikon F3HP, Nikkor 50MM F1.4 AI-S
Film: AFGA APX 100
#modeltest #unedited #blackandwhitephotography #blackamdwhitefilm #nikon #nikonf3 #agfa #film #135mm #135mmfilm #35mm #35mmfilm #editorialfashionphotography #fashiondesigner #fashionphotographer #rudyparias #rudyariasphotography #pursuitofportraits
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The Opening Salvo, Cheap Glass For NIKKORheads! headache-induced rambling.
A journey of a thousand miles begins with a single step – Chinese proverb.
Nikon is probably one of the cheapest Camera brands to get into these days. That's mainly due to the fact that the F mount contains some of the most illogically cheap glass ever seen on a system to date! But there really hasn't been anyone trying to make a modern day, comprehensive list of all of the little buggers that exist. This is frankly due to the ever growing fact that there is too many lenses for one person to trouble themselves with because there can only be so many styles, focal lengths and F-stops one can touch on before they themselves become absolutely stone-mad and try to eat the canvas bag that holds your camera. There are people that review them as they come along and itemize them and props to those who can put up with that kind of cheap bullshit. But I’ll not bring Ken Rockwell into this whole charade if I don't have to.
Black-eyed Susans - Nikon D3, Nikkor AF-D 80-200mm F2.8 one touch, ISO 400, F3.2, 1/400 second
With the Glass Problem I have, it seems that i have no real basis to try and hunt for the Good pieces of shiny Circular Goodness on my own. Ken Rockwell can help as a sort of basic bitch barometer but his Certified Hot Takes and Oversaturated images can only carry me so far. The best thing I can do then, Really. Is get grounded and try to cope with what I can get to and throw out the rest as cheap bullshit for the hounds to go after. 1987 and beyond Glass that can actually be worth a Damn. But the method of finding the diamonds in the rough can roughly be equated to going Landmine-Hunting with a sledgehammer.
Forest Corridor. Nikon D3, AF-D Nikkor 18-35mm F3.5-4.5 ED, F9, 35mm, 1/500sec, ISO 640
With all of this and the above rambling, it feels like the best idea to me is to get some grounding on the opening of this Shameful Diary is to itemize the pros and cons of the glass I already have as I step up to get their newer counterparts alongside picking up some of the old, manual AI and AI converted numbers. Why not? It makes perfect sense to me. “Catalog what you know, pick up on what you don't” Maybe Ill Improve in this hobby for once in my life. But the immediate problem that I ran into with that angle is twofold. One; my collection of glass can best be described as “Eclectic” And two, if I really want to wring the potential Max Performance out of these shiny glass cylinders my brain is screaming at me that I should get a camera with a higher megapixel sensor inside of it. This idea gets constantly brought up by the council of mad gerbils that tens to run my inner thoughts, but is immediately shot down by the idea that the camera we would “like to step up to” the D850, does not supersede bills. So its immediately thrown out until I can cope with buying its just-as-capable cousin, the D800.
Dog! Nikon F4S. Ektachrome E100
Before I veer off into any tangents or this manic wave passes over me and ill be left in a catatonic slump. Ill itemize a few of the repeat Photon-Wranglers that will show up here and mention some of the glass I hope to gather and show off. In the vein hopes of becoming a niche internet micro-celebrity on a dead website that had strange porn on it coming out through the eyeballs. This is what I get for not bothering to make a proper website. But once again, things like that cost money, which i don't tend to have a lot of for long periods of time. mainly all of it is spent on fanciful trips or restocks on film, not to mention development of the buggers. But anyway!
Repeat appearances will include the;
Nikon D3
Nikon F4S
Nikon D800/D850 (When purchase of either is applicable)
Nikon F FTN
Eventual Glass Purchases;
AFS Nikkor 24-120mm F4 G type
AFS Nikkor 50mm F1.8 G type
AF-D Nikkor 24mm F2.8
AF-D Nikkor 35mm F2
AF-D Nikkor 300mm F2.8 ED
AFS Nikkor 200-500mm F5.6 ED VR E type
Vogitlander Nokton 58mm F1.4 SL-2 S
AFS Nikkor 300mm F4 D type
AFS nikkor 28-300mm F3.5-5.6 G type
Among others.
But as I Shuffle through the Glass I have in an effort to either Sell or keep them Maybe some special moment will arrive that will make me think that all of this spent money on glass, film development, digital bodies and endless hours working out how the fuck a modern flashgun works or how to edit my RAW files like i know what im doing will be all worthwhile. Or it will make me want to travel back in time and throttle whoever designed the AF-D 80-200mm F2.8 one touch to have its’ focal length be changed by jerking off the main section of the barrel.
Atlas
1/8/2024
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Knots and grains
Back to black and white. A few images that came from details that caught my eye while at a garden center shot on my Nikon F2AS with the Nikkor 50mm f1.4, an pre-AI version converted, on Rollei RPX 400. I like the cracked tires on the tractor in the last image.
I think I’ve mentioned before how I love the stark contrast this film stock renders, but I’ve had problems keeping the film clean while…
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#35mm#B&W#Believeinfilm#camera#film#Nikkor 50mm f1.4#Nikon#Nikon F2AS#photography#Rollei RPX 400#vintage cameras
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「自衛官募集！」的な
#あんず
#むぎ
－－－－－－－－
#Nikon #NikonD5600
Ai #NIKKOR 50mm F1.4
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flickr
Film Kobe d'en bas by Damien Canessa
Via Flickr:
Camera : Nikon F3 Lens : Nikkor 50mm f1.4 AIS Film : Kodak Ultramax 400
#asie#asia#japan#japon#street#rue#ruelle#haut#sky#ciel#building#buildings#batiment#batiments#maison#maisons#appartement#appartements#apartment#apartments#between#entre#au#milieu#fenêtre#fenêtres#window#windows#kobe#kansai
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ニコン Nikon FE2 シルバー + Ai-S NIKKOR 50mm F1.4 フィルム マニュアルフォーカス 一眼レフカメラ 【中古】
【【 詳細は → 】】
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$31.05 Only! ~ Nikon F Metal Lens Hood 50mm 58mm f1.4 Nikkor Ai Non F Shade Metal clip on type, Best Lens Cleaning Kit, Rubber Lens Hoods for Cameras, Lens Hoods, Purpose of Camera Lens Hood, Collapsible Lens Hood, C001, Rubber Camera Lens Cover, Camera Lens Hoods BUY HERE!
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N MINT w/ Strap Nikon FM 35mm Film Camera Ai NIKKOR 50mm f1.4 Lens From JAPAN
CAMERA DEALS: Seller: aibee-shop-japan (100.0% positive feedback)
Location: JP
Condition: Used
Price: 199.99 USD
Shipping cost: 34.99 USD
Buy It Now https://www.ebay.com/itm/364213084794?hash=item54cccaa27a%3Ag%3A5HkAAOSwHMxkM7Bq&mkevt=1&mkcid=1&mkrid=711-53200-19255-0&campid=5338779481&customid=&toolid=10049&utm_source=dlvr.it&utm_medium=tumblr
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Nikon F3T + Nikkor 50mm F1.4 Ais
Kodak Vision 250D
ECN2 Develop
Epson V600
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German Glimmer ✨ 📸:Nikon F2 🎞️: KodakUltraMax400 🔭: Nikkor 50mm F1.4 Non-Ais (at Los Angeles, California) https://www.instagram.com/p/CnIbbpAS_CS/?igshid=NGJjMDIxMWI=
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