Attribution: Max Neumann (Germany, 1949-). Dog related art spotted at @ma_idf Maison de l'architecture Ile de France (Couvent des récollets) in Paris 10e, France. Tout homme craint les temps, le temps craint la pyramide (Cheops). 1992. @galerievidalbertoux
"How many lives go into a life?" Leaving by Cees Nooteboom, Drawings by Max Neumann
How many lives go into a life? Leaving by Cees Nooteboom, with drawing by Max Neumann @seagullbooks
A man standing in a winter garden becomes aware of something not quite right—a cloud that seems too heavy, bare branches against an ancient wall, the refusal of neighbouring geese—an unspoken uneasiness that carries his thoughts back to the war:
The war that never stopped coming back,
a guest who’s known to all, a toothless
kiss, the language of intimate betrayal
around him now again, remembering…
from IG scarlet.wlaschiha (thank you 🌻) - 23rd September 2022
Caption🗿
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ac: 𝘦𝘥𝘪𝘵𝘴𝘭𝘢𝘺𝘻 ༊*
Enzo sc: @pughscenes
“Choose your guy”
Dmitri "Enzo" Antonov (Stranger Things 4) - Arkady (The Deep) - Rudy Neumann (The incredible story of Rose Island) - Karl Bergmann (Last Light) - Gerhard (A war within/I Krig & Kærlighed/Von Liebe und Krieg) - Max Schenkel (Jack Ryan)
Many astrologers have noticed the prominence of Saturn (dedication, discipline, determination, creations of enduring value etc.) and Jupiter (luck, blessings, inspiration, search for deep meaning and reliable knowledge etc.) in the natal charts of many scientists. The following statements depend on the accuracy of the birth-data, so if the publicly available birth-data is correct or even approximately correct then the following astrological facts are true (or approximately true). First, note, Isaac Newton: Saturn 19 deg Pisces 53 min conjunct Jupiter 14 deg Pisces 08 min and Werner Heisenberg: Saturn 14 deg Capricorn 43 min conjunct Jupiter 15 deg Capricorn 28 min, this is well known to astrologers and the significance of these placements is relatively straightforward. The prominence of the Galactic Center, however, is relatively less well known and that is one of the reasons I’m including the Galactic Center (GC) in ‘AveryCanadianFilm’. The following astrological aspects, for deceased physicists, are from publicly available birth-data.
Newton: Mercury 20 deg Sag 56 min conjunct GC 21 deg Sag 52 min.
Einstein: Sun 23 deg Pisces 30 min square GC 25 deg Sag 10 min.
Heisenberg: ASC 21 deg Gemini 07 min opposes GC 25 deg Sag 29 min.
El Paso, Elsewhere releases tomorrow. It's been in development since Sept 2020. It's the most complex thing I've ever worked on to this day and it's a love letter to old third person shooters. I am its programmer and cinematic artist. It is heavily inspired by Max Payne and Quake.
This is a game about relationships. And vampires.
I am fucking terrified- this is the first time I've released a game where I'm the sole programmer & it's my first time ever working as a cinematic artist. Any mistakes in there are my own and it's up to me to fix them.
And I am really fucking tired. This was an extremely tiresome year- I have never in my entire life felt like this, this tired. I am absolutely exhausted. And I'd do it all over again. With a team like this, I'd do it all over again and again and again.
I learned how to make cutscenes and I made cutscenes- I made 35 of them! I really enjoyed the process and I really want to work as a cinematic artist again (and eventually as a cinematographer).
We did it. We made a game. I have finished something in my life and I want you to have it.
1st and 2nd Place winners of this December's Character Polls from last year, Nessa and Phoebe respectively. I will post the next batch of Character Poll art soon!
And to pay respects to the supporters in patreon, I will give them the same shoutout as I did when I first posted these.
Shoutouts:
Ruben Trujillo
KoopalingKrew128
Shiftman Fire Phoenix
Jake Neumann
Monnal
Rodolfo Zuniga Jimenez
rockmannk
Simon Warshen
Kai Santos
ArtistTheArtist05
Dirtgoon
Hawkskull
Kody Munoz
Topaz Moon
Kuuga03
Inlata Guy
Marshall Kyler
Derrick Nickelson
Sean Ryan
Seekerlano
YamiZero
Locke
James Tobias
Specter Von Baren
Ghast_er _
Josテゥ Galdos
FishCakesMakeAFineMeal
Blind Zero
blound pilot
Littleshiro-kun
Samuel
Zebb
Gekan
Saiyakitsune
SaraLilly
lawless
Roberto Rodriguez Figueroa
Yon
Gabe Zia
DanShattered
Dogman0
Tsurai Shino
Krista_Evans
toonstarfreak
TheKman
PSIMaster789
Fides Brunel
Daniel Tilson
Chanmiko Carrillo
GodzillaMaster
Eddie Riessen
Logan Arias
SMTM
Max Fisher
Alex Besancon
Clint Dust
Jubbz
Billy Harris
Ron of Wolves
final_agent
Ethan Ryder
Lucky
Exhaustion
KingPrinny
majed masri
David Schlough (Epic42)
Alex aka Archangel Zol
sinDRAWS
HigureYa
SandTwister
Panther J
Leumas
Polyvoir
BlueMan282
UniWaifu
If you’d like to participate for future polls, consider supporting me on patreon:
Brod’s editorial interventions reflect his commitment to minimizing the fragmentary nature of the diaries and effacing the peculiarities of Kafka’s language in favor of a more formal, perfected, and supposedly pure High German.
To use the terms first applied by Gerhard Neumann to two opposing conceptions of Kafka’s posthumous writings, Brod presented the diaries to the extent possible in the guise of a Werk, a cohesive and fixed work, rather than Schrift, writing as a fluid, ongoing, goalless activity.
Brod’s more unified, accessible adaptation of Kafka’s literary bequest—particularly his editions of Kafka’s three unfinished novels, The Trial, The Castle, and The Missing Person (which Brod titled Amerika)—secured the deceased writer an international reputation far beyond his limited, if enthusiastic, readership during his lifetime. At the same time, Kafka’s worldwide reception was shaped by a misrepresentation of what he had actually written.
Perhaps he sought to compensate for his betrayal of his friend’s last wishes by convincing himself that through his revisions he was being true to a higher ideal of Kafka and his writing.
— Ross Benjamin (translator) on Max Brod's editorial intervention in Franz Kafka's diaries
I say, it is so much like being in a cage, as if all I could ever do is jump in a cage, and I can’t do anything else, I have to jump, however if I jump I immediately end up in that space which, as I say, is often maddeningly tight
-Animal Inside, Lazló Krasznahorkai and Max Neumann
‘IT’S AS THOUGH YOU’D LIKE TO SPEAK, BUT HAVE NO LANGUAGE.’ These are the words chosen by German painter Max Neumann to describe his earliest—and perhaps deepest—impulse to create. For nearly half a century, Neumann has laboured to develop, refine, and elaborate a visual vocabulary that is dark, obsessive and intense. A lifelong collaborator, Neumann’s paintings have accompanied the work of Cees Nooteboom, Seamus Heaney and Fernando Pessoa, among many others, helping to cultivate a global reputation.
Though long celebrated across much of Europe, Neumann’s work has only in recent years penetrated the Anglophone world. The success of his most recent collaborations—with László Krasznahorkai on their chapbook ANIMALINSIDE (2010), and with the US journal MUSIC & LITERATURE (2012)—testify to the universal appeal of Neumann’s howling, primal language. Read further https://www.thewhitereview.org/.../interview-with-max.../