29 gennaio … ricordiamo …

29 gennaio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2023: Annie Wersching, attrice statunitense. Attiva prevalentemente in televisione, è nota per aver interpretato Amelia Joffe nella soap opera General Hospital, Renee Walker nella serie 24, Lily Salvatore nella serie The Vampire Diaries e la Regina Borg nella serie Star Trek: Picard. Ha iniziato l’attività di attrice nel 2002. Wersching ha sposato l’attore comico Stephen Full nel 2009. La coppia…

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'marie-laure, vicomtesse de noailles, c. 1930' shot by man ray in fashion and surrealism - richard martin (1987)

Idole de ma vie, Mon tourment, mon plaisir, Dis-moi si ton envie S'accorde à mon désir ? Comme je t'aime en mes beaux jours, Je veux t'aimer toujours.

...

Sois d'un cœur qui t'adore L'unique souvenir ; Je te promets encore Ce que j'ai d'avenir. Comme je t'aime en mes beaux jours, Je veux t'aimer toujours.

Vers ton âme attirée Par le plus doux transport, Sur ta bouche adorée Laisse-moi dire encor : Comme je t'aime en mes beaux jours, Je veux t'aimer toujours.

Marceline Desbordes-Valmore

Ph. Dora Maar : Marie-Laure de Noailles

la salle de bains de Marie Laure de Noailles à Paris

Man Ray

Marie-Laure De Noailles

1936

@lepetitechodesarts

je ne sais pas si tu as vu ce doc sur la 5, très interessant sur la vie des de Noailles, leur passion pour l'art, leur maison à Hyeres que j'ai visité il y a qq années et qui est maintenant dédiée à l'art contemporain (évidemment !!) 2 passionnés d'art

To Marie-Laure and Charles de Noailles Paris, 17 March 1932 Very dear friends, I’ve been wanting to write to you for some time now – since receiving Charles’s letter – but these last few days I’ve been very busy with endless surrealist complications. I’m also tied up with ‘dubbing’ work for Paramount. I spoke to Giacometti the other day about the surprise Charles mentioned in his letter: he has agreed to prepare it with me and we’ll keep you informed. As for Crevel, he told me he would write to you. He came for supper at my home on Sunday, with Mrs Cuevas and Ortiz. Naturally, we spoke of nothing all night but the latest complications with the group. For rather complicated reasons, a new splinter group has formed consisting this time of Aragon, Sadoul, Unik, Alexandre, Giacometti and me. This split was caused by the publication of Breton’s Poetry’s Misery. Dalí wrote to me from Cadaqués: he now represents the extreme right wing of surrealism. It’s all so sad and you can imagine the terrible time we are having. Frankly, the Marseille business did not go well. That Mr Castelli took two months to decide to pay me 2,000 francs, and I see from your letter that the takings came to 13,000. The same with Belgium and Holland. As they don’t want to pay me more than 1,000 francs per screening, I’ve spent the last month writing to them. Everyone has the same excuse: limited screenings due to censorship. I should like to know what you think, and whether you would prefer I just keep the film with me here, rather than let it go at that price. I still think that had the censors not intervened we would have recovered the production costs; Braunberger was saying the same thing a few days ago. The film has also been requested by Prague. If you have a moment to write, I’d be grateful for more specific details about the kind of surprise you would like so that we can get on with our preparation. It goes without saying that we’ll try to do the best possible job. The other evening after dinner we played some poetic games and René was lamenting that Marie-Laure was not with us, because she would have loved it. Mrs Cuevas was truly inspired and wanted to carry on and wash the dishes. Only a titanic struggle on our part dissuaded her. There are no major novelties as far as films go. There was a magnificent Eddie Cantor film, Palmy Days. Renoir’s film The Bitch, is very well made and has a very good cast. In my opinion, it’s the best French film in recent years. I went to see Orpheus by Offenbach and found it admirable. A play, Pains of Youth, has caused great commotion among the surrealists, especially Breton; but I prefer Wedekind. It’s the same genre, of course, but with that unpleasant so-called ‘post-war’ touch. Wedekind filtered through the Treaty of Versaille. I got Nora’s letter and want to write back at once. Do let her know and send her my thanks in advance. Love to Laure and Nathalie and all my friendship to you both, Luis

Jo Evans & Breixo Viejo, Luis Buñuel: A Life in Letters

(via Les Mystères du château de Dé ☛ Written by Man Ray, Jacques-André Boiffard | 1929 (France))

Les Mystères du château de Dé  ☛ Written by Man Ray, Jacques-André Boiffard | 1929 (France)

Les Mystères du Château de Dé (The Mysteries of the Chateau of Dice) is a 1929 film directed by Man Ray. It depicts a pair of travellers setting off from Paris and travelling to the Villa Noailles in Hyères. At 27 minutes the film was the longest that Man Ray directed during his career. Originally a silent film, recent copies have included music taken from Man Ray's personal record collection at the time, including recordings of Erik Satie's Gymnopédies. The musical reconstruction was written by Jacques Guillot. The film was restored by the Musée National d'Art Moderne under the direction of Jean-Michel Bouhours, a film curator. Restoration of the nitrate prints by Service des Archives du film (CNC) Bois d'Arcy, video editing by Didier Coudray.

☛ Directed by Man Ray, Jacques-André Boiffard ☛ Written by Man Ray, Jacques-André Boiffard ☛ Produced by Le Vicomte de Noailles ☛ Starring: Man Ray, Georges Auric, Le Comte de Beaumont, Le Vicomte de Noailles, Marie-Laure de Noailles, Jacques-André Boiffard ☛ Release date: 1929 (France)

#dada #dadaismo #ilovedada #dadaism #dadaist #art #ManRay

¿La Web del Surrealismo? ¡Las cosas de Salvador Dalí el Noi de Figueras!

Retrato de la vizcondesa Marie Laure de Noailles-Salvador Dalí-1932-Surrealismo-Período Clásico (1941-1989)- retrato

French artist, Marie-Laure de Noailles (aka. Vicomtesse De Noailles)  At The Ruins Of The Paris Exposition, 1938 (photo: Cecil Beaton)

29 gennaio … ricordiamo …

29 gennaio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2022: Enrico Olivieri, è stato un attore italiano attivo fino al 1960, noto soprattutto per i suoi ruoli come attore bambino tra il 1948 e i primi anni cinquanta. Il suo esordio al cinema risale al 1948. Diplomatosi nel frattempo ragioniere come molti altri attori bambini del cinema italiano decide di abbandonare le scene quando con la crescita i ruoli offerti e le possibilità di lavoro si…

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Marie-Laure de Noailles at the ruins of the Paris Exposition photographed by Cecil Beaton, 1938

Editorial at @villanoailles for Sport&Style Magazine - 2019 May

Styled by @clemencecahu 

Book by @bernardchauveauedition

Spangled Velvet Bathing Costume, 1924

Designed by Lanvin

Worn to an evening pool party thrown by Marie-Laure de Noailles.

via Palais Galliera