#Müllner
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Der Kraft und Schönheit unserer Jugend (1921).
Josef Müllner (1879-1968) – Theseustempel, Wien.
Hergestellt durch die Erzgießerei A.G., Wien.
Bibliographie : Ulrich Thieme, Felix Becker, Allgemeines Lexikon (...), Bd. 26, 1931, 250.
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Josef Müllner (1879-1968) - Vagues du Danube, 1941
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Life is like vibration of sound
And man is but string work
If a blow hits him too hard,
He loses resonance, never to find it back again.
Any sound of him will cause but displeasure
And he will never unite to the well-adjusted choir
Without ruining its harmony with dissonance
Quote from Müllner's theatre play Die Schuld (1813)
Found in Ludwig van Beethoven's personal notes.
#ludwig van beethoven#Beethoven#Strange choice of art to end 2023 I suppose#But dear Ludwig knew how to make good use of sorrow#Make good use of your pain#Joy is resistance
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Egy kislány megpuszilja I. Ferenc József portréját
FOTÓTÉR https://fototer.oszk.hu/elso-vilaghaboru/136334/
Neves fotográfusok, mint Müllner János (1870–1925), Balogh Rudolf (1879–1944) és Erdélyi Mór (1866–1934) alkotásai, valamint amatőr fényképek egyaránt megtalálhatók a több mint 6300 képből álló első világháborús gyűjteményben.
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Man working on a horizontal loom (1524).
📚 Books of the House of Foundations of the Twelve Brothers of Nuremberg, Amb. 279.2° Folio 14 verso (Landauer I)
https://www.nuernberger-hausbuecher.de/75-Amb-2-279-14-v
The Nuremberg House Books are a collection of portraits of the residents of two Nuremberg asylums, artisans already in old age who are depicted doing their work. In this case we have Michel Müllner, weaver.
It is not known if these portraits were made as a tribute to these people and the women who cared for them or as a kind of account book that testified to the work carried out. What is certain is that it is one of the best compendiums of historical craft work in Europe.
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SOON
1919 [A környező erdőkben gyűjtött tüzifával várakozók a hűvösvölgyi villamos vonalán.] Müllner János felvétele. (F.: MNM Történeti Fényképtár)
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Above photo by O. Douglas Jennings
Above photo by Anna Saini. This media shows the protected monument with the number 53281 in Austria. (Commons, de, Wikidata) Permissions
Nackter Reiter | Naked Rider
Bronze 1904/05
Josef Müllner (* 1. August 1879 in Baden bei Wien, † 25. Dezember 1968 in Wien)
Im Kurpark von Baden bei Wien
NACKTER REITER/NAKED HORSEMAN (1904/05). Bronze statue by Prof. Josef Müller in the Kurpark Baden near Vienna.
The Naked Rider statue stands near the Casino complex in Baden Austria. I imagine it’s a kind of visual cautionary tale to warn gamblers that they risk losing all their possessions if they bet recklessly! LOL!
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Chrysalis (premiere will be in March 2024)
What you think is there, might not be there anymore. It could be already replaced by something new. But you may not even realize it — under your skin. “Chrysalis” is an incarnation of absurdness by merging the animate and inanimate. It's an exposure of the body infested with materialities; shell, horn, tentacle, synapse, tuber, claw, and rhizome. It keeps mutating, never converges. This body resists the forces that intend to eliminate the heteromorphy. It eludes the suppression by altering its shape or by slipping off, only leaving the outer skin.
“The essential quality of life is living; the essential quality of living is change; change is evolution: and we are part of it.” — John Wyndham, The Chrysalids, 1955
In “Chrysalis”, Yoh Morishita ponders about change in organisms and humanity. She embodies a process of metamorphosis that perceives life as a dynamic equilibrium. Various qualities of movements emerge on the different body parts simultaneously and create the illusory coherence of animate and inanimate. Order is continuously disassembled and remade. Where does this gradually morphing sequence of images lead? If change is the essence of life, how far do we allow ourselves to change? How do we confront alien beings and things? And further, who are WE?
“Chrysalis” enfolds various questions around change and processes them. The electronic soundscape by Marija Jociūtė stimulates communication among all parts. An eerie world looms in front of us!
Concept and performance Yoh Morishita Live sound and music Marija Jociūtė Lighting design Leo Kuraitė Styling Lisa Knoll Outside eye and ear Camilla Schielin, Julia Müllner, Magdalena Forster, Dominik Morishita-Leitner
A co-production of Yoh Morishita, brut Wien and Im_flieger. With the kind support of the Austrian Federal Ministry of Art, Culture, Civil Service and Sport, and ImPulsTanz Atlas program.
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Old Vienna
Arenbergpark
Anno 1962
Im Vordergrund sieht man den kleinen Barockpavillon, welcher heute die Meierei Arenbergpark mit einem Café beherbergt.
Zum Park via WienGeschichteWiki:
"1785 wurde auf mehreren Grundstücken durch Nikolaus II. Esterházy (Esterházypalais, 3., Landstraßer Hauptstraße) ein englischer Garten angelegt, der 1810 vom damaligen Besitzer Erzherzog Carl vergrößert wurde. Der Park ging später in das Eigentum der Prinzessin Franziska Arenberg (geborene Liechtenstein, 1822-1894) über, von der ihn die Gemeinde Wien am 11. Mai 1900 (Gemeinderatsbeschluss) kaufte und nach Verbauung der an seiner Peripherie gelegenen Teile sowie Durchführung neuer Straßenzüge am 16. September 1900 der öffentlichen Benützung zuführte (Eröffnung nach Umgestaltung und Vergrößerung am 19. September 1907). Der heute noch bestehende, kleine achteckige Pavillon mit quadratischem Treppenanbau (erbaut um 1785, Reliefs mit Chinoiserien) am Rande der Neulinggasse ist jedoch kein Relikt dieser Gartenanlage.
Der Pavillon stand im Eck des Nachbargartens.
Am 1. Mai 1915 wurde die Plastikgruppe "Scherzo" (von Josef Müllner) aufgestellt (seit 1948 im Modenapark).
Im Zweiten Weltkrieg wurden im Arenbergpark zwei Flaktürme errichtet.
Am 20. September 1950 konnte der nach einem Entwurf von Architekt Mödlhammer instandgesetzte Park wieder allgemein zugänglich gemacht werden.
Im Park befinden sich Skulpturen von Josef Schagerl (Elefant, Kinderrutsche; 1958)."
Bild3: Blick aus einem Wohnhaus am Arenbergring (heute Dannebergplatz) über die gesamte Baustelle im Arenbergpark, im Vordergrund der Leitturm
mit Kies- und Zementlager, dahinter der Gefechtsturm. Aufnahme der Baufirma Gottlieb Tesch vom 15. Juli 1943. Quelle: Ute Bauer, ebenda.
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Nuovo post su Atom Heart Magazine
Nuovo post pubblicato su https://www.atomheartmagazine.com/european-film-awards-2023-i-vincitori/
Delusione per Garrone agli European Film Awards, trionfa "Anatomia di una caduta"
European Film Awards 2023 – Premiata Sandra Hüller come miglior attrice, mentre il miglior attore è Mads Mikkelsen per “The Promised Land”.
European Film Awards 2023 – Delusione per Matteo Garrone
Il regista italiano Matteo Garrone è rimasto a bocca asciutta ai European Film Awards 2023 di Berlino, nonostante le candidature per il miglior film e la miglior regia con “Io capitano“. Il vincitore della serata è stato il film “Anatomia di una caduta” di Justine Triet, premiato come miglior film e che ha guadagnato anche il riconoscimento per la miglior regista europea.
Sandra Hüller Miglior attrice e Mads Mikkelsen miglior attore
Sandra Hüller, protagonista di “Anatomia di una caduta” è stata premiata come miglior attrice, mentre il miglior attore è stato Mads Mikkelsen per “The Promised Land“. Altra delusione per l’Italia in questi European Film Awards 2023. Nella categoria miglior attore, infatti, era in nomination anche Josh O’Connor per “La chimera” di Alice Rohrwacher.
La Chimera Miglior Scenografia
Nel complesso, nessun premio per l’Italia nei settori dell’animazione agli European Film Awards 2023, nonostante le candidature di “Linda e il pollo” di Chiara Malta e “Mary e lo spirito di mezzanotte” di Francesco D’Alò. Tuttavia, il film “La chimera” di Alice Rohrwacher ha ottenuto il riconoscimento per la migliore scenografia con l’Excellence Awards 2023.
Durante la serata, è stato assegnato anche il premio come miglior documentario a “Smoke Sauna Sisterhood” della regista estone Hanna Hints. L’attrice Sandra Huller ha chiesto un minuto di silenzio per la pace nel mondo al momento di ricevere il premio come miglior attrice.
Tutti i vincitori degli European Film Awards 2023
Anatomia di una caduta – Miglior Film
Anatomia di una caduta – Miglior Sceneggiatura
Anatomia di una caduta – Miglior Montaggio
Sandra Hüller – Miglior attrice in Anatomia di una caduta
The Promised Land (Bastarden) – Miglior fotografia
Mads Mikkelsen – Miglior attore in The Promise Land (Bastarden)
How to Have Sex – Premio Discovery Fipresci 2023 (regia di Molly Manning Walker)
Smoke Sauna Sisterhood – Miglior documentario (regia di Anna Hints)
Hardly Working – Miglior cortometraggio (regia di Susanna Flock, Robin Klengel, Leonhard Müllner, Michael Stumpf)
Scrapper – Young Audience Awards (regia di Charlotte Regan)
Robot Dreams – Miglior film d’animazione (regia di Pablo Berger)
La zona di interesse – Miglior suono
La Chimera – Miglior scenografia
The Promised Land (Bastarden) – Migliori costumi
La società della neve – Miglior trucco e acconciature
La società della neve – Migliori effetti speciali
Club Zero – Miglior colonna sonora
Béla Tarr – Premio onorario
Isabel Coixet – European Achievement in World Cinema
Uljana Kim – Eurimages International Co-production Award 2023
Vanessa Redgrave – European Lifetime Achievement
Lista completa dei vincitori degli European Film Awards 2023 a Berlino QUI.
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Does the Non-Player Character possess autonomous potential? In their role as minor characters, NPCs seem to be dependent on the avatar. They have to be defeated and robbed by him or are obliged to perform the same movement repeatedly in a loop to bring the environment to life. Can the NPC emancipate from the avatar, making equivalence possible, or at least conceivable on a representative-symbolic level? Do artistic interventions offer a way to liberate them from their servant role? Can Machine Learning assist bots in acting autonomously and symbolically gaining their own life, independent of algorithmic control?
Leonhard Müllner – New Realities: Design – Arts – Technology ZHdK
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Josef Müllner (1879-1968) - Fontaine aux truites, 1910
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HYPER VENTILATION
2021
Ausstellungscontainer, Deckenventilator, 8 Paar Socken
Alle Socken sind private Leihgaben und persönliches Eigentum führender Vertreter*innen der Hamburger Kunstinstitutionen.
display cube, rotating ceiling fan, 8 pairs of socks
All presented pairs of socks are borrowed from pivate property of 8 Hamburg museum directors.
Art Off Kultursommer, Hamburg
Thanks to:
Tulga Beyerle, director of Museum für Kunst und Gewerbe, Hamburg
Harald Falckenberg, founder of Sammlung Falckenberg, Hamburg
Alexander Klar, director of Hamburger Kunsthalle
Brigitte Kölle, director of Galerie der Gegenwart, Hamburg
Bianca Müllner, 1. chairman of BBK Hamburg
Tobias Peper, artistic director of Kunstverein Harburger Bahnhof, Hamburg
Barbara Plankensteiner, director of Museum am Rothenbaum MARKK, Hamburg
Katja Schröder, artistic director of Kunsthaus Hamburg
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Gyermek tanulmányi kiállítás hadihajók. Bélyegző: Müllner János fényképész-illustrátor. Budapest, Víg-utcza 11.
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Egy ukrajnai atombaleset súlyos következményekkel járna a szomszédos országokban
(Swissinfo.ch)
>A zaporizszsjai atomerőműben esetleg bekövetkező súlyosabb nukleáris baleset várhatóan a szomszédos
országokban is káros hatással lenne a mezőgazdaságra és a természetre. Erre jutott Nikolaus Müllner
osztrák nukleáris szakértő, aki a kérdést kutatja, és a héten Bécsben bemutatta munkája első
részeredményeit. Meteorológiai modellszámításaiból az derült ki, hogy az oroszok által…
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