NOBODY ASKED but… Obviously Simon’s arc in adventure time solidified the series as one of greatest of all time (and I’m so hyped for this ice king sadness renaissance) but now I’m thinking of OTHER Adventure Time moments that rewired my brain as a kid. In no particular order:

1. “Once the strong guys got it how they liked it they said ‘this is fair now. This is the law.’ Once they were winning they changed the rules”. They really had the cartoon dog say that on tv in 2014.

2. “People get built different. We don’t have to understand it, we just gotta respect it”

3. The entirety of All The Little People. That shit was absolutely nuts for a kids show but also like…. I can’t articulate the lesson I just know there was one and it haunted me. The danger of the human ego. Hubris. Irreverence. Don’t play god bro.

4. Lady and Peebles. When PB ripped Ricardio’s leg off and bashed his skull in with it. And it was so hardcore they edited it out of the episode. Bro. I remember watching that after school one day and how my jaw just DROPPED at a PRINCESS being so brutal. They let her be so fucking angry and that was a game changer.

5. [Finn, about a horrific memory] “that one’s going in the vault. Aaaaaaaaaandd. It’s gone.” I quote that CONSTANTLY. It’s a great way to bring levity to a bad situation, but also forces me to go “hey wait a sec that’s not gonna work forever”. Things don’t stay in the vault.

6. Puhoy. He lived an entire life in that pillow world. He had kids. And then it’s just gone like a dream.

7. The deer. It was probably my first real introduction to horror. The hand wiggle. You all know exactly what I’m referencing. Were the candy people stuck in that well for 6 months???

8. What Was Missing!! Obviously now because it foreshadowed (and confirmed past) Bubbline, but back then just because it was so good??? IMO, this is the episode that defined WHO our main cast was, and how their relationships needed to grow for them to be content. It set up the next 6 years of the show! Plus it gave us 2 absolute BANGERS. Ugh i rewatched that recording so many times it wasn’t even funny.

9. Ghost Princess. Really just for the line where he sounds like he’s gonna shit his pants remembering his death and then in a clear narrator voice he’s like “I was a broken man.”

10. The pajama war episode. Now I’m doing this from memory so I could be wrong, but I think this really marks the start of Finn growing up. “I’ve really enjoyed just… hanging out with you.” The ability to start over with someone you’ve got complicated history with. The kindness. The growth from both of them!! It’s a direct parallel of episode 1 but their tones couldn’t be more different and I love it.

11. The slow and horrifying realization that The Mushroom War was nuclear Armageddon. Mushroom clouds. That went so far over my head as a kid even though they reference it constantly. It finally clicked during “I remember you”. Which I am NOT gonna go into because holy fuck that’s like 18 posts on its own.

12. Goliad! A child mirroring EVERYTHING they see, for better or worse. Seeing Jake in a bad moment screaming at the kids and goliad absorbing that behavior. Seeing she can use fear to control people. Also PB was Fucking Crazy! Her line “I’m not gonna live forever… I would if I could” is even more unhinged when we learn (like years later) that she’s already 900 years old. But she does physically age so I guess there’s that. The Suitor also falls into this category of episodes.

Ok getting into some of the more talked about moments

1. OK I LIED I have to talk about I remember you. I was 11 years old. I turned on the new adventure time episode like usual. 10 minutes later I was grappling with a grief I had never imagined before. Absolutely BAWLING not just for Simon and Marceline (the PLOT), but for what it showed me. The reality that every kid tries not to think about: your loved ones will leave you someday, even if they don’t want to. It’s an episode that becomes more powerful with every year I get older. To get a bit personal, dementia has completely taken my grandparents from me. I’ve seen sides of my grandfather that should never have existed, and I must constantly forgive him for what he does… now that he doesn’t remember me. And someday it’ll be my parents. That’s just the way of the world, ya know? Anyways, I remember my mom got home right as the credits were rolling and we had a long talk about keeping people alive with memory, mortality, and how the future was far away and we should decide on dinner lmao.

2. The Hall of Egress. I was almost 15. Life was changing. I was changing, and it was strange and frightening. That feeling where you know you’re losing your childhood but you just want to cling to it. Follow the same old familiar path, stick with what’s comfortable. But life doesn’t work that way. It took me years to really understand this episode and it’s symbolism. Honestly I still don’t think I could fully explain it. It’s like. How do I put this. I was so glad to be in the target age group in that moment. I was so glad that something I was growing up with was assuring me “you’re changing, but we’re changing too”. And isn’t that the theme of adventure time? Everything stays, but it still changes.

3. The absolute horror of Ferns existence. He’s Finn, but he’s wrong and warped. All those memories of the people he loves and they can’t stand to be in the same room as him.

4. Susan Strong. The introduction of a RUNNING PLOT. The show up to that point had really been so goofy and so monster of the week. I think the only really plot heavy episode before this one was It Came From the Nightosphere? And then suddenly they call into question the fact that Finn really is the ONLY HUMAN in all of OOO. And then… is he? It was SUCH a departure from the usual tone. Ending that episode with him reaching below her hat and gasping in shock, but never telling the audience what he found. And then she’s just gone. Which leads us to Islands!

5. Min and Marty. Second saddest episode in the entirety of adventure time, made worse because you know exactly how this family is gonna end up. There’s SO MUCH to dissect about Martins behavior in the series. A reformed con artist receives a traumatic brain injury while attempting to save his son. They’re both lost at sea, and he never looks for him. Was it the emotional trauma? Was it the physical damage? Meanwhile a mother loses her husband and her child in a single night and never EVER learns why. Nobody but Martin knows what happened that night. Also Finns fear of the ocean from season 1 is finally explained. 7 years of ignoring Finns origins and then they throw you THIS??? Watching it live was unreal.

Anyways I’m sure I’ll think of more. I might add on to this later for my own sake lmao, but I’d love to hear other peoples formative moments, quotes, episodes, etc. I really just needed to dump this information out of my brain so I can get on with my week.

Sod Manila!

From EMPIRE OF MEMORY, 1992 / 2014

AT HALF PAST THREE in the afternoon of July 5, 1966, a mob hired by President Ferdinand Marcos chased the Beatles out of Manila International Airport. I remember the jittery footage of the scene being replayed over and over on The News Tonite on Channel 5. A grim-looking commentator was saying the Fab but Discourteous Four had shamelessly humiliated the First Lady and her children by refusing to pay a courtesy call at Malacañang Palace. Imelda Marcos herself hastily issued a statement saying the Beatles were to be treated humanely despite the snub, but this was said after the fact—after the Beatles had been kicked, spat at, cursed, and chased into a waiting jet.

     Julian Hidalgo, known by the nickname Jun, took me and my sister Delphi to the Beatles’ concert at Rizal Memorial Stadium. At that time he was courting my sister and was hoping to win me over by playing the older brother. They were both nineteen, and the rituals of this older generation meant nothing to me beyond free passes to a number of movies, where I had to chaperone Delphi. The three of us would witness, not by accident, the Beatles being beaten up at the airport, and for some time we would bond in a special way—conspirators mystically united by an adventure whose significance would only dawn on us long after the event had passed. Jun explained a few details about this incident to me eighteen years later, when, in the ironic twists of fate that coursed through our lives during the dictatorship, he and I became colleagues once again in the censorship office in Malacañang. But in 1966 we were young, brash, and bold with hope, and like the entire country, we seemed on the verge of a privileged destiny.

     Three days before the concert, Jun rushed to our house with three front-row tickets. Delphi’s eyes widened like 45s. “Where did you get the money this time, ha?” she asked incredulously.      “The First Lady gave them to me,” Jun said proudly. And, in response to our howls of disbelief, “Well, actually, this reporter from the Manila Times gave them to me. The First Lady was giving away sacks of rice and tickets last week. This reporter owed me for a tip I gave him years ago, the one that got him the Press Club award. He wanted the rice, I asked for the tickets. He was one of those Perry Como types.”      Imelda Marcos had flown in friends and media to celebrate her birthday on her native island of Leyte. There was roast suckling pig and a rondalla playing all day. She herself obliged requests for a song with a tearful ballad in the dialect, “Ang Irog Nga Tuna,” My Motherland. To commemorate the sentimental reunion, each guest went home with the rice and tickets.      “Now that’s style,” Delphi said. Then, upon reflection: “They won’t let Alfonso in.”      “Of course they would!” I protested. I was just thirteen but I was already as tall as she was.      “That’s not the point,” Jun said impatiently. “I’m going to get myself assigned to cover the Beatles and we can talk to them ourselves.”      “All the other reporters will beat you to it,” I said. Jun was stringing for the Manila Times and was convinced that getting an exclusive interview would land him a job as a staff reporter.      “All the other reporters listen to nothing but Ray Conniff,” he said. “Besides, nobody knows where they’re staying. But I do.”      Jun’s modus operandi wasn’t going to be that easy. He managed to get stage passes for the three of us, which turned out to be inutile. It was the official pass, printed and distributed in London, that we had to wangle if we were to get near the Beatles.      “Go ahead and do your job,” Delphi told him icily. “We’ll see you at the stadium.”      “I can still get you the pass,” Jun said. “Somehow.” He was beginning to realize that concert security would directly affect his personal relationships. But not even his religious coverage of pre-concert press briefings seemed to help. Local promoters announced that the Beatles’ only press conference was going to be held at the War Room of the Philippine Navy headquarters, and that the concert was being staged, not by coincidence, on the fourth of July as a birthday gift to the Republic (July 4th) and the First Lady (July 2nd).      Other questions were left unanswered. Had the Beatles secretly arrived by submarine? “That’s confidential.” Were they actually going to stay at the Palace? “That’s confidential.” In the end somebody asked if the Beatles actually existed, and the joke was that that, too, was confidential.      The excitement was further fueled by a series of wire stories the dailies ran on page one, including coverage of the Beatles’ world tour, warnings of possible riots all over the world, and a rare discordant moment in Tokyo, where a reporter asked the group, “What are you going to be when you grow up?” The reply: “If you grow up yourself you’d know better than to ask that question.”      Radio stations kept playing the Beatles’ hits (most requested: “Yesterday” and “Help!”), and DZUW, Rainy Day Radio, preempted everyone and began playing the new single, “Paperback Writer.” The Philippine Security Corporation created the biggest stir when it insured the Beatles for a million pesos. Two hundred Philippine Constabulary troopers, seven hundred policemen, detachments from the Pasay City and Parañaque police, the Civil Aeronautics Administration, the Bureau of Customs, and the Marines were on red alert. The First Lady bought fifteen hundred tickets and distributed them to volunteer recruits to Vietnam, who were going to be the show’s guests of honor. Pro-Beatle fan clubs were staging rallies, counterpointed by anti-Beatle demonstrations where placards said, “No one is more popular than Jesus!!!” Government bureaucrats had to drive away contractors who were bribing them with concert tickets. On the eve of the Beatles’ arrival, a young colegiala threatened to jump off the roof of the Bank of the Philippine Islands building unless she was granted a private audience with the band.      Backstage at the Rizal Memorial Stadium, an air-conditioned dressing room was hastily installed a day before the concert, complete with state-of-the-art TV monitors and audio equipment. Quarter-page ads appeared in the dailies for a week, announcing concert schedules and sponsors. Finally, on July 3, the day of the Beatles’ arrival, a full-page splash appeared in all the dailies:

LIVE! THE BEST IN THE WORLD! THE BEATLES IN MANILA With Asia’s Queen of Songs Pilita Corales Carding Cruz and his Orchestra The Wing Duo The Lemons Three Dale Adriatico The Reycard Duet and Eddie Reyes & The Downbeats!

     Early that morning, Jun called us up. “Get dressed, both of you. We’re meeting the Beatles at the airport.”      “What do you mean, we?” Delphi asked.      “I told you we’d talk to them, didn’t I?” Jun said. “Did I ever break a promise?”      On many occasions, yes, but this was one promise for which Delphi was willing to risk her life—and mine, if need be. She drove our parents’ 1964 Ford to the airport as though she wanted to mow down everything in our way, laughing as irate motorists yelled obscenities at us.      When we finally met Jun at the parking lot, he handed us a pile of obviously used porter uniforms. “I paid the guy twenty pesos to rent them,” he said proudly.      “Does this guy know what you’re renting them for?” Delphi asked, crinkling her nose as she daintily held her uniform away.      Jun held up a bootleg 45, pressed in Hong Kong, in red vinyl. “If I get an autograph, we get a refund.”

THE CATHAY PACIFIC jet swooped in at half past four. The airport was jam-packed with the biggest crowd I had ever seen in my life: girls in bobby socks and leatherette miniskirts and boys in seersucker suits, all perspiring and scrunched against a chain-link fence. This was definitely the wrong place to be. As the jet taxied in, we tore ourselves away from the crowd and wormed our way to one of the departure exits, just in time to catch a baggage trolley rattling toward the plane. Jun hopped on, and Delphi and I awkwardly clambered after him. I was afraid Delphi’s bobbed hair would spill out of the cap she was wearing and blow our cover. But, having regained her composure, she stood handsomely in the last car, gripping the rail; it was no wonder Jun risked life, limb, and career for her.      The trolley rattled past armored cars, fire trucks, riot squads, and troops of motorcycle police who were wearing special cowboy hats for this occasion. As soon as the trolley cranked to a stop under the jet, Jun hopped off. He was about to head toward the stairs when a limousine careened and cut him off. Three official-looking men dressed in formal barong Tagalog got off the limousine and rushed up to the plane. What followed was an interminable, bated-breath pause. Jun walked up the stairs and saw the officials arguing with passengers near the plane’s exit. Somebody was saying, “Is there a war going on?”      Finally, one official tentatively walked out of the plane. This was enough to excite the increasingly impatient crowd, and immediately a cacophony of screams burst from the viewing deck. The screams grew louder as other officials and soldiers walked out of the plane. By the time Brian Epstein groggily stepped out, the screaming had reached earsplitting level—no matter that the soldiers surrounded the Beatles from jet to limousine and we caught glimpses of them only through spaces in the cordon sanitaire: George Harrison, his hair tousled by the humid wind, his red blazer flashing like a signal of distress, Ringo Starr in peppermint stripes and flapping foulard, Paul McCartney, round-eyed and baby-faced, and John Lennon, hiding behind dark glasses.      Jun hurried down the stairs and motioned for us to follow him.      “What happened in there?” Delphi asked him.      “I don’t know,” Jun said. “All I heard was a lot of words your folks wouldn’t want you to hear.”      “What does that mean?” Delphi asked.      “Nothing we can’t find out,” said Jun.

THE MANILA TIMES ran a story about the press conference at the War Room. Jun fumed over his colleague’s story, saying, “This idiot did little more than transcribe the Q&A.” It turned out, however, that the Beatles’ replies would be uncannily prophetic.

     THE BEATLES! YEAH!      By Bobby Tan

     When did you last get a haircut?      In 1933.      Would you be as popular without your long hair?      We can always wear wigs.      How much taxes do you pay?      Too much.      What attracted you to your wives?      Sex.      Do you feel you deserve the Order of the British Empire?      Yeah. But when you’re between 20 and 23, there are bound to be some criticisms.      How will you solve the Vietnam War?      Give it back to whoever deserves it.      What’s your latest song?      “Philippine Blues.”      Mr. Lennon, what did you mean by Spaniard in your latest book?      Have you read it?      No.      Then read it.      If there should come a time when you have to choose between the Beatles and your family, whom would you choose?      We never let our families come between us.      What is your favorite song?      “God Save the King.”      But it’s the Queen now.      “God Save the Queen” then.      What will you be doing ten years from now?      Why bother about ten years from now? We don’t even know if we’ll be around tomorrow.

ON THE EVE of July 4, Philippine-American Friendship Day, President Ferdinand Marcos urged Filipinos to “recall the lasting and valuable friendship between America and the Philippines” and issued a statement saying a revamp of the government bureaucracy was imminent. “Heads Will Roll!” the dailies shrilled, their bold prediction thrust audaciously by homeless street children against car windows along Highway 54. At the Quirino Grandstand the next day, the President sat in the sweltering heat as troops paraded before him. Three stations covered the Friendship Day rites, but Channel 5 ignored it completely, running instead a 24-hour update on the Beatles. Marcos seethed on the grandstand, and cameras caught the expression on his face that might have said: Damned Trillos, they really get my goat. The Trillos owned the Manila Times and many broadcast stations and refused to accommodate the First Family’s whims. But Marcos had the last laugh. On this very afternoon, back at the Palace, Imelda and the children would be having lunch with the Beatles. All television stations and newspapers had been invited for a five-minute photo opportunity—all, that is, except the Trillo network. Marcos tried to stifle a smirk as he saluted the troops. Proud and dignified in his white suit, he stood out like some sartorial titan: people said you could tell he was going in for a second term.

CALLA LILIES were brought in at nine by Emma Fernandez, one of the Blue Ladies, so-called because Imelda Marcos had them wear nothing but blue. The flowers adorned the corridors of the palace all the way to the formal dining hall, where about a hundred youngsters, ages three to fifteen, listlessly waited for the Beatles. Imee, the eldest of the Marcos children, sporting a new bobcut hairdo, sat at the head of the table. Her younger sister Irene sat beside her, reticent and uncomfortable in Sunday clothes. Ferdinand Junior, master Bongbong to one and all, was wearing a bowtie and a starched cotton shirt, and his attire apparently made him restless, as he kept sliding off his seat to pace the floor. Around them were children of ministers, generals, business tycoons, and friends of the family, sitting under buntings of red, white, and blue and paper flags of the United States and the Philippines.      Imelda Marcos walked in at exactly eleven. Emma Fernandez approached her, wringing her hands, and whispered in her ear: “They’re late!” Imelda brushed her off, an imperceptible smile parting her lips. She kissed the children one by one, Imee dodging and receiving instead a red smear on the ear. She inspected the cutlery, the lilies, the nameplates: two R’s each for Harrison and Starr, check; two N’s for Lennon; and no A in Mc. She scanned the room proudly, deflecting the grateful, expectant faces, the small fingers clutching cardboard tickets to the concert.      At half past eleven the children began complaining, so breadsticks and some juice were served. Imelda walked around the hall, stopping to strike a pose for the palace photographers. “Good shot, Madame!” The photographers were the best in the field, plucked out of the newsrooms to accompany her on all her itineraries. They had been sufficiently instructed on which angle to shoot from and which side to take, and anyone who took the wrong shot was dismissed posthaste, his camera and negatives confiscated. The children were more difficult to shoot: bratty and impatient, they always came out pouting, with their chins stuck out. It was always best to avoid them.      Unknown to this gathering, a commotion was going on at the lobby of the Manila Hotel. On hand were Brian Epstein and members of the concert crew; Colonel Justin Flores and Captain Nilo Cunanan of the Philippine Constabulary; Sonny Balatbat, the teenage son of Secretary of State Roberto Balatbat; Captain Fred Santos of the Presidential Guard; Major Tommy Young and Colonel Efren Morales of the Manila Police District; and local promoter Rene Amos.      “We had an agreement,” Colonel Flores was saying. “We sent a telegram to Tokyo.”      “I don’t know about any fucking telegram,” Epstein replied.      “The First Lady and the children have been waiting all morning.”      “Nobody told them to wait.”      “The First Lady will be very, very disappointed.”      Brian Epstein looked the colonel in the eye and said, “If they want to see the Beatles, let them come here.”      At the stroke of noon, Imelda Marcos rose from her chair and walked out of the dining hall. “The children can wait,” she said, “but I have more important things to do.”      As soon as she was gone, Imee pushed back her chair, fished out her ticket, and tore it in two. The other children followed, and for a few seconds there was no sound in the hall but the sound of tickets being torn. Bongbong hovered near the plate that had been reserved for John Lennon. “I really much prefer the Rolling Stones,” he said. Photographers caught the young master at that moment, his eyes wide and blank. Imee looked at him and remarked, “The only Beatles song I liked was ‘Run for Your Life.’” She looked around the hall defiantly. She had never been so embarrassed in her life. People always said that among the three Marcos children, she was the sensitive one. That morning she seemed she was about to cry.

     The Beatles: Mass Hysteria!      By Jun Hidalgo

     Eighty thousand hysterical fans cramped into Rizal Memorial Stadium to watch the Beatles, the largest crowd Manila has seen since the Elorde-Ortiz boxing match in the same stadium.      While traffic snarled to a standstill along Dakota Street, 720 policemen, 35 special detectives and the entire contingent of the Manila Fire Department stood guard as the Liverpool quartet performed their hits before thousands of cheering and screaming fans, many of whom had waited to get inside the stadium since early morning…

WHEN THE GATES finally opened, all hell broke loose. I held on to Delphi, who held on to Jun, and the three of us braved the onslaught as we squeezed past security and found ourselves, miraculously intact, on the front row beside the Vox speakers.      “I don’t want to sit here,” Delphi protested. “We’re going to blast our ears off!”      “Relax,” Jun said. “Everybody’ll be screaming anyway. We have the best seats in the house.”      Everyone in the stadium was a mophead, except the Vietnam volunteers sitting in our row, whose heads had been cleanly shaved. They were young men plucked from the provinces, and many of them were never coming home again. I was so relieved I had grown my hair longer that summer. My hair was a clear sign that, despite my young age, I had gained honorary membership in the exclusive cabal of this generation. You could tell who the pigs were: they were the ones who roamed around, their ears pink and their heads shaved clean like the Vietnam volunteers. Some of them had guns under into their belts; they had been warned that a riot could break out.

     …Soaked in sweat, Beatles fans impatiently heckled the opening acts, and emcees had to threaten the crowd that the Beatles would not perform until the audience simmered down.

And when the Beatles finally opened with “I Wanna Be Your Man,” you could feel the excitement ripping through you, a detonation of such magnitude your entire being seemed to explode. I couldn’t hear anything except a long, extended shrill—the whole stadium screaming its lungs out. I looked at Delphi. She was holding her head between her hands and her eyes were bulging out and her mouth was stretched to an 0, and all I could hear was this long, high-pitched scream coming out of her mouth. I had never seen Delphi like that before, and I would never, for the rest of her life, see her as remorselessly young as she was that afternoon.

THE MORNING AFTER the concert, Jun asked Delphi if we could take the Ford to Manila Hotel.      “Why do you have to take us along?” Delphi asked him. It was clear that for her the concert had been the high point of our adventure.      “We still have to get that interview, don’t we?” Jun reminded her. “Besides,” he added, “I need you to cover for me,” Jun said.      “Cover?” asked Delphi. “As in war?”      “Looks like war it’s going to be,” said Jun.      Jun had bribed someone from room service to let him take a snack to the Beatles. I was going to pose as a bellhop. Delphi was going to be a chambermaid. Apparently our plan was to swoop down on them in the name of impeccable service, with Jun secretly recording this invasion with the help of a pocket-sized tape recorder. As usual, he had the uniforms ready, rented for the day for half his month’s wages. “The hotel laundry boy’s a childhood friend of mine.”      “You’re the company you keep,” Delphi teased him, because she knew it tortured him whenever she did that.      I wore the monkey suit perfectly, but somehow it still didn’t feel right. I looked at myself in the men’s room mirror and knew I was too young for the role. And Delphi looked incongruous as the chambermaid: her bob cut was too in.      As it turned out, all my misgivings would be proven true. We crossed the lobby to the service elevator. Jun walked several paces ahead of us, nonchalantly jiggling the car keys, but I kept glancing nervously around.      “Hoy, where you going?”      Jun didn’t seem to hear the house detective call us, or maybe the detective didn’t notice him walking past. I felt a hand grab my collar and pull me aside. Immediately, Delphi was all over the detective, hitting him with her fists: “You take your hands off my brother or I’ll kick your teeth in!” Struggling out of the detective’s chokehold, I could see Jun hesitating by the elevator. I motioned for him to go. The detective dragged Delphi and me out to a backroom where several other detectives were playing poker. “Oy, got two more right here!”

AS HE RECALLED LATER, Jun wheeled the tray into Suite 402 expecting to find telltale debris of a post-concert party (and hence an excuse for us to mop up). What he came upon was something less festive.      “Compliments of the house, sir,” he announced cheerfully as he came in.      George Harrison and Brian Epstein were sitting on the sofa, and Paul McCartney was precariously perched on the TV set, brooding. The three of them apparently had been having an argument and they all looked up, surprised, at the intruder.      “All right,” Epstein said, curtly. “Bring it in.”      “I’ll have to mix the dip here, sir,” Jun said, to prolong the intrusion. “House specialty.”      Nobody seemed to hear him. George Harrison continued the conversation, “We came here to sing. We didn’t come here to drink tea and shake hands.”      “That’s precisely the reason we’ve got to pay customs the bond for the equipment,” said Epstein.      “Let them keep the money then,” Paul said. “Everyone says here come those rich mopheads to make more money. We don’t care about the money.”      “We didn’t even want to come here,” George reminded them.      “The only reason we came here,” added Paul, “was because these people were always saying why don’t you come over here? We didn’t want to offend anyone, did we? We just came here to sing. You there,” indicating Jun, who jumped with surprise. “Do you speak English?”      “Fairly well,” replied Jun.      “Does the government control the press here, as they do the customs people, the airport managers, and the police?”      “Not yet,” said Jun.      Paul then observed that everything was “so American in this country, it’s eerie, man!” He also remarked that many people were exploited by a wealthy and powerful few. Epstein wanted to know how he knew that, as the others had simply not heard of the country before, and Paul replied that he had been reading one of the local papers.      “What are we supposed to do?” he asked. “Show up and say, ‘Well, here we are, we’re sorry we’re late!’ We weren’t supposed to be here in the first place. Why should we apologize for something that’s not our fault?”      At that point John Lennon and Ringo Starr, who had been booked in the adjacent suite, walked in. Ringo, sweating and tousled, plopped into the sofa between Epstein and George Harrison. John Lennon, wearing his dark glasses, walked straight to the window and looked out. “We’ve got a few things to learn about the Philippines, lads,” he said. “First of all is how to get out.”

THE MANILA HOTEL DETECTIVES deftly disposed of Delphi and me with a push via the back door, where a sign said THROUGH THIS DOOR PASS THE MOST COURTEOUS EMPLOYEES OF MANILA.      We walked back to the Ford in the parking lot and waited for less than an hour when Jun, struggling out of the hotel uniform and back to mufti, sprinted toward us and hopped into the driver’s seat. “Get in!” he shouted. “We’re going to the airport!”      “Did you get the interview?” Delphi asked.      “Better,” Jun said. “The Beatles are going to try to leave this afternoon. They’re paying something like forty-five thousand dollars as a bond or something. Customs is charging them so much money in taxes for the concert.”      “Wait a minute,” Delphi protested. “Is that legal?”      “Who cares?” Jun said. “All I know is they’re paying the bond and now all they want to do is to get out. But they think something’s going to happen at the airport. There’s been talk of arrest and detention.”      “Who said that?” Delphi asked.      “John Lennon, I think. I don’t know. I was mixing that stupid dip.”      We were driving toward the south highway now, past the mammoth hulls of ships docked at Manila Bay. “You know all those people who’ve been trying to get the Beatles to go to the palace? You know why they were so keen on bringing the band over to Imelda’s luncheon?”      “Can’t waste all that food, right?” Delphi said.      “Bright girl, but no. There’s going to be a major revamp soon. It’s all over the papers, if you’ve been paying attention. All these guys are going to get the top posts. Well, most of them were, until the Beatles screwed everything up.”      “What guys? Who?”      “That Colonel Fred Santos, the one who led the group to talk to Epstein, he’s being groomed to head the Presidential Guard. Real heavy-duty position, accompanying the First Family all over the world, luxury apartment at the Palace, the works. There’s one Colonel Flores, Justin Flores I think, who’s bound to be chief of the constabulary. Then there’s Colonel Efren Morales, most likely head of the Manila Police.”      “But these are junior officers,” Delphi said. “Marcos can’t just promote them to top posts.”      “That’s the point. Marcos is going to bypass everybody and build up an army of his own. All these new guys will be licking his boots and there’s nothing the generals can do about it. That young mophead, the son of Balatbat, he was there for his father, who’s going to be reappointed secretary of state. And if I’m not mistaken, Salvador Roda, the airport manager, wants to take over customs. The man’s going to be a millionaire, kickbacks and all.”      “How do you know all that?” Delphi demanded.      “Homework,” Jun said, swerving the car toward the airport, his reply drowned out by the droning of jets. “I’m the best damned reporter in the city, and everybody’s going to find out why.”

SALVADOR RODA was briefing the press agitatedly at the VIP lounge of the airport that afternoon, explaining why the republic was withdrawing security for the Beatles and why customs had slapped a hundred-thousand-peso tax on Liverpudlian income. “Too much Filipino money wasted on such a paltry entourage, gentlemen of the press, and not one centavo of the profits going to the nation. Puta, that doesn’t make sense, di ba?”      We walked up the escalators to the second floor to change into our porter uniforms, which we had lugged in backpacks.      “This airport gets worse every time I come here,” Delphi complained. “Nothing’s working.”      “And there’s nobody around,” observed Jun. The entire second floor was deserted. “Lucky for us,” he said, pushing Delphi into the ladies’ room and then pulling me into the adjoining gents’. We changed into the uniforms and stuffed our clothes above the water tanks.      “You think there’s going to be trouble?” I asked Jun.      “Will you guys back out if I told you there might?”      I had to give that some thought. In the past Jun had taken Delphi and me on some insane adventures, mostly juvenile pranks that left us breathlessly exhilarated, but with no real sense of danger. For the first time I was afraid we were up against something, well, real.      “We’ll stick around,” I said, tentatively.      He put his arm around me and said, “Kapatid! That’s my brother!”

JULY 5, 2 P.M. THE BEATLES arrived at the airport in a Manila Hotel taxi. They weren’t wasting any time. They ran straight up the escalators, their crew lugging whatever equipment they could carry. At the foot of the escalators a group of women—society matrons and young college girls—had managed to slip past the deserted security posts and, seeing the Beatles arrive, they lunged for the group, screaming and tearing at the band’s clothes. Flashbulbs blinded the band as photographers crowded at the top of the stairs. It would have taken a miracle for the band to tear themselves away from the mob and to reach, as they did in a bedraggled way, the only booth open for passport clearance, where Roda had been waiting with the manifest for Flight CX 196.      “Beatles here!” he hollered imperiously, and the band followed his voice meekly, almost contritely. Behind the booth a crowd that had checked in earlier restlessly ogled.      “Those aren’t passengers,” Jun observed as we stole past a booth. “They look like the people we saw earlier with Roda.”      “Beatles out!” Roda boomed.      And then it happened.      As the Beatles and their crew filed past the booth, the crowd that had been waiting there seemed to swell like a wave and engulfed the band, pulling them into an undertow of fists and knee jabs. There was a thud—Epstein falling groggily, then being dragged to his feet by security police. Someone was cursing in Tagalog: Heto’ng sa ‘yo bwakang inang putang inang tarantado ka! Take that you m*#f@%ing*@^*r!!! Paul McCartney surfaced for air, his chubby face crunched in unmistakable terror. He pulled away from the crowd, and the other three staggered behind him. Somebody gave Ringo Starr a loud whack on the shoulder and pulled at John Lennon, who yanked his arm away, tearing his coat sleeve.      That was when we started running after them—the three of us, and the whole mob.      The crowd overtook Delphi, who was shoved aside brusquely. They were inching in on me when the exit doors flew open into the searing afternoon. From the view deck hundreds of fans who had been waiting for hours started screaming. The band clambered up the plane. I kept my eye on the plane, where Jun was already catching up with John Lennon.      “Please, Mr. Lennon,” he pleaded. “Let me help you with your bags!”      At the foot of the stairs a panting John Lennon turned to him and said, “A friendly soul, for a change. Thanks, but we’re leaving.”      “I’m sorry,” Jun said, trembling.      John Lennon bolted up the stairs. At the top he stopped and took off his coat and threw it down to Jun.      “Here,” he said. “Tell your friends the Beatles gave it to you.”

A FEW WEEKS after the Beatles’ frantic egress from Manila, Taal Volcano erupted, perhaps by way of divine castigation, as happens often in this inscrutable, illogical archipelago. The eruption buried three towns and shrouded Manila in sulfuric ash for days. A month later a lake emerged from what had been the volcano’s crater—a boiling, putrefied, honey-yellow liquefaction.      The Beatles flew to New Delhi, where they were to encounter two figures that would change their lives and music: the corpulent, swaying Maharishi, and the droning, mesmerizing sitar. Back in London later, a swarm of fans greeted them carrying placards with mostly one message:

SOD MANILA!

     Manila’s columnists took umbrage, and the side of the offended First Lady. Said Teodoro Valencia, who would later become the spokesman of the Marcos press: “Those Beatles are knights of the Crown of England. Now we have a more realistic understanding of what knights are. They’re snobs. But we are probably more to blame than the Beatles. We gave them too much importance.” And columnist Joe Guevarra added: “What if 80,000 people saw the Beatles? They’re too young to vote against Marcos anyway!”      Imelda Marcos later announced to the lavishly sympathetic press that the incident “was regrettable. This has been a breach of Filipino hospitality.” She added that when she heard of a plot to maul the Beatles, she herself asked her brother, the tourism secretary, to make sure the Beatles got out of the airport safely.      But her magnanimity did little to lessen the outrage. The Manila Bulletin declared that Malacañang Palace had received no less than two hundred letters denouncing the Beatles by that weekend. Manila councilor Gerino Tolentino proposed that the Beatles “should be banned from the city in perpetuity.” Caloocan City passed an ordinance prohibiting the sale, display, and playing of Beatles records. And Quezon City passed a law declaring the Beatles’ music satanic and the mophead hairstyle illegal.      Jun Hidalgo wrote his story about the Beatles’ departure, with insider quotes taped, as an editor’s introduction to the story revealed, “while undercover as a hotel employee.” A few weeks later he was accepted into the Manila Times, where he played rookie, as was the custom then, in the snake pit of the local press: the police beat. He gave John Lennon’s coat to Delphi, who dutifully mended the sleeve, and they went steady for a while. But like most youthful relationships, the series of melodramatic misunderstandings, periodic separations, and predictable reunions finally ended in tears, and many unprintable words. My sister, older and more healthily cynical, later immigrated to the United States, from where she sent me postcards and books—and once, a note replying to one of my continuous requests for records, saying she had lost interest in the Beatles when they went psychedelic. I myself, being the obligatory late bloomer, only then began to appreciate the magical, mysterious orchestrations and raga-like trances of the band.      Delphi left John Lennon’s coat with me, and I became known in school as the keeper of a holy relic. Like the martyrs, I was the object of much admiration and also much envy. One afternoon, armed with a copy of an ordinance recently passed in Manila, directors of the school rounded up several mophead boys, including myself. In one vacant classroom we were made to sit on hardboard chairs as the directors snipped our hair. I sat stolidly under the scissors, watching my hair fall in clutches on the bare cement floor.      Back in my room that evening, I stared at myself in the mirror for a long time. Then I folded John Lennon’s jacket tightly, stuffed it in a box, and tucked it under my books and clothes. I felt no bitterness at all. I knew that something irrevocable in my life had ended.