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#I've only had creepy changeling willie who isn't entirely human anymore for 15 minutes
innytoes · 8 months
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Dark fantasy AU?
-In hindsight, as he's being chased through the forest, hunted by mythical creatures is not where Reggie thought he'd end up when his folks told him they were moving to Los Angeles. Honestly, considering how he used to roam the woods and fields near his Meemaw's farm, the fact that he'd stumbled into a fairy circle near the beach was almost insulting.
-It's not even that he manages to outrun them. It's that one night (he thinks it's night, though time moves differently here and light and dark are all tangled up and is the purple haze of the sky supposed to be dusk or dawn or just a dark stop of the forest?) he'd decided to just... give up.
He couldn't remember how long he'd been running, running from the pounding of hooves and the yapping of dogs that did not look anything like what a dog should look like. He couldn't remember a time where he wasn't hungry, or thirsty, or tired, but something inside of him just kept making him run and run and run
-But he'd had enough. So he just sat down, with his back towards the noise, and hoped they'll kill him quickly. And to comfort himself, he sang the lullaby his Meemaw used to sing when he was scared of the thunder.
-That's what saved him. One of the fae, Caleb, was so charmed by the song that instead of doing whatever it is they did with their prey, he bundled Reggie up and took him to his... castle. Dwelling. Domain.
-He was dressed in finery and made to sing as Caleb and the other fae danced and ate and did things that Reggie very much had not wanted to see, thank you very much. But eventually, they slept, and Reggie met... the other humans who were trapped here.
-Luke, a young boy who had run away from home to become a musician in 1875. He was distraught to hear Reggie tell him it was the nineties now. Even more distraught when Reggie clarified it was the 1990s.
-There was Alex, who had been cast out of his village for reasons he did not want to share, but that Reggie figured out pretty quickly when he saw the way he looked at Willie. He'd fallen asleep near a fairy circle, and the promises he'd been made had been so tempting, he'd said yes before he fully understood the deal.
-And then there was Willie. The boy who had been stolen from his parents, a changeling left in his place. Who had grown up here, a part of this world yet not really. Who did not know what the other boys meant when they talked about years, or America, or really the whole concept of 'family'.
-Luke's the one who tells them of their escape plan. Alex is worried they can't trust Reggie not to rat him out to Caleb, and Reggie is like: um excuse me I was just hunted for sport for who knows how long you think I wanna help that guy?
-But before he can Willie just tilts his head and says: his heart is pure.
-Which is very sweet but also a little creepy.
-Anyway, they do manage to escape Caleb's clutches somehow, and end up back in the human world.
-Being yeeted out of a little ring of mushrooms in the soil of a plant Ray overwatered in the big plant wall of the Molina studio was not particularly pleasant, okay. Considering a real human should not be able to fit through that. But Willie explained that as soon as a fairy portal grew, it was only a manner of time that the fairies would notice it and stake it out to see what they could lure to their realm.
-Somehow, Luke and Alex get thrown clear across the room, Luke slamming against the door, Alex dropping onto the concrete floor.
-Reggie's not sure if him crashing against a pretty wooden piano is better or worse. The sound it made was definitely worse.
-Somehow, Willie ends up sitting crosslegged on the little piano bench, and he turns and quickly crushes up the mushrooms to destroy the portal.
-Julie, of course, is screaming, Alex and Luke and Reggie are screaming. Willie is trying to explain to Julie she over-watered her fern and pouts when she runs away.
-No they're not ghosts but they are changed and they all have weird powers. Luke nearly cries with joy that he can still summon his guitar. Alex is really not okay with this whole 'walking through walls' thing. Reggie is sad he cannot summon a puppy or a pizza.
-Willie can teleport short distances and is shocked to learn humans can't just do that? You have to walk everywhere? Or ride a horse. What's a car? What's roller skates? He needs to see one of these skateboad things immediately, let's summon the human girl back to ask for one. What can they trade for a skateboard?
-They're kind of freaked out at the whole 2020 thing, but hey, Reggie's like: at least it hasn't been a hundred years like when I told Luke about the 90s.
-Queue canon but it's even worse and more chaotic.
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innytoes · 8 months
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Help I can't stop thinking about the Dark Fantasy Fae AU.
There were a lot of things Ray could have never imagined when he married Rose. Moving out of their shabby little apartment into their house after a series of in hindsight rather telling instances of good luck. Their two amazing kids, who were so smart and talented and kind, who seemed to take all the things he loved in their mother and made it their own.
Losing her so young, he'd never imagined that.
And he really couldn't have predicted the four children that landed in their garage through a magical mushroom portal from a fairy realm.
Still, all things considered, Ray thought he was handling things rather well. He did have a very long phone call with Rose's very ancient grandmother, who told him she knew that when he took her name, he'd do the Molina family proud. Abuelita didn't know how much was myth and how much was family legend and how much was real, but the fact that the fae existed was pretty hard to question after the whole magic portal thing.
He stopped overwatering the plants overnight.
Now, the hardest part was helping the kids adjust to modern day life. Reggie was the easiest, considering he'd only lost about twenty-five years. He was a sweet boy, though a little jumpy at times. Alex was from the 1920s and while he still struggled a little with modern slang, he mostly seemed very grateful at the strides that had been made by the queer community, that allowed him to be who he was and love openly.
Luke was a bit trickier. He was distraught at losing his family, of course. He seemed to take to some aspects of modern times like a fish to water - the first time Julie showed him an electric guitar, Luke looked like he was having a religious experience. But Ray had had to pull him out of the road several times already to make sure he didn't get run over by a car, and then there had been the whole Tinfoil In The Microwave experience.
Willie was the trickiest. Ray had no idea how long he'd been in the fairy realm, given that he'd been switched out with a changeling at birth. But he had no real concept of how the human world worked, save for what he'd picked up from the other three boys. But some days, he seemed more fae than human, confused that Carlos couldn't just levitate to grab something off the top shelf, or that other people couldn't teleport short distances.
Which was what made this conversation so difficult.
"Fix, please," Willie had announced, before carefully settling a dead bird on the dining room table next to Ray's laptop.
The dad part of Ray's brain was already making a list of what needed to happen - get Willie to wash his hands, thoroughly clean the table- when the rest of his mind caught up with the request.
"She flew into a window," Willie said sadly, gently stroking the feathery head, and Ray felt a pang. This was going to be a very difficult conversation. One he remembers vividly having with Carlos when he was four (it had been a torn ladybug) and Julie when she was five (when Flynn's grandmother passed away).
"I- I'm afraid I can't do that," he said.
Willie's face twisted into a confused pout. "But I said please," he pointed out. They'd been working on... well, not so much manners as human mannerisms.
"Yes, and that was very polite," Ray said slowly, trying to figure out how to formulate this without being too harsh. "But I am unable to fix a dead robin."
"Please? I'll do all the cooking and the dishes for a whole..." Willie's face screwed up. Time was another thing they were working on. The entire concept of it seemed to upset him. "Year?"
"Willie," Ray said, gently herding him to sit down. "It's not that I don't want to help the bird. This isn't a deal you can trade for. There is nothing left for me to do to help the bird. Humans cannot fix death."
"Death?" Willie echoed, his voice small and uncertain. Ray nodded sympathetically.
"I'm sorry, there's no fixing the bird," he said slowly. "When something is dead, it cannot be brought back."
"No!" Willie wailed, distraught. "She just made a mistake! It's not fair!"
"Oh, mijo, I know it's not," Ray soothed, pulling him into a hug. "Death often doesn't seem fair." He let Willie cry, rocking him slightly. The sound summoned Alex, who took over, pulling Willie into a hug until they were sprawled on the floor, Willie curled up in his lap.
Ray tried not to focus on the dead bird on the table. He wanted to get it out of the house as soon as possible, but right now, Willie's feelings were more important.
"We can hold a funeral for her," he promised. "Bury her in the garden. That way, she can become one with the earth again, and help the plants grow." He thought that idea might make Willie feel a little better. The boy looked at him with big, not-entirely-human eyes, his lower lip trembling.
"It's the circle of life," Alex agreed. "Remember, like that song from the movie Julie and Flynn showed us."
"A funeral means burying her in the garden?" Willie asked, looking between them.
"A funeral is a ceremony to honour someone's life and say goodbye," Ray explained. Willie understood ceremonies, at least. "We can say a few words, and then bury her."
"Luke can sing a song," Alex said. "Birds like songs, right?"
Willie nodded, sniffling.
Ray squeezed his knee, and stood up. "I'll go get a nice box to bury her in." That seemed to upset Willie, and he shook his head fiercely.
"No dark rooms!" he insisted.
"How about some nice soft paper towels?" Alex suggested quickly. He also looked a bit nauseated at the thought of a dark room. Sometimes, Ray thought he'd never get to the end of the horrors those boys had gone through. He nodded, and went to get some gloves and a whole roll of paper towels.
Alex and Willie stayed on the floor, Alex gently rocking them back and forth while Willie ran his fingers through his long hair. "You're not allowed to be dead," Willie told Alex seriously. "I can't fix you."
"I'll do my best not to die," Alex promised. "I'm never going to leave you."
"If you do die, you have to come back as a ghost," Willie insisted. "No burying in the garden. We will be ghosts together. Like in Carlos' videos."
Alex smiled softly, and Ray tried not to tear up at the all-encompassing love and tenderness he saw in the boy's face, so young yet old and wise beyond his age. "Yeah, okay."
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innytoes · 8 months
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More Dark Fantasy AU because when have I ever left well enough alone and @jmrothwell made me the prettiest moodboard.
-Rose's great grandmother was a changeling. Her great great grandparents went to the fair folk because they were having trouble conceiving a child and made a deal. They got their baby... only for it to be swapped with a changeling after a few months.
-They went to the fae like: um excuse me we want our child back. No we're not giving you this one, a deal's a deal. We gave you our heirloom music box to grow our family, it's not our fault you gave us two. You still have the music box so no refunds.
-That story had been passed down for generations and Ray always thought it was a sweet fairytale about found family and loving people even if they're not related by blood or a bit different. But nope, guess it was real.
-In true Molina fashion Ray is thus like: welp guess I have four new children now.
-Four very weird new children. At least Reggie is only a little bit out of time, but he's had to stop Luke from getting run over by a car at least four times already.
-Alex came from the 1920s and was promised a life where he could be himself, be as gay as he wanted, and dance the night away.
-Years and years of non-stop dancing, his feet moving against his will, was a very harsh lesson to learn about not making deals with the fae.
-The boys can all go invisible, but Julie can still see them.
-Victoria taking 3 minutes to freak out at the whole situations and shouting about demons while Willie tries to continue having a pleasant conversation with her and Reggie is like: hey, words hurt. ... And then she realises the stories her abuela told her and Rose were real and sets right to feeding these poor kids.
-Yes it takes some convincing that they can eat food here and still leave. Carlos demonstrates by eating and apple and prancing in and out of the door.
-Ray was pretty okay with his four new children. Getting the guys up to speed of Life on Earth In 2020 is... a bit hit and miss. Explaining the microwave to his new kids: great! They get it! They're so smart (especially when it comes to food). Forgetting to mention to take the tinfoil off the stuff Tía left in the fridge: less great! Especially because Willie is strangely enchanted by the fire extinguisher.
-They of course each have their own things they're excited about. Reggie is freaking out over the new Star Wars. Luke discovered Rock music. Alex is deep in a Britney Spears phase, and, to Julie's slight annoyance, a Dirty Candi phase.
-Willie is baffled and delighted by all kinds of odd things, and has fallen in love with waves. He tries to explain that it's kind of like home, without the bad parts: constant, the same, but ever-changing.
-Willie takes up surfing and Alex nearly swallows his tongue.
-Other human and earth things Willie is enchanted by: friendship bracelets, lava lamps, theramins, glittery gel pens, salt and vinegar chips, cats, and of course, skateboards.
-Out of all of his kids, Willie is definitely the one Ray worries the most about. The other boys are just out of time, but Willie has no reference for human culture or... anything.
-Like he doesn't understand that people crying or yelling or being in pain means they cannot do something because... well, that's just what Caleb expected. He doesn't understand that not everything needs to be a trade. He seems weirdly upset all days are the same length.
-Carlos made a sign that says 'it's been 0 days since Willie has done or said some freaky stuff'. The counter has never been higher than 1.
-Willie, staring straight into Ray's soul and is it just him or did his pupils and irises disappear to be replaced by an endless galaxy for just a moment: "The birds say you left a bag of groceries in your caw and your ice cream is melting."
-The ice cream is saved, the birds are fed some sunflower seeds, and Ray decides that Willie picking up language from the crows is not on the top of his list of priorities.
-Until the crows teach him to swear.
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