#I need to finish/redraw these fr | Explore Tumblr Posts and Blogs

quirkthieves · 2 months

Note

"🎧" for Inari, Nobi, Hii and Mioara :)

This needs to go under a cut because hii's literally gets a line by line analysis... oops!

INARI:

youtube

Bloody Mary by KANKAN & FAKE TYPE

First of all, naturally, it is the cunt being served here. Kankan has a powerful voice that is complimented incredibly well by the jazzy backing. The whole song is full of energy. The visuals are also stunning in every way possible. It fits on sound alone.

However, the song is also about disrupting the food chain (metaphorically and literally) and eventually becoming the very carnivore you overthrew by gorging yourself on meat? Is this not the core of Inari's character? She is consumption incarnate.

The imagery in the song of the other animals that she recruits eating meet makes me think about her meeting with the Marakuma brothers; "Kneel before me, and I'll allow you to eat openly and unabashedly", despite having just eaten one of their brothers whole. First she dethroned the top of the food chain in the kemono world (oni/the demon clans), and then went for humans-- and in a way, her takeover has allowed for kemono to live openly, but at the same time, it's all at the mercy of her fangs...

NOBIMARU:

youtube

Ghost in Kansai by Inukai ft. Gumi

Again, starting with aesthetics: Wooma's artstyle always reminds me of Nobimaru, and the combination of traditional & modern aesthetics works well for the urban fantasy setting of Kemono Jihen. Furthermore, Inukai has a really unique way of tuning Gumi (using her English VB for Japanese, which changes how syllables are pronounced), and the formal, robotic, almost-stilted sound of her voice layered over the high energy techno-traditional backing reminds me a lot of Nobimaru's excessively formal and almost-stilted way of speaking.

(I even started a wip of a redraw of one of the shots ft Inari and Nobimaru. We'll see if it ever gets finished)

As for the song itself, the lyrics of the song, the narrator (the girl/gumi) is singing about the "monster" (snake guy) and how he's built himself up and craves more and more power and popularity, regardless of the fact that it's all dirty/trash. theres also the line "i wish i could live as a child" (free and innocent), alongside the overall narrative of the song. From what I can glean, Gumi is some sort of powerful entity that can control the fabric of reality, but at the whims of whoever commands her (denoted by the scarf around her neck). In this song, it's the snake man, who she laments about being greedy, power-hungry, and not appreciating that she "rustled all this up for him"-- who is then destroyed by the monk, who places his scarf around her neck. this serves as a prequel for the song Idolatry, which ends in Gumi taking off the scarf to bring back the snake demon, despite the destruction it causes because she can't reconcile with her new life and the "boredom" of peace/not being used.

Anyway. I know that was a lot but back to Nobimaru... It makes me think a lot of how cynically he views his own situation and how unchangeable it is, (such as refusing Kabane's request to join Inugami, calling himself a bad person, talking about how he can't do what Kabane does, because if he could... "what would all this dirty work have been for?")...and how all of that goes to building up the power of a greedy individual using him solely as a tool, but being a tool gives him his only purpose. He loves Inari, but he hates her also... he resents the empire of trash he's given her, but he couldn't live otherwise. He bitterly remarks on the others around him, and all with a detached cadence....

HINATA:

Great news, I've already done a song meta analysis for her and it really fucks severely so you're getting it here, too

youtube

∴flower×Miku『FrankenX』/ NILFRUITS×harumakigohan

this really fits a universe where she lives (oen of the last lines is “i barely survived”) but thats how it is in my brain

ok so. i have a lot to say on this one please ignore my cringebut stims all over this shit

anyway the theme of the “frankenstein complex” is obvious in this song and i think its even referenced in the description or comments but it’s defined as “the fear of what youve created”. technically the term was coined for computer science and AI but here it’s being used more liberally and so im going to use it liberally in my analysis

I think Hinata feels responsible for who Robara is, and Robara is responsible for what Hinata is. While their abilities set up the idea that Robara can manipulate Hinata’s form as needed (see: the decorations), it’s revealed to us that Hinata is essentially his babysitter: She feeds him, she’s the one who has to cut his hair, to remind him to shower, to dress him, to decide what they do next and where they go. And while you’d think that’d give her power in the relationship, it’s all because of his emotional manipulation– he purposefully refuses to learn how to care for himself so she won’t leave him, and she’s desperate for him to become independent (quote “Sometimes Hinata will reach her limits and snap at him, so he’ll get up and boil noodles to keep her happy”.)

But, y'know, I have to think about Hinata feels. and we don’t have to guess– there’s multiple parts that imply she feels directly responsible for his emotional development as well. Even though he’s an adult and made the choice to be who he is, she feels so guilty that she can’t fix him– she’s afraid of what she’s “created”. even though she was five too, seven, ten, 13, 15, 18, 20, 25… all of her energy and time has been devoted to “creating” Robara, even though it’s all being pulled by his agenda. but she doesn’t know that!

ok past the concept and into the lyrics now

“This ugly, patched heart, please break it quickly”

heartbreak is the loss of a lover, and while it usually just refers to being dumped, i think this could be read as just a pure desperation to get out. to leave, maybe even for him to die– just to get out of here, even if it’s heartbreak

Ah, ah, I’m sick of everything Whose fault is it? Well, no worries Let’s go play somewhere else Ah, ah, why it’s gone bad Was love’s fault

this song in general takes on a really childish tone at times and as we’re aware this “relationship” started when they were 5. both Hinata and Robara show a lot of signs that their maturation emotionally is really stunted, and not only that, but the incident that started everything was Hinata going over to his home to play.

So with that bad kiss Comfort me again please Bad smell, bad smell, XXX this ugly, patched sc-ar-t… Undergo necrosis, undergo necrosis

there’s. honestly a lot i could say here but robara is truly hinata’s only companion. i don’t think his possessiveness and jealousy allowed for a lot of friends, and after 20 years even if she hates his constant need for physical attention it is her only “comfort”. not to mention the medical themes and themes regarding death surrounding ogreham as a whole and their characters albeit underexplored (given that they were really the SIU’s de-facto “medics”)

Ah, I’m sick of everything, I’m gonna be gone suddenly Come on, just get out of here, “Parasitic-You” such things as “Dreams Come True”, I don’t need them anymore Put me out of my misery, Girl Girl Girl

Hinata’s reason for staying around and being alive is because Robara couldn’t survive on his own in her eyes, but I think she’s afraid of and or knows that she’s going to die someday– or maybe she dreams of just disappearing. Robara’s a parasite, a sick twist on how a rose feeds on the energy it gets from the sun (Hii), a theme reiterated constantly in the manga. She’s given up on having hopes and dreams on her own outside of him, and I think…I don’t know. It’s just sad

Patrons are limited, wanted to protect, loved them so much Wanted to touch, wanted to stare at, wanted to tell, dimly watched Still young, our nightmare

Hinata wants to protect Robara but she also wants to protect people FROM Robara. Not only that, but it’s mentioned in a twitter post from I believe…2020’s? Hinata’s birthday that the heart necklace Hinata wears was a gift selected by her and Robara going to the store and asking what’s the most popular among couples so they could have some sense of being a “normal” couple. Everything they do is just a farce at playing house, because they started dating when they were FIVE. nothing about their relationship is normal or real, and she KNOWS that. She wants to be one of them, but the rest of her life is here.

So with that lightning kiss I gave the first cry Bad smell, bad smell, XXX “I can’t stop thinking about you” Spit words like a slave!

Once again returning to the theme of decay, especially a decaying “heart”– decaying MEAT, which underpins a lot of the imagery between them. Not only that, but the last line emphasizes how much of a pretend game their PDA is– and while the quote is supposedly said by the other person in this song, I think even then it fits with how Hinata could’ve began to view the cycle the two of them were trapped in. As little sympathy as I have for Robara, she did genuinely care about him, and her perception of him seems to be that he’s trapped by his desires and inability to change.

So you were just toying with me with those poisoned lips!

Hinata never got the chance to realize that Robara was fucking. lying? he was just lying and manipulating her. In the manga he admits that she was too good for him and he couldn’t let her go, but in side material from Aimoto we learn that Robara’s incompetance was INTENTIONAL. he was aware that she wanted to leave him and pretended to be helpless so she wouldn’t because she’s too kind. While it’s true there was an underpinning of apathy towards his own physical care, It was very much intentional on his behalf. He was just fucking messing with her head he could have stopped all of this if he wanted but he didn’t want to lose someone who devoted herself to him so entirely because he knows he’s a piece of shit

Come on, just get out of here, “Ministering-You” Ah, apperlapapp or papperlapapp? Enough is enough

Once again, I’m coming from the perspective of her living because. Fuck the end of Ogreham lol but. I think this is her finally realizing that this is intentional and the second line is about how all of it is or was nonsense, and that the semantics don’t matter. It’s over.

ok thank you love you . thank you for coming to my ted talk

LACRAMIOARA:

ok after that doozy this one won't be quite as in depth but i'd be utterly remiss if i didn't mention the band that inspired Lacramioara and Leopold's entire existence

youtube

a large portion of the characters in their verse are explicitly inspired by specific bands/songs (ie: Johnny Strings and Cross DeVille are both inspired by The Devil Went Down to Georgia), and they're no different! Although the similarity in name (strigoi) may lead you to believe this song led directly to Mioara's existence, it was actually a few different Powerwolf songs that kickstarted it-- I was originally thinking about making both her and Leopold werewolves (or, well, werewolf-angels). I went back and forth on it a lot.

Anyway, you'll notice there's a reference to this song in their official titles-- "Sons of God and Sorrow". Just as a little homage.

But really, heavy metal insane christian vampire angels is just such a badass concept. youre with me on this one right.

#yeonban #LIFE OF MY DREAMS://HII HC #SPINNING SAMSARA://NOBIMARU HC #FRAGRANT BLOOD://INARI HC #BENEDICTUS ET AFFECTUS://MIOARA HC #im not even in the realm of fucking around when it comes to music for blorbo

4 notes · View notes

redattn · 4 years

Text

10 out of 37 pages of the first chapter of my comic are done.

29 to go

#why has it taken so long christ #looks like shit but i dont care anymore #it would be twelve but i have to redraw some panels on two pgs bc they arent clear #then i need to finish the drafts fr ch 2 and ink those. and then ch 3 #im not sure how many ch thisll be it was supposed to be 3 but it might be 5 idk #babbling

3 notes · View notes

hematomes · 3 years

Text

remember when i said i had the hottest takes of all? well that's it im gonna say it bc it keeps happening and it just makes me feel so bad im like,,, done

as a poc myself (mixed, african dad nd white mom just so yk), it really, really doesn't sit right with me when people edit light-skinned, existing poc characters' pictures to give them the most stereotypical black features. im talking big lips and nose, poorly-edited curly hair, obviously the dark skin etc.

im gonna have to develop a bit so it's kinda understandable? so here we go ig

i get the point. i get the need for representation, we are DYING to be represented and i fully enjoy seeing black characters in the medias i consume, every goddamn time. but i cannot understand how it's acceptable to erase other cultures AND gratuitously edit someone else's work in the process. im gonna take genshin as a simple example bc this is the only one that's affecting me right now, but im guessing it happens in other fandom as well

seeing characters from inazuma edited with the most stereotypical black features of all times just rubs me the wrong way. it's, in my eyes, like saying you think asians don't matter as much as blacks, because you're erasing one type of poc representation to favor another one, and that's not right. that's the opposite of right, even.

im not talking about blasians. they exist, im aware, they're gorgeous and valid and i do wish they had more representation in the mainstream media. but who's just as valid? light-skinned asians. (small edit: so are dark-skinned asians that aren't blasians, btw) i just came across an edited itto with half-assed curly hair, big-ass lips etc, like... the original picture was just edited. which is why i want to nuance it a bit; redrawing a character and headcanoning (is that even a word) them as blasian can be cool, why not, do your thing, it's nice. but just editing someone else's work to erase one representation and making it about something else entirely? yeah, no, doesn't seem right. the artists work their asses off to create beautiful designs, to represent a culture with details thrown around, every last bit of the character is carefully designed and... it's just so disrespectful to throw that shit away and replace it for clout?

i wish people would, idk, draw ocs, or even real fanart for that matter. but simply editing someone else's art is never ok in my opinion, and it always infuriates me because if someone edited xinyan with light skin (and claiming they headcanon her as a light-skinned asian) they would get crucified. in a heartbeat.

i might get crucified myself but im just sick and tired of seeing these edits so at this point im getting desperate.

and what pisses me off the most with them is that their notion of representation is picking the most stereotypical features, slap them on an already finished design and call it a day. im gonna be honest, this looks just as racist to me. reducing black people to big lips and nose, dark skin and curly hair is.. basically insulting. almost blackface, actually???? like, fr.

now, this is just my opinion, after going through these edits numerous times and thinking about it long and hard. once again, i get the point, but the execution is just so..? they're always, or almost always depicting black culture as the aforementioned features. im tired of seeing asian erasure and feeling fucking guilty over it as if it's my own fault.

#i hope it's clear enough tbh im just feeling so bad lmao

97 notes · View notes

ditown-art · 3 years

Photo

i forgot the password for this blog so i didn’t use it for months and now i have to catch up on everything AAAAA. i won’t post everything i drew since i last posted regularly here, so here’s just a quick overview of everything i did in 2020

january- i can’t remember if there was much good artwork, but this is a(n admittedly unfinished) photostudy! look at me drawing something that’s NOT an oc portrait.

february- clearly i learned nothing bc it’s straight back to oc art

march- started working on a picrew, never finished it, probably never will—but it was fun while it lasted

april- probably the peak of art here. a photostudy that i’m still v v proud of

may- finished my first-ever webcomic for my senior project! i’m too afraid of cringing to look back at it and read it again, but i remember being proud of it at the time, which is what matters

june- another comic! this was a short one-page character/story exploration that i never expanded on lmao

july- drew an oc’s bedroom. after taking a perspective class later in the year, i can look back and see all the flaws lmao...but it was good practice at the time. and not an oc portrait, thank god

august- another comic! this was Yet Another one page character exploration. rather than plan out the panels from the beginning, i started by drawing out specific imagery, then fit them together in ways that matched the vibe™. it was an interesting way of making a comic and i like the outcome even still, though i think that method of comic making works best for one shots like this. imagine trying to do that for a whole series...i’d die

september- back at it again with the oc art, but i used reference this time and drew a full body, so that’s a win!

october- more like OC-tober. i tried to draw an oc every day and only got like 5 days in </3

november- in the fall i took two online art classes, one of which was a perspective class. this was for an assignment; lots of work, but very rewarding! if i could redraw this again, i’d try to make the house look more crumbled, maybe have more fun; i was really hung up on getting the perspective right, but in the future i’d like to try and have more fun with line and shapes to really emphasize a certain look.

december- closing off the year with an oc portrait. around this time + for the next few months i got tired and burnt out on art, so i’d do oc paintings with the symmetry tool on, more to relax and practice painting/color than to focus on things like learning anatomy or interesting poses or composition. it’s what it is.

im posting this in june 2021, and since then i’ve honestly just been doing oc portraits mostly. L. maybe in the future i will have energy to work on art more?? i feel a little burnt out, trying to do my monotonous soul-crushing grocery store job + freelancing as a content writer which is also monotonous and soul-crushing in a way + trying to work on writing projects of my own with absolutely no success. aaaahhh. life is so much. maybe i’ll never be a Good artist, or a professional artist, or maybe i’ll never finish any creative project and maybe i’ll never make it as a creator. maybe i’ll just work retail or become a housewife or be a poorly-paid content marketing writer for big corporations forever, and creativity will be my little escape, my fun hobby. and that’s all it will be, and that’s ok. or maybe i’ll move on to other things, change careers, stop thinking so much about my ocs because they’re a stand-in for friends more than anything, and when i'm living a busy life and getting out in the world i’ll have no need to live vicariously through these ocs and maybe then i’ll stop writing and drawing. and that’ll be ok too, right? i like writing and drawing now. even if i’m not good, if my work doesn’t mean anything or say anything, it’s something i enjoy for me. if that’s all it ever is—frivolous, self-centered, something that one day i might lay down forever and never come back to—then i’ll be glad for the time i spent drawing and writing and thinking of stories and so on, but it won’t be my whole life. and that’s ok; i’ll be ok. sorry to end this art overview with an existential crisis. i’m gonna go eat lunch. i hate spelling ok like ok and not like okay, but im too lazy to type those two extra letters. ok lunch time fr bye. also who wants to talk about my hero acedmia?? can we PLEASE talk about my hero academia. ok bye fr.

1 note · View note