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Ida Lupino (4 February 1918 – 3 August 1995) was an English-American actress, singer, director, and producer. She is widely regarded as the most prominent female filmmaker working in the 1950s during the Hollywood studio system. With her independent production company, she co-wrote and co-produced several social-message films and became the first woman to direct a film noir with The Hitch-Hiker in 1953. Among her other directed films the best known are Not Wanted about unwed pregnancy (she took over for a sick director and refused directorial credit), Never Fear (1949) loosely based upon her own experiences battling paralyzing polio, Outrage (1950) one of the first films about rape, The Bigamist (1953) (which was named in the book 1001 Movies You Must See Before You Die) and The Trouble with Angels (1966).

Throughout her 48-year career, she made acting appearances in 59 films and directed eight others, working primarily in the United States, where she became a citizen in 1948. As an actress her best known films are The Adventures of Sherlock Holmes (1939) with Basil Rathbone, They Drive by Night (1940) with George Raft and Humphrey Bogart, High Sierra (1941) with Bogart, The Sea Wolf (1941) with Edward G. Robinson and John Garfield, Ladies in Retirement (1941) with Louis Hayward, Moontide (1942) with Jean Gabin, The Hard Way (1943), Deep Valley (1947) with Dane Clark, Road House (1948) with Cornel Wilde and Richard Widmark, While the City Sleeps (1956) with Dana Andrews and Vincent Price. and Junior Bonner (1972) with Steve McQueen.

She also directed more than 100 episodes of television productions in a variety of genres including westerns, supernatural tales, situation comedies, murder mysteries, and gangster stories. She was the only woman to direct an episode of the original The Twilight Zone series ("The Masks"), as well as the only director to have starred in an episode of the show ("The Sixteen-Millimeter Shrine").

Lupino was born in Herne Hill, London, to actress Connie O'Shea (also known as Connie Emerald) and music hall comedian Stanley Lupino, a member of the theatrical Lupino family, which included Lupino Lane, a song-and-dance man. Her father, a top name in musical comedy in the UK and a member of a centuries-old theatrical dynasty dating back to Renaissance Italy, encouraged her to perform at an early age. He built a backyard theatre for Lupino and her sister Rita (1920–2016), who also became an actress and dancer. Lupino wrote her first play at age seven and toured with a travelling theatre company as a child. By the age of ten, Lupino had memorised the leading female roles in each of Shakespeare's plays. After her intense childhood training for stage plays, Ida's uncle Lupino Lane assisted her in moving towards film acting by getting her work as a background actress at British International Studios.

She wanted to be a writer, but in order to please her father, Lupino enrolled in the Royal Academy of Dramatic Art. She excelled in a number of "bad girl" film roles, often playing prostitutes. Lupino did not enjoy being an actress and felt uncomfortable with many of the early roles she was given. She felt that she was pushed into the profession due to her family history.

Lupino worked as both a stage and screen actress. She first took to the stage in 1934 as the lead in The Pursuit of Happiness at the Paramount Studio Theatre.[10] Lupino made her first film appearance in The Love Race (1931) and the following year, aged 14, she worked under director Allan Dwan in Her First Affaire, in a role for which her mother had previously tested.[11] She played leading roles in five British films in 1933 at Warner Bros.' Teddington studios and for Julius Hagen at Twickenham, including The Ghost Camera with John Mills and I Lived with You with Ivor Novello.

Dubbed "the English Jean Harlow", she was discovered by Paramount in the 1933 film Money for Speed, playing a good girl/bad girl dual role. Lupino claimed the talent scouts saw her play only the sweet girl in the film and not the part of the prostitute, so she was asked to try out for the lead role in Alice in Wonderland (1933). When she arrived in Hollywood, the Paramount producers did not know what to make of their sultry potential leading lady, but she did get a five-year contract.

Lupino starred in over a dozen films in the mid-1930s, working with Columbia in a two-film deal, one of which, The Light That Failed (1939), was a role she acquired after running into the director's office unannounced, demanding an audition. After this breakthrough performance as a spiteful cockney model who torments Ronald Colman, she began to be taken seriously as a dramatic actress. As a result, her parts improved during the 1940s, and she jokingly referred to herself as "the poor man's Bette Davis", taking the roles that Davis refused.

Mark Hellinger, associate producer at Warner Bros., was impressed by Lupino's performance in The Light That Failed, and hired her for the femme-fatale role in the Raoul Walsh-directed They Drive by Night (1940), opposite stars George Raft, Ann Sheridan and Humphrey Bogart. The film did well and the critical consensus was that Lupino stole the movie, particularly in her unhinged courtroom scene. Warner Bros. offered her a contract which she negotiated to include some freelance rights. She worked with Walsh and Bogart again in High Sierra (1941), where she impressed critic Bosley Crowther in her role as an "adoring moll".

Her performance in The Hard Way (1943) won the New York Film Critics Circle Award for Best Actress. She starred in Pillow to Post (1945), which was her only comedic leading role. After the drama Deep Valley (1947) finished shooting, neither Warner Bros. nor Lupino moved to renew her contract and she left the studio in 1947. Although in demand throughout the 1940s, she arguably never became a major star although she often had top billing in her pictures, above actors such as Humphrey Bogart, and was repeatedly critically lauded for her realistic, direct acting style.

She often incurred the ire of studio boss Jack Warner by objecting to her casting, refusing poorly written roles that she felt were beneath her dignity as an actress, and making script revisions deemed unacceptable by the studio. As a result, she spent a great deal of her time at Warner Bros. suspended. In 1942, she rejected an offer to star with Ronald Reagan in Kings Row, and was immediately put on suspension at the studio. Eventually, a tentative rapprochement was brokered, but her relationship with the studio remained strained. In 1947, Lupino left Warner Brothers and appeared for 20th Century Fox as a nightclub singer in the film noir Road House, performing her musical numbers in the film. She starred in On Dangerous Ground in 1951, and may have taken on some of the directing tasks of the film while director Nicholas Ray was ill.

While on suspension, Lupino had ample time to observe filming and editing processes, and she became interested in directing. She described how bored she was on set while "someone else seemed to be doing all the interesting work".

She and her husband Collier Young formed an independent company, The Filmakers, to produce, direct, and write low-budget, issue-oriented films. Her first directing job came unexpectedly in 1949 when director Elmer Clifton suffered a mild heart attack and was unable to finish Not Wanted, a film Lupino co-produced and co-wrote. Lupino stepped in to finish the film without taking directorial credit out of respect for Clifton. Although the film's subject of out-of-wedlock pregnancy was controversial, it received a vast amount of publicity, and she was invited to discuss the film with Eleanor Roosevelt on a national radio program.

Never Fear (1949), a film about polio (which she had personally experienced replete with paralysis at age 16), was her first director's credit. After producing four more films about social issues, including Outrage (1950), a film about rape (while this word is never used in the movie), Lupino directed her first hard-paced, all-male-cast film, The Hitch-Hiker (1953), making her the first woman to direct a film noir. The Filmakers went on to produce 12 feature films, six of which Lupino directed or co-directed, five of which she wrote or co-wrote, three of which she acted in, and one of which she co-produced.

Lupino once called herself a "bulldozer" to secure financing for her production company, but she referred to herself as "mother" while on set. On set, the back of her director's chair was labeled "Mother of Us All".[3] Her studio emphasized her femininity, often at the urging of Lupino herself. She credited her refusal to renew her contract with Warner Bros. under the pretenses of domesticity, claiming "I had decided that nothing lay ahead of me but the life of the neurotic star with no family and no home." She made a point to seem nonthreatening in a male-dominated environment, stating, "That's where being a man makes a great deal of difference. I don't suppose the men particularly care about leaving their wives and children. During the vacation period, the wife can always fly over and be with him. It's difficult for a wife to say to her husband, come sit on the set and watch."

Although directing became Lupino's passion, the drive for money kept her on camera, so she could acquire the funds to make her own productions. She became a wily low-budget filmmaker, reusing sets from other studio productions and talking her physician into appearing as a doctor in the delivery scene of Not Wanted. She used what is now called product placement, placing Coke, Cadillac, and other brands in her films, such as The Bigamist. She shot in public places to avoid set-rental costs and planned scenes in pre-production to avoid technical mistakes and retakes. She joked that if she had been the "poor man's Bette Davis" as an actress, she had now become the "poor man's Don Siegel" as a director.

The Filmakers production company closed shop in 1955, and Lupino turned almost immediately to television, directing episodes of more than thirty US TV series from 1956 through 1968. She also helmed a feature film in 1965 for the Catholic schoolgirl comedy The Trouble With Angels, starring Hayley Mills and Rosalind Russell; this was Lupino's last theatrical film as a director. She continued acting as well, going on to a successful television career throughout the 1960s and '70s.

Lupino's career as a director continued through 1968. Her directing efforts during these years were almost exclusively for television productions such as Alfred Hitchcock Presents, Thriller, The Twilight Zone, Have Gun – Will Travel, Honey West, The Donna Reed Show, Gilligan's Island, 77 Sunset Strip, The Rifleman, The Virginian, Sam Benedict, The Untouchables, Hong Kong, The Fugitive, and Bewitched.

After the demise of The Filmakers, Lupino continued working as an actress until the end of the 1970s, mainly in television. Lupino appeared in 19 episodes of Four Star Playhouse from 1952 to 1956, an endeavor involving partners Charles Boyer, Dick Powell and David Niven. From January 1957 to September 1958, Lupino starred with her then-husband Howard Duff in the sitcom Mr. Adams and Eve, in which the duo played husband-and-wife film stars named Howard Adams and Eve Drake, living in Beverly Hills, California.[22] Duff and Lupino also co-starred as themselves in 1959 in one of the 13 one-hour installments of The Lucy–Desi Comedy Hour and an episode of The Dinah Shore Chevy Show in 1960. Lupino guest-starred in numerous television shows, including The Ford Television Theatre (1954), Bonanza (1959), Burke's Law (1963–64), The Virginian (1963–65), Batman (1968), The Mod Squad (1969), Family Affair (1969–70), The Wild, Wild West (1969), Nanny and the Professor (1971), Columbo: Short Fuse (1972), Columbo: Swan Song (1974) in which she plays Johnny Cash's character's zealous wife, Barnaby Jones (1974), The Streets of San Francisco, Ellery Queen (1975), Police Woman (1975), and Charlie's Angels (1977). Her final acting appearance was in the 1979 film My Boys Are Good Boys.

Lupino has two distinctions with The Twilight Zone series, as the only woman to have directed an episode ("The Masks") and the only person to have worked as both actor for one episode ("The Sixteen-Millimeter Shrine"), and director for another.

Lupino's Filmakers movies deal with unconventional and controversial subject matter that studio producers would not touch, including out-of-wedlock pregnancy, bigamy, and rape. She described her independent work as "films that had social significance and yet were entertainment ... base on true stories, things the public could understand because they had happened or been of news value." She focused on women's issues for many of her films and she liked strong characters, "[Not] women who have masculine qualities about them, but [a role] that has intestinal fortitude, some guts to it."

In the film The Bigamist, the two women characters represent the career woman and the homemaker. The title character is married to a woman (Joan Fontaine) who, unable to have children, has devoted her energy to her career. While on one of many business trips, he meets a waitress (Lupino) with whom he has a child, and then marries her.[25] Marsha Orgeron, in her book Hollywood Ambitions, describes these characters as "struggling to figure out their place in environments that mirror the social constraints that Lupino faced".[13] However, Donati, in his biography of Lupino, said "The solutions to the character's problems within the films were often conventional, even conservative, more reinforcing the 1950s' ideology than undercutting it."

Ahead of her time within the studio system, Lupino was intent on creating films that were rooted in reality. On Never Fear, Lupino said, "People are tired of having the wool pulled over their eyes. They pay out good money for their theatre tickets and they want something in return. They want realism. And you can't be realistic with the same glamorous mugs on the screen all the time."

Lupino's films are critical of many traditional social institutions, which reflect her contempt for the patriarchal structure that existed in Hollywood. Lupino rejected the commodification of female stars and as an actress, she resisted becoming an object of desire. She said in 1949, "Hollywood careers are perishable commodities", and sought to avoid such a fate for herself.

Ida Lupino was diagnosed with polio in 1934. The New York Times reported that the outbreak of polio within the Hollywood community was due to contaminated swimming pools. The disease severely affected her ability to work, and her contract with Paramount fell apart shortly after her diagnosis. Lupino recovered and eventually directed, produced, and wrote many films, including a film loosely based upon her travails with polio titled Never Fear in 1949, the first film that she was credited for directing (she had earlier stepped in for an ill director on Not Wanted and refused directorial credit out of respect for her colleague). Her experience with the disease gave Lupino the courage to focus on her intellectual abilities over simply her physical appearance. In an interview with Hollywood, Lupino said, "I realized that my life and my courage and my hopes did not lie in my body. If that body was paralyzed, my brain could still work industriously...If I weren't able to act, I would be able to write. Even if I weren't able to use a pencil or typewriter, I could dictate."[31] Film magazines from the 1930s and 1940s, such as The Hollywood Reporter and Motion Picture Daily, frequently published updates on her condition. Lupino worked for various non-profit organizations to help raise funds for polio research.

Lupino's interests outside the entertainment industry included writing short stories and children's books, and composing music. Her composition "Aladdin's Suite" was performed by the Los Angeles Philharmonic Orchestra in 1937. She composed this piece while on bedrest due to polio in 1935.

She became an American citizen in June 1948 and a staunch Democrat who supported the presidency of John F. Kennedy. Lupino was Catholic.

Lupino died from a stroke while undergoing treatment for colon cancer in Los Angeles on 3 August 1995, at the age of 77. Her memoirs, Ida Lupino: Beyond the Camera, were edited after her death and published by Mary Ann Anderson.

Lupino learned filmmaking from everyone she observed on set, including William Ziegler, the cameraman for Not Wanted. When in preproduction on Never Fear, she conferred with Michael Gordon on directorial technique, organization, and plotting. Cinematographer Archie Stout said of Ms. Lupino, "Ida has more knowledge of camera angles and lenses than any director I've ever worked with, with the exception of Victor Fleming. She knows how a woman looks on the screen and what light that woman should have, probably better than I do." Lupino also worked with editor Stanford Tischler, who said of her, "She wasn't the kind of director who would shoot something, then hope any flaws could be fixed in the cutting room. The acting was always there, to her credit."

Author Ally Acker compares Lupino to pioneering silent-film director Lois Weber for their focus on controversial, socially relevant topics. With their ambiguous endings, Lupino's films never offered simple solutions for her troubled characters, and Acker finds parallels to her storytelling style in the work of the modern European "New Wave" directors, such as Margarethe von Trotta.

Ronnie Scheib, who issued a Kino release of three of Lupino's films, likens Lupino's themes and directorial style to directors Nicholas Ray, Sam Fuller, and Robert Aldrich, saying, "Lupino very much belongs to that generation of modernist filmmakers." On whether Lupino should be considered a feminist filmmaker, Scheib states, "I don't think Lupino was concerned with showing strong people, men or women. She often said that she was interested in lost, bewildered people, and I think she was talking about the postwar trauma of people who couldn't go home again."

Author Richard Koszarski noted Lupino's choice to play with gender roles regarding women's film stereotypes during the studio era: "Her films display the obsessions and consistencies of a true auteur... In her films The Bigamist and The Hitch-Hiker, Lupino was able to reduce the male to the same sort of dangerous, irrational force that women represented in most male-directed examples of Hollywood film noir."

Lupino did not openly consider herself a feminist, saying, "I had to do something to fill up my time between contracts. Keeping a feminine approach is vital — men hate bossy females ... Often I pretended to a cameraman to know less than I did. That way I got more cooperation." Village Voice writer Carrie Rickey, though, holds Lupino up as a model of modern feminist filmmaking: "Not only did Lupino take control of production, direction, and screenplay, but [also] each of her movies addresses the brutal repercussions of sexuality, independence and dependence."

By 1972, Lupino said she wished more women were hired as directors and producers in Hollywood, noting that only very powerful actresses or writers had the chance to work in the field. She directed or costarred a number of times with young, fellow British actresses on a similar journey of developing their American film careers like Hayley Mills and Pamela Franklin.

Actress Bea Arthur, best remembered for her work in Maude and The Golden Girls, was motivated to escape her stifling hometown by following in Lupino's footsteps and becoming an actress, saying, "My dream was to become a very small blonde movie star like Ida Lupino and those other women I saw up there on the screen during the Depression."

Lupino has two stars on the Hollywood Walk of Fame for contributions to the fields of television and film — located at 1724 Vine Street and 6821 Hollywood Boulevard.

New York Film Critics Circle Award - Best Actress, The Hard Way, 1943

Inaugural Saturn Award - Best Supporting Actress, The Devil's Rain, 1975

A Commemorative Blue Plaque is dedicated to Lupino and her father Stanley Lupino by The Music Hall Guild of Great Britain and America and the Theatre and Film Guild of Great Britain and America at the house where she was born in Herne Hill, London, 16 February 2016

Composer Carla Bley paid tribute to Lupino with her jazz composition "Ida Lupino" in 1964.

The Hitch-Hiker was inducted into the National Film Registry in 1998 while Outrage was inducted in 2020.

#ida lupino #classic hollywood #classic movie stars #golden age of hollywood #old hollywood #1930s hollywood #1940s hollywood #1950s hollywood #1960s hollywood #1970s hollywood #hollywood legend

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LGBTQIA+ Historical Romance Novels with Ghosts, Ghouls, and Gothic themes-October 2018

(Warning: Some books may have triggers such as abuse, questionable family morality, dub-con, and mentions of suicide attempts.)

James Eyre by Jade Astor

- A gender twisting adaptation of the classic Gothic romance Jane Eyre!

In Victorian England, 21-year-old James Eyre, frightened by his feeling for another man, decides to leave the boys’ school where he has spent ten years, first as a student and then as a teacher. He manages to secure a position as a private tutor for Axel Vance, the ward of a wealthy man who owns an estate in Yorkshire.

From the night of his arrival, James begins to sense that things are not as they should be at Thistleton Manor, the home of the enigmatic Edmond Manchester. Late at night, wild screams seem to echo through the house, and during the daytime objects disappear from James’s room and are replaced with sinister-looking voodoo dolls. Though his instincts tell him to flee, James stays on because he enjoys his duties and the company of his pupil—and even more so because he has begun to develop an attraction for his employer, Mr. Manchester.

To his surprise, Mr. Manchester seems to return his feelings. However, a jealous former lover and a phantomlike presence in the house seem determined to tear them apart. If he is to have any hope of a happy future with the man he loves, James must solve the mystery of Thistleton Manor and save Edmond’s life as well.

Resurrected Heart by Jade Astor

- Knowing that the kind of relationship his heart longs for is forbidden by the laws of Victorian England, college student Gray Langley fights his loneliness by throwing himself into his studies and his artwork. One gloomy afternoon, he is out sketching a graveyard when he meets Dr. Arthur Striker, a man who seems to share Gray’s scandalous desires. Though Gray is encouraged when Arthur seems to return his feelings, he is unnerved by the scientific experiments Arthur seems to be conducting in his home. Even more frightening is the strange and violent madman who appears and tries to kill him whenever he and Arthur get close. And why does his attacker look exactly like Arthur?

The Secret Casebook of Simon Feximal by KJ Charles (I’ve read this one several times. Several short stories in one, with lots of creepy details, arguably the least romantic MC of all time, and wonderful erotic elements w/light D/s. Also, Charles joined forces with Jordan L Hawk to create a crossover with Hawk’s Whyborne & Griffin series. The short story is called Remnant, and it’s free on the authors’ sites.)

- A story too secret, too terrifying—and too shockingly intimate—for Victorian eyes. A note to the Editor Dear Henry, I have been Simon Feximal’s companion, assistant and chronicler for twenty years now, and during that time my Casebooks of Feximal the Ghost-Hunter have spread the reputation of this most accomplished of ghost-hunters far and wide. You have asked me often for the tale of our first meeting, and how my association with Feximal came about. I have always declined, because it is a story too private to be truthfully recounted, and a memory too precious to be falsified. But none knows better than I that stories must be told. So here is it, Henry, a full and accurate account of how I met Simon Feximal, which I shall leave with my solicitor to pass to you after my death. I dare say it may not be quite what you expect. Robert Caldwell September 1914

An Unnatural Vice by KJ Charles (Few authors do the Enemies to Lovers trope as well as Charles does.)

- In the sordid streets of Victorian London, unwanted desire flares between two bitter enemies. Crusading journalist Nathaniel Roy is determined to expose spiritualists who exploit the grief of bereaved and vulnerable people. First on his list is the so-called Seer of London, Justin Lazarus. Nathaniel expects him to be a cheap, heartless fraud. He doesn’t expect to meet a man with a sinful smile and the eyes of a fallen angel—or that a shameless swindler will spark his desires for the first time in years.Justin feels no remorse for the lies he spins during his séances. His gullible clients simply bore him. Hostile, disbelieving, utterly irresistible Nathaniel is a fascinating challenge. And as their battle of wills and wits heats up, Justin finds he can’t stop thinking about the man who’s determined to ruin him.But Justin and Nathaniel are linked by more than their fast-growing obsession with one another. They are both caught up in an aristocratic family’s secrets, and Justin holds information that could be lethal. As killers, fanatics, and fog close in, Nathaniel is the only man Justin can trust—and, perhaps, the only man he could love.

Merrick & William (sequel) by Claire Cray (Merrick was a pleasant surprise, and William is on my TBR.)

- New York, 1799: the future looks bright for the charming young book dealer William Lacy, until a raucous night of drinking lands him in shackles. He narrowly avoids the brutal prison system thanks to his mother, who negotiates with the judge to secure him a five year apprenticeship in lieu of a prison sentence. And so William finds himself in a carriage bound for the remote woods upstate, where he'll spend the next years of his life learning a new trade under some old master. When he first sees Merrick, William thinks he's been dropped into a medieval horror story. Tall and gruff, dressed in a hooded robe that completely conceals his features, and riding a black mare, Merrick might as well be the Grim Reaper. But appearances are deceiving. An uncannily skilled apothecary and healer, Merrick proves to be a generous host and a gentle teacher, and William soon finds himself surprisingly comfortable in his new surroundings. Yet troubling mysteries abound: Why does Merrick never show his face or hands? Why do his movements seem so young and sure beneath his robes? What lies within the cave behind the stone cottage? Something unnatural is afoot. But most alarming by far is William's own reaction to his new master. For Merrick's strange charms are bewitching enough by day; but by night, in the darkness of the room and the bed they share, William finds himself entirely overwhelmed by desires he never imagined...

The Captain’s Ghostly Gamble (Seasonal novella from the Captivating Captains series. It’s actually modern day, but the ghosts dominate the story, so you hardly notice.) by Catherine Curzon and Eleanor Harkstead

- When a ghostly dandy and his roguish companion try their hand at matchmaking, things definitely go bump in the night.

For centuries, foppish Captain Cornelius Sheridan and brooding John Rookwood have haunted the mansion they duelled and died for. Now these phantom foes must join forces to save both their home and their feuding descendents.But when Captain Sheridan sacrifices his afterlife for the sake of true love, will Rookwood risk everything to keep his companion by his side, or is it too late to say "I love you"?

The Medium by Bonnie Dee (This is one of her best, in my opinion, and I’ve read most of her material.)

- To win a heart, he must risk his soul… Cast out of his family for being a freak, psychic Justin Crump helps others find peace by using his ability. When he’s called upon to release a distressed soul from a haunted house, a child’s angry spirit draws him into a dark mystery. Equally intriguing is the skeptical homeowner, Albert, a man who has buried his sexuality deeper than the grave. Albert Henderson humors his mother’s wishes by inviting the medium for a visit. While he doubts Justin’s gifts, he can’t deny one truth: the man stirs desire in him that Albert has spent a lifetime denying. Slowly, the walls of his proper life crumble. And when Justin proposes some emotion-free experimentation, neither imagines it might lead to love…and danger. After learning the terrifying truth about the deceased child’s persecutor, the two men pursue a perpetrator of great evil. When they coax a confession from their quarry, the vengeful spirit unleashes power nearly beyond control. To free the earthbound ghost from the past that holds it shackled, Justin must risk his own soul. And Albert must find the courage to break free of the chains of doubt that will deny him and Justin the future of which they once only dreamed.

(Part of Victorian Holiday Hearts Boxed Set) by Summer Devon and Bonnie Dee

- Delaney and the Autumn Masque: Delaney, a member of the Andrews theater clan, performs magic tricks at a fancy dress ball where he's struck by the dramatic figure of the Grim Reaper. He follows Death to a quiet room for a glorious, lustful encounter. With his identity hidden, impoverished gentleman Bartholomew Bancroft dares to indulge in an impulsive liaison, but can he find love with the magician when the masks come off?

The Psychic and the Sleuth by Bonnie Dee and Summer Devon

- Psychic and skeptic—how could their love affair go wrong? Inspector Robert Court’s relentless insistence the wrong man hanged for the murder of Court’s cousin has him on his superintendent’s bad side. Court is assigned lowly vice cases such as exposing a confidence man posing as a medium to fleece the wealthy. Down on his luck, Oliver Marsh learned he had an aptitude for conducting séances. He assuages his guilt by bringing comfort to the grieving and offering occasional insights coming from true psychic flashes. Marsh has tried to deny these flashes, but when he’s bowled over by a vivid memory of murder coming from the other side, he can no longer pretend he doesn’t possess a gift. Marsh reveals details about that night which only Court’s cousin would know, and the detective vows to track down the truth—by staying as close to the fake psychic as humanly possible. But close leads to closer and soon the pair is involved in not only a torrid affair but a hunt for a killer—before he strikes again.

The Bird by Eli Easton (Novella from the Dreamspinner Press anthology Bones. Excellent read, as long as you keep in mind it’s written from the perspective of an Englishman in 19th century Jamaica.)

- Third son Colin Hastings has subverted his desires for his entire life, intent now on bringing his family’s plantation back to its former state of solvency, and marrying his friend Elizabeth. But, when he helps save the life of one of the plantation workers, he’s gifted his passion back, and must come to terms with his love for his lifelong friend, Richard. What happens when nightmares are not what they seem, and horror is not as bad one fears?

A Brush with Darkness by Erestes

- Florence, 1875 After making a grisly discovery one night, I needed proof that there was still goodness in the world. I never dreamt it would come to me during my next commission—with a subject whose very name means light... Yuri was glorious in his otherworldly beauty, surrounded by a bright halo of iridescence, but I detected a fierce darkness lurking underneath the surface. Sketching all night, I could hardly wait to capture his likeness in a painting. For Yuri has stimulated not only my creative urges, but my sexual ones as well. His very presence infuses me with joy and passion, but what will happen if my patron should discover our trysts? Dependent on his good graces, I can't afford to lose his support. But I fear the time will soon come when I must choose between restoring my family's fortunes and obeying the temptation of the muse before me... Previously published as Chiaroscuro, newly revised by author.

The Gilda Stories: 25th Anniversary Expanded Edition by Jewelle Gomez (This is not exactly romance per se, but does include a lesbian protagonist, and follows her world through all that comes with being a vampire, including romantic interests.)

- This remarkable novel begins in 1850s Louisiana, where Gilda escapes slavery and learns about freedom while working in a brothel. After being initiated into eternal life as one who "shares the blood" by two women there, Gilda spends the next two hundred years searching for a place to call home. An instant lesbian classic when it was first published in 1991, The Gilda Stories has endured as an auspiciously prescient book in its explorations of blackness, radical ecology, re-definitions of family, and yes, the erotic potential of the vampire story.

Unchained by Ainsley Gray Review

- If he takes their life, they can never truly leave. That's the mantra Noah Wilmington has lived by for years. He picks up whores and deviants from the local taverns, enjoys their company for an evening...and then hides their bodies in the woods. Edward Yorke has approached the same man in the same public house time and again, never deterred by the cool dismissal he receives. There's something about Noah that calls to him. A shared pain, a shared sadness... But Noah doesn't trust himself. It's too risky to permit someone too close, and Edward is the one person in the world whose life Noah wants to spare. So, every time Edward has asked to buy him a drink, Noah declines. Then one night, out of sheer loneliness, that "no" becomes a "yes." When Edward's night with him sheds light on some of Noah's dark secrets, Noah cannot simply let him walk out the door. But if he doesn't want Edward dead, and he cannot let him leave, only one option really remains...

Briarley by Astor Glenn Gray (This novel was so unique and it’s just a charming May/December romance.)

- An m/m World War II-era retelling of Beauty and the Beast. During a chance summer shower, an English country parson takes refuge in a country house. The house seems deserted, yet the table is laid with a sumptuous banquet such as the parson has not seen since before war rationing. Unnerved by the uncanny house, he flees, but stops to pluck a single perfect rose from the garden for his daughter - only for the master of the house to appear, breathing fire with rage. Literally. At first, the parson can't stand this dragon-man. But slowly, he begins to feel the injustice of the curse that holds the dragon captive. What can break this vengeful curse?

Lover’s Knot by Donald Hardy

- Jonathan Williams has inherited Trevaglan Farm from a distant relative. With his best friend, Alayne, in tow, Jonathan returns to the estate to take possession, meet the current staff, and generally learn what it’s like to live as the landed gentry now. He’d only been there once before, fourteen years earlier. But that was a different time, he’s a different person now, determined to put that experience out of his mind and his heart….The locals agree that Jonathan is indeed different from the lost young man he was that long ago summer, when he arrived at the farm for a stay after his mother died. Back then the hot summer days were filled with sunshine, the nearby ocean, and a new friend, Nat. Jonathan and the farmhand had quickly grown close, Jonathan needing comfort in the wake of his grief, and Nat basking in the peace and love he didn’t have at home. But that was also a summer of rumors and strange happenings in the surrounding countryside, romantic triangles and wronged lovers. Tempers would flare like a summer lightning storm, and ebb just as quickly. By the summer’s end, one young man was dead, and another haunted for life. Now Jonathan is determined to start anew. Until he starts seeing the ghost of his former friend everywhere he looks. Until mementos of that summer idyll reappear. Until Alayne’s life is in danger. Until the town’s resident witch tells Jonathan that ghosts are real. And this one is tied to Jonathan unto death…

Man & Monster (Book two of The Savage Land) by Michael Jensen

- A monster stalks the ancient forests... It’s 1799, and Cole Seavey is a trapper running from a guilty past, seeking refuge on the vast American frontier. Lost in a raging storm, he finds himself face to face with a terrifying, otherworldly creature that seems to have emerged from a nightmare. Cole is saved from certain death by a handsome Delaware Indian named Pakim. Together they learn that the monster is the fearsome Wendigo from native legends: a creature with a heart of ice, drawn to the evil of men. Soon the Wendigo is terrorizing the frontier — settler and Indian alike — and Cole and Pakim join together to defeat the mysterious monster. In the process, Cole finds himself falling for the strapping brave and the promise of a new life together. Unfortunately, the legends say that the Wendigo can only be killed by another creature with a heart of ice. But how can Cole hope to defeat the monster if it means denying the love he's finally allowed himself to feel?

Stoker & Bash by Selina Kray (Book two coming soon!)

- At Scotland Yard, DI Timothy Stoker is no better than a ghost. A master of arcane documents and niggling details who, unlike his celebrity-chasing colleagues, prefers hard work to headlines. But an invisible man is needed to unmask the city’s newest amateur detective, Hieronymus Bash. A bon vivant long on flash and style but short on personal history, Bash just may be a Cheapside rogue in Savile Row finery. When the four fangs of the Demon Cats of Scavo—trophies that protect the hunters who killed the two vicious beasts—disappear one by one, Stoker's forced to team with the very man he was sent to investigate to maintain his cover. He finds himself thrust into a world of wailing mediums, spiritualist societies, man-eating lions, and a consulting detective with more ambition than sense. Will this case be the end of his career, or the start of an unexpected liaison? Or will the mysterious forces at play be the death of them both? And just who is Hieronymus Bash?

Gothic Romance by LV Lloyd (Gothic light, but includes a trans side character.)

- When Jonathan Winters accepts a post as tutor to the only son of Lord D’Anvers, he looks forward to sharing his love of learning with his young pupil. Not even arriving at Castle Blackstone in the middle of a thunderstorm can dampen his enthusiasm, nor the fact that the wing above his head is forbidden. Absorbed with Evelyn’s education, Jonathan is completely unprepared to find himself the object of Lord D’Anvers’ attentions. Until D’Anvers kisses him...

Threadbare by Clare London (Beautifully written, but NOT HEA!)

- When Edward inherits the family textile mill from his deceased parents, he knows where his duty lies. As a young Victorian gentleman, he devotes himself to the family business and doing right by his customers and employees. What concern is it that he surrenders his own artistic ambitions and romantic passions? But a hideous accident at the mill one day brings him into close contact with Mori, one of his most productive workers, a beautiful yet seemingly delicate and vulnerable young man. Edward takes Mori under his protection, bringing him back to his house. At last, Edward has found a friend and companion. His fascination for Mori grows swiftly into love, and he’s drawn out of his quiet introspection into a world of delight and passion. Yet Mori has a private task that both baffles and concerns Edward: the completion of a stunningly beautiful, abstract tapestry. Edward doesn’t understand its significance, Mori’s devotion to it, or Mori’s strange behaviour when Edward tries to part the man from his mission. Mori loves him in return, he’s sure – but can that ever be enough? As Edward is tangled more deeply and irretrievably into the web of Mori’s love and mystery, what bittersweet price might he have to pay?

Precious Possession by Clare London (Ambiguous ending!)

- Lucas Fides has inherited his Victorian family’s auction house, good looks and a keen, passionate mind. But he has far less control over his body’s desires than his business, hiding an illicit and unspoken love for his boyhood friend and dependent, Valentine. As a result, Lucas suffers recurring, deeply erotic dreams, where a mystery lover demands and guides his sexual responses. When the auction house runs into financial difficulty, Valentine introduces a new client to Lucas. Gideon Arnaud is a mysterious and charismatic man who seems to scorn society’s restrictions. He offers Lucas a spectacular collection of jewels for auction and also his intense, seductive attention. He appears to know more about Lucas than any stranger should. Affronted by Gideon’s bold pursuit, Lucas puts up a spirited defence, despite being increasingly exhausted by his dreams. His heart is already committed to Valentine, even if he thinks it’s his secret alone. When Valentine announces his engagement to Lucas’s sister, Lucas’s pain and frustration are almost intolerable. Torn between his need for Valentine’s comfort and the determination to avoid Gideon Arnaud’s disturbing presence, Lucas becomes more vulnerable by the day, until his loneliness forces his desire out of his dreams and into the light of day. The consequences will change his life forever.

The Blue Ribbon by Katherine Marlowe (I love everything she’s written, but this is one my faves.)

- Theo Aylmer's perfectly satisfactory life as a chemistry professor at Cambridge is upended when he receives word of his father's illness. Forced to return to Cornwall, he is robbed for everything he's worth by a dashing young highwayman. When he finally reaches his father's stagecoach inn, he finds it dilapidated and the village around it groaning beneath the thumb of the hateful Earl of Glynn. All Theo wants to do is return to his life and work in Cambridge, but as he tries to recoup the funds necessary to travel, he finds himself plagued by brandy-smugglers and rumours of ghosts. And at the center of all Theo's problems is a certain handsome highwayman who has charmed his way into Theo's bed and heart. When the highwayman turns up shot, Theo can't turn him away, even though doing so risks bringing the wrath of the customs men, the law, and the Earl of Glynn upon them both.

The Possession of Lawrence Eugene Davis by EE Ottoman

- At the beginning of the Great Depression Lawrence Eugene Davis returns to his family's ranch to set his father's affairs in order. But the house stirs memories of his unhappy childhood and his miserable time in the trenches. Memories are not the only thing woken, however, and Lawrence finds himself hunted and eventually overcome by the sinister presence. Salvation comes at the eleventh hour in the form of a stranger who claims he can rid Lawrence of the demon threatening to possess him—but in exchange he wants Lawrence for himself.

To Serve the Count by Cassandra Pierce

- In 1815 Austria, Rupert is cast out of his village after he is caught kissing another man and seeks refuge in the mysterious Castle Blutstark. He soon realizes that this is no ordinary castle, and his new master, Count Kaspar, is far from an ordinary employer. In fact, he isn't even alive in the conventional sense, and he wastes no time informing Rupert of his unusual new duties. Everything Rupert has ever learned in life tells him to run for his life, but then again nothing has ever prepared him to deal with the undeniable allure of his enigmatic new employer.

The Master of Seacliff by Max Pierce (I barely finished this one, because I didn’t like what seemed to be an abusive relationship and a vapid MC, but it follows in the tradition of Holt and Varga, with overall great reviews.)

- Seacliff is a mansion enshrouded in near-eternal fog, dark mystery and suspicion - perhaps a reflection of the house's master. An imposing Blackbeard of a man, Duncan Stewart is both feared and admired by his business associates as well as the people he calls friends. And his home, in which young tutor and aspiring artist Andrew Wyndham now resides, holds terrible secrets - secrets that could destroy everyone within its walls.

Guardian Angel by Hayden Thorne

- When nineteen-year-old Dominic Coville’s parents die in an accident, leaving him not only alone but on the brink of poverty, he desperately searches for work and is thrilled when the post of secretary is awarded to him despite his obvious inexperience and ignorance. Mr. Wynyard Knight of Mandrake Abbey, however, gladly welcomes Dominic and earns the young man’s immediate sympathy for his fragile health as well as gratitude for the promising new life now awaiting Dominic. Inside rock and timber, hungry shadows seek... But unusual things soon happen and appear to focus solely on him, and Dominic begins to wonder about the true history of Mr. Knight, the strange young man haunting the third floor, and Mandrake Abbey. With the persistent and increasingly violent attempts at communication by an angry ghost shadowing his hours, Dominic struggles to unravel the mysteries of his new home. And even with the help of a handsome young gentleman who’s an aspiring supernaturalist as well as his clairvoyant sister, danger closes in far too quickly. Then it’s only a matter of time before carefully constructed façades fall away, and the sickly, decaying underbelly of Mandrake Abbey’s centuries-old collection of stone and timber will reveal itself. Set in an alternate England sometime before the mid-19th century, Guardian Angel weaves a tangled and dark tapestry of old magic, romance, and madness, a celebration of classic gothic fiction and its macabre sensibilities.

Cast From The Earth by Leandra Vane (poly romance)

- An epidemic that turns men into monsters has seized the nation. At first the disease only spreads in cities but soon cannibals are roaming the prairie, threatening the quiet little towns of the late 19th Century heartland. At an isolated poor farm in rural America, Sara Warren has survived a tumultuous life of loss and an accident that leaves her with one leg – but she is hopeless of any other future until a woman named Cordelia arrives at the farm and changes Sara's life forever. Along with Dan, a man who can't hear and Grace, a young woman who is more concerned with her sewing needles than people, they face the oncoming apocalypse with their wits and their bare hands. When it seems like all is lost, a man from Sara's past named Jack returns to her life and they all realize the only way to survive is together. A story of romance, violence, sex, and the wild prairie that proves broken bodies still feel pleasure and broken souls can find love – even at the end of the world.

Gaywyck by Victor Varga (Book one of trilogy)

- The first gothic romance featuring gay MCs.

Robert Whyte replaces the traditional damsel in distress in the household of Donough Gaylord. He’s young, beautiful, an introvert not wishing to follow in his father footsteps--he longs to be an artist. Family friend helps him to become the librarian of Gaywyck, a house teaming with strange characters, and artists of various sorts. The house is in New England, but due to the original Gaylord owners, was built in the style of an antebellum mansion.

Donough Gaylord lives a grand lifestyle, is rich beyond imagining, but tortured by memories of dead twin and secrets that have dominated his life since boyhood. He spoils those of his household constantly, especially young Robert, who is like a breath of fresh air.

Without giving anything crucial away, I will just say that the events that cause Donough such pain are far from ordinary, and familial love is tested to the breaking point. If you don’t mind your romances a bit twisted, and with a million references to literature, drama, music, and painting, you will love this novel.

The Legend of Sleepy Hollow by Deanna Wadsworth (Thoroughly enjoyed this one. It’s erotic, but also has a the enemies to lovers is really well done, and there is a twist ending.)

- Ichabod Crane, town schoolmaster and self-proclaimed supernatural expert, wants to better his situation by marrying the wealthy Katrina Van Tassel. But, there is a rival for her attentions. Local hero, Brom Bones. Brom lives to torment and tease Ichabod, leaving the schoolmaster wondering if he is more interested in besting his rival than winning Katrina’s hand. Especially when each time Ichabod goes into the backroom of his favorite tavern – a place men can be men –his imagination conjures Brom's face on every lover. Late one night, Ichabod is chased by the legendary Headless Horseman. Terrified the ghost wants his head, he tries to outrun the specter. To his horror, he is taken captive by the evil spirit. Ichabod awakens, naked and tied to a bed, only to discover the Headless Horseman is none other than his rival Brom Bones! Brom confesses that Ichabod has been haunting his own fantasies and he vows to make Ichabod Crane his in every way. Ichabod wants to believe the pleasure Brom offers comes from his heart, but he is afraid it is another one of Brom’s tricks. Though surely an enemy's touch has never felt like this...

Affinity by Sarah Waters (f/f)

- An upper-class woman recovering from a suicide attempt, Margaret Prior has begun visiting the women’s ward of Millbank prison, Victorian London’s grimmest jail, as part of her rehabilitative charity work. Amongst Millbank’s murderers and common thieves, Margaret finds herself increasingly fascinated by one apparently innocent inmate, the enigmatic spiritualist Selina Dawes. Selina was imprisoned after a séance she was conducting went horribly awry, leaving an elderly matron dead and a young woman deeply disturbed. Although initially skeptical of Selina’s gifts, Margaret is soon drawn into a twilight world of ghosts and shadows, unruly spirits and unseemly passions, until she is at last driven to concoct a desperate plot to secure Selina’s freedom, and her own.

A Light Amongst Shadows by Kelley York and Rowan Altwood (Dark is the Night series book one)

- James Spencer is hardly the typical troubled youth who ends up at Whisperwood School for Boys. Instead of hating the strict schedules and tight oversight by staff, James blossoms, quickly making friends, indulging in his love of writing, and contemplating the merits of sneaking love poems to the elusive and aloof William Esher. The rumours about William’s sexuality and opium reliance are prime gossip material amongst the third years…rumours that only further pique James' curiosity to uncover what William is really like beneath all that emotional armor. And, when the normally collected William stumbles in one night, shaken and ranting of ghosts, James is the only one who believes him. James himself has heard the nails dragging down his bedroom door and the sobs echoing in the halls at night. He knows others have, too, even if no one will admit it. The staff refuses to entertain such ridiculous tales, and punishment awaits anyone who brings it up. Their fervent denial and the disappearance of students only furthers James’ determination to find out what secrets Whisperwood is hiding...especially if it prevents William and himself from becoming the next victims.content warning: violence, sexual/physical abuse, some sexual themes

Recommended series w/Mediums and Things That Go Bump in the Night beneath the cut...

Hexworld series by Jordan L Hawk (I cannot express how much I love this series, and another novel is on the way!! A different couple in each novel, but they all work together or are related.)

- Dominic Kopecky dreamed of becoming a member of New York’s Metropolitan Witch Police—a dream dashed when he failed the test for magical aptitude. Now he spends his days drawing the hexes the MWP relies on for their investigations. But when a murder by patent hex brings crow familiar Rook to his desk, Dominic can’t resist the chance to experience magic. And as the heat grows between Dominic and Rook, so does the danger. Because the case has been declared closed—and someone is willing to kill to keep it that way. The 13th Hex is the prequel short story to the all-new Hexworld series. If you like shifters, magic, and romance, you’ll love Jordan L. Hawk’s world of witch policemen and the familiars they bond with.

Spirits series by Jordan L Hawk (Such detail. This series is amazing, and features a Native American MC and trans supporting character that is so well done.)

- After losing the family fortune to a fraudulent psychic, inventor Henry Strauss is determined to bring the otherworld under control through the application of science. All he needs is a genuine haunting to prove his Electro-Séance will work. A letter from wealthy industrialist Dominic Gladfield seems the answer to his prayers. Gladfield’s proposition: a contest pitting science against spiritualism, with a hefty prize for the winner. The contest takes Henry to Reyhome Castle, the site of a series of brutal murders decades earlier. There he meets his rival for the prize, the dangerously appealing Vincent Night. Vincent is handsome, charming…and determined to get Henry into bed. Henry can’t afford to fall for a spirit medium, let alone the competition. But nothing in the haunted mansion is quite as it seems, and soon winning the contest is the least of Henry’s concerns. For the evil stalking the halls of Reyhome Castle wants to claim not just Henry and Vincent’s lives, but their very souls.

Whyborne & Griffin series by Jordan L Hawk (I’ve read this series three times, and Griffin is one of my favorite characters in any series.)

- A reclusive scholar. A private detective. And a book of spells that could destroy the world. Love is dangerous. Ever since the tragic death of the friend he adored, Percival Endicott Whyborne has ruthlessly suppressed any desire for another man. Instead, he spends his days studying dead languages at the museum where he works. So when handsome ex-Pinkerton Griffin Flaherty approaches him to translate a mysterious book, Whyborne wants to finish the job and get rid of the detective as quickly as possible. Griffin left the Pinkertons after the death of his partner. Now in business for himself, he must investigate the murder of a wealthy young man. His only clue: an encrypted book that once belonged to the victim. As the investigation draws them closer, Griffin’s rakish charm threatens to shatter Whyborne’s iron control. But when they uncover evidence of a powerful cult determined to rule the world, Whyborne must choose: to remain safely alone, or to risk everything for the man he loves.

#gothic romance #historical romance #two men in love #m/m romance #f/f romance #poly romance #lgbt romance #kj charles #jordan l hawk #bonnie dee #summer devon #katherine marlowe #ee ottoman

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alleiradayne · 5 years

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AlleiraDayne’s Supernatural Songs and Stories Challenge!

Son of a bitch!

I hit 600 followers! You’re all amazing and I love you. In honor of hitting this milestone, I’m doing a writing challenge. And because I love music, it’s a musical challenge. Below are thirty songs with selected lyrics.

Rules:

You gotta be followin’ me!

Send me an ask with your chosen number (pick a backup just in case) and the featured characters/pairings you’re thinking of writing

You have to include the lyrics in your piece in some form or another.

Bonus fake internet points if your piece fits the theme of the song!

No hate of any kind, character or real person, I won’t tolerate it

No under-age or rape

I’ll stomach A/B/O, but ya’ll should know I’m not a fan

Same goes for dub- and non-con

Any characters are good, including OCs and real people

Challenge ends April 30th

Use the tag #AlleirasSPNSongsAndStoriesChallenge when posting and tag me, @alleiradayne, as well

As of April 30th, 2019 the Challenge is complete, but you can still write for any of the available prompts! Send me an Ask or a DM!

Songs

A pretty man came to me, I never seen eyes so blue – Magic Man, Heart

Tonight there’s gonna be trouble, some of us won’t survive – Jailbreak, Thin Lizzy

Out there is a fortune waiting to be had – You’ve Got Another Thing Comin’, Judas Priest

Lucky I’m sane after all I’ve been through – Life’s Been Good, Joe Walsh

I close my eyes and think of home, another city goes by in the night – Wasted Years, Iron Maiden

And everything will be back to the way that it was – Somewhere in Between, Lifehouse

When I’m holding your wheel all I hear is your gear – I’m in Love With My Car, Queen

I’ve been walking through the darkness with your ghost by my side – Silence, DragonForce

Wait a minute, mister, I didn’t mean to kiss her – Gimme Three Steps, Lynard Skynard

I need you here with me, not way over in a bucket seat – Stickshifts and Safetybelts, Cake

Your lifestyle to me seemed so tragic – Mr. Crowley, Ozzy Osbourne

In her funky fine Levis and her sweater’s kinda tight – Cheap Sunglasses, ZZ Top

The games we’ve played till now are at an end – Point of Know Return, Kansas

Where ever you might look tonight you might see this wanted man – Wanted Man, Johnny Cash

She’s stealin’ the spotlight, knocks me off my feet – Girls Got Rhythm, AC/DC

Have you seen her, so fine and pretty, fooled me with her style and ease – Dance the Night Away, Van Halen

I’m a traveler of both time and space to be where I have been – Kashmir, Led Zeppelin

How long can you run, turn your back on everyone – Wish, Lifehouse

The riders ride into the night, into the west, to see who’s gun’s the best – Shoot You in the Back, Motorhead

So let it be written, so let it be done, I’m sent here by the chosen one – Creeping Death, Metallica

Tell your children not to hear my words, what they mean, what they say – Mother, Danzig

And I am not frightened of dying, any time will do – The Great Gig in the Sky, Pink Floyd

Father McKenzie, writing the words of a sermon that no one will hear – Eleanor Rigby, The Beatles

Sleepless nights, losing ground, I’m reaching for you – Separate Ways, Journey

I’ve got somebody else’s thoughts in my head, I want some of my own – Somebody Else’s Song, Lifehouse

Got the truth that gets left behind, falls through the cracks – Dreams, Van Halen

Will you rise or become a slave to self-righteousness – My Last Serenade, Killswitch Engage

Race for the morning, you can hide in the sun ‘till you see the light – Holy Diver, Dio (or Killswitch Engage you should really just watch this video anyway because it’s hilarious)

Now I’m not like this, I’m really kind of shy, but I get this feeling whenever you walk by – Let Me Take You Home Tonight, Boston

Hypnotized, I’m shakin’ to my knees – Hysteria, Def Leppard

Send me your ask with your number (a backup) and characters/pairings! And feel free to reblog this! It’d be stellar to see all thirty songs find a home.

#spn fanfic #writing challenge #follower milestone #600 #AlleirasSPNSongsAndStoriesChallenge

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mrmichaelchadler · 5 years

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Stuck

“Ah, look at all the lonely people.” Anytime I hear the opening line of “Eleanor Rigby,” which the Beatles deliver like an elegiac sigh, I immediately picture the cramped interior of a subway train. The more crowded a car gets during the sweat-caked stretch of rush hour, the lonelier one can feel. An empty chair provides welcome relief, allowing us to bury our attention in the endless scrolling of our apps. Yet whenever I’m forced to stand amidst a tangle of passengers—our arms flailing for balance as if we were playing a game of Twister in a sardine can—my gaze remains fixed on an empty section of the wall. Longtime city dwellers have trained themselves to avoid eye contact with strangers for fear of being mistaken for a beggar or worse, a creep. Only in my early college days, after moving to Chicago from the suburbs, did I dare to make small talk in the subway with anyone willing to listen.

Michael Berry’s “Stuck” takes place in New York City’s MTA transit system, which resembles Chicago’s CTA system if it were redesigned by M.C. Escher. So dizzying is the labyrinth for first-timers that it’s a wonder any tourists make it to their desired location on time. The first inkling that my disbelief was in danger of becoming unsuspended arrived at the very top of Berry’s picture, when six travelers found themselves trapped in an otherwise vacant car, despite it being in the middle of a typically busy day. Such an anomaly would be hard to swallow, though for a brief moment, I wondered whether the characters’ purgatorial plight signaled their entrance into the Twilight Zone.

After all, it is Lloyd (Giancarlo Esposito), the seemingly homeless man shaving at the end of the car, who seems to have willed this stagnation to occur. His Shakespearean monologues delivered to a reluctant audience unwilling to part with their cash would’ve seemed far fetched had I not encountered and befriended people exactly like him. Yet the film never appears interested in exploring his story, even as he coaxes all his fellow ensemble members into sharing their own. Esposito has a dynamic presence, and proves more than capable of suggesting the layers of vulnerability reverberating beneath Lloyd’s twinkly persona, but the character regrettably emerges as yet another incarnation of the antiquated archetype dubbed by Spike Lee as the Magical Negro. His chief duty is to supply the characters with precisely what they need at any given moment, including a clean roll of toilet paper, and appears all-too-content in living out his days on a circular path of benevolence.

Maintaining a sense of claustrophobia is key for a film like “Stuck,” where the audience must feel immersed in the spatial limitations set for the characters. Berry’s movie is an adaptation of a one-act stage musical by Riley Thomas, and the train’s airless atmosphere is obliterated anytime a character breaks into song, mouthing to prerecorded tracks so slickly mixed, they are borderline laughable. Rather than have musical numbers spring organically from source ambiance or other sounds, such as the buzzing of earbuds or the tapping of fingers a la “Cell Block Tango” (which are used only fleetingly here), the songs jarringly burst forth in a way that makes one suspect the characters have been possessed by Geena Davis and Alec Baldwin’s ghosts from “Beetlejuice.” Speaking of vintage Burton, the title tune’s refrain of “Wo-oah! Wo-oah!” is so inescapably evocative of Danny Elfman’s villain anthem from “The Nightmare Before Christmas” that I kept expecting Lloyd to follow it up with, “I’m the Oogie Boogie Man!”

It’s telling that the best melodic bit in the film is not only the simplest but most functional, as three of the guys perform scat on the spot in order to drown out the sound of a fellow passenger, Alicia (Arden Cho), peeing into a bottle. An early song belted by comic book artist Caleb (Gerard Canonico) about a wheelchair-bound superhero is certainly the liveliest, considering that most of the music serves purely as exposition, rushing through the backstories of each character—except for Lloyd—so that we may empathize with their troubles. When hard-working immigrant Ramon (Omar Chaparro) starts articulating his anxieties in Spanish sans subtitles, Lloyd instructs us to stop listening with our ears. This would’ve likely resulted in a touching sequence relying on the nuance of visual storytelling, yet the lyrics quickly switch to English, as if they had lost their nerve. The film’s opening moments are similarly promising in how they juxtapose city noise with an orchestra warming up, but Lloyd proceeds to hit the nail on the head by spelling out the “symphony of sound … underground.”

Perhaps “Stuck” would’ve played better had it been released closer to the 2008 world premiere of Thomas’ well-received show, long before the photo sharing scandal that rocked the New York City Ballet last fall. We are supposed to find Caleb’s infatuation with Alicia endearing, despite the fact that he stalked the woman at her ballet job and took pictures of her without her consent. His persistent stabs at conversation despite Alicia’s clear disinterest affirm his inability to accept that “no” does indeed mean “no.” Equally frustrating are the attempts made by various characters to convince the pregnant Eve (Ashanti) that she should have her baby rather than get an abortion. The presumptions of these onlookers have no basis in anything apart from their own beliefs steeped in outdated gender roles, and perhaps a steady diet of Pure Flix movies, while the only evidence we’re left with regarding Eve’s maternal skills is her offer to help a mother carry her buggy down the stairs.

When racial tensions inevitably flare up between the passengers, leading to all sorts of thoughtless name-calling, the film veers dangerously close to becoming the musical equivalent of “Crash.” Numerous issues of inequity and prejudice are brought up just so they can be resoundingly ignored because, as Sue (Amy Madigan) observes, “We are all on this train together,” a pat response at best, since they are all bound for separate tracks. Madigan fares better than her co-stars in part because the charm she exudes that lit up the screen three decades ago in “Uncle Buck” and “Field of Dreams” hasn’t faded in the slightest. Not only is the power of her vocals impressive, she’s also a joy to watch in the silent moments, such as when she nearly utters a word before sheepishly retreating. Too bad her character is to “Stuck” what Tallulah Bankhead was to “Lifeboat”—the uptight female who must be perpetually schooled in her privilege until it is revealed that, wouldn’t you know it, she’s harboring her own pain too. A word of caution: the more antagonistic the character, the more traumatic the flashbacks.

All that being said, I find Berry and Thomas’ intentions admirable. If only the connections forged between their characters could’ve been crafted with some trace of subtlety, instead of being fueled by an overriding need to cure all societal ills. I’ll admit to being touched by certain small beats, such as the reveal of Caleb’s ultimate destination. But when the contrived uplift of the finale kicks in, with the ensemble singing together in different locations a la “Magnolia,” the schmaltz is laid on so thickly, it turns the stomach. The very end of Jill Sprecher’s great “Thirteen Conversations About One Thing,” where the wave of a stranger causes a smile to caress the lips of a lonely passenger, perfects in mere seconds what “Stuck” struggles to achieve for the entirety of its running time. It’s not a film so much as a lecture punctuated by a patronizing moral, and more importantly, it’s not much fun.

from All Content http://bit.ly/2KMuvKl

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qwertsypage · 4 years

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2020 Scrummer Reading List+

2020 Scrummer Reading List

We all know this is a very different kind of summer (or winter for our friends in the Southern Hemisphere). One where the need to escape, learn, grow maybe even more acute. Our annual tribute to great reads (and listens) is here to help.

We asked the team what books they are currently nose-deep in, or that they highly recommend others check-out. As always, they came back with some great suggestions across genres.

JJ Sutherland, Chief Executive Officer recommends:

"Both Flesh And Not " by David Foster Wallace

This posthumous collection may not be his best, but his worst is so much better than any other modern American essayist it’s criminal and suspicious. Mozart and tennis. The captive mind.

"Poet in New York " by Federico Garcia Lorca

Lorca is the greatest of gifts, an amazing poet I had yet to discover. Fitting this book was given to me as a birthday present. And I love the fact the Spanish and English versions appear side-by-side.

Jessica Larsen, Product Owner, Scrum Inc. Trying Program recommends:

"The Fearless Organization" by Amy Edmundson

Today's workforce spends more time collaborating (team-based work) than ever before; knowledge and innovation are crucial sources of competitive advantage in nearly every industry, yet 70-85% of the world's workforce is either not engaged or actively disengaged at their jobs. In this book, Edmundson discusses the importance of psychological safety and creating an environment of respect for people (a pillar of the Toyota Way) in improving workplace engagement. For me, this book provided great empirical evidence and theoretical basis for why the Scrum Values and pillars of the Toyota Way are so important in the workplace.

Mark Rosania, Product Owner, Transformation Services recommends:

"The Bastard Brigade: The True Story of the Renegade Scientists and Spies who Sabotaged the Nazi Atomic Bomb" by Sam Kean

Scientists have always kept secrets. But rarely have the secrets been as vital as they were during WW II. In the middle of building an atomic bomb, the leaders of the Manhattan Project were alarmed to learn that Nazi Germany was far outpacing the Allies in nuclear weapons research; Hitler, with just a few pounds of uranium, would have the capability to reverse the entire D-Day operation and conquer Europe. So they assembled a rough and motley crew of geniuses - dubbed the Alsos mission - and sent them careening into Axis territory to spy on, sabotage, and even assassinate members of Nazi Germany's feared Uranium Club. No theater of the war, from battlefields to laboratories, was considered off-limits, and for good reason: the entire outcome of the war rested on Also's shoulders.

Matthew Jacobs, Chief Product Owner, Agile Transformations recommends:

“A Brave New Work: Are You Ready to Reinvent Your Organization?” by Aaron Dignan

This is a fascinating book on the future of work and what a reinvented organization could look like. Dignan leverages a lot of Scrum principles in this work but sometimes with a twist.

“The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz” by Erik Larson

A brilliantly researched book (as all of Larsen's are) but I have to disagree with the subtitle. As you read you realize this book also shows how Churchill leveraged “Agile techniques” to prepare England's respond to Hitler’s take over of Europe and to win the Battle of Britain

Veronica Ruiz, Director, Marketing and Communications recommends:

Ghost Boys - by Jewell Parker Rhodes

Twelve-year-old Jerome is shot by a police officer who mistakes his toy gun for a real threat. As a ghost, he observes the devastation that’s been unleashed on his family and community in the wake of what they see as an unjust and brutal killing.

This book was assigned to my fifth grader, parents were also invited to read it. I am glad that I did. The book tackles timely issues like racial bias, bullying, and class directly, honestly, and deftly. It reflects current events and explores the long history of racism. It is a short and powerful book.

Patrick Roach, Chief Product Owner, Training & Consulting recommends:

"Make Me Smart" hosted by Kai Ryssdal and Molly Wood

This is a daily news podcast focused on tech, the economy, and culture. It's ~15 minutes of well-researched content that only focuses on a few topics each day. Kai and Molly do a great job of making sense of what it all means. I learn something new every day.

Brandon Cole, Art Director recommends:

"Atomic Habits, An Easy & Proven Way to Build Good Habits & Break Bad Ones" by James Clear

Why do we struggle to change or improve our habits? James Clear writes one of my favorite reads of the last few years in Atomic Habits, discussing the importance of tiny changes and marginal gains. His balance of storytelling and statistics reminds me of a Malcolm Gladwell book where you find yourself grabbing a pencil or highlighter to document some of the information.

Find yourself questioning the norms of habit-forming in this excellent New York Times bestselling book.

"Lean Presentation Design" by Maurizio La Cava

Did you know many people spend more time designing and organizing in PowerPoint than they do creating the content? In Lean Presentation Design, Maurizio La Cava covers everything you need to know about creating successful presentations without being a designer.

Jess Jagoditsh, Scrum of Scrums Master, Transformation recommends:

"Eleanor Oliphant is Completely Fine" by Gail Honeyman

This is a story about our inherent need for human connection. Events from Eleanor's past erased her understanding of why humans need each other and of the warm feelings that come with friendship and caring. The story is particularly relevant right now as the global pandemic and shelter-in-place have caused many of us to be at home, sometimes alone, every day. Let us not forget the importance of having relationships and community.

Jack Harmening, Transformation Team Member recommends:

"The Fate of Rome: Climate, Disease, and the End of an Empire" by Kyle Harper

The Fate of Rome is my first foray into a new kind of historical analysis that links biology, economics, and good old-fashioned archeology. It's just an awesome book for any fan of history. Harper describes how different experts have analyzed bones, cliffsides, soil, coins, viruses, bacteria, and of course, ancient documents, to track a complete history of the health and wealth of the Roman people, as well as the climate and disease ecologies they experienced. The Rise and Fall of Rome were both more linked to external variables than I ever imagined. Read this if you want to learn from the past, so that, maybe, we aren't doomed to repeat it.

"The Narrow Corridor: States, Societies, and the Fate of Liberty" by Daron Acemoglu and James A. Robinson

Another historical view of economics and institutions, I paired this one with 'The Fate of Rome' because Acemoglu has always been interested in how institutional design affects the wealth of nations. The conclusion here is that personal and political liberties persist when a set of institutions walk the 'narrow corridor,' dodging authoritarianism or weak governance on either side. Perhaps if the Romans not been dominated by "extractive" hierarchies, perhaps they could have innovated enough to survive the changing climate and plagues that shook its foundations. Read this if you want to learn more about why some nations fail, and others succeed.

Tom Bullock, Product Owner, Storyteller recommends:

“Why We're Polarized" by Ezra Klein

Yes, this is a book about the causes and effects of America’s polarized political system. Dig a little deeper and it's about much more than that. Klein weaves in a significant amount of social science and data to help explain how and why polarization occurs. And it can occur anywhere. This non-partisan book about politics is a must for anyone thinking about change management.

“What's Magic Without A Little Mischief" by Charlie Bullock

Sorry, you can't get a copy of this one, not yet at least. But I still think it's worth sharing. Charlie, our 9-year-old daughter, loves to write. Summer felt like the perfect time to start her first novel. What’s Magic WIthout a Little Mischief tells the tale of the Ko children as they discover the secrets their murdered parents never told them, including the magical abilities they all possess, and the threat they face in the shadows. Charlie is 6 chapters in, and I’m loving it!

Megan Fremont-Smith, Transformation Team Member recommends:

"Dare to Lead" by Brene Brown

This book is about using courage and vulnerability to lead. If you are looking for a good read on the human-centric approach to leadership this book is for you.

Ray Robinson, Transformation Advisor recommends:

"Principles" by Ray Dalio

I was drawn to Ray Dalio’s after seeing him on a 60 Minutes segment. In his most recent book, Mr. Dalio gives a biographical narrative to his successful rise in the financial industry. Through his experiences, he came to develop a fairly lengthy set of learned principles he has leveraged to reach his success.

Two favorite things about the book:

1) The backstory of Bridgewater Associates

2) Dalio does have a deep appreciation for the importance of people and culture in a successful organization

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