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totheblood · 3 months

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i still hear you. (prologue)

PAIRING: post tlou2!ellie williams x reader

SUMMARY: ellie stumbles upon your self-run town after her life is destroyed, except there's more to this town then what meets the eye. and it seems like there is more to you too.

WARNINGS: 18+ mentions of death, grief, related subjects; cursing, mentions of drinking/drugs, mentions of s*x

A/N: i've been working on this one for a while... i hope you enjoy! please send asks, reblog, and reply to this post <;3

WORD COUNT: 3k

"i still hear you laughing, but only for a minute"

Spring couldn’t come fast enough for Ellie.

The cold still nipped at the exposed skin on her hands, ghosting the phantom limbs of the two fingers she was now missing. Everything was cold. The tip of her nose, her ears, and most importantly her heart. As she wandered aimlessly, unsure of where to go, she knew there was one place she couldn’t go: home.

Jackson was no longer a place for her. Joel was gone, Tommy thought she was weak, and Dina…Well, Dina wanted nothing to do with her. Dina had a lot she could blame Ellie for before Ellie left, but she never did. She stayed. And now, on top of all of that, Ellie had left one of the few people in her life who cared enough about her to stay. Spring could come tomorrow but it would forever be winter inside her.

She didn’t know where she was going, but she knew she was going west. She couldn’t handle the harsh winters of the East Coast, and Wyoming stopped feeling like home before she left for Seattle. She thought about staying on the farm and living out whatever short life she was going to have there, but staying in that home painted with memories of “what ifs” would drive her crazy.

So she packed enough supplies to last her a few months if she hunted her food and headed to the West Coast. The first few days were silent, she only encountered a few infected and found shelter in abandoned buildings. She lived off of expired food she found in vending machines in old universities and occasionally sang herself to sleep.

On her tenth day, she found a car that lasted her about 2 days. Once it broke down, she just kept walking. Over abandoned highways and thick forests, she just kept walking. On day 17, she reached California and stumbled upon an eerily similar set of walls. It looked just like the gates at Jackson, except these were concrete and better built. They were much higher, and the gates almost looked… automatic.

Ellie was hesitant. She didn’t know what she was looking for, but she definitely wasn’t looking for another hometown to destroy. She approached the large walls cautiously, with her hands up and slowly. As she walked closer she was screaming, “I come in peace,” over and over again. She was almost 50 feet near the gate when she heard a girl's voice shout, “Don’t come any closer.”

She stopped in her tracks as the automatic gates began to open. Ellie expected an army of people with guns blazing, just how it was when she first arrived at Jackson, but when the gates opened there just stood you, grounded in all your glory, and a gun aimed right at her face. She wanted to laugh, but that just seemed sexist.

Instead, you pressed forward, unwavering, with your gun aimed right at her. She didn’t step backward, or even breathe, she just stood there until you were close enough to her to make out all the freckles on her face and the slit in her eyebrow.

“Who are you?” you spat at her.

“Ellie,” she breathed out, her hands faltering a bit.

With your hand firmly wrapped around the cold metal of the gun, you inched forward again, pulling back the slide, a metallic click echoing in the silence. The gun was loaded, and you were letting Ellie know that you weren’t afraid to shoot. Her hands stiffened again.

“What are you doing here?” Your tone was tough and the look on your face was enough to send Ellie running for the hills, but it also made her want to crack a smile. Your nose scrunched up as you spoke, and your lips were somehow not chapped in this weather. But Ellie didn’t smile, she was sure if she did you would put one right between her eyes. That much she was sure of.

“I-” Ellie hadn’t thought this far. What was she doing here? “I’m just looking for a place to stay.”

Your eyebrows creased as you gave her a once over, looking for any sign she was trouble. It was in your nature to search for danger, but she wasn’t raising any red flags. Except the fact that she made it here alone and unscathed, and was missing two fingers.

“What happened to your hand?” you asked, tipping the gun slightly to her hand. A pained expression crossed her face, it was almost like she forgot that two of her fingers were quite literally bitten off, but that fight was somewhere shoved deep inside her mind. It wasn’t something she wanted to remember.

“Lost them in a fight,” she replied simply, there was no point in telling the full story. It’s not like you had the time.

“You can’t stay here if you’re going to be trouble,” finally you put the gun down, resting your hands on your hips, giving her a firm look. Ellie would hand it to you, you were absolutely scary. In her mind, she knew she could take you, but she also wasn’t so sure of that.

“I’m,” she sighed, lowering her hands slowly, “I’m done with that. I won’t be trouble,” and for the first time in Ellie’s life, she meant that. She was ready to start over. She knew the fighter in her would always be there, itching to come out but she had been fighting her whole life. It was time to give up. She had already lost everything. Or so she thought.

Your face softened slightly before firming up again, your empathy peeking through like it always did. You looked her over again, sighing, as you signaled for someone at the gate to come. A man with short blonde hair trotted over, a leash in his hand. He looked kind as he offered a smile to Ellie.

“Old girl here is just gonna check to make sure you’re not infected,” he smiled, dropping the leash. Ellie’s heart rate picked up again as she watched the German Shepherd approach her slowly, sniffing around her as it circled her. You stood behind the blonde guy with your arms crossed across your chest. The dog found nothing and returned to the man, sitting down next to him, “Looks like you’re all clear!”

“Welcome to Mono City,” you deadpanned, rolling your eyes as you turned back towards the gate, walking in that direction. You were halfway there when you realized Ellie wasn’t moving. Turning on your heel again you stared at her, hand on your hip again. You had an attitude, Ellie thought, cute. “You coming or what?”

The small town sat on a large lake, glistening as the sun's rays bounced off the surface. Buildings were built close together, trees without leaves scattered on the walkway, and about a hundred people out on the street as she trailed behind you, earning dirty looks from half of them. Ellie scowled back. Ellie smiled when you introduced yourself to her, telling her your name and a few key details about yourself. She learned you served as some sort of mayor here, keeping everything in order, and that you were the person that people came to. She would be lying if she said that didn’t intimidate her. But all Ellie did was give you her name again and tell you that she was from Jackson, anything else she said would fall short.

“How are you with your hands?” you asked, voice flat and simple. Ellie choked on her words, stuttering a response.

“I’m, well,” she coughed, “I’m just okay with them now, since,” she shrugged gesturing to what she now called her ‘bad hand’, “you know.”

A wave of guilt crossed your face as you composed yourself, somehow already forgetting your previous interaction. You shook your head solemnly, cursing quietly under your breath as you stopped.

“Shit,” you turned to her, eyes squeezed shut, “sorry, I’m so used to asking the same questions, I didn’t even think.”

“It’s fine don’t worry about it,” she gave a tight-lipped smile. Now, with the illumination of the buildings, she could see your whole face. You were pretty, that she was sure of, but it was a more down-to-earth pretty. A type of pretty that you had to take in. You had scars around your face, and a pretty big scar down the side of your neck. It almost looked like the one Ellie had on her arm. But still, scars and all, you were just nice to look at.

“Well, just for that reason we probably won’t have you be on guard duty,” you stated, eyes flicking around her face, “do you have any other strengths?”

“Uhm,” Ellie had to think for a minute. She had never really been asked anything like this before. What were her strengths? Did she have any at all? She used to be good at guitar, but now she couldn’t play, and that probably wouldn’t be useful at all to anyone here. She was good at art still, something she couldn’t take for granted anymore. It was all she had. The scratched-out drawings of Dina, JJ, Jesse, and Joel were stuffed deep into her bag.

“I’m good at art,” she shrugged, “and writing, maybe.”

“Okay,” you smiled, showing off your teeth, making her warm a bit, “that we can work with. Maybe you can teach at the school.”

“You have a school here?” Ellie gawked. Jackson had a school but it was small and had maybe two or three teachers.

“Yeah,” you turned to keep walking, making Ellie stumble behind you to keep up, “we have three. An elementary, middle, and high school.”

“Wow,” Ellie was in awe, “It’s not like a military school or anything?”

“No,” you answered quickly, your voice tight, “It’s not like any of that shit. We don’t fuck with FEDRA here.”

Ellie would be lying if she said that wasn’t music to her ears.

“It’s just like a normal school except we teach a lot more practical things. Things we can use like, cooking, science, and English. Like reading or writing. Since you’re new you will probably start with the elementary school. We also have little extracurriculars and we’ve wanted to introduce art but haven’t been able to find anyone yet.”

“Oh, cool,” was all Ellie said as you both stumbled on what looked like a residential street. There were rows of houses, all that looked the same. There was a road, with cars parked on them and driveways with gates. Most of the houses looked about two stories tall, some had toys lying in the front yards and a few animals were roaming about, small cats and dogs. The porches had furniture on them, little couches and chairs, and as she walked she noticed some people outside with mugs in their hands as if they were drinking their morning coffee. The town looked like something she saw out of a movie, only something she could dream about. Her eyes were wide in awe as you rambled on about something but Ellie was honestly too entranced in everything. Here, in the middle of nowhere was a whole town of people living their lives, as if nothing had ever happened to them.

“Ellie?” you stopped in your tracks, crossing your arms over your chest. There was your attitude again, “are you even listening?”

“Y-yeah, I am. It’s just-”

“A lot, I know,” you sighed, “but you gotta listen, there are a lot of rules here. Rules that make this place function and if you don’t follow them, you could easily be kicked out.”

“I’m sorry,” she apologized, genuinely meaning it, “I’m listening, promise.”

“It’s fine,” you gave her a fake smile, turning to push open a gate to a nice house, “This will be your place.”

“Uhm,” Ellie stopped, not entering the front yard, “what do you mean ‘my place’? This is far too big for me.”

“This is the only size our houses come in,” you replied matter-of-factly, “you can just say thank you.”

Ellie blinked as she looked up at the blue house, that looked like it was built yesterday. It had a wrap-around porch and two white columns right by the entrance. The door was a giant white door with a gold handle. This was nicer than any house she’s ever been in, and way too big for one girl.

“Thank you,” Ellie replied, still awe-struck, “this is just so nice.”

“You’re welcome,” you smiled, fishing around in your bag for something. You pulled out a pair of keys, and handed them to her, “Here’s your house keys. You don’t get a car quite yet, that’s something you have to work your way up to, but there is a bike in the garage. Spring is around the corner so it will get warmer and you should have your car by next winter so don’t worry too much. My house is right across the block, but I’m usually in the City Center if you need me.”

She wrapped her right hand around the keys, tightening them in her palm. She watched as you searched through your bag again and pulled out a little device.

“This is your walkie,” you took a deep breath, “Try to find me before using it. It’s usually only used for emergencies so just be mindful of that. I’ll be by tomorrow to take you to work, so you have time to get settled in today. Okay?”

“Okay,” Ellie smiled, her voice sounding a little bit breathless.

That night Ellie settled into her new home. Well, she tried to settle into her new home but kept shifting around in every seat and couch, like she couldn’t find something to get comfortable on. She examined every part of the house, picking the smallest room for herself and shoving her backpack in the closet. She took a bath for the first time in months, washing all the dirt and grime off of her. Left in the shower was a bar of soap that looked like it had been handmade and unused. It smelled so good she almost took a bite, but instead chose to use it how it was meant to be used.

As the sun began to set she stepped outside, watching the activity on the block and smiling to herself. Everything just seemed so normal, but with the state of this world this town was certainly abnormal. From her window she could see you in your front yard, feeding a pack of cats that slipped through your white picket fence. She smiled to herself as she watched one rub against your leg, and your gentle hand coming down to pet it. She continued to watch as kids passed your house, waving to you and running back to their homes.

The next few days were uneventful. Ellie found herself getting used to teaching young kids, always laughing when they asked about her missing fingers. It was out of her comfort zone, but she was around JJ enough to know what kids liked. Her voice always got so high-pitched when she spoke to them, and they liked being chased around the room. On her fifth day of working, a kid ran in screaming, “Miss Ellie! Miss Ellie!” with a chicken scratch drawing of his family. He was so proud that all Ellie could say was “Good job, bud!” and ruffle his hair. He left with the biggest smile on his face.

But now, Ellie found herself at the city’s most popular bar, with the other teachers who wanted to congratulate her on her first week. Della, who invited Ellie out in the first place, made a toast to her, clinking her glass with Ellie’s and taking a long swig of her drink. Ellie took a sip of hers too and fuck, this shit was strong.

She felt human again, laughing with people her age in a bar and old music playing. She was almost having a good time until a song came on that reminded her of Joel. It was like her whole demeanor changed and everyone could tell. She excused herself from the group finding a small corner to sit on and finish the rest of her drink, hoping maybe it would make her forget everything. But then, the bell at the front door rang making Ellie look up to see who had entered.

There you were in all your glory, tight shirt on and hair completely loose. It almost looked as if you were wearing makeup. Ellie must’ve been staring too long because she blinked and you were standing in front of her.

“See you got yourself a drink,” you laughed, voice making Ellie’s cheeks turn pink. She was… really drunk.

“Yeah, I could get you one too,” she slurred a bit, goofy smile spread across her face. She watched as something odd crossed your face and now she was worried she said something wrong, “I just mean, like.. you know… I mean like as a thank you.”

“Right,” you sighed.

“For my mansion, you know,” she shrugged and you giggled. You giggled and it went straight to her head. What was she doing?

“You haven’t been paid yet,” you smiled back at her, now moving to sit down, “and it’s okay, I don’t drink unless it’s a special occasion.”

“What? Meeting me is not special enough,” she teased, knocking her shoulder with yours. Her eyes scanned your face, your smile reaching your eyes as you giggled again. Her stomach sank again. She wasn’t so sure if this was just the alcohol anymore, she felt like she was 12 and crushing on Riley again.

“No, it’s special,” you reassured, “Maybe, I’ll drink when you decide to stay.”

“Who said I’m not staying?” she questioned sitting up.

“Some people don’t,” you shrugged, smile fading. Ellie’s brain wanted to make it better, make you laugh again, or shit do anything to put the smile back on your face.

“Well, I’m gonna,” she said gently, so only you could hear her, “I need to get my paycheck.”

You laughed and Ellie breathed a sigh of relief, laughing with you.

“I’ll get that to you,” you smiled, “and we don’t use paychecks.”

“What’re you gonna pay me with?” she smirked, “I know some other ways you can pay me.” Then the same look from earlier crossed your face and she cursed quietly to herself, muttering an apology.

“No, no,” you said, like you were about to let her down gently, “I just try not to get… involved with anyone since…” your voice trailed off.

“Since?” Ellie questioned, but as you opened your mouth to speak the group from earlier made their way over, noticing your arrival and screaming your name. She watched as you got up, hugged everyone and started chatting with them, leaving her with her drink and too many questions.

There was one thing that scared her though. She knew you needed someone who could stay, and the only thing she was good at was leaving.

#ellie williams #ellie williams x reader #ellie williams smut #ellie williams tlou #ellie williams x reader smut #ellie williams the last of us #ellie williams tlou2 #ellie williams fanfiction #ellie williams fanfic #ellie williams fan fic #ellie williams x female reader #ellie williams x you #ellie williams imagine #ellie williams oneshot #modern!ellie williams #college!ellie williams #ellie williams one shot

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zef-zef · 2 years

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Forest Drive West (Joe Baker)

source: weownrotterdam

#photography #artist photography #Forest Drive West #Joe Baker

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mariacallous · 7 months

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“Did they really decapitate babies?” my 14-year-old daughter asked me yesterday. She was pointing to a text message on her phone from a friend. “They’re saying they found Jewish babies killed, some burnt, some decapitated.” And I froze. Not because I didn’t know what to say—though in truth I didn’t know what to say—but because for a moment I forgot what century I was in. All of the assumptions I had made as a Jewish father, even one who had grown up, as I did, with the Holocaust just a few decades past, were suddenly no longer relevant. Had I adequately prepared her for the reality of Jewish death, what every shtetl child for centuries would have known intimately? Later in the day, she asked if, for safety’s sake, she should take off the necklace she loves that her grandparents had given her and that has her name written out in Hebrew script.

The attack by Hamas on Israeli civilians last Saturday broke something in me. I had always resisted victimhood. It felt abhorrent, self-pitying to me in a world that seemed far away from the Inquisition and Babi Yar—especially in the United States, where I live and where polls repeatedly tell me that Jews are more beloved than any other religious group. I wasn’t blind to anti-Semitism and the ways it had recently become deadlier, or to the existential dread that my family in Israel felt every time terrorists blew up a bus or café—it’s a story whose sorrows have punctuated my entire life. But I refused to embrace that ironically comforting mantra, “They will always want to kill us.” I hated what this tacitly expressed, that if they always want to kill us, then we owe them, the world, nothing. I deplore the occupation for both the misery it has inflicted on generations of Palestinians and the way it corrodes Israeli society; when settlers in the West Bank have been attacked, it has pained me, but I have also felt anger that they are even there. In short, I wasn’t locked into the worldview of my survivor grandparents and I felt superior for it.

But something in me did break. As I was driving on Tuesday, I heard a long interview on the BBC with Shir Golan, a 22-year-old woman who had survived the attack at the music festival where more than 250 people were killed, her voice sounding just like one of my young Israeli cousins. She described, barely able to catch her breath, how the shooting had started and how she’d begun to run. She’d found a wooded area and tried to hide. “I got really into the ground,” she said. “I put the bushes on me.” Covered with dirt and leaves, she’d waited. A group of terrorists had shown up and called for anyone hiding to come out. From her spot under the earth, she’d seen three young people, whom she called “children,” emerge. “I didn’t go out because I was scared. But there were three children next to me who got out. And then they shot them. One after one after one. And they fell down, and that I saw. I saw the children fall down. And all that I did was pray. I prayed to my god to save me.”

I pulled my car over because my own hands were shaking as I listened. She then described waiting, hidden in the dirt under bushes for hours, until she saw the terrorists begin to light the forest on fire. “I didn’t know what to do. Because if I’m staying there, I’m just burnt to death. But if I go out they are going to kill me.” She crawled over to where she saw dead bodies and lay on top of them, but the heat soon approached, so she found more bushes to hide in until she could run again. Burnt bodies were everywhere, and Shir looked for her friends but couldn’t find them, couldn’t even see the faces of those killed because they were so badly burned. “I felt like I was in hell.” She finally escaped in a car.

Her story flung me back to my grandparents’ stories. My grandmother hid in a hole for a year in the Polish countryside, also under dirt, also scared. My grandfather spent months in Majdanek, a death camp, and saw bodies pile up in exactly this way. Stories are still emerging of families burnt alive, of children forced to watch their parents killed before their eyes, of bodies desecrated. How was this taking place last Saturday?

But these stories aren’t what broke me. What did was the distance between what was happening in my head and what was happening outside of it. The people on “my side” are supposed to care about human suffering, whether it’s in the detention camps of Xinjiang or in Darfur. They are supposed to recognize the common humanity of people in need, that a child in distress is first a child in distress regardless of country or background. But I quickly saw that many of those on the left who I thought shared these values with me could see what had happened only through established categories of colonized and colonizer, evil Israeli and righteous Palestinian—templates made of concrete. The break was caused by this enormous disconnect. I was in a world of Jewish suffering that they couldn’t see because Jewish suffering simply didn’t fit anywhere for them.

The callousness was expressed in so many ways. There were those tweets that did not hide their disregard for Jewish life—“what did y’all think decolonization meant? vibes? papers? essays? Losers”—or the one that described the rampage as a “glorious thing to wake up to.” There was the statement by more than two dozen Harvard student groups asserting, in those first hours in which we saw children and women and old people massacred, that “the Israeli regime” was “entirely responsible for all unfolding violence.” And then there were the less explicit posts that nevertheless made clear through pseudo-intellectual word salads that Israel got what it deserved: “a near-century’s pulverized overtures toward ethnic realization, of groping for a medium of existential latitude—these things culminate in drastic actions in need of no apologia.” I hate to extrapolate from social media—it is a place that twists every utterance into a performance for others. But I also felt this callousness in the real world, in a Times Square celebratory protest promoted by the New York City chapter of the Democratic Socialists of America, at which one speaker talked of supporting Palestinians using “any means necessary” to retake the land “from the river to the sea,” as a number of placards declared. There were silences as well. Institutions that had rushed to condemn the murder of George Floyd or Russia for attacking Ukraine were apparently confounded. I watched my phone to see whether friends would write to find out if my family was okay—and a few did, with genuine and thoughtful concern, but many did not.

I’m still trying to understand this feeling of abandonment. Is my own naivete to blame? Did I tip too far over into the side of universalism and forget the particularistic concerns to which I should have been attuned—the precarious state of my own tribe? Even as I write this, I don’t really want to believe that that’s true. If I can fault myself clearly for something, though, it’s not recognizing that the same ideological hardening I’d seen on the right in the past few years, the blind allegiances and contorted narratives even when reality was staring people in the face, has also happened, to a greater degree than I’d imagined, on the left, among the people whom I think of as my own. They couldn’t recognize a moral abomination when it was staring them in the face. They were so set in their categories that they couldn’t make a distinction between the Palestinian people and a genocidal cult that claimed to speak in that people’s name. And they couldn’t acknowledge hundreds and hundreds of senseless deaths because the people who were killed were Israelis and therefore the enemy.

As the days go on, the horrific details of what happened—those babies—seem to be registering more fully, if not on the ideological left, then at least among sensible liberals. But somehow I can’t shake the feeling of aloneness. Does it take murdered babies for you to recognize our humanity? I find myself thinking—a thought that feels alien to my own mind but also like the truth. Perhaps this is the Jewish condition, bracketed off for many decades and finally pulling me in.

When news broke of the Kishinev pogrom in 1903 that took 49 lives (compare that with the 1,200 we now know were killed on Saturday), it caused a sensation throughout the world. “Babes were literally torn to pieces by the frenzied and bloodthirsty mob,” The New York Times reported. “The local police made no attempt to check the reign of terror. At sunset the streets were piled with corpses and wounded. Those who could make their escape fled in terror, and the city is now practically deserted of Jews.” In response to that massacre, the emigration of hundreds of thousands of Eastern European Jews to the United States began in earnest; the call of Zionism as a solution also sounded clearly and widely for the first time.

In his famous poem about the massacre, “In the City of Slaughter,” the Hebrew writer Haim Naḥman Bialik lamented, even more than the death, the sense of helplessness (“The open mouths of such wounds, that no mending / Shall ever mend, nor healing ever heal”), the men who watched in terror from their hiding places while women were raped and blood was spilled. I can’t say I know what will happen now that this helplessness has returned—if I’m honest, I also fear that Israel’s retaliation will go too far, that acting out of a place of victimhood, as right as it may feel, will cause the country to lose its mind. Innocent lives in Gaza have been and will be destroyed as a result, and competing victimhood is obviously not the way out of the conflict; it’s the reason that it is hopelessly stuck. But in this moment, before the destruction of Gaza grabs my attention and concern alongside fear for my relatives who have been called up to the army, I don’t want to forget how alone I felt as a Jew these past few days. I have a persistent, uncomfortable need now to have my people’s suffering be felt and seen. Otherwise, history is just an endless repetition. And that’s an additional tragedy that seems too much to bear.

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oldschoolhip-hop · 2 years

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Sounds in the 20s: Art From The Temple

From The Temple is an artist from Saipan, Northern Mariana Islands who draws awesome renditions of your favorite albums in a 1920’s Koko the Clown/Betty Boop art style. I wanted to share 4 pieces from his catalog that really caught my eye starting with “The College Dropout” which looked like a tarot card to me from first glance. Then we jump to J Cole’s “2014 Forest Hills Drive” with a very dope…

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#2014 Forest Hills Drive #Anderson.Paak #Art #Flower Boy #From The Temple #J Cole #Kanye West #Malibu #Scum Fuck Flower Boy #The College Dropout #The Musical Hippie #Tyler the Creator

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dycefic · 1 year

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The Hearthstone God

[The sequel to the God of Prophecy, and the Serpent God of Protection]

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Fire is out of fashion, in this new age.

Some of my kind have found new homes, new names, in factories or forges, in the hearts of wildfires or crystals or volcanoes.

Most of us are simply forgotten.

I was a fire god, once. A god of gathering, a god of communion, a god of song and story. But there are no hearthstones now. No fires around which families gather to eat and talk and tell stories.

I am lucky. I am tied to a great flat stone near a lake. A lake that has survived all the wild exuberance of men, when they learned to change the world around them. Once, this was a place where travellers stopped to rest. At first they travelled on their feet, or on half-wild horses. Then there were carts, and a road. Much later, cars drove down the road. The road was paved.

But some things do not change. People need clean water to drink, and the spring here is good. They need to rest, when they are weary. And even now, when they come to camp in nylon tents, to fish in the lake, or to hunt the ducks, or drive camper-vans to the flat place, their ancient instincts wake, and they turn to fire once more. They light new fires atop my stone, so flat and safe, from which no log will roll to set the woods afire.

Not so many come now. Camping is less popular these days. But some still come. Some still light their fires, and settle around my stone, and talk, or listen to music, or tell stories. So I survive, just barely, on the edges of belief.

I feel it, when things begin to change. Something is happening. Something is drawing old gods back. Not the great ones, risen beyond mortal understanding, but the oldest gods, the small gods, those who rose when humankind were still learning what they were.

Far to the west of me, a god even more ancient than I wakes, and begins to hunt again. I remember the stories that were once told of that old serpent, and tell them over to myself in the long fireless nights.

A god of prophecy, not of this land, settles south and west, and I remember tales of ancient ravens, their wisdom and their guile and their sharp, sharp eyes. There was a raven clan once, who passed this way in the days of skin garments and stone tools, but I have forgotten their name. I only remember the symbol they wore, the black bird with its spread wings, marked in charcoal or charring on wooden talismans or leather garments.

I wait, to see who will awaken next.

To my great surprise, it is me.

The people who come this time aren’t like the campers. They come at night, a ragged family group with few blood ties between them, with a single tent and few possessions carried on devices I haven’t seen before. Bicycles, they’re called, slung over with bags the way ponies used to be. They come at night, and hide when cars pass on the road.

They light a fire on my stone, with wood scavenged from the forest, and huddle around its warmth. They don’t speak much, not at first, but they say enough. They have no home, I learn. They are travellers of a kind I have not known before, who are allowed to stop nowhere, but have no goal but a place to rest. They are thin, and worn, and so tired. So very tired.

They need a hearth.

I am only a weak shadow of a god, now, who once recorded the songs and stories of a thousand generations in my ancient stone, but I am still a god of fire. Their fire burns slow, their little fuel lasting well. The food they heat over it sustains them better. The water of that spring, my spring, puts a little life back in them. This stone has lain in this place since great monsters walked this world, since before humans spoke words to one another, and I came into being with the first fire that burned on it. I am old, old, and though weak, I am not powerless.

They stay.

I cannot speak to them. I am old, and weak, and they do not believe. But slowly, with the power of the fires they build every night, with the tiny offerings of scraps of food spilled into the flames, with their growing confidence in the safety of this place, I am able to do more. I give them dreams and they find the cave not far away, where they can hide. They dream of fish, and begin to try to catch some. A woman remembers that some of the local plants are safe to eat, when I slowly wake a long-forgotten memory of a camping trip from her childhood.

And then a child, a strange, quiet child who rarely speaks, a child without mother or father, in the care of an older brother who is exhausted to the very edge of death but cannot give up while she needs him… that child begins to hear.

She sits on my stone, sometimes for hours, not moving or speaking. It worries the others, but at least she is quiet, at least she is no trouble, and they are beginning to associate their hearth with safety. So they let her sit.

She is *listening*. She is listening to the sound of the water, to the sounds of the forest, to the wind blowing. And because she is listening, where no-one else has listened for so long, I sing to her. I sing to her the songs of thousands of years. From the wordless music of the earliest people, who sang what was in their hearts without words, to the songs I have learned from the fishermen with their radios and bluetooth speakers.

I do not know if she hears me, for some time. But then, one night, while they sit around their fire and eat food the oldest have almost certainly stolen, she sings one of my songs. “In a cavern… on a canyon… excavating for a mine…” she sings in a small voice. The others are startled, confused, for she has not spoken aloud since some bad thing they do not name happened, but one of the older ones knows the song and sings with her.

I have always liked ‘Clementine’. It’s been popular with campers for a long time.

The next day, while she sits on my stone, she sings along to one of the wordless songs the Raven People whose name I no longer remember once sang. It is a lullaby, a soft croon to soothe an infant, passed from mother to mother, and she seems to take pleasure in it.

She can hear me. She can even answer me, as the voice driven away by pain and fear begins to return. And so I grow stronger still. Strong enough to make the raven sign on the stone, one day, in the ashes of the fire of the night before.

She takes a half burned stick, and draws the sign on the stone. Pleased, I show her another sign, a leaping fish. She draws that too.

Soon, I need not shift the ashes. I can show her the pictures in her mind, and she draws them. She draws the wheel of a cart, and into her heart I whisper the stories the travellers in covered wagons once told over my stone. She draws a fish, and I make her laugh silently with the jests of fishermen who boast of fish who escaped them. She draws a horse, and I tell her about the wild horses who once drank at this lake, about the men and women who captured and tamed them and rode them through the forest when it was far greater than it is now. She draws a long-toothed cat, and I show her the great cat that once slept on my stone, and denned in the cave where her new found family sleep.

One night, when all the others are asleep and my fire has burned down to coals, she creeps back to the stone and looks into the coals. “Who are you?” she asks. “Are you real?”

She is afraid that the voice in her mind is the voice of madness, a lie created by a mind that does not work like other minds, that has endured great hardship. I do not want this child to be afraid. To instill fear runs counter to my very nature, save in whoever might threaten those my hearth protects.

I am a god of the hearth. I am a god of food, and communication, and peace, and safety. I am all the things that fire used to mean, before humans learned again to fear the thing they had tamed. I do not often take a form, for fire is my form, but for her I must try.

There was a wise woman once, who knew me, whose clan visited this lake several times every year. I watched her grow up, and grow old. I watched her learn of the god of the fire stone, and I watched her teach others. She slept beside me as a child, and as a woman. She sang her children to sleep beside me, and her grandchildren, and dozed beside me as an old, old woman. To her, I was represented by a sign of a flame in an oval, a fire and a stone.

I build a likeness of her out of the light of the coals and the shadows of smoke, a child with straight dark hair and a simple tunic, and in lines of light I draw the sign of the fire and the stone on the outlined chest. “I am the fire,” I tell her, “and the stone. I am all the fires that have ever burned here, all the stories told, all the songs sung, all the meals eaten. I am the traveler’s hearth, and the rest for the weary, and this is my place.”

“Piedra de fuego,” she says, tracing the symbol with her finger in the air. “The fire stone.”

“Yes. I am the god of this place.”

She frowns at this. “My brother says that God is in the sky.”

“Many gods are in the sky.” I cannot continue to hold the form of the girl, but the coals shift to make my sign. “I am not. I am here. I have always been here, since the first people built a fire on my stone, and warmed themselves.”

She nods slowly. “You are… a small god,” she says thoughtfully. “A place god. Like in movies.”

“Yes.” I’ve heard of movies, which are a new way of telling old, old stories. “Old places, important places, often have gods. And gods who are forgotten return to their old places and wait, until someone believes again.”

“Will you protect us?” she asks. “When the police come, to tell us to move on?”

“I am not strong,” I tell her sadly. “I cannot make men go away from here, if they are dangerous, or even call game here for you as I once did. But what I can do, I will do.”

She sits watching the coals for a long time, thinking. “Can we make you stronger?”

I think too, and she waits patiently. “You have already made me stronger. You listened. You believed. If you can convince the others to believe, that will make me stronger still.”

She sighed. “They don’t believe in anything, anymore. Not good things.”

It is a sad thing, that she knows that. They’ve been trying to hide it from her. “Then,” I tell her, “that means there is a place in their hearts that is ready for me. I am not hope. I am not a happy ending. I am not a god in the sky. I am a stone, and a fire, and a song. I am *real*. They can believe in what is real.”

The next night, she asks for a story, and one of the adults tells her an old fairy-tale from a country far away.

The next night, again, she asks for a story, and another adult tells a funny story about his childhood.

On the third night, she asks her brother to tell her a story. He tries, but he is so tired - not physically, but emotionally - that he runs out of words. So she lays her hand on his arm and offers to tell him a story, instead.

And she tells them all a story about a stone near a lake, flat and strong, that people wearing uncured skins and carrying flint weapons built a fire on. She tells of centuries passing, of people coming to the lake on their feet, on horses, in carts and wagons, in cars and motor-homes. Of thousands of years of fires, of people gathered around them, of the great continuity of humanity, and the Piedra De Fuego that has lain in this place since time began, listening to the stories and the songs and the voices of people long gone. Somewhere in the stone, she says, laying her hand on it, all those stories are remembered. All those songs are still sung. And it will remember us too.

I don’t know if it will work. But I was right. People need to believe in something. They need something to hold onto, when times are hard, when the ties of community and family are broken and they feel alone. And a stone thousands of years old, and a fire endlessly renewed on that stone, always new… that is real. They touch me, and think of those who came before, of thousands of years of history meeting them in this place, and they feel less alone.

It’s not much, not yet. But it is something. My nature, my existence, as explained to them by my small, strange priestess, is a slender lifeline flung to those who are adrift, a tiny certainty in a world they do not trust. And the more they believe in that lifeline, that certainty, then the more they believe in me. I *am* growing stronger.

When the police come, I will not be able to make them leave… but I think I am strong enough now to hide my people from unkind eyes. And if I can do that, then their faith will grow.

Tonight, three more people come. A mother and two children, weary and beaten down with hardship. My people welcome them, give them fish and greens grown by the lake, speak kindly to them. And when they have eaten, my little priestess sits between the two children and tells them a story of a stone, and a fire, and thousands of years of stories and songs, and she sings a wordless lullaby six thousand years forgotten, but living again in a child who draws the sign of the Raven in the dirt while she sings, and the sign of the fire on the stone.

And I grow a little stronger.

#short fiction #original story #i aten't dead #the old gods #small gods #household gods #forgotten gods who do not forget

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fyorina · 11 days

Text

ᡣ𐭩 LATE NIGHT DRIVES!

FEATURING: nakahara chuuya

SUMMARY: it's felt like ages since you've last been able to spend time with chuuya with how busy he's been with mafia business. you know he'll make up for it, he always does, but this time, he goes above and beyond even by his standards.

(wordcount: 1k; sfw; fem!reader, not really any other warnings necessary just reckless driving & some hints of sexual undertones at the end but nothing explicit)

AUTHOR'S NOTES: ive actually had this in my notes app for an absurd amount of time idk why i hoarded it for so long

You think that there's nothing more freeing than the feeling of the wind whipping around you and the night sky vast above you as you race down open roads in the countryside west of Yokohama. you laugh wildly, spreading your arms as the speedometer of Nakahara Chuuya's motorcycle continues to edge upward.

“Oi!” You hear him shout over the wind, “How many times do I have to tell you to hold on?”

“Relax, Chuuya,” you complain, unable to keep the glee from your voice. “I know you’ve got me. There’s nothing to be worried about.”

You can hear him scoff loudly, but you know that if you peek over his shoulder you’ll see his pale cheeks tinted pink, as they always are when you proclaim your unwavering trust in him.

“Just hold on, would you?” he snaps, and you can hear how flustered he is just through his tone, so you smile and wrap your arms around his waist, pressing your chest against his back as you lay your cheek on his shoulder blade.

“If you wanted me to hold you so bad, you just had to say so, Chuuya,” you tease, feeling his abdomen tense beneath your touch as he bristles.

“You’re insufferable,” he murmurs. You only kiss the nape of his neck in response.

You'll admit that most people would find it reckless to be in this situation—with the speedometer crossing 150 kp/h and the streets dark and windy, but you swear it’s the safest you’ve felt in a long time. You’ve missed being with Chuuya. You’ve missed the feeling of his body against yours, you’ve missed the faint smell of wine beneath the familiar cologne he always wore, you’ve missed his sharp tongue that only ever lashes at you when you have him scared shitless with your carelessness. But in your defense, you refuse to call it careless because you know Nakahara Chuuya will never let you get hurt.

That doesn’t stop him from getting anxious about it, though.

You smile to yourself as Chuuya finally slows down, pulling off on an unfamiliar side road leading into the woods. You prop your chin on his shoulder, laying the side of your head against his.

“Where are you taking me?” you ask. “Finally had enough of me? Gonna kill me and dump my body in some backwoods?”

“Yep,” he agrees easily, turning his head to the side to press a chaste kiss against your temple.

You laugh, eyes drawing around the dark countryside before you lift one of your arms up to card your fingers through his hair.

“Quit it,” he mutters, with no heat behind the words. “You tryna make me fall asleep or something?”

“Not my fault you’re so pretty,” you sigh, nudging your nose against his shoulder again before burying your face in the crook of his neck, basking in his presence as he slowly comes to a stop and turns off his bike.

“C’mon,” he says, “look.”

You lift your head, squinting as you look up in front of where he had come to a stop to see a small, nice cabin in a clearing within the forest. Brows furrowing, you swing your leg over the side of his motorcycle, getting off to take a few steps in the direction of the cabin, confused.

“What is this place?” you ask, turning back to look at Chuuya as he leans against his bike.

He’s watching you with a fond, affectionate expression that has your face hot because you aren’t used to catching him looking at you like that. He’s always quick to school his expression when you look his way, but he doesn’t this time.

“A place for us,” he says quietly, and you don’t know if you want to throw something at him or kiss him, throat closing up as you stare at him, trying to figure out if he's playing with you. “To get away from everything in the city.”

“… For real?” you ask after a moment of silence, voice a bit more shaky than you intend for it to be. You know that Chuuya isn’t one to make jokes about stuff like this but you still want to be sure.

He raises his eyebrows and then tosses something in your direction. Only barely catching it, your eyes widen when you realize it’s a set of keys.

“For real,” he agrees.

You think you might cry.

“Hey, why the hell are you crying?”

You are crying.

Chuuya makes his way over to you quickly, gloved hands coming up to cup your cheeks, thumbs wiping away your tears as his brows furrow in confusion.

“I thought you’d like this.”

“I do,” you say immediately, not wanting him to get the wrong idea. You lean into his touch, eyes fluttering shut as he presses his lips to your forehead.

“Then why the hell are you crying?” he repeats, bemused.

“Because I’m happy, Chuuya,” you say quietly. “Really happy.”

“So you’re crying?” he questions, but then shakes his head, squinting as if to make sure you aren’t lying. Once he’s satisfied, a slow and sensual smile began to tug at the corners of his lips. “What do you say we go christen the bedroom then, yeah?”

You giggle, hand slipping down to intertwine your fingers with his as a giddy feeling spreads through you. As you drag him to the front door the cabin, you toss him a smile over you shoulder and say:

“Just the bedroom, Chuuya?” you tease. "Don't be such a prude."

You let out a shriek when you feel him suddenly grab you by the wrist, pulling you toward him before you can unlock the front door. His hands settle on your hips and you let out a pleased sigh into into his mouth when he presses his lips to yours, walking you backward until your back hits the door.

You feel him smile against your lips as he murmurs, "How about we start right here then, hm?"

#chuuya x reader #chuuya x you #chuuya nakahara x reader #chuuya nakahara x you #bsd x reader #bsd x you #bungo stray dogs x reader #bungo stray dogs x you

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