Emma Webster (British-American,b. 1989)
A Day A Night Another Day, 2023
Oil on linen
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Emma Webster (American, 1989), Primavera, 2019. Oil on linen, 96¼ x 78 in.
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Blue Moon, Emma Webster (2022)
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[phonk music intensifies]
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A Shoulder to Cry On
They don't interact with each other that much, but when she first heard Wile's movie was cancelled, Granny knew that he needed a warm, motherly figure to help him out through this dark time.
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Emma Webster - Primavera
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I've been doing a lot of thinking after seeing how Bugs was was treated in Hareway to the Stars, when he was forced aboard the ship and berated for being just an "expandable" rabbit.
Anyways here's a chart of how much various Looney Tunes are seen as people.
Edit: The Looney Tunes Show universe isn't included because it's society is more equal, at the cost of heavy assimilation.
Also check the reblogs for more commentary.
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That's why Daffy, Yosemite Sam and Sylvester are successful, is because they're really aggressive villains. And when they fall on their face, people like it, you couldn't do that to Porky, for instance, because he's a lovable, sweet little character. A boy scout. Nobody really like to work with Porky, because he's too 'square' of a character. But, Sylvester, who falls on his face when attempting to catch Tweety, when he falls on his face, it's comedy. But, if you see Granny do the same thing, people aren't going to laugh, it's seen as rather sympathetic. That's the difference.
Friz Freleng on characterization and slapstick comedy
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Emma Webster - Kite and Snake, 2019
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Emma Webster (British-American,b. 1989)
Field Guide, 2022
Oil on linen
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Emma Webster (American, 1989), Background’s Backdrop, 2020. Oil on linen, 168.2 x 210 cm.
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Emma Webster - Primavera, 2019
Oil on linen (244.5 x 198 cm)
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Emma Webster
Wisp
2022, Oil on linen
84 x 60 in
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