"The only kind of makeup she uses is lipstick, and she’s a big perfume addict. Perfume goes behind her ears, on her hair, at the nape of her neck, and in the crook of her elbows. Some days, she changes her perfume two or three times, to fit her moods. She likes “Joy,” “Blue Hour,’ and’ “Mitsouko.” Before a big date, she takes a bubble bath—Elizabeth Arden, usually—but her housecoat is tailored, coolie-style, and she owns only two strapless formals. They’re both black, and she wears them when she has to appear at publicity functions, premieres and so forth."
Kim Williams in a pink and black wool, satin and lace ensemble by Emanuel Ungaro. Camisole in pink silk satin and black lace, Besson fabric. Dormeuil wool jacket. All accessories by Ungaro. Hushed Shadows Makeup by Elizabeth Arden.
Kim Williams dans un ensemble laine, satin et dentelle rose et noir d'Emanuel Ungaro. Camisole en satin de soie rose et dentelle noire, tissu Besson. Veste en laine Dormeuil. Tous les accessoires par Ungaro. Maquillage Hushed Shadows d'Elizabeth Arden.
Jeanne Lanvin-Castillo Spring/Summer 1957 Haute Couture Collection. Ruth Neumann wears "Turandot" a Kakemono coat in apricot satin with its embroidered belt, over a white chiffon crepe dress. The coat, in Dacron and silk. Foundation, face powder and red-gold lipstick, Sheer Gold, by Elizabeth Arden.
Jeanne Lanvin-Castillo Collection Haute Couture Printemps/Été 1957. Ruth Neumann porte "Turandot" un manteau Kakemono en satin abricot avec sa ceinture brodée, sur une robe en crêpe mousseline blanche. Le manteau, en Dacron et soie. Fond de teint, poudre pour le visage et rouge à lèvres rouge-or, Sheer Gold, d'Elizabeth Arden.