DO YOU SUFFER FROM SPYMANIA?
It’s the 25th anniversary of the Spymania label, and to celebrate it they have released a record of unreleased tracks. It’s brilliant, you should buy it. In 2016 I wrote a history of the messy, messed-up, but brilliant Brighton scene that they found their feet in. Sadly it got lost in the archiving of the Red Bull Music Academy site, but I’ve still got the text, so here it is. And to prove I was there, here is me, in an inexplicably bad shirt, with the Spymania crew and friends:
Some Spymanians - far left is Hardy Spymania, next to him in blue t-shirt is Paddington Breaks, third from right leaning forward is MDK and that’s me in the bad shirt on the right.
25th Anniversary EP by SONGBIRD & WAFTA
From the town's 18th century genesis as a playground for aristocrats, Brighton has always been a space for outrageous hedonism. Being the closest point to London on the English south coast makes it an obvious place for escape and misbehaviour. With that has always come something grittier and grottier though. It's no coincidence that the best known fictional depictions of Brighton feature razor-carrying petty gangsters (Brighton Rock) and running street battles and hurried back-alley knee-tremblers (Quadrophenia). The novelist Keith Waterhouse famously said “Brighton always looks like a town helping police with their enquiries” – and it still does. Behind its facade of homeopaths, holidaymakers, students and media folk, it hides rampant corruption and organised crime, a heroin economy to match any British city, and sprawling estates that are among the country's poorest.
In the heat of the 1990s rave fervour when the world and its dog came down to Brighton to party their way through untold seven-day weekends, all of this ambiguity was expressed via a rather different electronic scene. While the superclubs along the seafront pumped to the sounds of handbag house, trance and big beat, hidden away in the nooks and crannies a techno style formed that became known on the European underground simply as “the Brighton sound” – and around it sprouted odd rave and electronica mutations that, though they might have seemed pisstakey or bloody-minded at the time, would alter the course of electronic music for a long time to come. All of this was surrounded by a dense web of art, theory, satire, in-jokes and meat-flinging cabaret, that could be perplexing, even off-putting, but has left a huge creative legacy from a tiny scene that punched way, way above its weight.
This scene of malcontents and squarepegs was by definition loose-knit – but if there was a centre to it, it was Cristian Vogel. Originally from the south Midlands, he and his friend Si Begg already had experience putting out cassette releases and primitive music software hacks (with the Cabbage Head Collective) before he came to Sussex University to study 20th Century Music in 1992. With a head full of Stockhausen and rave tapes, he was boshing out the techno, and by the end of 1994 had two releases on Dave Clarke's Magnetic North label and was resident at the Acid Box club nights in a little sticky-floored upstairs venue in Brighton's North Lanes.
This was the period when techno and hardcore were still part-fused, and along with headliners like Carl Cox and Luke Slater you could expect to hear Belgian hoover noises full-pelt gabber rolled into the more “intelligent” beats, all with nothing but relentless strobes and smoke to intensify the experience. It's a sign of how intense it was that the “chillout” in the backroom consisted of Richie Hawtin tunes playing and Tetsuo: Iron Man being shown on a couple of TVs, and felt genuinely laid back in comparison to the dancefloor. It could be shoulder-to-shoulder packed, or have ten people raving away, but it was pretty much always guaranteed to deliver mental obliteration. It's precisely this delirium you can hear in key early releases like Vogel's “Ninjah” or Tobias Schmidt's “Minus One”.
Si Begg and friends
Cristian, together with Si Begg founded Mosquito Records around this point, around which a motley crew of producers of monstrously banging but sonically razor sharp techno gathered. Neil Landstrumm, Tobias Schmidt (an ingenious pseudonym for one Toby Smith), Ibrahim Alfa and Russ Gabriel, as well as Begg and Vogel themselves, all released in the first couple of years. They were closely allied with the Scottish techno scene, notably through Landstrum but also the Sativae label run by Dave Tarrida and Steve Glenncross, and played to seething crowds north of the border, as well as absolutely huge ones in Germany, Poland and further afield. Yet even though the audiences were tiny back on the south coast, the local brand was inescapable: indeed Si Begg, who lived in London right through the nineties, recalls with some bafflement seeing untold German flyers with “BRIGHTON TECHNO” in big letters under his name.
All of this was great, but taken alone could simply have been another local flavour on the international techno scene. The four-to-the-floor certainly remained the heartbeat of the scene as The Acid Box became The Box, which became Defunkt, which became Freekin' The Frame, and the techno dons kept coming through: Blake Baxter, Shake Shakir, Claude Young, Beltram, Weatherall, Surgeon, Bandulu... but very quickly, things became about more than just that. There was a strongly disruptive element from the beginning in the form of a close alliance with the Brighton “clench” of the Church Of The SubGenius. If you don't know about the Church, that's a whole other rabbit hole to fall down, but for our purposes it's enough to know that the local bunch existed on the fringes of freeparty soundsystem culture and subverted its tendencies to crypto-mystical bollocks, and were big on collage and stencil graffiti, heavy punning streams of consciousness (“Bulldada” in the SubGenius parlance), mischief disguised as culture and vice versa.
Heavily influenced by this SubGenius mischief was Mat Consume, in-house designer, computer animator and frequent back-room DJ for the Vogel-related axis. His art, brain-bent ranting and noisily experimental sets became a vital part of the identity of the scene, helping coalesce obsessions with punk and Situationism and ambivalent embrace of digital progress among Vogel and compadres to the point where when they formed an umbrella organisation for their activities it was natural to call it No Future. Held loosely together by Vogel's partner and manager Emma Sola this acted as a booking agency for various acts, but just as much felt like a chaotic but fiercely independent joint art project between Vogel, Sola and Consume, throwing ideas and aesthetic forms out into the underground and forging alliances with equally bloody-minded creators.
Emma Sola
These included the likes of Canadian filmmaker and stencil artist Pablo Fiasco; animators and sound artists Ruth Jarman and Joe Gerhardt aka Semiconductor; non-techno eclecticist club collectives Mufflewuffle and Slack; the combative cabaret night That Stupid Club which would feature subcultural saboteurs like Stewart Home, Dennis Cooper and The Divine David; and another more rave-influenced cabaret night called Monkey's Lounge full of spoken word, off-colour comedy, offal-flinging and pints-of-piss-drinking, run and compered by... um... me (under the names Rimmington Snuffporn Esq and DJ Dead, with help from my music production and DJ partner Jeffrey Disastronaut). It was at a Monkey's Lounge session that Consume physically pushed Jamie Lidell – already widely known as a wildly innovative techno producer via the Subhead collective and their Growth parties – on stage with the house band Balzac, immediately kickstarting a long running residency as their singer and marking the beginning of a performing career that still continues.
Tom “Squarepusher” Jenkinson and Hardy Spymania
Possibly the most important alliance of all, though, was with the Spymania crew. Their social circle was a motley bunch of Londoners, Midlanders and most notably a large contingent from Chelmsford, Essex. Many of the latter had been to school with Tom Jenkinson, a musician known originally as Stereotype and then, when the Spymania label itself was formed by Paul Fowler and brighton-based Hardy Finn, as Squarepusher. Their ethos was preposterous in all ways, fuelled by unstable fusions of questing intellects and Essex swagger. As teenagers they first congregated around a Chelmsford club night called Club Trout, run by future scene mainstay Jane Mitchell (and later exported to Brighton as Smooth But Halibut); they smoked themselves sarcastic to early tapes made by their friends Cassetteboy; everything they did was shot through with skater-stoner-hardcore-raver pisstake attitude. Their rickety old website, which remains live today, still gives a hint of all this. http://www.spymania.com/pgs/hardcore.html
Yet these were musical connoisseurs too, assiduously collecting hip hop, acid, Detroit techno, British electronica, and especially in the case of Martin “MDK” Wood, death metal, gindcore and anarcho punk. This pile-up of musical expertise and sarky dicking about was there from the first release, Squarepusher's Conumber EP – which featured everything from a track that was nothing more than a timestretched Jenkinson asking “can anyone lend me a fiver” to the jungle-acid fusions that would literally redefine how electronica was made from the Aphex Twin on down for the rest of the 1990s. The Spymania records that followed touched on illbient mismatched time signatures, Drexciyan electro-funk, Deicide samples, eerily blissed out atmospherics, Cassetteboy's peurile genius (via offshoot label Barry's Bootlegs), and a dozen more awkward twists and turns besides, always brain-frying, always funny, never settling on any sound that offered the casual listener an easy handle on what was going on.
A standardly Dada Spymania cover
This added up to a refreshing antidote to the chin-fondling seriousness and purism of much of the electronica scene. And when Finn, Wood and friends went raving at the Acid Box, they naturally found a kindred spirit in Mat Consume who would design almost all the Spymania sleeves, their grainy photocopy style a counterpoint to the garish clashing computer images and animated dancing baby skeletons of his No Future work. They in turn helped inspire Consume, with the urbane Lynton Million (a university friend of Jamie Lidell's), to set up Trash Records.
Trash was a label that would take the horrible and confrontational side of the scene to extremes, with anger and ugliness from label mainstays including DJ Paedofile, Chuck Shite and Shit & Cheap (aka Consume & Landstrumm – sample track name: “SuckingCocksForFishheads”), as well as impossibly intricate turns from the likes of Liddell and another Chelmsfordian Squarepusher contemporary and Rephlex recording artist, Matt Yee-King. Si Begg, too, was close to the Spymania team, and launched the rather more good-natured but equally ridiculous Noodles family of labels, featuring a slew of collaborations and AKAs (including Hardy Spymania's pleasingly literal Barry Pseudonym) from the No Future and Spymania families.
It was a messy and disparate little scene. The bulk of the rave action took place in the big clubs of Germany and the rest of Europe, but the creative processes were at least as much about what happened in smoky shared flats and workshops in Brighton's tatty backstreets as they were about big dancefloors. Vogel once described his metier as “the drug pub rant”, and a lot of work sprung from precisely these. Continually, though, the bulk of Brighton club culture, from the seafront clubs to the free parties on the beaches and Downs, tended to look askance at the belligerence and deliberate obfuscations of the No Future axis, or more often simply ignore it all. Perhaps the glorious cresting of the first wave of activity, and probably this scene's peak visibility in Brighton full stop, was at the Brighton Dance Parade of 1997. This attempt to replicate Berlin's Love Parade was never to be repeated – hippie mismanagement and Brighton's endemic corruption saw to that – but for one day only the ravers had their literal day in the sun.
The Trash crew: top - Consume, Hunter & Million / middle - Million & Consume / bottom - Cristian Vogel & Million
There, among floats pumping out free party trance and funky house, the No Future bus – stencilled all over by Pablo Fiasco with pictures of dead rock stars, and with a stunningly crsip rig playing weaponised techno whose angles and curves were a thousand times sharper and more present than any other music on the day – stood out like a septic thumb. This was also the year that Vogel's musical partnership with Lidell began in earnest – with Lidell's furious remix of Vogel's “(Don't) Take More”, which remains a brain-damage anthem to this day in some quarters, and their first release as the mutant electronic funk duo Super_Collider, “Darn (Cold Way O Loving)”. The latter track, amazingly, emerged on a major label, thanks to it being signed by Skint parent label Loaded, in turn licensed through Sony. It was a year to wave the freak flag high.
Despite untold hard drugs, fights and the incestuous nature of a town as small as Brighton, the scene and the various record labels involved remained vigorous and continued to diversify right through the last years of the nineties and into the new millennium. Super_Collider released one album on Loaded, and another on Rise Robots Rise, the label created by Vogel and Sola for ever more varied output including Catalan girl-punk and German dancehall. Lidell's ultra-experimental first solo album, Muddlin Gear, came out as a joint venture between Spymania and WARP in 2000, accompanied by deranged artwork and live films by Pablo Fiasco. Bands increasingly became part of the mix: whispering neo-Krautrockers Fujiya & Miyagi (on Paul Spymania's Massive Advance imprint), the terrifying Wevie Stonder (who he managed) and space-pop group Chungking (which I was in for a couple of years, and whose multi-instrumentalist James Stephenson played bass for Super_Collider live, creating a Chelmsford rhythm section with Matt Yee-King on drums - both of these two had also been in the aforementioned Balzac too).
No Future’s logo, designed with typical aggression by Consume
There were prominent fans too. John Peel asked the Trash collective to open Meltdown Festival in 1998. Thom Yorke and Radiohead's resident artist Stanley Donwood designed t-shirts for No Future. Vogel is namechecked on the Sabres Of Paradise Haunted Dancehall album, and Andrew Weatherall would frequently call him up, dumbfounded at his latest sonic advances. One memorable 1999 awayday for the Freekin' The Frame club to The End in London saw Róisín Murphy jumping on stage after the live Super_Collider show to duet with Lidell on an impromptu version of “Once in a Lifetime”, a very young Kieran Hebden repping UK garage, Chicks On Speed shouting their hearts out, and Chris Cunningham playing long segments of white noise to puzzled ravers, as well as sets from various No Future / Spymania stalwarts.
Inevitably, like all but the very biggest musical scenes, the micro-one in Brighton dissipated as people grew up, fucked up, or moved on – but its echoes continue. Vogel and Landstrumm continue to be significant forces in electronic music, both as influences on the post-Blawan generation and as musicians in their own right. Si Begg is a respected sound designer and composer. Matt Yee-King runs the computer music course at Goldsmiths college, and is a big noise on the “Algorave” scene. Paul Spymania is an artist manager and agent, and along with Scuba, brought dubstep to Berlin in the legendary Sub:Stance sessions. Semiconductor became artists in residence for NASA, among many other extraordinary commissions. Jamie Lidell supported Elton John. Consume is in Bristol, currently working on a giant mural of DJ Derek. Lynton Million lives on a small island, selling whisky. Ibrahim Alfa took several sharp diversions that are an epic tale in their own right, and is only now picking up where he left off with a Workshop issue of his “lost” album Once Upon a Time in Brighton. And so it goes on...
Unlike some electronic scenes, the one in Brighton was never particularly chic (although it certainly had massive cultural cachet in a few countries if not at home), and its records don't necessarily fetch silly money on discogs (like that's a measure of value, right?). But out of a tiny techno club and its committed few regulars grew something that filled an entire decade with utterly extraordinary art, music, humour and ideas, and which still has relevance and resonance for smart creative minds many years on. Those messy, aggro, awkward bunch of ravers and jokers somehow managed to hold it together just enough to build a creative world entirely of their own, with its own rules and its own distinctive identity: what more can artists hope for?
This history is dedicated to James Phillips, a vital part of this scene and always 100% one of the good guys. RIP
Some tunes:
Cristian Vogel: Ninjah https://www.youtube.com/watch?v=2ydOFHo9JtI
Tobias Schmidt: Minus One https://www.youtube.com/watch?v=5YjozNVF7_I
MDK: Sound of Saturday https://www.youtube.com/watch?v=FV3KQHGxmcg
Subhead: Ruction (produced by Jamie Lidell) https://www.youtube.com/watch?v=b5vNX_ylRQM
Squarepusher: Sarcacid https://www.youtube.com/watch?v=_IY6cvGnVCA
Cristian Vogel: Bite & Scratch (Blake Baxter Detroit Mix) https://www.youtube.com/watch?v=PXIB7I3D7ss
DJ Paedofile: I was Rise in Clouds https://youtu.be/WcyrrAwqaQY
Buckfunk 3000 (Si Begg): Future Shock Planet Rock https://www.youtube.com/watch?v=lp4b6PE0FkY
Cristian Vogel: Sarcastically Tempered Powers http://youtu.be/Q2G3204pfkY
Yee King: Goodnight Toby https://www.youtube.com/watch?v=mbnZuv3xHog
Super_Collider: Darn https://www.youtube.com/watch?v=dh2kauFcGpw
No Future at Brighton Love Parade: https://vimeo.com/119001501
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RAVE DOWNLOADS
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2000AD Productions - Bagley's (King's Cross, London) - 1998-04-10
Adrenaline - SOS (Tonbridge, Kent) - 2013-04-27
Amnesia House - Institute (Birmingham, West Midlands) - 1994-05-01
Amnesia House - Institute (Birmingham, West Midlands) - 1994-05-29
Amnesia House - Institute (Birmingham, West Midlands) - 1995-05-28
Amnesia House - Venue 44 (Mansfield, Nottinghamshire) - 1994-11-18
Amnesia House - Warehouse (Plymouth, Devon) - 1994-09-09
Anorak Dubson - Interstellar (2016-01-29)
Anorak Dubson - Interstellar (2016-03-25)
Anorak Dubson - Interstellar (2016-07-15)
Anorak Dubson - Interstellar (2016-09-09)
Anorak Dubson - Interstellar (2017-04-28)
Anorak Dubson - Interstellar (2017-05-05)
Anorak Dubson - TDB Promotions (2016-03-26)
Anorak Dubson - TDB Promotions (2016-04-23)
Anorak Dubson - TDB Promotions (2016-10-08)
Awakenings - Spaarnwoude (Deelplan Houtrak, Halfweg) - 2016-06-25-26
AWOL- A Way Of Life - Paradise (Islington, London) - 1992-08-29
Back 2 Your Roots - Hangar 34 (Liverpool, Merseyside) - 2017-12-31
Bar Guru Bar - Guru Bar (Athens) - 2007-11-30
BassLayerz - Irish Centre (Nottingham, Nottinghamshire) - 2015-12-19
BBC Radio 1 - Annie Mac- Sub Focus & Haus (2016-11-25)
BBC Radio 1 - Annie Nightingale- Booka Shade & Slyde (2010-08-06)
BBC Radio 1 - Annie Nightingale- Spectrasoul, Simian Mobile Disco & Dillon Francis (2016-11-16)
BBC Radio 1 - Benji B- Carl Craig (2016-12-08)
BBC Radio 1 - Charlie Sloth- Tinchy Stryder (2016-11-26)
BBC Radio 1 - Essential Mix- LTJ Bukem & Conrad (1996-03-24)
BBC Radio 1 - Essential Mix- Warehouse Project 2013- Sasha, Pete Tong & Eats Everything (2013-11-30)
BBC Radio 1 - Essential Mix- Zinc (2016-12-03)
BBC Radio 1 - Fabio- Sly (2010-09-05)
BBC Radio 1 - Fabio- Utah Jazz (2010-09-05)
BBC Radio 1 - Friction- Annix, DLR & Urbandawn (2016-11-08)
BBC Radio 1 - Friction- Current Value (2016-03-29)
BBC Radio 1 - Friction- GQ & Telekinesis (2016-11-29)
BBC Radio 1 - Friction- Logistics (2016-03-29)
BBC Radio 1 - Friction- Nymfo & Tantrum Desire (2016-11-22)
BBC Radio 1 - Friction- Randall & June Miller (2016-11-15)
BBC Radio 1 - Grooverider- (2010-09-12)
BBC Radio 1 - Grooverider- Goldie (2010-08-15)
BBC Radio 1 - John Peel- Black Star Liner & Mug (1995-04-07)
BBC Radio 1 - John Peel- Delgados (1995-05-13)
BBC Radio 1 - John Peel- Future Sound Of London (1995-04-04)
BBC Radio 1 - John Peel- Holy Ghost (1995-03-31)
BBC Radio 1 - John Peel- Kenickie & Yummy Fur (1995-07-21)
BBC Radio 1 - John Peel- Murmur (1995-09-08)
BBC Radio 1 - John Peel- Pulp (1995-09-30)
BBC Radio 1 - John Peel- Richie Hawtin (2000-04-26)
BBC Radio 1 - John Peel- Th' Faith Healers & Hell (1995-03-17)
BBC Radio 1 - Kissy Sell Out- A-Trak (2010-08-06)
BBC Radio 1 - Residency- Bestival 2017- Metrik, Dynamite & Logan Sama (2017-09-07)
BBC Radio 1 - Residency (2017)
BBC Radio 1 - Rockwell- Alix Perez & Skeptical (2016-11-01)
BBC Radio 1Xtra - Bailey- Shy FX, Storm, Adam F & Tali (2010-05-03)
BBC Radio 1Xtra - MistaJam- Guv (2016-11-19)
BBC Radio 1Xtra - MistaJam- Logan Sama (2016-11-29)
BBC Radio 1Xtra - MistaJam- P Money (2016-11-24)
BBC Radio 1Xtra - MistaJam- Zed Bias (2016-11-30)
BBC Radio 3 - Music Planet- Jungles (2011-02-03)
BBC Radio 4 - Kraftwerk- We Are The Robots (2007-11-22)
BBC Radio 4 - Space- The Vinyl Frontier (2015-09-01)
BBC Radio 4 - The 12 Inch Single (2012-03-01)
BBC Radio 4 - The Science Of Music (2013)
BBC Radio 4 Extra - Ibiza- Britain's Balearic Soul (2011-08-27)
BBC Radio 6 Music - Gilles Peterson- Spinn (2016-11-19)
BBC Radio 6 Music - Mary Anne Hobbs- Fat Freddy's Drop (2016-11-12)
BBC Radio 6 Music - Tom Ravenscroft- Dominik Eulberg (2016-11-18)
BBC Radio 6 Music - Tom Ravenscroft- Tycho (2016-11-25)
BBC Radio (2018)
BBC World Service - A Second Generation- Drum & Bass (2016-03-13)
Bizzy B & TDK - Brain Records Crew (Calling All Junglist, 2018-05-12)
VIDEO: Bizzy B & TDK - Brain Records Crew (Calling All Junglist, 2018-05-12)
VIDEO: Bliss - Kelsey Kerridge (Cambridge, Cambridgeshire) - 1991-06-01
VIDEO: Breakin Science - Building Six (Greenwich, London) - 2016-02-27
Breakin Science - Concorde 2 (Brighton, East Sussex) - 2015-08-08
Breakin Science - Concorde 2 (Brighton, East Sussex) - 2016-03-25
Breakin Science - Coronet (Elephant & Castle, London) - 2014-11-08
Breakology - Escape (Margate, Kent) - 2011-11-05
Chris Inperspective - Evolution (2015-04-14)
Cypress Hill - Legalized (SH69013)
Dance Planet - Coliseum (St. Austell, Cornwall) - 1994-01-29
Dance Planet - Coliseum (St. Austell, Cornwall) - 1994-07-02
Dance Planet - Coliseum (St. Austell, Cornwall) - 1994-11-05
Dance Planet - Coliseum (St. Austell, Cornwall) - 1994-12-31
Dance Planet - Coliseum (St. Austell, Cornwall) - 1995-03-25
Dance Planet - Edge (Coventry, West Midlands) - 1993-12-04
Dance Planet - Hummingbird (Birmingham, West Midlands) - 1993-03-19
Dance Planet - Que (Birmingham, West Midlands) - 1994-03-19
Dance Planet - Sanctuary (Milton Keynes, Buckinghamshire) - 1993-07-30
Dance Planet - Warehouse (Plymouth, Devon) - 1994-09-30
VIDEO: Dance Trance - Sanctuary (Milton Keynes, Buckinghamshire) - 1993-06-25
Definition - Club Colosseum (Vauxhall, London) - 2013-07-12
Definition & Biological Beats - Scala (King's Cross, London) - 2011-12-17
Definition & Biological Beats - Scala (King's Cross, London) - 2012-12-15
DFR - Cafe Parfait (Southampton, Hampshire) - 2016-03-19
DFR - Cafe Parfait (Southampton, Hampshire) - 2016-02-26
Diamond Promotions - Island (Ilford, Greater London) - 1997-05-03
Diamond Promotions - Island (Ilford, Greater London) - 1997-09-27
Diamond Promotions - Rex (Stratford, London) - 1999-11-06
Diamond Promotions - Rex (Stratford, London) - 2000-11-04
Diamond Promotions - Rocket (Islington, London) - 1994-12-03
Dr. Socrates - Excursion (2017-02-23)
Dr. Socrates - Generation Heavyweight (2016-05-14)
Dr. Socrates - Generation Heavyweight (2016-07-16)
Dr. Socrates - Generation Heavyweight (2016-12-31)
Dr. Socrates - Generation Heavyweight (2017-01-01)
Dr. Socrates - Generation Heavyweight (2017-01-28)
Dr. Socrates - Omen (2017-01-10)
Dr. Socrates - Omen (2017-03-07)
Dr. Socrates - Unofficial Theory Of Bass (2017-01-27)
Dr. Socrates - Wavelength (2016-08-12)
VIDEO: Drum&BassArena & EarPeace - Electric (Brixton, London) - 2016-12-07
Edge - Edge (Coventry, West Midlands) - 1994-02-26
ESP Promotions - Brafield Aerodrome Fields (Brafield, Northampton) - 1995-09-09
ESP Promotions - Denbigh Leisure (Milton Keynes, Buckinghamshire) - 1996-11-30
ESP Promotions - Evolution (Hull, York) - 1992-12-18
ESP Promotions - Royal Bath & West Showground (Shepton Mallet, Somerset) - 1998-04-11
ESP Promotions - Sanctuary (Milton Keynes, Buckinghamshire) - 1995-12-31
ESP Promotions - West Of England Exhibition (Shepton Mallet, Somerset) - 1995-12-31
Professor Lesser & Substantial Audio - Get Slew (Phonic FM, 2016-11-06)
Fantazia & Life - Bowlers (Stretford, Manchester) - 1994-08-27
Flingdown Vol. 1 (FD001) - Jump-Up Mix (2016-07-15)
VIDEO: Florida - 1971 - Jackson 5
Freqbass - Theory Of Bass (2017-01-26)
Frontier Promotions - Hastings Pier (Hastings, East Sussex) - 1997
Fwd. & Rinse - End (Soho, London) - 2007-08-17
Fwd. & Rinse - Plastic People (Shoreditch, London) - 2009-04-19
Godskitchen - Long Marston Airfield (Long Marston, Warwickshire) - 2006-07-29
Graeme Park - Haçienda (1992-08-22)
Hard Edge - Cavern (Exeter, Devon) - 1996-2002
Helter Skelter - Denbigh Leisure (Milton Keynes, Buckinghamshire) - 1996-03-09
Helter Skelter - Denbigh Leisure (Milton Keynes, Buckinghamshire) - 1996-06-01
Helter Skelter - Denbigh Leisure (Milton Keynes, Buckinghamshire) - 1996-10-26
Helter Skelter - Denbigh Leisure (Milton Keynes, Buckinghamshire) - 1997-11-01
Helter Skelter - Denbigh Leisure (Milton Keynes, Buckinghamshire) - 1997-12-31
Helter Skelter - Denbigh Leisure (Milton Keynes, Buckinghamshire) - 1998-06-06
Helter Skelter - Denbigh Leisure (Milton Keynes, Buckinghamshire) - 1998-12-31
Helter Skelter - Sanctuary (Milton Keynes, Buckinghamshire) - 1993-09-17
Helter Skelter - Sanctuary (Milton Keynes, Buckinghamshire) - 1993-09-17
Helter Skelter - Sanctuary (Milton Keynes, Buckinghamshire) - 1993-12-03
Helter Skelter - Sanctuary (Milton Keynes, Buckinghamshire) - 1994-09-16
VIDEO: Helter Skelter - Sanctuary (Milton Keynes, Buckinghamshire) - 1994-09-16
VIDEO: Helter Skelter - Sanctuary (Milton Keynes, Buckinghamshire) - 1994-09-16
Helter Skelter - Sanctuary (Milton Keynes, Buckinghamshire) - 1995-04-14
Helter Skelter - Sanctuary (Milton Keynes, Buckinghamshire) - 1995-10-07
Helter Skelter & Sidewinder - Denbigh Leisure (Milton Keynes, Buckinghamshire) - 2001-12-08
Hindsight & North - St. George's Hall (Exeter, Devon) - 2000
Hysteria - Starlight 2001 (Leicester, East Midlands) - 1998-03-13
Innovation & Best Of British - Lighthouse (Docklands, London) - 2001-08-25
Jungle Mania - Coronet (Elephant & Castle, London) - 2015-04-05
Kiss 100 FM London - 199X
Kiss 100 FM London - 1992-02-18 - Colin Faver & Ramos
Kiss 100 FM London - 1992-05-19 - Dr. S Gachet
Kiss 100 FM London - 1992-07-21 - Colin Faver & Brenda Russell
Kiss 100 FM London - 1992-08-25 - Colin Faver & Joker
Kiss 100 FM London - 1992-09-01 - Colin Faver & Technos
Kiss 100 FM London - 1992-09-08 - Steve Bicknell
Kiss 100 FM London - 1993-06-08 - Colin Faver & Dave Clarke
Kiss 100 FM London - 1993-06-16 - Colin Dale, Ben Long & Dubweiser
Kiss 100 FM London - 1993-06-29 - Colin Faver & Mati Parks
Kiss 100 FM London - 1993-06-30 - Colin Dale
Kiss 100 FM London - 1993-07-14 - Colin Faver
Kiss 100 FM London - 1993-07-20 - Colin Faver & Edge
Kiss 100 FM London - 1993-07-21 - Colin Dale
Kiss 100 FM London - 1993-09-07 - Colin Faver & Intense
Kiss 100 FM London - 1993-10-19 - Colin Faver & Robert Armani
Kiss 100 FM London - 1994-03-02 - Fabio & Grooverider
Kiss 100 FM London - 1994-03-09 - Jumping Jack Frost
Kiss 100 FM London - 1994-03-30 - Randall
Kiss 100 FM London - 1994-06-01 - Kenny Ken
Kiss 100 FM London - 1994-06-08 - Kenny Ken
Kiss 100 FM London - 1994-06-15 - Grooverider
Kiss 100 FM London - 1994-07-13 - Slipmatt
Kiss 100 FM London - 1994-07-20 - Slipmatt
Kiss 100 FM London - 1994-07-27 - Jumping Jack Frost
Kiss 100 FM London - 1994-08-03 - Jumping Jack Frost
Kiss 100 FM London - 1994-08-30 - Colin Faver
Kiss 100 FM London - 1994-09-14 - Fabio
Kiss 100 FM London - 1994-11-23 - Randall
Kiss 100 FM London - 1995-01-04 - Grooverider
Kiss 100 FM London - 1995-02-01 - Hype
Kiss 100 FM London - 1995-02-08 - Randall
Kiss 100 FM London - 1995-02-15 - Randall
Kiss 100 FM London - 1995-03-29 - Grooverider
Kiss 100 FM London - 1995-07-12 - Randall
Kiss 100 FM London - 1995-07-26 - LTJ Bukem
Kiss 100 FM London - 1995-08-30 - Jumping Jack Frost
Kiss 100 FM London - 1995-09-27 - Randall
Kiss 100 FM London - 1995-09-29 - Grooverider
Kiss 100 FM London - 1995-10-04 - LTJ Bukem
Kiss 100 FM London - 1995-10-27 - Grooverider
Kiss 100 FM London - 1995-11-17 - Fabio
Kiss 100 FM London - 1995-12-08 - Fabio
Kiss 100 FM London - 1995-12-13 - LTJ Bukem
Kiss 100 FM London - 1995-12-15 - Fabio
Kiss 100 FM London - 1995-12-22 - Grooverider
Kiss 100 FM London - 1996-01-10 - Jumping Jack Frost
Kiss 100 FM London - 1996-01-19 - Grooverider
Kiss 100 FM London - 1996-03-08 - Fabio
Kiss 100 FM London - 1996-04-11 - Kemistry & Storm
Kiss 100 FM London - 1996-05-01 - LTJ Bukem
Kiss 100 FM London - 1996-05-24 - Fabio
Kiss 100 FM London - 1996-05-31 - Fabio
Kiss 100 FM London - 1996-07-10 - LTJ Bukem
Kool London - 1992-08-30 - BROCKIE, BUZ, REDALERT & DET
Kool London - 1992-12-24 - TONIC & STINGRAY
Kool London - 1992 - PHAZE 3, REMADEE & TIMES 2
Kool London - 1993-04-23 - BROCKIE, FABROK, FIVE-O, MOOSE & DET
Kool London - 1993-08-14 - BROCKIE & DET
Kool London - 1993 - EASY D & STINGRAY
Kool London - 1993 - EASY D, STINGRAY & REMADEE
Kool London - 1993 - M.C.I.D. & STINGRAY
Kool London - 1993 - RAGGA B, DET & REMADEE
Krazy 1 Promotions & Jungle Hooligans - Marcus Garvey (Nottingham, Nottinghamshire) - 1995-08-27
Lenny V - Circa 1994
Life FM: The Bellyman Show 2016
Liquicity - Marktkantine (Jan Van Galenstraat, Amsterdam) - 2016-03-19
MAD Vol. 1 (Mixed by Demo)
MAD Vol. 2 (Mixed by Demo)
MAD Vol. 3 (Mixed by Demo)
MAD Vol. 4 (Mixed by Demo)
MAD Vol. 5 (Mixed by Demo)
MAD Vol. 6 (Mixed by Demo)
MAD Vol. 7 (Mixed by Demo)
MAD Vol. 8 (Mixed by Demo)
MAD Vol. 9 (Mixed by Demo)
Muzik Hertz - Custard Factory (Birmingham, West Midlands) - 2009-10-30
Ninja Tune - Solid Steel (2010)
Ninja Tune - Solid Steel (2011)
Ninja Tune - Solid Steel (2012)
Ninja Tune - Solid Steel (2013)
Obsession - Que (Birmingham, West Midlands) - 1993-11-27
Obsession - Westpoint (Exeter, Devon) - 1992-10-30
Substantial Audio (2016-08-04)
Pandemonium - Mr. B's (Willenhall, West Midlands) - 1994-12-1995-01
Phantom Sound - Attic (Torquay, Devon) - 2017-02-07
Quest & Fibre Optic - Edge (Coventry, West Midlands) - 1993-04-09
Ram Jam (Dance Planet, Obsession & Raven) - Rectory Farm (Stretton, Leicestershire) - 1992-08-07
Random Concept - Roadmender (Northampton, Northamptonshire) - 2012-04-28
Raveology - O2 Institute (Birmingham, West Midlands) - 2015-12-05
Raveology vs. Breakin Science - Custard Factory (Birmingham, West Midlands) - 2008-12-06
RoadBlock (2018-07-07)
Ruffneck Ting - 1997- Andy C feat. Jakes
Ruffneck Ting - 1997- Dazee feat. Jakes
Ruffneck Ting - 1997- Hype feat. Jakes
Ruffneck Ting - 1997- Micky Finn
Ruffneck Ting - 1997- Nicky Blackmarket feat. Jakes & Foxy
Ruffneck Ting - 1997- Rap feat. Jakes
Safehouse Management - Space (Playa D'en Bossa, Ibiza) - 2016-09-20
Skankerz - O2 Academy (Bristol, Avon) - 2011-12-03
VIDEO: Slammin' Vinyl - Bagley's (Kings Cross, London) - 2003-06-14
Slammin' Vinyl (United Dance 'Hidden' 2011-08-13): INTER
Substantial Audio (2017-08-25)
INSTRUMENTAL: Substantial Audio (2017-08-25)
VIDEO: The Stop The Violence Movement - The Stop The Violence Video (Overcoming Self-Destruction) (1990)
Tick Tock (1996-09-06)
VIDEO: Time Warp - Maimarkthalle (Mannheim) - 2016-04-02 - DE 2016 - Adam Beyer
VIDEO: Time Warp - Maimarkthalle (Mannheim) - 2016-04-02 - DE 2016 - Carl Cox
VIDEO: Time Warp - Maimarkthalle (Mannheim) - 2016-04-02 - DE 2016 - Carl Cox & Joseph Capriati
VIDEO: Time Warp - Maimarkthalle (Mannheim) - 2016-04-02 - DE 2016 - Len Faki
VIDEO: Time Warp - Maimarkthalle (Mannheim) - 2016-04-02 - DE 2016 - Nicole Moudaber
VIDEO: Time Warp - Maimarkthalle (Mannheim) - 2016-04-02 - DE 2016 - Nina Kraviz
VIDEO: Time Warp - Maimarkthalle (Mannheim) - 2016-04-02 - DE 2016 - Pan-Pot
VIDEO: Time Warp - Maimarkthalle (Mannheim) - 2016-04-02 - DE 2016 - Steffen Baumann
VIDEO: Time Warp - Maimarkthalle (Mannheim) - 2017-04-01
Titanium Audio & Dark Elements (2018-01-26)
Titanium Audio & Substantial Audio (2017-12-23)
Top Buzz - Two Blacks And A Bubble (Part 1-Part 3) (Mixed by Jason Kaye & Mikee B feat. Mad P)
Total Kaos & Formation Records - Underground (Leicester, East Midlands) - 1994
Total Kaos & Starlight - Edge (Coventry, West Midlands) - 1993-11-20
United Dance - Arts & Leisure Centre (Stevenage, Hertfordshire) - 1996-08-23
Various Artists - A Blast From The Past, Vol. 1 (Mixed by Anorak Dubson) (ADABFTP001)
Various Artists - Peeling The Ceiling, Vol. 1 (Mixed by Anorak Dubson) (ACPTC001)
Various Artists - Summer 1992 (Mixed by Donovan Badboy Smith feat. Bustamove)
Various Artists - The Long Ride Home, Vol. 1 (Mixed by Anorak Dubson) (ADTLRH001)
Various Artists - Zone Out, Vol. 1 (Mixed by Anorak Dubson) (ADZO001)
VIDEO: Vox Pop (2018-04) https://ravedownloads.wordpress.com
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