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Computer Service and Programming
Computer Service and Programming
Our team of graphics and multimedia professionals are proficient in high-end technologies like Photoshop, Ajax, Flash, HTML, XHTML, CSS and Web 2.0 standards. Apart from being impressive, all websites are W3C validated, fast loading and highly usable.
We understand that the fastest and the most definite gateway to reach out to audiences and hold the prospective customer’s attention is through…
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(CLASSIFIED DOCUMENT) ROGUE ZIM
Status: Unknown; presumably alive
Personal Information:
- Pak Model: Defective Superior Model-1
- Gender/Sex: Male (Type B)
- Pronouns: He/Him
- Age: 25 Earth/Irken years
- Sexuality: Omni (Preference: Male)
- Rank: Rogue Super Weapon
- Rogue Code Name: Poltergeist
Physical Description:
- Appearance: Magenta Eyes/Pak
- Height: 5'5"
- Notable Features: Extremely scarred but bandaged arms, small face scar, Pink hoodie
Skills and Enhancements:
- Natural Ability: His pak can release high-voltage shocks capable of killing living beings and destroying technology. Connection to tech results in corruption.
- Pak Weapons: Equipped with powerful weapons designed by Zim himself.
- Emotion-Induced Abilities: Strong emotions can tear holes in time and space, creating small Florpus-like portals.
- Emotional Range: His defect allows him to experience a wide range of emotions.
- Independent Pak: His pak sometimes acts independently from Zim.
- Enhanced Senses: Superior hearing, scent, and sight.
- Training: Proficient in war strategies, combat, anatomy, mechanics, and other fields, driven by Miyuki to be the best.
- Speed and Strength: Quick reflexes allowing for rapid movement. Above-average strength and high pain tolerance.
- Natural Weapons: Claws and teeth sharpened to knife-like sharpness.
Fun Facts:
- Bio-Weapon Origin: The first successful Irken Empire Bio-weapon.
- Unique Scent: Emits a sweet scent with underlying hints of blood and metal.
- Powerhouse: Considered the strongest Irken to ever exist.
- Purring Smeet: Teased for his sleepy nature and purring as a smeet.
- Culinary Preferences: Enjoys sweet foods, while regular food makes him feel sick.
- Musical Inclination: Surprisingly, likes singing songs to himself.
- Personality: Aggressive and cold in nature.
- Troop Membership: Part of Troop 9 during training.
- Infamous Record: Personally responsible for the documented deaths of 10,000 individuals using only his pak.
Notable Events (in chronological order):
1. Caused five years of darkness on Irk upon creation due to a high-voltage electricity shock.
2. Experimented on by Miyuki as a child.
3. Excelled academically, ranking at the top of his classes.
4. Had a height stunter installed by Miyuki for easier control but later removed.
5. Spark from his pak caused four more years of darkness on Irk during a sparring incident.
6. Invented numerous bio-weapons and mass destruction devices.
7. "Accidentally" killed Miyuki and Spork with a bio-weapon.
8. Played a key role in winning the battle of Meekrob during Mission of Impending Doom One.
9. Banished from the Irken Empire, reappearing during Mission of Impending Doom Two.
10. Banished once more, this time to Earth.
11. Involved in the Florpus Incident.
12. Went Rogue, leaving Earth for four years with no trace of his whereabouts.
13. Destroyed multiple Empire Watch Bases (C1, C2, C3, D5, D6, G9, G11, G18, Z1), with more to be documented.
This document provides official information regarding Defective Superior Model-1, also known as Poltergeist, and his extensive history, abilities, and notable events within the Irken Empire. He is extremely dangerous and is to be reported upon sighting.
!!!WARNING: FILE IS HIGHLY SUBJECT TO CHANGE!!!
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Oldest to Youngest (in creation) of your OC’s?
Here’s the full list!
Lavender
Lilly
Storyteller
Slime
Teddibear
Cece
Averi
Emmi
Carl
My first ‘Sona (Gwitchy Bunni)
Soy
Mark
Spike
Frittle
Mit
Tick
Slip
Rapier
Card
Alice
Mei
Kiri
Maiju
Rivoto
Poppi
Giira
Moonflower
Sundrop
Second ‘Sona (Echo)
Carmen
Shy Rainbow
Camilla
Sprinkle
Cloud
Midnight
Annabelle (Patchwork)
Stella
Suzy (Burlap)
Adam (Ventriloquism)
Benji (Two-Ply Cotton)
Savanna (Pinprick)
Viviene (Viper)
Benjamin
Simon (Zombie Newt)
Lillypot
Smiley
OG Scrumpy (Aka Canon Scrumpy)
Angel
Doodle
Dr. Smith
Nightshade
Black Dahlia
Greg
D2
D4
D5
D1
Kitty
Axel
‘Sona Scrumpy
Edgar (a different version but still Edgar)
Engerben
Green
Moth
Lamp
Candy Floss
Lake
Ballpoint
Stitchy
DreamMaster
Tinsel
Time
Life
Death
Marbles
Cheesecake
Annalise
Plutonium
Mercury
Polonium
Arsenic
Lead
Chromium
Antimony
Cesium
Dotty
Circle
Caleb
Rocky
CloudKake
Casetti
Flik
Maple
Marshmallow
Indy (Current ‘Sona)
Oliver
Liya
Rose
Brandon
Bea
There are a lot of characters missing I’ll bet. If I find any more, I’ll reblog with their names and where they belong!
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8D Problem-Solving Concepts with Lean Six Sigma
Are you trying to find an organized solution to persistent issues in your company that you can't seem to shake off? Your answer is the 8D Problem-Solving model. Rooted in the principles of Lean Six Sigma, the 8D methodology offers a structured and systematic approach to identify, analyze, and resolve complex problems. It is a very useful tool for situations where anything goes wrong or requires change. It's a deliberate, cooperative way to solve important issues to improve production procedures. It accomplishes this through assisting with root cause investigation, containment plan creation, and the application of remedial solutions.
Let's understand it more thoroughly!
8D Problem Solving: What Is It?
8D problem solving is a useful strategy for dealing with challenging situations at the workplace. The term "eight disciplines," or "8D," refers to a defined framework that project teams can work within. Organizations can address extremely difficult or crucial operational challenges by implementing the analysis and procedures it offers.
During World War II, the US military first employed this variant. The "Team Oriented Problem Solving" (TOPS) approach was its name, and Ford Motors later made it well-known. The car maker improved the procedure and equipment, renaming it as the Eight Disciplines (8D) of Problem Solving. 8D can be useful in Kaizen continuous improvement efforts and striving towards lean processes.
Understanding the 8D Problem Solving Methodology
Organizations utilize the 8D Problem Solving methodology as a methodical strategy to examine and resolve recurrent issues, flaws, or departures from intended results. Each discipline specializes in a particular area of quality improvement and problem-solving, comprising eight disciplines in total. These are the Eight Disciplines:
D1: Establish the Team:
Putting together a cross-functional team of people with a range of perspectives, abilities, and knowledge pertinent to the issue at hand is the first step in the 8D process. The team leader, who is frequently a certified Six Sigma specialist, is essential in directing the team's problem-solving activities and encouraging cooperation among members.
D2: Describe the Problem:
The next discipline is defining the issue or departure from expected performance in detail when the team is formed. In order to complete this phase, you must collect pertinent data, carry out a root cause analysis, and record the problem's symptoms, extent, and effects on stakeholders, procedures, and results.
D3: Implement Interim Containment Actions:
Interim containment measures are taken to reduce the problem's immediate impact and stop it from getting worse. These stopgap solutions are intended to maintain order, prevent further damage to consumers, processes, and resources, and stop the spread of faults or problems.
D4: Identify Root Causes:
In this discipline, the team carries out a comprehensive analysis to determine the fundamental issues that are causing the issue. Through data analysis and testing, techniques including cause-and-effect diagrams, fishbone diagrams, and 5 Whys analysis are frequently used to prioritize root reasons, investigate probable causes, and validate hypotheses.
D5: Develop Permanent Corrective Actions:
In order to address the root causes found, the team develops and puts into effect long-term corrective measures based on the results of the root cause analysis. These steps are intended to address the underlying causes of the issue, avoid a recurrence, and enhance the overall dependability and performance of the process.
D6: Verify Corrective Actions:
The team tests, monitors, and validates the remedial actions after they are put into place to ensure they are working. In this step, information is gathered, KPIs are measured, and the effects of the corrective measures on process efficiency and customer satisfaction are evaluated.
D7: Prevent Recurrence:
In order to maintain long-term sustainability and stop the issue from happening again, proactive steps are done to fix systemic problems, enhance procedures, and strengthen resistance to future deviations. This could entail introducing preventative maintenance measures, educating staff, putting in place new controls, and revising procedures.
D8: Recognize Team Effort:
Honoring and applauding the work of the problem-solving team is the last discipline in the 8D Problem Solving process. In an organization, sharing lessons learned, recording best practices, and recognizing the achievements of team members fosters a culture of innovation and continuous improvement.
Applications of the 8D Problem Solving Methodology:
The 8D Problem Solving methodology has broad applications in a number of different sectors and industries, such as the automotive, aerospace, healthcare, and manufacturing industries. Companies use the 8D process to handle problems related to process deviations, customer complaints, safety incidents, and other issues that affect customer happiness, product quality, and organizational performance.
By adopting the 8D Problem Solving methodology, organizations can:
Improve product and service quality
Enhance customer satisfaction and loyalty
Reduce defects, waste, and rework
Increase process efficiency and reliability
Foster a culture of continuous improvement and innovation
Strengthen cross-functional collaboration and problem-solving capabilities
Drive cost savings and competitive advantage in the marketplace
Integrating 8D Problem Solving Methodology with Lean Six Sigma
Here's how the 8D methodology can be effectively integrated with Lean Six Sigma:
Define the Problem:
The Define phase of Lean Six Sigma concentrates on precisely describing the problem description and project objectives. Similar to this, the 8D methodology's initial step is to describe the problem, making sure that everyone involved has an equal grasp of the matter at hand.
Establish a Cross-Functional Team:
The 8D technique and Lean Six Sigma both stress how crucial it is to put together a cross-functional team with a range of backgrounds and specialties. This group approaches the issue cooperatively, using their combined expertise to generate practical answers.
Use Data-Driven Analysis:
Data-driven analysis is a key component of Lean Six Sigma, which uses it to analyze process performance and pinpoint the sources of issues. In a similar vein, the 8D methodology places a strong emphasis on using data and statistical tools to examine the issue and pinpoint its causes.
Apply Root Cause Analysis:
A fundamental element of both the 8D technique and Lean Six Sigma is root cause analysis. Organizations are able to address the core of an issue rather than just its symptoms and adopt more focused and long-lasting solutions by determining the underlying causes of problems.
Implement Corrective Actions:
Find the underlying reasons for the issue and then put corrective measures in place to stop it from happening again. Lean Six Sigma offers an organized method for putting these solutions into practice and making sure they are long-lasting and successful.
Monitor and Control:
Measures are implemented to monitor process performance and guarantee that improvements are maintained throughout the Control phase of Lean Six Sigma. In a similar vein, the 8D technique incorporates guidelines for keeping an eye on the success of remedial efforts and putting preventative measures in place to steer clear of problems down the road.
Continuous Improvement:
Lean Six Sigma and the 8D technique both encourage a business to adopt a continuous improvement culture in which waste, errors, and inefficiencies are continuously sought out and eliminated. Organizations can promote continuous innovation and improvement throughout their operations by combining these two approaches.
All things considered, the combination of Lean Six Sigma and the 8D problem-solving methodology gives organizations a strong framework. It enables to handle challenging issues, promoting long-term improvement, and attaining operational excellence. Organizations can reduce waste and defects, improve customer value, and streamline their problem-solving processes by utilizing the strengths of each methodology.
Conclusion:
To sum up, the 8D Problem Solving methodology provides a methodical and organized way to tackle intricate issues. It promotes ongoing development within companies. Teams can improve quality, efficiency, and customer satisfaction by implementing effective corrective actions, preventing recurrence of errors, and rigorously identifying root causes by adhering to the Eight Disciplines framework. In today's ever-changing business environment, organizations aim to pursue operational excellence and competitive advantage for greater success. It makes the 8D Problem Solving technique an essential skill to have.
Stepping into the world of project or quality management? MindCypress offers one of the top lean six sigma certification courses to professionals and non-professionals alike. The six sigma classes are based online with industry experts as trainers; who understand the concepts of six sigma thoroughly.
Resource:https://www.mindcypress.com/blogs/project-management/8d-problem-solving-concepts-with-lean-six-sigma
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Mastering the Art of Culinary Excellence with All-Clad Cookware
In the realm of culinary craftsmanship, the choice of cookware plays a pivotal role in elevating the cooking experience from ordinary to extraordinary. All-Clad, a brand synonymous with innovation and quality, has been a trusted companion in kitchens around the world for decades. Renowned for its exceptional craftsmanship, superior performance, and timeless design, All-Clad cookware has become a symbol of culinary excellence. In this exploration, we will delve into the world of All-Clad, understanding its history, the technology behind its creations, and how it empowers both professional chefs and home cooks to master the art of culinary excellence.
The All-Clad Legacy: A Symphony of Craftsmanship
A Humble Beginning
The All-Clad story began in 1967 when a metallurgist named John Ulam revolutionized the world of cookware by bonding layers of aluminum to stainless steel. This groundbreaking innovation led to the creation of the first clad cookware – a game-changer in the industry. Ulam's vision was simple yet transformative: to craft cookware that married the superior heat conductivity of aluminum with the durability and beauty of stainless steel.
The Birth of Bonded Cookware
The unique bonding process developed by Ulam involved layering aluminum and stainless steel together through a proprietary technique. This created a cookware surface that not only facilitated precise temperature control but also ensured even heat distribution across the entire cooking surface.
Unveiling All-Clad
In 1971, the All-Clad brand officially came to life, introducing its revolutionary bonded cookware to the market. The initial response was overwhelmingly positive, and All-Clad quickly garnered a reputation for producing cookware that exceeded the expectations of both professional chefs and home cooks.
The Technology Behind All-Clad Cookware
The All-Clad Tri-Ply Construction
At the heart of All-Clad's success is its tri-ply construction, a hallmark of the brand's cookware. This design involves bonding three layers of metal – aluminum sandwiched between layers of stainless steel – to create a robust, heat-responsive, and durable cooking surface.
1. Aluminum Core
The inner layer of aluminum ensures rapid and even heat distribution, eliminating hot spots that can compromise cooking results. This allows for precise temperature control and responsiveness to changes in heat settings.
2. Stainless Steel Exterior
The exterior layer of stainless steel provides durability, resistance to corrosion, and a sleek, polished finish. It also makes the cookware compatible with induction stovetops.
3. Stainless Steel Interior
The cooking surface is made of stainless steel, known for its non-reactive nature and easy maintenance. This ensures that flavors remain true and the cookware is resistant to staining.
Precision and Craftsmanship
Each piece of All-Clad cookware undergoes a meticulous manufacturing process. Skilled artisans meticulously bond the layers of metal to exact specifications, resulting in cookware that reflects the brand's commitment to precision and craftsmanship. The attention to detail is evident in every curve, handle, and polished surface.
The All-Clad Collection: A Symphony of Options
1. All-Clad Stainless
The classic stainless steel collection is a staple in kitchens worldwide. Known for its durability and versatility, it is suitable for a wide range of cooking techniques. From sauté pans to stockpots, this collection caters to every culinary need.
2. All-Clad D3 Tri-Ply Bonded
Building on the success of the original Stainless collection, the D3 series features an optimized design for even heat distribution. The ergonomic handles and flared edges make it a favorite among both professional chefs and home cooks.
3. All-Clad D5 Brushed Stainless
The D5 collection takes the tri-ply construction to the next level by incorporating five layers of metal. This results in enhanced heat retention, making it ideal for slow cooking and simmering. The brushed stainless exterior adds an aesthetic touch to the cookware.
4. All-Clad Copper Core
The Copper Core collection combines the benefits of copper's rapid response to heat with the durability of stainless steel. This series is a favorite among chefs who appreciate the precise control offered by the copper core.
5. All-Clad HA1 Hard Anodized
For those seeking the durability of hard-anodized aluminum, the HA1 collection is an excellent choice. The non-stick surface makes it easy to release food and simplifies the cleaning process.
6. All-Clad Essentials Nonstick
The Essentials Nonstick collection is designed for those who value the convenience of non-stick cookware. It features durable, hard-anodized aluminum construction and a PFOA-free non-stick coating.
All-Clad in the Professional Kitchen
1. Michelin-Starred Endorsement
All-Clad cookware has earned the respect and endorsement of many Michelin-starred chefs. Its presence in professional kitchens attests to its performance, durability, and ability to withstand the rigors of high-volume cooking.
2. Precision and Reliability
Chefs value All-Clad for its precise temperature control, even heat distribution, and reliability. Whether it's searing, sautéing, or simmering, All-Clad cookware consistently delivers exceptional results.
3. Versatility in Technique
From the bustling kitchens of fine dining establishments to the creativity of experimental chefs, All-Clad's versatility caters to a broad spectrum of culinary techniques. It seamlessly transitions from stovetop to oven, accommodating various cooking styles.
All-Clad in the Home Kitchen
1. Aesthetic Appeal
Beyond its exceptional performance, All-Clad cookware adds a touch of elegance to home kitchens. The polished stainless steel exteriors and ergonomic designs make it as aesthetically pleasing as it is functional.
2. Investment in Quality
All-Clad is often considered an investment in quality. The durability of its cookware means that, with proper care, it can last for generations. This makes it a favorite among home cooks who appreciate longevity and value for their investment.
3. Ease of Maintenance
All-Clad cookware is designed for ease of maintenance. The stainless steel cooking surfaces are non-reactive and easy to clean, ensuring a seamless cooking experience.
Cooking with All-Clad: A Symphony of Flavors
1. Even Heat Distribution
The tri-ply construction of All-Clad ensures even heat distribution, allowing for precise control over the cooking process. This is especially crucial for techniques like sautéing and browning.
2. Versatility Across Heat Sources
All-Clad cookware is compatible with various heat sources, including gas, electric, and induction stovetops. This versatility makes it a favorite among home cooks with different kitchen setups.
3. Oven and Broiler Safe
All-Clad cookware is designed to withstand high temperatures, making it oven and broiler safe. This feature adds another layer of versatility, allowing for a seamless transition from stovetop cooking to finishing dishes in the oven.
4. Flavor Retention
The non-reactive stainless steel interiors of All-Clad cookware ensure that flavors remain pure and unaltered. This is particularly important for dishes that require precision in flavor profiles.
Caring for Your All-Clad Cookware
1. Hand Washing
While All-Clad cookware is dishwasher safe, hand washing is recommended to maintain its luster and longevity. A gentle cleanser and a soft sponge or cloth are ideal for preserving the polished exterior.
2. Avoiding High Heat
While All-Clad is designed to withstand high temperatures, excessive heat can cause discoloration. It's advisable to avoid using high heat settings unnecessarily.
3. Use Wooden or Silicone Utensils
To preserve the non-reactive nature of the stainless steel interior, it's recommended to use wooden or silicone utensils rather than metal ones.
4. Barkeeper's Friend for Maintenance
For periodic maintenance and to address discoloration, a product like Barkeeper's Friend, a non-abrasive cleaner, can be used to restore the shine of the stainless steel.
All-Clad and Culinary Innovation
1. Continued Advancements
All-Clad continues to innovate, introducing new collections and features that align with the evolving needs of both professional chefs and home cooks. This commitment to advancement ensures that All-Clad remains at the forefront of culinary excellence.
2. Collaborations with Culinary Experts
All-Clad often collaborates with renowned chefs to create signature cookware collections. These collaborations not only showcase the brand's dedication to excellence but also bring the expertise of culinary masters into the design process.
3. The All-Clad Institute
The All-Clad Institute serves as a hub for culinary inspiration, offering cooking tips, recipes, and insights into the art of cooking. This online resource further strengthens the brand's connection with the culinary community.
Conclusion
In the world of culinary arts, where precision, technique, and innovation converge, All-Clad cookware stands as a conductor orchestrating a symphony of flavors. From the sizzling sounds of sautéing to the gentle simmering of sauces, All-Clad's tri-ply construction ensures that each note is played with perfection.
Aspiring home cooks and seasoned chefs alike recognize the transformative power of quality cookware, and All-Clad remains an undisputed leader in this realm. Its enduring legacy, commitment to craftsmanship, and ongoing pursuit of excellence make it a cherished companion in kitchens where culinary dreams come to life.
Whether you're crafting a gourmet meal for loved ones or experimenting with new recipes, the allure of All-Clad cookware lies not just in its functionality but in the inspiration it brings to the art of cooking. As we continue to master the culinary journey, All-Clad remains an essential partner, elevating every dish to a harmonious crescendo of flavors and culinary excellence.
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#architecture#amazingarchitecture#design#interiordesign#architect#archilovers#luxury#photooftheday#travel#architecturephotography
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Vibrant Auroras
In early November 2023, sky watchers across North America and Europe posted photos on social media of dazzling displays of the northern lights, also known as the aurora borealis. Colorful ribbons of light filled night skies, incited by a strong geomagnetic storm in Earth’s magnetosphere.
The VIIRS (Visible Infrared Imaging Radiometer Suite) sensor on the NOAA-NASA Suomi NPP satellite captured this image of the aurora over western Canada at 3:23 a.m. Mountain Time (10:23 Universal Time) on November 5, 2023. The aurora was so bright near Edmonton, Canada, it nearly saturated the satellite sensor. The event continued into the next evening, when skies in Glasgow, Montana, danced with pink and green light. The lights were especially bright near the U.S.-Canada border and in Alaska, but they were also faintly visible as far south as Texas.
The creation of an aurora typically starts when the Sun sends a surge of charged particles—through solar flares, coronal mass ejections, or an active solar wind—toward Earth. The solar particles collide with the magnetosphere and compress it, changing the configuration of Earth’s magnetic field. Some particles trapped in the magnetic field are accelerated into Earth’s upper atmosphere where they excite nitrogen and oxygen molecules and release photons of light, known as the aurora.
The aurora on November 5–6 was the product of multiple coronal mass ejections, large expulsions of magnetized plasma from the Sun’s corona, according to NOAA’s Space Weather Prediction Center. These bursts of plasma and energetic waves from the Sun crashed into Earth’s upper atmosphere, causing a strong geomagnetic storm.
A week before the storm, an astronaut on the International Space Station captured a photo (above) of another aurora while orbiting 260 miles (418 kilometers) above Utah on October 28, 2023. This aurora was likely caused by a coronal hole that rotated towards Earth, according to the Space Weather Prediction Center. A coronal hole is an area of relatively cooler material in the solar atmosphere that is open to interplanetary space. These dark regions on the Sun’s surface emit material in a high-speed stream.
If you like watching aurora displays such as these, you can participate in aurora citizen science through a project called Aurorasaurus. The project tracks auroras around the world via reports to its website and on social media, then generates a real-time global map of those reports. Citizen scientists verify reports, and each verified sighting serves as a valuable data point for scientists to analyze and incorporate into space weather models. The project is a public-private partnership with the New Mexico Consortium and is supported by the National Science Foundation and NASA.
NASA Earth Observatory image by Lauren Dauphin and Wanmei Liang, using VIIRS day-night band data from the Suomi National Polar-orbiting Partnership. Astronaut photograph ISS070-E-14996 was acquired on October 28, 2023, with a Nikon D5 digital camera using a 24 millimeter lens and is provided by the ISS Crew Earth Observations Facility and the Earth Science and Remote Sensing Unit, Johnson Space Center. The image was taken by a member of the Expedition 70 crew. The image has been cropped and enhanced to improve contrast, and lens artifacts have been removed. The International Space Station Program supports the laboratory as part of the ISS National Lab to help astronauts take pictures of Earth that will be of the greatest value to scientists and the public, and to make those images freely available on the Internet. Additional images taken by astronauts and cosmonauts can be viewed at the NASA/JSC Gateway to Astronaut Photography of Earth. Story by Emily Cassidy.
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It’s 5 Nov 2023, either 5AM or 6 if you didn’t put the clock back an hour. An entire musical number about her choices erupted in my head as I thought about what time it might have been when I went to bed. Oh, there’s the cat again. Why won’t he stay out longer?
There is that, oh, there is that moment oh when it’s right, and you know that in darkness comes creation because that spark illuminates, and you know those little triangles form another one as the expression of the rotation of the bT into a single 1-0Segment. And that means D4 is formed by adding and subtracting any of the fD to the fT. To translate that into words, when we think of a Triangular rotating, we can think of an object in 3D whose location is fixed to a center by the intersection of x,y, and z, and then imagine that object’s continued existence exactly as it is consists of an identity which is maintained over a series of moves so it appears stable to our perception. By perception, I don’t mean as interpreted; I mean that we perceive, like rocks hurt us. Perception is the processing of information across and at each layer, which is defined sensibly now as a series of inner and outer models, literally the edges of Boundaries. This is true for the tangible, for the tObject, as well as the intangible: a 3D object can be considered as having a lot of those axes to account for each piece’s orientation and for each combination to the total image, and that’s a lot of structure to move.
That localizes gs construction, stuffs a lot of decisions into a smaller area, etc.
Trying to get back into this. The idea is that when we spin the bT, the state of the fT, then forms the same thing, another level fT enclosure, and that next enclosing level is the pull of 4D to the 3 existing fD formed at the smaller fT level. That is, it forms an fD with the entirety of a D3 structure, and it does so in any direction or along any axis. That’s a description of D3 and D4 generating, and you can see time now as this fT flickering. Let me try to get that out.
Mechanically, this means we generate D4 by creating an fD which stretches into the fT which is half that formed fD, so the Thing defined by the Triangular exists in a field similarly defined. That means we attach two 1-0Segments, with those being the paths to the 3rd End of a Triangular. Thus D4 is literally the Attachment of a 3rd End to a Thing, meaning the Thing is treated as a 1-0Segment, and that is another 2, another pairing which invokes 2, which invokes the orthogonal 2, which invokes a grid squares grid.
And note that D4 and D5 appear on the way to D6, which completes each cycle. You can then see D7 requires sliding and thus distorting to get the overlap shoved over to make the count of the next Winding visible.
Do you see what has happened? I’m now able to process all those diagram, geometric shape image lit up things I see in my perception, which I have always considered as coming from you because they are so simple and the action of flickering is basic, and thus they would make highly loadable communication symbols or signals. Like I was standing outside with the cat and I watched the fT draw and then it turn into an fD with the smaller flicker appearing so it looks like a line appears up the middle of each larger fD, like the line on a leaf.
So, let’s say you’re counting down: then you Wind the count down to D3, which happens across scales, across lots of Things within a Thing. That idealizes to reduction to the lowest or smallest component, which one could say is the barest D3, which is true because all Things factor, which is another way of saying they construct using common pieces and common methods so therefore they must factor in the ways allowable by what constructs them. That was a longish way of saying some things can be reversed, like you build a Lego castle and take it apart, because the act itself is abelian because Lego are constructed to be reused into shapes that make castles.
That’s finite construction within a larger process, still finite until you reach the ideas of abelian groups and other ways of describing the infinite process which encloses and which encodes the finite processes within. By encodes, we mean a few things. One of them is that any Thing has a signature in the larger dimensions, with that signature determined by the orderings inherent in its Windings. This is behind the notion of innocents going to heaven. Another is that this signature generates over 1-0Segments, meaning it manifests in how your particular Thing Winds, how it counts each pairing, and thus how each piece of you connects internally and externally. In drawing tems, this becomes a 1-0Segment drawn along the edge of an fT, or any larger Extent at scale, and that reduces to a point or intersection where that 1-0Segment is rotated a quarter turn.
Need to go back to sleep. I literally tipped over when I became dizzy. Mentioning the quarter turn did that in my head. Trying to reset my balance. Was dancing around a lot earlier and reached even better balance control in movements. Amazing how well that is meant to express pain free movement idealized.
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Boost AI development with GeForce and RTX GPUs
Additionally, they’re going in-depth on the brand-new GeForce RTX 40 Series GPU’s innovations, resources, and capabilities as well as how they significantly speed up content creation.
NVIDIA RTX graphics cards have dedicated Tensor Cores that give cutting-edge performance and game-changing AI capabilities, enhancing gaming, creativity, and daily work.
A fleet of 100 million Windows 11 PCs and workstations that are RTX-powered and AI-ready are poised to succeed in AI workflows and help launch a new generation of training models and applications.
This week in the NVIDIA Studio, find out more about these AI power players and read about self-taught 3D artist Victor de Martrin, who discusses the making of his popular film Ascension, which involves AI assistance and employs a novel point cloud visual effect technique.
The Prize: AI
Work and leisure can both be improved by AI
Over 100 AI-enabled and RTX-accelerated creative programs, such as the Adobe Creative Cloud suite, Blender, Blackmagic Design’s DaVinci Resolve, OBS Studio, and others, are available to content makers with NVIDIA Studio hardware.
This contains the exclusive next-generation technologies like NVIDIA DLSS 3.5, which features Ray Reconstruction and OptiX, as well as the NVIDIA Studio collection of AI tools. AI image generation on a GeForce RTX 4090-powered PC can be finished in a flash; on an Apple M2 Ultra, the same process would take eight times as long.
With notable advancements in real-time viewport rendering and upscaling with DLSS in NVIDIA Omniverse, Adobe Substance, Adobe Painter, Blender, D5 Render, Unreal Engine, and more, 3D modelers can greatly benefit from AI.
With DLSS in more than 300 games, including the soon-to-be-released Alan Wake 2 and Cyberpunk 2077: Phantom Liberty, players are set up for AI improvements.
With the ground-breaking AI upscaling and texture improvements of NVIDIA RTX Remix, modders can give old games a fresh new look. The NVIDIA Avatar Cloud Engine (ACE) allows game studios to quickly and cost-effectively create digital humans, interactive avatars, and intelligent game characters at scale.
Additionally, daily duties are improved. With RTX Video Super Resolution, AI can upscale videos on YouTube and Netflix to breathtaking 4K. It can even create emails and summarize information. Users that engage in video chat frequently can take advantage of NVIDIA Broadcast’s AI-enhanced speech and video features. Additionally, livestreamers can benefit from AI-powered features like virtual backgrounds, noise reduction, and eye contact, which simulates eye contact with the camera by moving the speaker’s eyes.
The most popular cloud AIs in the world, including ChatGPT, Midjourney, Microsoft 365 Copilot, Adobe Firefly, and others, are powered by NVIDIA technology.
On RTX, advance with AI more quickly and learn more to get going.
Windows and AI
There are 100 million Windows 11 PCs and workstations that are AI-ready and powered by RTX, making NVIDIA AI the most popular AI development platform in the world.
Modern technologies powering the Windows platform and NVIDIA’s AI hardware and software enable GPU-accelerated processes for training and deploying AI models, as well as for new open-source models that are RTX-optimized tools, containers, and software development kits.
The next wave of AI-powered Windows apps are now simpler to design thanks to these connections between Windows and NVIDIA.
AI and Social Media
Martrin, a developer of 3D material, saw content production as a way to achieve financial, creative, and geographic freedom as well as a sense of fulfillment that he wasn’t experiencing in his day job in advertising.
Martrin acknowledged that in order to be seen seriously as an artist in today’s world, you no longer need contacts and must work hard on social media. Martrin unintentionally discovered that he enjoyed the process of producing art with the goal of attracting social media attention as he started to present his work to larger audiences.
Favorite for his popular YouTube series Satisfying Marble Music, in which he imitates melodies by mimicking a marble bouncing on xylophone notes In order to continually meet the changing needs of his clients, Martrin also pays close attention to the most recent developments and trends in the 3D industry.
He initially tried using a point-cloud modeling technique in his most recent project, Ascension, with the intention of bridging the gap between reality and 3D.
Martrin enhanced video material and animated himself in 3D using a variety of 3D programs. He utilized Daz Studio and Blender to sculpt and animate himself in a self-portrait throughout the earliest stages. His PC, which has two NVIDIA GeForce RTX 4090 GPUs, handled this job without issue.
Then, he created and animated his outfit using the GPU-accelerated Marvelous Designer cloth simulation engine.
Martrin emphasized how crucial GPU acceleration is to his creative process. I used it when? Every time I made a render and each of the innumerable times I checked my live viewer,” Martrin added.
Martrin then experimented with point-cloud modeling strategies. He started by 3D scanning his space. He then deployed the room as a group of data points in space to generate a distinctive visual style rather than using it as a typical 3D mesh.
The animation was then rendered using Cinema 4D and OctaneRender with RTX-accelerated ray tracing.
With the aid of NVIDIA CUDA technology, Martrin finished the project by using a GPU-accelerated composition and special effects in Adobe After Effects.
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My Hero PSLE: S3E12 "To where and back again"
"Our dough's so fresh Will Smith gets jealous!"
-Some random pizza store
So now it was supposed to be time for the big battle! Yayyy!
Only Kiefer wants to use the Deadly Sins to play chess with the dragon thing! Noooo!
He summoned a table and two chairs, sat down, and then transformed the Deadly Sins into chess pieces.
"Oh look at that," Captain Obvious said. "We're missing one piece," The king. They're missing the most important piece, the king.
So Kiefer decided to summon one himself with his own blood. Eh whatever.
And then dragon thing manifested a human form, sat down and prepared his own magical chess pieces too to start playing.
And then Xiao Ming and entire squad was just sitting there watching Kiefer's and dragon things' passive-aggresive roasting be like:
K: "You should know that the reason I decided to wage war on you... pawn to E4.
D: "...btw, my name is Izanami, pawn to D5."
K: "So you do know why we're waging war on you. Pawn to C4."
I: "Pawn to C6. Can I say, why are you playing this game instead of just killing me? Hmm? Oh, I do wonder..."
K: "Oh? Isn't there meant to be some kind of hidden power in the Deadly Sins? Knight to F3."
I: "Well, yes, but...why play this game? Knight to F6."
K: "Because I need to win this in order to unlock the power, don't I? Knight to C3."
I: "...Pawn to E6."
K: "Oh? Why so quiet now? Well, if you're at a loss for words, let's talk about...why you destroyed the furry village then! Bishop to G5."
I: "I didn't destroy it, someone used the power of the Deadly Sins to force me to! Pawn to H6."
K: "Yes yes yes whatever, whatever helps you sleep at night. Bishop to H4."
I: "And what do you want me to say? Pawn to C4."
K: *with a creepy stalker smile on his face*: Pawn to E4."
And then Xiao Ming and squad fell asleep watching their boring chess game and passive aggresive roasting. Until-
I: "Knight to E6. CHECKMATE."
Oh fu-
HE'S GONNA UNLOCK THE HIDDEN POWER OF THE SEVEN DEADLY SINS NOW AND KILL US ALLLLLL! NOOOOO
"Those of noble and exalted Exuvian identity such as myself and the young gentleman over there should be the sole rulers of all land, not patethic filthy disgusting half-blood creations like you!"
But heng ah. When Kiefer realised he was being checkmated liao, he quickly take the Deadly Sins, transform them back into black diamonds, and then forced it into a visible portal (because clearly he doesn't have enough power to close the portal yet)
"HAHAHAHAHHA! Oh, it's cute that you think that CAN STOP ME!"
And then Izanami immediately rushed forward to where the portal was and tried to steal the seven Deadly Sins from him.
But of course Kiefer also try to run away. And also the others tried to slow or kill Izanami.
Freya rushed forward and directed her sword at him. Then he threw a magically charged shot at her. Then Xiao Hua tried to deflect it back to him, but it just ended up creating another portal to end up hitting him, Grandmaster, Xiao Kang, Zhi Hua, Aniya, and the furry pheonix and lion and fox. Wah it hit and took out a lot of people sia.
"FUCK U LAH! CHAO CIBAI!" Zhi Hua screamed at Xiao Hua.
"Sorry..."
Six charged up his lightning sword with dark energy and swirled it with water, wind and ice energy too. Wah never knew he could wield so many elements sia. I guess water is stormy weather, wind is tornados, and ice is blizzard? Idk
Anyway then he did manage to hit Izanami with his super-electro-charged lightning bolt but then all it did to him was just like: PEW! *has a mild 5 second seizure* "Oh I'm sorry you were saying?"
Whoops. Then Juqla and Tempest tried to be big brain and shoot him from afar with a bow and gun respectively I guess lmao.
But then of course it didn't work. He just like grabbed the arrow and bullet and just flung it back at them like PEW! *grabs the bullet mid-flight and then flings it back*
And then he went ahead and killed more people.
So basically everyone except Xiao Ming is half-dead. Well that's not good.
So of course it's up to Xiao Ming to save the day. Ya'll pussies can't do one simple thing without needing Xiao Ming to co-
So anyway he swooped in, drew his sword, and...got hit by a volt of magic before he can even start properly fighting yet.
And then Izanami took his sword and continously stabbed him (per se New York man who gets stabbed every 52 seconds)
And then after he was done having fun stabbing Xiao Ming he used Xiao Ming's blood and paralysed Kiefer and stopped him however far he had run.
"Finally," Izanami said as he slowly walked over to Kiefer, sneering at him as he passed him by, "All that trouble just for seven black stones. Haiya, ya'll all so mafan one leh,"
Then he reached forward to the portal and used his divine elemental power, and forced the Deadly Sins out of the portal.
But wait-why the hell did that hurt for him?
"Oh and by the way, I should tell you one last thing before you ascend to godhood and all or idk," said Xiao Ming half-dead at some random corner.
"WHAT THE HELL IS IT?" Izanami was getting impatient now.
"All that you've seen, is but an illusion."
WAIT-
XIAO MING! HIS BASE POWER AS A TURBIDUS! DREAMWALKING AND CREATING ILLUSIONS IN OTHER PEOPLE'S MINDS AND DREAMS! HOLY SHIT-
"Wait huh-" Izanami questioned, then almost immediately his entire surroundings began to melt away and reveal his real surroundings.
And it also revealed what he really pulled out and why it had hurt-his Exuvian Anodyne.
Well, what Xiao Ming had read from Izanami's memories was that that was the core strength of every Exuvia, and grants them divine power far stronger than their already powerful selves. But the only way to take it was if the Exuvia gave it up themselves or another stronger more powerful Exuvia were to take it with their powers (which Xiao Ming clearly isn't).
So essentially Xiao Ming and gang just tricked him into forcing it out himself. The source of all his power, man. The source of all his power. The source of all an Exuvia's power. Man.
And then before Izanami had time to react, he felt his stomach get pierced by something extremely sharp from behind. Must have been a sword of some kind-it's always the swords.
*camera pans to the right* Reveals Izanami's shocked face accompanied by-while holding his sword used to stab Izanami in place, Xiao Ming's smug as fuck face.
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Aeather Inc. Company and Heptagon Arts Studios LLC Company websites Check out my two company websites right here: Aeather Inc. https://aeatherinc.godaddysites.com/ Heptagon Arts Studios Company LLC. https://heptagonartsstudios.com/ Sold at 300 Broad st. Nevada city, California. U.S. Aeather Inc. Company Technology, Computers , Software, Hardware Video Games Production Company. Heptagon Arts Studios LLC Company Cartoons, Animation, Comics, Media, Arts , Entertainment Company and Movies and Television Studios Company. #art #arts #artist #artwork #studio #studios #create #creative #creativity #creation #creations #creating #creator #creators #animation #animations #cartoons #cartoon #comic #comics #toon #toons #cartoonist #animator #filmmaking #filmmaker #film #films #company #business https://www.instagram.com/p/ConT7dgv-D5/?igshid=NGJjMDIxMWI=
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GIS and Remote Sensing
GIS and Remote Sensing
Our team of graphics and multimedia professionals are proficient in high-end technologies like Photoshop, Ajax, Flash, HTML, XHTML, CSS and Web 2.0 standards. Apart from being impressive, all websites are W3C validated, fast loading and highly usable.We understand that the fastest and the most definite gateway to reach out to audiences and hold the prospective customer’s attention is through…
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WIP Update - 1 Feb 2024
Been on vacation for the last 2+ weeks (since Jan 13th) so got very little writing done. Over the past 3 weeks I touched 6 fics ( 2 WIPs & 4 new works) for a total of 890 words.
On Ao3, I posted:
Variations on a Theme - Sam/Clint Secret Santa love confessions
After One Or Two False Starts - Chapter 3 - Sam/Bucky love confessions
Never Have I Ever (But I’d Like to With You) - Chapter 2 -- Tony/Steve love confessions
Not Too Far Down the Tracks - Steve/Tony College AU fluff
Fill Me Up With Your Love - Steve/Bucky/Tony threesome PWP
The Things You Said I Wish You Hadn’t - Clint & Steve post-mission with a bit of angst.
I also contributed to the Stucky Bingo January 2023 Round Robin - Steve/Bucky pet adoption fluff!
On Tumblr I posted:
A Rising Star - Sam passing the wings to Joaquin
Thimbles and Acorns - a last minute Steve Rogers Bingo fill for my Pirate square - pre-war Steve/Bucky love confessions
(Do I have a brand? Why yes, yes I do! 😁)
I have 10 active WIPs with my current deadline being the Stuckony Valentine Cards event (due 10 Feb) and the Tony Stark Bingo (ends 28 Feb)
See below cut for what I’m working on/planning to work on - arranged more or less by bingos/challenges/etc. As always, feel free to send me prompts or plot bunnies as well as asks regarding any of these projects or any other WIPs I’ve got out there. Interaction really helps feed the Muse and keep me motivated!
Bucky Barnes Bingo - Round 4 [BBB_R4] (Runs thru 7 15 Jan 2023)
23 squares completed with 6 bingos total! Hoping to carry a few squares forward to the next round.
Masterpost
Sam Wilson Bingo - Mini Holiday Round (SWB_MH) - Ends 20 Jan
Five fills posted with 2 bingos for this 3x3 holiday event card - my final fill was for the FREE square - A Rising Star [Sam & Joaquin, General, 293 words]. (Belated) Masterpost
Steve Rogers Bingo - Round 2 (SRB_R2) - Ends 31 Jan
Twenty-one fills posted with 6 bingos (Rows 1, 3 & 5 and Columns A & B and 1 diagonal) - masterpost coming probably by the end of the week.
* A4 - Touch Attention/Denial - posted Fill Me Up With Your Love last Friday. It also fills (heh) my Stucky Bingo KINK - Double Penetration square. It’s PWP with Tony and Bucky double-teaming Steve and came in at 1613 smutty words.
* A5 - Pirate - Thimbles and Acorns was a last minute fill - I was inspired by a ride on Peter Pan’s Flight at WDW to dash off a quick pre-war Stucky fic where a childhood memory leads to a love confession
* B2 - Mile High Club - Posted chapter 2 of Never Have I Ever (But I Want To With You), picking up with Tony’s POV after the events of Chapter One. It crosses over with TSB Tony’s Poor Life Choices and came in at 820 words (1820 total for the fic)
* C5 - “You get hurt, hurt ‘em back. You get killed … walk it off.” - I combined this with a Tumblr writing prompt “things you said I wish you hadn’t” (requested by @gayspacesprinkles) for The Things You Said I Wish You Hadn’t - post-mission fic with Clint angst and vaguely hinted at Clint/Steve. It came in at 245 words.
* D5 - Long Distance Relationship - posted Not Too Far Down the Tracks as a crossover Flash Fiction Friday Prompt Late Night Train. It’s a Stony College AU ficlet that I added onto to squeeze my TSB Doing Groceries square into. It came in 411 words.
Stuckony Valentine Cards Event [Ends 10 Feb]
This Ao3 Event solicited prompts for Stony, Stucky, WinterIron, and/or Stuckony works - it’s now in the creation phase, so if you’re looking to write something short and sweet (or smutty!) and are 18+ plus, feel free to check out the list of prompts! I skimmed thru them before vacation, but now need to take another look & hopefully find something that I vibe with!
Tony Stark Bingo - Round 6 (TSB_R6) [Ends 28 Feb]
Twenty fills and two WIPs at the moment - with Vague Ideas for almost every other square.
* T2 - Doing Groceries - see SRB Long Distance Relationship above
* T3 - Pepper Potts/Rescue - some sort of remix of/inspired by sabrecmc’s Indecent Proposal from Pepper’s POV. At this point, I think I need to re-read the fic & take notes …
* T4 - KINK: Concubine - was going to combine this with SRB E4 - Mental Bondage but still may write up the idea I had - potential titled My Voice the Chain that Binds You.
*A5 - Scott Lang - 27dragons shared an interesting plot bunny during the Sept TSB Discord party that I may end up using; that or a follow up to A Piece of the Action
* R1 - Tony’s Poor Life Choices - see SRB Mile High Club above.
* K2 - Secret Admirer - carried this over from last round so I could try my hand a remix of Seeds of Love (WinterIron hanahaki fic by the super-talented @hddnone). Potential title: Wraps Around My Heart, Refusing to Unwind. Poking at some ideas in my head, but haven’t gotten anything on paper yet.
* K5 - Protectiveness -- using this for the third (and probable final) chapter of my Stony Western AU WIP Come Down From Your Fences (And Open the Gate)
Stucky Bingo Round Four [SB_R4] (Ends 31 May 2023
Nine fills and one WIPs with a couple of other vague ideas.
* B1 - Mutual Pining - no specific idea, but it’s so On Brand for me I’m sure I’ll come up with something! (maybe the Centerfold fic idea I’ve been toying with)
* B5 - KINK: Double Penetration - see SRB Touch Attention/Denial above.
* O4 - AU: Supernatural - got inspired by a dream to start a Stucky fantasy AU (magician!Steve/ensorcelled!Bucky) that @bill-longbow is collaborating on with me. We’re currently sitting at 1640 words (984-ish of which are mine). Will probably continue on this sometime in February.
Current Last Line: "My men will accompany you back to Brookline in the morning.”
I also adopted the Writing Format: Remix one of your fics square – am thinking of taking one of my Stony or WinterIron No Powers fics and adapting it to a Stucky pairing – if you have any requests - hit me up!
WinterIron - No Powers AU – Stony No Powers AU
————
On other creative fronts: I have a Ms Marvel Stuffed With Character figure in progress - still working on the figures/props for my three Marvel Trumps Hate auction winners as well (7 of 8 done so far) – thanks so much for your generous support!! Finally, I am prepping for a superhero con in March and another con in June so am pretty well booked up through spring/early summer.
That said, if you’re looking for one of a kind gifts for birthdays or other celebrations later in the year, check out Stuffed With Character over on Facebook for a full list of my designs (now over 100!). They’re mostly Marvel and monsters, but I have some Star Wars, Star Trek, DC and Disney figures as well. Plus I love to take custom design requests for any fandom!
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Meet ASUS' Newest Range of ExpertCenter Desktops
Taiwanese electronics giant ASUS recently unveiled its newest additions to its ExpertCenter PC range, a line of machines designed for business and enterprise users - these include the new ExpertCenter D5 Tower (D500TE), and the ExpertCenter D7 Tower (D700TE).
The computers come with the latest 13th Generation Intel Core processors, alongside NVIDIA GPUs, and are built into a 27-liter case for maximum expandability. ASUS says that the new models are "meticulously engineered to deliver professional performance, easy maintenance, enterprise-grade security and manageability." The company also stated that the computers are designed using military-grade standards, making them more durable than your average desktop build.
The D5 Tower leans more towards education and retail applications, and comes with the Intel Core i7-13700 processor, and 64 GB of DDR4 3200 MHz memory. On the other hand, the D7 is designed more for content creation, data analytics, as well as manufacturing industries, packing the Intel Core i9-13900, and 128 GB of RAM. Both models also feature the NVIDIA GeForce RTX 3060 GPU, and are also available with up to 4 TB of hard disk storage, in addition to a 2 TB PCI Express 4.0 SSD, and come with WiFi 6 and Bluetooth 5.2 for wireless connectivity.
For software, the computers will come with the latest Windows 11 desktop OS. ASUS has also integrated its MyASUS app with both models, granting users access to a selection of first-party ASUS software - this includes apps for easy management of fan profiles for different scenarios for example, as well as connectivity with Android and iOS devices.
As for security, the D5 Tower and D7 Tower also come with ASUS Business Manager, which includes USB Blocker data-movement controls, system back-track, and an encrypted virtual partition to store important data. Physical security is also covered, with the inclusion of a Kensington lock slot to tether the case to a fixed object.
Also included is an upgradable chassis, with a modular, easy-to-open design without the need for additional tools. For example, users can instantly open the D7 thanks to quick-release internal components, and this goes for the hard disk and optical drives too, reducing time and effort when upgrading your components. ASUS says that upgrading the PCs is all the more easy now, and users can simply use their hands for quick and easy repairs, upgrades, and maintenance.
ASUS adds that the D5 Tower and D7 Tower are built to last, and are designed to meet and even surpass industry requirements, having been designed to meet the latest MIL-STD-810H US military standards, as well as in-house testing by ASUS. The company says that these designs have passed scenarios which involve humidity, extreme temperatures, as well as exposure to shakes and shocks.
With all that said, we can expect ASUS to announce regional availability as well as pricing soon, so stay tuned for more updates on the D5 and D7.
Read the full article
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Typically the Opening for Beginners
Firstly the centre with the board are typically the squares e4, e5, d4 and d5 as well as the extended heart is the eightua encircling them. The centre in the board will be the most important portion of the board mainly because if you can dominate it than you can easily cramp your challenger, prevent his innovations, close the middle to attack the enemy King, if you have the central majority you can sometimes help make a passed pawn in the mid game and pieces in the middle control more verger than they perform when they're in the edge of the board (Except for the Rook, which need to be submitted to data files with no pawns, or only enemy pawns, which happen to be either central or cause the foe King).
Now gowns over and down with, you hopefully understand and accept typically the centre's importance, although if you're even now unconvinced check out any popular opening, they will ALL attempt to be able to control the middle somehow. There happen to be two basic approaches of controlling the center; 1) The Classical method, since touted by Steintiz, Tarrasch and company. is always to quickly live in the center with pawns and support these people with pieces; 2) The Hypermodern approach which is in order to let your opponent to build up a pawn center while attacking it along with pieces, delaying in the centre with pawns, typically the Hypermodern method treats the full pawn centre as a burden and a concentrate on.
Firstly I'll talk about the Classical method. As I said, the Normal method should inhabit the centre with pawns and also to support them with bits. Now if a person do get a new large centre it is both a boon and a stress, it provides you all of those rewards mentioned above, but a good opponent can try to challenge it one which just use it to start off an attack. An example of a large centre's creation will be 1 . e4 c6 2 . not d4 d5 3. e5 Bf5 now White will certainly support the middle with c3 in addition to f4, and Black will attack this with c5 and f6. If Dark-colored fails to break via than White will certainly be able to be able to take his moment developing an harm on the Kingside. So basically if you have a centre beneath siege, PROTECT THIS! Now here are usually some examples of any player using the huge centre to be able to win.
The additional approach to typically the centre is typically the aforementioned Hypermodern technique. https://chessbeginnersintro.com powering this really is that a large centre will be just a large target, so a new hypermodern player will certainly attack it using pieces, fianchettoing Bishops (Place Bishops upon b2, g2, b7 or g7) plus use their individual pawns to break it up and make it weak. Next to either get advantage of typically the weak pawns (remnants of an once proud centre) or to be able to counter attack. However, the downside for the Hypermodern approach (Yes, sadly there is a downside to something with this type of cool name) is it almost constantly involves accepting a spacial disadvantage, and even your opponent might attack before a person can destroy his centre, in case a person are too slow then you certainly my get yourself completely without having play. But before We go into good examples some advice about coping with these situations. If you are cramped or perhaps being attacked, business pieces, if right now there are fewer parts than you will not so cramped, and he'll have to defend a significant area with several pieces, and it is hard to get the good attack planning with only 3 pieces. Also when you are in the unenviable position of being cramped and without play, do whatever you can to counter strike, even if it means sacrificng a pawn or two, because passive defence will be rarely a feasible option. Now here are some games in which a player's heart becomes to very hot to deal with.
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The Opening for Beginners
Firstly the centre with the board are the particular squares e4, e5, d4 and d5 and the extended heart is the eightua bordering them. The center of the board will be the most essential section of the board mainly because if you can master it than you can easily cramp your adversary, prevent his breakthroughs, close the center to attack the enemy King, if you have some sort of central majority an individual can sometimes help to make a passed pawn in the mid game and bits in the middle control more verger than they do when they're about the edge from the board (Except for that Rook, which should be submitted to files with no pawns, or only enemy pawns, which are usually either central or even bring about the opponent King).
Now gowns as well as down using, you hopefully recognize and accept the centre's importance, although if you're even now unconvinced check out any popular opening, that they ALL attempt to be able to control the center in some way. There happen to be two basic approaches of controlling the particular center; 1) The Classical method, as touted by Steintiz, Tarrasch and company. is to quickly live in the middle with pawns and support all of them with pieces; 2) The Hypermodern method which is in order to let your opponent in order to build up a pawn center although attacking it along with pieces, delaying in the centre with pawns, typically the Hypermodern method addresses the full pawn centre as a burden and a goal.
Firstly I'll converse about the Time-honored method. As My partner and i said, the Normal method should live in the centre using pawns and support them with bits. Now if a person do get a new large centre it is both a benefit and a stress, it offers you most of those rewards mentioned above, yet a great opponent will try to challenge it one which just work with it to start off a trigger. An example of this of a significant centre's creation is usually 1 . e4 c6 2 . d4 d5 3. e5 Bf5 now White will support the center with c3 and f4, and Black will attack it with c5 and even f6. If https://chessbeginnersintro.com does not break by means of than White can be able to take his period developing an attack on the Kingside. So basically if you have a centre under siege, PROTECT THAT! Now here are really some examples of your player using some sort of huge centre to be able to win.
The additional approach to the particular centre is the aforementioned Hypermodern approach. The essential idea powering this is certainly that a new large centre will be just a huge target, so some sort of hypermodern player may attack it using pieces, fianchettoing Bishops (Place Bishops on b2, g2, b7 or g7) and even use their individual pawns to break that up and help make it weak. Next to either consider advantage of the particular weak pawns (remnants associated with an once proud centre) or to counter attack. Nevertheless, the downside towards the Hypermodern approach (Yes, sadly there is definitely a disadvantage in something along with this kind of cool name) is that it almost often involves dealing with a spacial disadvantage, plus your opponent may possibly attack before a person can destroy their centre, and when a person are too slow then you certainly my find yourself completely with no play. When My partner and i go into examples some advice in coping with these conditions. If you are cramped or even being attacked, buy and sell pieces, if right now there are fewer pieces than you will not be so cramped, and even he'll have to defend a huge area with couple of pieces, and it's challenging to get some sort of good attack heading with only about three pieces. Also if you find yourself in the unenviable position of becoming cramped minus perform, do anything you can to counter assault, even if it indicates sacrificng a pawn or two, since passive defence is rarely a viable option. Now in this article are some video games where a player's center becomes to hot to deal with.
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