BAYREUTH 2023: DER RING DES NIBELUNGEN

Pietari Inkinen Sense “la tortura” del visionament de la producció de Valentin Schwarz, amb la direcció musical de Pietari Inkinen, que l’estiu passat va haver de renunciar a l’estrena de la nova producció va haver de ser substituït a darrera hora per Cornelius Meister i amb alguns canvis significatius en rols fonamentals en cadascun dels quatre títols, he escoltat per ràdio aquesta tetralogia…

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Hermann Zilcher - 4 Lieder, Op. 14

No. 1: Und hab' so grosse Sehnsucht noch 00:00 No. 2: Liebesnacht 1:01 No. 3: Im Walde 4:49 No. 4: An die Entfernte 7:13

Performers: Piano: Carl-Heinz März. Konrad Jarnot. Christa Mayer.

6 DE OUTUBRO DE 2022 : A MÚSICA TRANSCENDENTE DE MAHLER E O VELUDO DA VOZ DA MEZZO CHRISTA MAYER CANTANDO DER ABSCHIED DESLUMBRARAM NO INICIO DA TEMPORADA GULBENKIAN. OFUSCADOS O FEROZ CONCERTO PARA PIANO DE THOMAS ADES E O SEU DEDICADO SOLISTA : ida a Lisboa para o arranque da temporada de música da Gulbenkian . Sala cheia .Assinalo a ausência nos lugares habituais de assinantes nossos vizinhos ..A Gulbenkian deixou de proteger os antigos fiéis e quer “novos públicos “ . “Tens 30 anos de assinatura e não a renovaste a tempo ….paciência “. A janela de renovação na internet é muito curta . Mas eu não caio na cilada - minutos depois de abrir o concurso já lá estou a renovar. Não poderia ter começado melhor a temporada . A finitude no fascínio sombrio da “sinfonia de canções “ Canção da Terra” ( das Lied von Erde ) de Gustav Mahler com uma intérprete de luxo- a mezzo soprano alemã Christa Mayer Kammersängerin da Opera de Dresden , grande wagneriana que ainda em Agosto deste ano ouvimos cantar em Bayreuth os papéis de Fricka e Wauträute ! Nenhum compositor se “despediu” de forma mais pungente e frequente do que Gustav Mahler. O tema da morte percorre a música de Mahler como uma corrente. Não se pode dizer melhor que Deryk Cooke : « A última e aterradora angústia de Mahler levou-o a música de indescritível beleza e pungência... Na Canção da Terra, a súbita e amarga consciência da morte iminente é confrontada e fundida com o prazer hedonista pela beleza da natureza e o êxtase da vida , ambos agora possuídos de forma tão breve e precária... É como se a finitude súbita tivesse dissolvido toda a solidez do mundo, deixando-o gravado em linhas finas e aquarelas claras apropriados para a atmosfera chinesa do texto... A Canção da Terra tem um tipo novo e nu de textura harmónica e orquestração que, embora às vezes anunciada nas obras anteriores de Mahler realmente pertence a esta obra acima de tudo, e é como nenhum outro na música.”. Der Abschied “O Adeus ”, tão longo quanto os outros cinco movimentos – para muitos ouvintes obra prima de Mahler – é uma maravilha de orquestração, reflectindo as visões de um texto de tragédia esmagadora e arrependimento agridoce, alcançado usando o maior número possível de instrumentistas. . Uma crónica do cansaço do corpo e da alma, um abraço da morte, depois, finalmente, uma extravagância lírica de fé na renovação da vida , concluindo, desaparecendo na distância. . "Em todos os lugares, para sempre... para todo o sempre..."A mezzo-soprano Christa Mayer foi a solista com o seu poderoso timbre escuro e aveludado e uma paleta ilimitada de cores vocais. Uma interpretação emocionante cheia de pathos. Ouço ao vivo Mayer desde 2010 e cada vez a minha admiração e maior ! . O tenor cumpriu . Muito bem Lintu e a Orquestra . O nosso amigo Ferreira Rocha foi cumprimentar o trombone ! , Abertura de ouro.A noite tinha começado com a estreia em Portugal do Concerto para Piano de Thomas Adès composto em 2018 para o pianista Kirill Gerstein que também foi o solista ontem ..É um concerto formal com três movimentos que dura 22 minutos . Um crítico famoso disse que por vezes soa como « wrong-note Rachmaninov » e tem ecos de outros compositores do século XX – como Prokofiev, Britten e Ligeti – Há muitos solos ferozes, que Gerstein claramente aprecia e exigências para a orquestra face ao caleidoscópio musical de Adès e aos ritmos de chicotada. Interessante mas ofuscado por Mahler e Christa Mayer …

Here you have a talk on textiles, including embroidery, from the Arts and Crafts Movement, and William Morris, May Morris, plus some contemporary makes inspired by their work.

Kimono 1930–1939 Silk, stencil-printed warps (hogushi kasuri) plain weave; lined with silk, plain weave and rayon, plain weave The Christa C. Mayer Thurman Textile Endowment and James Tigerman D. Estate "Here vibrant colors combine with lozenge shapes are juxtaposed with triangles within triangles and trapezoids, creating a pattern similar to a lattice. The design may be a highly abstracted version of the late Heian-period shippo tsunagi (seven treasures) motif of interlocking circles that form lozenges." ARTIC

- SOLD - Swamp Forest, Collection: S. Ribbe,, Wolfgang Schmidt

Swamp Forest - Sumpfwald Sincerely to: Andy Hall, Sheikha Al Mayassa bint Hamad bin Khalifa Al-Thani, Paul Allen, Edythe L. and Eli Broad, Rosa and Carlos de la Cruz, Patricia and Gustavo Phelps de Cisneros (Venezuela and Dominican Republic), Donald and Mera Rubell, Steven A. Cohen, Theo Danjuma, Maria Baibakova, Adrian Cheng, Ingvild Goetz (München), Victoria and David Beckham, Leonardo Dicaprio, Alan Lau, Camilla Barella, Ralph DeLuca, Arthur de Ganay, Ramin Salsali, Moises Cosio, Pedro Barbosa, Monique and Max Burger, Joaquin Diez-Cascon, Luciano Benetton, Roman Abramovich and Dasha Zhukova (Russia), Robbie Antonio (Philippines), Hélène and Bernard Arnault (France), Maria and Bill Bell (United States), Peter Benedek (United States), Debra and Leon Black (United States), Christian and Karen Boros (Germany), Irma and Norman Braman (United States), Peter Brant (United States), Basma Al Sulaiman, Marc Andreessen, Laura and John Arnold, Camilla Barella, Swizz Beatz, Claudia Beck, Andrew Gruft, Robert and Renée Belfer, Lawrence Benenson, Frieder Burda (Germany), Richard Chang (United States), Kim Chang-il (Korea), David Chau and Kelly Ying (China), Pierre T.M. Chen (Taiwan), Adrian Cheng (China), Kemal Has Cingillioglu (United Kingdom), Nicolas Berggruen, Jill and Jay Bernstein, Ernesto Bertarelli, James Brett, Jim Breyer, Christian Bührle, Valentino D. Carlotti, Edouard Carmignac, Trudy and Paul Cejas, Dimitris Daskalopoulos (Greece), Zöe and Joel Dictrow (United States), George Economou (Greece), Alan Faena (Argentina), Mark Falcone and Ellen Bruss (United States), Amy and Vernon Faulconer (United States), Howard and Patricia Farber (United States), Larry and Marilyn Fields (United States), Marie Chaix, Michael and Eva Chow, Frank Cohen, Michael and Eileen Cohen, Isabel and Agustín Coppel, Anthony D'Offay, Hélène and Michel David-Weill, Antoine de Galbert, Ralph DeLuca, Amanda and Glenn Fuhrman (United States), Danielle and David Ganek (United States), Ken Griffin (United States), Agnes Gund (United States), Steven and Kathy Guttman (United States), Andrew and Christine Hall (United States), Lin Han (China), Henk and Victoria de Heus-Zomer (Holland), Grant Hill (United States), Maja Hoffmann (Switzerland), Erika Hoffmann-Koenige (Germany), Tiqui Atencio Demirdjian, Beth Rudin DeWoody, Eric Diefenbach and JK Brown, David C. Driskell, Mandy and Cliff Einstein, Rebecca and Martin Eisenberg, Ginevra Elkann, Tim and Gina Fairfax, Dana Farouki, Michael and Susan Hort (United States), Guillaume Houzé (France), Wang Jianlin (China), Dakis Joannou (Greece), Alan Lau (China), Joseph Lau (China), Melva Bucksbaum and Raymond Learsy (United States), Agnes and Edward Lee (United Kingdom), Aaron and Barbara Levine (United States), Adam Lindemann (United States), Eugenio López (Mexico), Jho Low (China), Susan and Leonard Feinstein, Nicoletta Fiorucci, Josée and Marc Gensollen, Alan and Jenny Gibbs, Noam Gottesman, Florence and Daniel Guerlain, Paul Harris, Barbara and Axel Haubrok, Alan Howard, Fatima and Eskandar Maleki (United Kingdom), Martin Margulies (United States), Peter Marino (United States), Donald Marron (United States), David MartÍnez (United Kingdom and Mexico), Raymond J. McGuire (United States), Rodney M. Miller Sr. (United States), Simon and Catriona Mordant (Australia), Arif Naqvi (United Kingdom), Peter Norton (United States), Shi Jian, Elton John, Tomislav Kličko, Mo Koyfman, Jan Kulczyk, Svetlana Kuzmicheva-Uspenskaya, Pierre Lagrange, Eric and Liz Lefkofsky, Robert Lehrman, François Odermatt (Canada), Bernardo de Mello Paz (Brazil), José Olympio & Andréa Pereira (Brazil), Catherine Petitgas (United Kingdom), Victor Pinchuk (Ukraine), Alden and Janelle Pinnell (United States),Ron and Ann Pizzuti (United States), Michael Platt (Switzerland), Miuccia Prada and Patrizio Bertelli (Italy), Howard and Cindy Rachofsky (United States), Mitchell and Emily Rales (United States), Dan Loeb, George Lucas, Ninah and Michael Lynne, Lewis Manilow, Marissa Mayer, David Mirvish, Lakshmi Mittal, Valeria Napoleone, John Paulson, Amy and John Phelan, Ellen and Michael Ringier (Switzerland), David Roberts (United Kingdom), Hilary and Wilbur L. Ross Jr. (United States), Dmitry Rybolovlev (Russia), Lily Safra (Brazil),Tony Salamé (Lebanon), Patrizia Sandretto (Italy), Eric Schmidt (United States), Alison Pincus, Heather Podesta, Colette and Michel Poitevin, Thomas J. and Margot Pritzker, Bob Rennie, Craig Robins, Deedie and Rusty Rose, Stephen Ross, Alex Sainsbury, Alain Servais (Belgium), Carlos Slim (Mexico), Julia Stoschek (Germany), Budi Tek (Indonesia), Janine and J. Tomilson Hill III (United States), Trevor Traina (United States), Alice Walton (United States), Robert & Nicky Wilson (United Kingdom), Elaine Wynn (United States), Lu Xun (China), Muriel and Freddy Salem, Denise and Andrew Saul, Steven A. Schwarzman, Carole Server and Oliver Frankel, Ramin Salsali, David Shuman, Stefan Simchowitz, Elizabeth and Frederick Singer, Jay Smith and Laura Rapp, Jeffrey and Catherine Soros, Jerry Yang and Akiko Young (United States), Liu Yiqian and Wang Wei (China), Anita and Poju Zabludowicz (United Kingdom), Jochen Zeitz (South Africa), Qiao Zhibing (China), Jerry Speyer and Katherine G. Farley, Susana and Ricardo Steinbruch, Kai van Hasselt, Francesca von Habsburg, David Walsh, Artur Walther, Derek and Christen Wilson, Michael Wilson, Owen Wilson, Zhou Chong, Doris and Donald Fisher, Ronnie and Samuel Heyman, Marie-Josee and Henry R. Kravis, Evelyn and Leonard Lauder, Jo Carole and Ronald S. Laude, Francois Pinault (France), Udo Brandhost (Köln), Harald Falckenberg (Hamburg), Anna and Joseph Froehlich (Stuttgart), Hans Grothe (Bremen), UN Knecht (Stuttgart), Arendt Oetker (Köln), Inge Rodenstock (Grünwald), Ute and Rudolf Scharpff (Stuttgart), Reiner Speck (Köln), Eleonore and Michael Stoffel (Köln), Reinhold Würth (Niedernhall), Wilhelm and Gaby Schürmann, Ivo Wessel, Heiner and Celine Bastian, Friedrich Karl Flick, Monique and Jean-Paul Barbier-Mueller (Genf), Christa and Thomas Bechtler (Zürich), David Bowie (Lausanne), Ulla and Richard Dreyfus (Binningen und Gstaad), Georges Embiricos (Jouxtens and Gstaad), Friedrich Christian "Mick" Flick (Hergiswil and Gstaad), Esther Grether (Bottmingen), Donald Hess (Bolligen), Elsa and Theo Hotz (Meilen), Baroness Marion and Baron Philippe Lambert (Genf), Gabi and Werner Merzbacher (Zürich), Robert Miller (Gstaad), Philip Niarchos (St. Moritz), Jacqueline and Philippe Nordmann (Genf), Maja Oeri and Hans Bodenmann (Basel), George Ortiz (Vandoeuvres), Graf and Gräfin Giuseppe Panza di Biumo (Massagno), Ellen and Michael Ringier (Zürich), Andrew Loyd Webber, Steve Martin, Gerhard Lenz, Elisabeth and Rudolf Leopold.

https://www.saatchiart.com/art/Drawing-SOLD-Swamp-Forest-Collection-S-Ribbe/694205/2784259/view

Știri: Festivalul Richard Wagner de la Bayreuth, în direct la Radio România Muzical și Radio România Cultural

Știri: Festivalul Richard Wagner de la Bayreuth, în direct la Radio România Muzical și Radio România Cultural

În perioada 25 iulie–3 august 2017, Radio România Muzical transmite în direct şapte spectacole din cadrul Festivalului Richard Wagner de la Bayreuth, unul dintre cele mai importante festivaluri de operă din lume şi un punct de referinţă pentru toţi iubitorii muzicii lui Wagner. Transmisiunile directe pot fi ascultate şi la Radio România Cultural.

Richard Wagner (1813–1883)

Seria de transmisiuni…

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By: Amy Fredrickson 

The illuminator and painter Zanobi di Benedetto di Caroccio degli Strozzi was born into one of the largest and wealthiest families in Florence on 17 November 1412, although during his lifetime the Strozzi family would lose their battle for supremacy of Florence to the Medici. While Zanobi was primarily active as an illuminator, he also produced both private devotional works and altarpieces.

Zanobi, along with his older brother Francesco and sister Maddalena, were orphaned when he was fifteen. There is a lack of documentation regarding his early life, but tax records prove that between 1427 and 1430 he was living with the illuminator Battista di Biagio Sanguigni (1393-1451) in nearby Fiesole. Due to his aristocratic status, he began his training privately with Sanguigni, rather than an apprenticeship in a workshop. Sanguigni and Zanobi collaborated on several projects. The artists remained close, and in 1432 Sanguigni helped pay Maddalena’s dowry when she entered the Augustinian convent of San Gaggio. In total, the duo lived together for between eight and eleven years. Zanobi provided his tutor with financial support for another fourteen years. He also provided provisions and wine, and he even deeded the Strozzi property in Palaiuola to Sanguigni in 1446 when Zanobi moved back to Florence with his wife Nanna di Francesco Strozzi. Sanguigni continued to live in Palaiuola until his death in 1451 when the property reverted back to Zanobi’s brother, Francesco Strozzi. 

Due to their close working relationship, Sanguigni and Zanobi have rather similar styles. In Fiesole, the duo connected with Fra Angelico, whom they met at San Domenico, where Fra Angelico was working at the time. In Lives, Vasari included Zanobi in the friar’s biography, claiming that Zanobi was a fervent follower.

Interestingly, due to the regulations of the Florentine guilds, an aristocrat could neither rule the city nor take an active part in politics. Consequently, Zanobi never registered with the Arte dei Medici e Speziali in Florence and was therefore unable to secure commissions under his own name; the majority of his works are collaborations.

When Zanobi arrived in Florence, he may have been a tenant in Pesellino’s workshop, as there are no documents that prove he purchased his own studio until several years later. Another possibility is that he entered some type of formal partnership with Pesellino (c.1422 - 1457). They worked on an altarpiece together, and the main panel is The Assumption of the Virgin located in the National Gallery of Art in Dublin. Scholars have proposed different ideas regarding how much each artist participated in this work. They also worked on an illumination of the Bellum Poenicum from 1446 to 1449.

Between 1446 and 1454, Zanobi collaborated with Filippo di Matteo Torelli on Cosimo de’ Medici’s commission for choir books for the church of San Marco. Fra Angelico reviewed the miniatures according to a document dated 2 May 1449. In 1460, shortly after finishing the choir books, the Medici also ordered an altarpiece for the church of San Girolamo in Fiesole, which was in proximity to their new Villa Medici. In 1463, he began another large commission to illuminate choir books for the Cattedrale di Santa Maria del Fiore. For this project, he collaborated with Francesco di Antonio del Chierico. It took eleven years to finish these works, even with the help of an entire workshop. In fact, the workshop incorporated several notable Florentine artists, including Cosimo Rosselli and Domenico Ghirlandaio.

While he worked primarily as an illuminator, he left behind several paintings. Zanobi’s only signed work is an Annunciation (c. 1440-1445) for the church of San Miniato al Monte, now housed in the National Gallery, London. The Lanfredini family commissioned this work for their private chapel in San Miniato al Monte. Zanobi depicted a traditional scene with the Virgin seated in prayer and the angel Gabriel announcing that she will bear the Son of God. Above Gabriel he placed a dove to represent the Holy Spirit, and he incorporated the lily as an emblem of the Virgin’s purity and grace. He also included the Lanfredini family arms on the capitals of the columns in the painting, and he concealed his signature, “ZANOBI,” on the border of the Virgin's blue robe.

The Philadelphia Museum of Art also holds an Annunciation in its collection, which demonstrates Fra Angelico’s influence on Zanobi's iconographic choices. His decision to portray the angel Gabriel flying in on clouds is unconventional, yet while working in Fiesole, he may have seen Fra Angelico’s 1425 missal depicting Gabriel in the same manner. Additionally, in 1434, Fra Angelico depicted Gabriel in pink robes in an Annunciation for the convent of Santa Maria Novella. In this work, Gabriel's garb is a similar distinctive pink ensemble adorned with gold embroidery. The painting supports Vasari’s statement that Zanobi worked with Fra Angelico and had an impact on Zanobi’s paintings.

The artist died in his native Florence on 6 December 1468 and is buried in Santa Maria Novella. Zanobi is most remembered for his miniatures in illuminated manuscripts and is considered by some as one of the minor masters of his generation. 

References: 

D'Ancona, Mirella Levi. "Zanobi Strozzi Reconsidered," La Bibliofilía 61, no. 1, 1959, pp.1-38. 

Kanter, Laurence, "Battista di Biagio Sanguini and Zanobi Strozzi, " Fra Angelico, ed. Laurence Kanter and Pia Palladino, (New York: The Metropolitan Museum of Art, 2005).

Leader, Anne, The Badia of Florence, (Bloomington: Indiana University Press, 2012).

Little, Amanda, Florentine Villas in the Fifteenth Century: An Architectural and Social  History, (New York: Cambridge University Press, 2005).

Mayer Thurman, Christa C, Laurence B Kanter, Barbara Drake Boehm, Carl Brandon Strehlke, Gaudenz Freuler, and Pia Palladino, Painting And Illumination In Early Renaissance Florence, 1300-1450, (New York: The Metropolitan Museum of Art, 1995).

Pope-Hennessy, John, The Robert Lehman Collection: Vol. 4, Illuminations, (New York: The Metropolitan Museum of Art, 1997).

Strehlke, Carl Brandon, Italian Paintings 1250-1450 in The John G. Johnson Collection and The Philadelphia Museum Of Art, (University Park: Pennsylvania State Univ. Press, 2004).

Vasari, Giorgio, The Lives Of The Artists, ed. George Anthony Bull, (Harmondsworth: Penguin, 1997). 

Images:

Book of Hours for the Use of Rome, c. 1445, Manuscript, 135 x 93 mm, Walters Art Museum, Baltimore.

The Annunciation, 1440-1445, Panel, 104.5 x 142 cm, The National Gallery of London. 

Madonna of Humility with Two Musician Angels, 1448-50, Panel, 84 x 57 cm, Museo Poldi Pezzoli, Milan.

St Jerome Altarpiece, 1460s, Oil on wood, 220 x 261 cm, Musée du Petit Palais, Avignon. 

The Annunciation, c. 1453, Tempera and gold on panel, 37 x 30 cm, Museum of Art, Philadelphia.

Saints Cosmas and Damian Saved from Drowning, c. 1435, Tempera and gold on panel, 20 x 22 cm, Museo di San Marco, Florence.

Madonna and Child with Angels, c. 1434, Tempera and gold on panel, 138 x 127 cm, Museo di San Marco, Florence.

Gradual, 1450-55, Manuscript (Corale 3), Biblioteca Medicea Laurenziana, Florence

Introduction by Emily Wilson | Homer | The Odyssey

Bernadette Mayer | The Helens of Troy, NY

Introduction by Emily Wilson | Homer | The Odyssey

Anne Carson | An Oresteia | Orestes by Euripides

Kathy Acker | Don Quixote

Introduction by Emily Wilson | Homer | The Odyssey

Simone Weil | ”Let Us Not Begin Again the Trojan War”, quoted in Introduction by Christopher Benfey | War and the Iliad

Alice Notley | Doctor Williams’ Heiresses

Goethe’s Faust, quoted in Christa Wolf | A Letter, about Unequivocal and Ambiguous Meaning, Definiteness and Indefiniteness; about Ancient Conditions and New View-Scopes; about Objectivity | Conditions of a Narrative: Cassandra

Introduction by Emily Wilson | Homer | The Odyssey

Who is TikToker Kubra Dogan? Wiki, Biography, Age, Falls to Death from Rooftop While filming sunset

TikToker Kubra Dogan Wiki - TikToker Kubra Dogan Biography

TikToker Kubra Dogan visited her cousin in Turkey's Istanbul, she died after falling through the roof of a building while filming a video for the social media platform TikTok on Friday. His cousin recorded the moments of Kubra Dogan's dramatic death in Esenyurt district, according to Anadolu Agency (AA). Dogan and his cousin Helen decided to go up to the roof to watch the sunset and shoot a video on Tik Tok. They spent some time on the roof taking photos and videos.

TikToker Kubra Dogan Age

TikToker Kubra Dogan was 23 years old.

TikToker Kubra Dogan Falls to Death from Rooftop While filming sunset

He fell out of a building on Friday, August 20, while filming for a TikTok video. Kubra Dogan from Turkey died after climbing on the roof of a building to film the sunset. Kubra was reportedly visiting her cousin Helen, 16, at her family's Istanbul apartment when they decided to go up on the roof and shoot videos for TikTok. The girls spent time on the rooftop making videos and taking pictures before Kubra rushed to her death. Her cousin, Helen, was shooting when the tragedy occurred. The deceased woman reportedly first posed for the camera sitting on the edge of the roof, but then descended to the bottom of the building. When she reached the bottom, a loud crack was heard and Kubra fell about 50 meters through the plastic panel. Kubra's cousin alerted the rest of the family and they called emergency services for help. She but she was announced dead. Her death has left her family devastated. They are also considering suing the contractor who installed the sheets on the roof. Kubra's uncle, Nebi Dogan, was quoted by local media as saying: “There is a big flaw in the contractor there. As soon as the girl sets her foot, she breaks and (she) falls to the ground from the ninth floor. Read Also: Who is Christa Thistle? Wiki, Biography, Age, Family, Throws cat into river during fight Meanwhile, reports say that her body will be handed over to her family for the final rites after an autopsy. The investigation of the matter is on. In another unrelated incident, a man fell and died while doing a body cartwheel during a rock concert. The man has been identified as Ian Matthew Crystal, 46, who also died Friday after he attempted to flip at Citi Field in Queens, New York, during a Dead & Company concert, law enforcement sources said. The source added: "He tried to turn the body over, fell down and landed on the balcony below." Crystal, who was the CEO of a liquor company, has been said to have died after he landed on the balcony from about 30 to 50 feet high and hit his head. His stunt went awry during the intermission of the band's concert, which featured former Grateful Dead members Bob Weir, Mickey Hart, Bill Kreutzmann and John Mayer, around 9 p.m. He was soon rushed to New York-Presbyterian Queens Hospital, where he was pronounced dead. Detective Sophia Mason, a spokeswoman for the New York Police Department, said the man's injuries were "consistent with a fall from an elevated position." Meanwhile, Crystal's friends and acquaintances remembered him as a "good guy." “Nice guy, easy going. We never had a problem with him. He was a cool guy. He was healthy. He was always exercising. I remember that every morning when he came in, I saw him running, ”said Juan Torres, 40. A friend of Crystal's added that he “he was always up for the next adventure or a long conversation that could turn out to be deep or derailed in the best way. He left a long list of people who will miss him. " FOLLOW US ON FACEBOOK Read the full article

BAYREITH 2022: GÖTTERDÄMMERUNG

La direcció del festival va decidir que aquest any es retransmetria per la televisió alemanya, el Götterdämmerung de la nova producció del Ring des Nibelungen, deguda a Cornelius Meister i Valentin Schwarz. La decisió es sorprenent perquè sent la Tetralogia una història de més de 16 hores de música i drama, que ens passin només les 4 últimes hores podríem qualificar-ho d’un spóiler sense…

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"Art@Science” brings together the pioneer thinkers in this interdisciplinary movement into the 21st century and features articles by: Philippe Quéau, Maria Grazia Mattei, Ryohei Nakatsu, Donna J. Cox, Przemyslaw Prusinkiewicz, Demetri Terzopoulos, Thomas S. Ray, Louis Bec, Machiko Kusahara, Michael Naimark, Monika Fleischmann & Wolfgang Strauss, Christa Sommerer & Laurent Mignonneau, Jeffrey Shaw, Peter Weibel, Gottfried Mayer-Kress, Otto E. Rossler, Toshiharu Ito, Hans-Peter Schwarz, Peter Richards, Itsuo Sakane, Michael Klein, Cynthia Goodman, Erkki Huhtamo, and Roy Ascott. "... This cultural bridge-building is attempted either through learning the skills of the ‘other’ or through collaborative projects between artists and scientists/engineers ... a thought-provoking collection on good paper with high-quality illustrations.” (CIRCA)

Christa Mayer, aus Porträts auf einer Station für psychisch Kranke, 1983

DIA 5 DE OUTUBRO DE 2022: UMA LISBOA FATIGANTE ;PINTURA DE MARIA VELEZ EM CASCAIS , INÍCIO DA TEMPORADA GULBENKIAN MÚSICA COM MAHLER : no dia 3 regressamos de um fim de semana fatigante em Lisboa . O local onde vivemos desde a década de 70 ,(escolhido por estar próximo do Hospital de Santa Maria) ,está actualmente cercado por enormes blocos de apartamentos com grande aumento de população nas ruas da zona . O trânsito caótico da cidade cada vez me fatiga mais ….Mas é sempre agradável o ritual de domingo na Versailles com “o croquete inexorável “.A estreia do “Elisir d’Amore “ não permitiu que estivéssemos no Centro Cultural de Cascais na inauguração da exposição “Maria Velez – Uma Homenagem à Vida “ , apresentada pela Fundação D. Luís I e pela Câmara Municipal de Cascais .” - “A retrospectiva Maria Velez – “Uma Homenagem à Vida” apresenta uma seleção de obras da pintora portuguesa ( 1935 – 2017) “para evidenciar a intensidade da sua expressão artística.”. Não deixaremos de visitar a exposição tributo a uma notável pintora que foi nossa grande amiga durante mais de meio século . Louve-se a gestão de Salvato Tello de Menezes neste espaço de cultura . Tanto traz a Cascais Vívian Meyer como recupera artistas portugueses que longe do mainstream de galerias influentes foram esquecidos . !Amanhã arranca “em grande” a temporada de música da Gulbenkian . A Orquestra sob a direção do maestro Hannu Lintu, a interpretar a “A Canção da Terra” de Gustav Mahler. O programa inclui ainda a estreia em Portugal do Concerto para Piano de Thomas Adès, com o pianista Kirill Gerstein. A Canção da Terra, o célebre e melancólico ciclo de canções orquestrais de Gustav Mahler inspirado em poemas de origem chinesa, medita sobre aspetos essenciais da vida e da natureza terá como solista Christa Mayer .A mezzo-soprano alemã ,estrela da semperoper de Dresden é sobretudo conhecida pelo papel de Erda no Anel de Richard Wagner no Festival de Bayreuth ( papel que gravou na BBC Legends Record Label ). Ainda este ano tivemos oportunidade de a ouvir no Anel “molho de brócolos” de Valentin Schwarz cantar Fricka e Wautraute a alto nivel ! .Um concerto que promete . Lá estaremos no dia da nossa assinatura.!

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