My Review of Flowers of Evil
How did I get into this anime? Because Flowers of Evil is something no one says, “Oh I want to see that, this looks like a masterpiece”! Oh, I was well familiar with the rotoscope nightmare stories from this and hoped to God my randomizer wouldn’t curse me with watching Flowers of Evil. I was however intrigued to learn that there was a yandere in this anime that’s on Yuno Gasai AND Shion Sonozaki levels. But intrigue can only get me so far when you spend 13 episodes watching…
THIS!
No this is not an exaggeration. Everyone has this kind of cringe face throughout the entire anime series. Be afraid children.
So the story is about this guy named Takao Kasuga. He loves to read and he loves the class smarty-pants Nanako Saeki. He doesn’t just love her, he sees her as his muse and his Venus and all that bullshit. But this is an admiration from afar. Pretty sure Saeki doesn’t even know he exists! One day, Kasuga forgets his book in his classroom. And on the ground, he notices a gym bag that belongs to Saeki. Oh come on, he’s not gonna go down the perverted route and steal a girl’s gym…
So he steals Saeki’s gym uniform. And surprise, one person knew what happened. The class loner, Nakamura! She forces Kasuga to form a contract with her. It wasn’t written or anything, just verbal. However, that doesn’t stop Nakamura from forcing Kasuga to do whatever she wants. But does Nakamura really like Kasuga or is she just into torturing this shit-faced pervert?
BETWEEN THE SUB AND THE DUB: You know, I’m too thrown off by the animation here that it has temporarily paralyzed me from catching voices or even giving a damn. I’m familiar with only two of the cast mates and the rest is literally my first time hearing it. Okay, I have one comment here. I often forget Mariya Ise could do some damn-ass scary characters like Nakamura. And when she does those murderous screams, forget about it! Here’s what you might recognize these folks from.
*Kasuga is played by Shinichirou Ueda
*Saeki is played by Yoko Hikasa (known for Bea on Pokemon Journeys, Rias on High School DxD, Mio on K-ON!, Hina on Domestic Girlfriend, Kirigiri on Danganronpa, Frieda on Attack on Titan, and Diana on Little Witch Academia)
*Nakamura is played by Mariya Ise (known for Bonnie on Pokemon XY, Levy on Fairy Tail, Ray on The Promised Neverland, Stocking on Panty & Stocking, Mika on Durarara, Dorothy on Black Clover, and Yuuko on Yuri on Ice)
SHIPPING: Oh please, anime Gods, do not turn this into another School Days fiasco. I find myself praying for this a lot these days. But in this anime’s case, please do not go down that route!
So, it was clear from episode one that Kasuga had a crush on Saeki. But this got very perverted very fast when he stole her gym clothes and that lead to the contract with Nakamura. Now is Nakamura romantically invested in Kasuga or is she just a crazy bitch. Let’s chalk this up to a 50-50 split here.
It wasn’t until the fourth episode where Kasuga and Saeki actually spoke to each other. And one episode later, they go on a date and end up in a relationship. One has to wonder if Kasuga would have one day acted on his own and ask Saeki out. All of this happened because he was being forced by that psychopath Nakamura. She tortured this kid and forced him to do so many unethical things. Stripping him naked and putting Saeki’s uniform on him for one! Who does that? So would Kasuga have done these sporadic actions if Nakamura wasn’t in the picture? After he stole that uniform, anything is possible. Now here’s the crazy shit here, Saeki loves Kasuga and she doesn’t care that he stole her gym uniform and did fuck-knows-what with it. She’s mad that Kasuga hid it, but still loves him.
Girl, the fuck is wrong with you?! You must be some special kind of crazy!
By the end of this series, you do see a shift in Kasuga and who he wants to chase after. Saeki or Nakamura?! Let’s just say that during a running away scene, Kasuga was going to go home with Saeki until he saw Nakamura and he chases after her. That’s a pretty good sign that Kasuga has switched gears on who he likes. I won’t delve any further than that as the anime only gives us so much and the rest of this love turmoil between these three characters is covered only in the manga. Probably a sign I should read the manga!
LOOOOOONG NO DIALOGUE MOMENTS: Dude, I know you’re trying to set the mood for certain moments, but I think you can dial it back a bit. This complaint isn’t just what happened at the beginning of episode 9; it took forever to get the main gist of this story in the very first episode. I had no idea what the main premise of the story was until the last five minutes of the first episode when Kasuga stole Saeki’s gym uniform.
Now I’m not knocking serious moments where there is no dialogue between characters for a long period of time and we just watch the animation of them walking or doing something. Hell, Neon Genesis Evangelion had famous scenes like that. But the elevator scene didn’t last six fucking minutes. Neither did the scene where Shinji kills Kaowru. In episode 9, we watch Nakamura and Kasuga walking from the school to home and watch the whole walk after destroying the classroom. I guarantee you, you could leave this episode running, fix yourself a bowl of cereal and toast, eat it up, go to the bathroom to have a good yank, then finish it off with watching a Che Guevara documentary…and Nakamura and Kasuga would still be walking home! I’m exaggerating and I don’t care. I feel like being an asshole here.
OH DEAR GOD, WHAT THE FUCK IS THAT?!: Very rarely will I ever look at an opening or ending theme song in literal fear. In fact, the last one to be so morbid was with Attack on Titan’s second season ending. I mean, the imagery alone should tell you that this is full of spoilers and possessed by the devil itself. Now that I think about it, that’s still undefeated. But Flowers of Evil’s ending theme is a close fucking second. Have you heard this thing? It sounds like Bjork singing in Japanese, synthesized, while a cat walks on a keyboard and having a seizure at the same time. Thank God there are no actual visuals for this other than the flower featured on Kasuga’s book. I don’t think we can handle anymore animation from this nightmare fuel.
ENDING: The writing is on the wall!
And the floor, the ceiling…that classroom is just a fucking mess!
Kasuga’s one bad deed led to another and another in a domino effect. And instead of a little devil on his shoulder, he has a classmate that’s a sociopath. Kasuga has guilt about hiding so much from Saeki in this relationship and he wants to tell her everything he did. Nakamura says, “Nah, you’re going to write it all over the classroom and let the whole world know what a piece of shit you are”. Let’s just say Nakamura and Kasuga went overboard and completely destroyed their classroom. Kasuga gets a bit of a lucky break as the other vandalism covered up his name on the chalkboard confession. But two people have caught onto Kasuga’s crime, Saeki and Kasuga’s mother.
Saeki put two and two together when she noticed the ink smearing on the ground resembled the flower art work on Kasuga’s book “Flowers of Evil” and her stolen gym uniform was placed right there. As for Kasuga’s mother, she put two and two together when she heard what happened to his classroom and noticed Kasuga’s behavior and dirty clothes from the night of the crime. Won’t be long before everyone knows what Kasuga did.
What now, shit-face?
Run away with Nakamura to the next town. Yeah, why the fuck not?! Saeki ends up tracking them down and tried to convince them to come back and for Kasuga to be truthful. Saeki wants Kasuga and I almost want to say the same, except hanging around this psycho-bitch for a while has caused him to try to stop Nakamura from leaving. Having Saeki see Kasuga go after Nakamura isn’t really a good look! At this point, it really feels like his love for Saeki was nothing more than lust.
Dude, isn’t there a rule about not messing with crazy…like, don’t stick your dick in crazy?! This dude has got one crazy bitch on psycho-yandere levels and the other that’s about to turn into Kotonoha from School Days in about five seconds. Well, no one left town today as the police were called to look for Saeki because her parents are overprotective types and they take the other kids in.
We get a small time-leap of one month after the night in the police station. Nakamura’s been ignoring Kasuga and Kasuga ends his relationship with Saeki. Dude, stop trying to stick your dick in crazy! Kasuga tries to speak to Nakamura again and it fails. So he visits her at home and meets Nakamura’s father and grandmother. Then, he sneaks into her room and reads her private journal that talks about Kasuga a lot. Dude, you are stepping in uncharted territory! Drop the journal and get the fuck out before Nakamura comes home. So Nakamura comes in her room and finds shit-face reading her journal.
*sighs*
First, I would like to acknowledge that Mariya Ise has one hell of a throat to scream as much as this crazy bitch does. Second, the fuck did I just say, ya dumbass?! Here we get another chase scene between Kasuga and Nakamura. What follows is…I can’t place my thoughts on this. Weird imagery, out of place dialogue, and possible scenes of future stuff to happen! A rape scene involving Saeki, a festival, a hideout, a knife, and fire! Thanks for the cryptic message guys, really appreciate it! Either the anime ran out of money or they’re fucking with the audience. Kasuga says he wants to form a contract with Nakamura and that’s the end!
Hmm, this anime came out in 2013 and it is now 2021. All the buildup and no word on a sequel! We all know that sequel ain’t ever coming. You have a better chance of a continuation to Haruhi Suzumiya than you do with this hunk of shit.
Okay, maybe ‘hunk of shit’ is too mean. This wasn’t a terrible anime. It was weird as fuck, the animation leaves a bad impression, but overall it wasn’t that bad. Now the manga to Flowers of Evil is a favorite to many. Probably because the characters don’t look like a cringey meme and there aren’t so many awkward pauses with no dialogue. Unless there’s a whole volume of Flowers of Evil out there where we just look at pictures of Nakamura and Kasuga walking home where they don’t say a fucking thing! I am not letting that go! Charlie Brown movies didn’t go to that level you guys did!
I was interested with each passing episode to see what Nakamura was going to do next and what she was capable of. I couldn’t make out if she was going to be homicidal or suicidal or just impact psychological warfare on her prey. It was the latter for this series, but I heard of some attempted seppuku going down in the manga. I’d like to think maybe one day a different studio would pick up this series, but I seriously doubt it with the rotten reception this adaptation received. It was said that the director to the anime saw this more as a live-action series than an anime and that’s why we have the rotoscope animation. It wasn’t until 2019 that we got a live-action adaptation to Flowers of Evil. Not sure how people felt about that adaptation, but even I have a feeling that it was much better than the anime. Hell, a Netflix adaptation probably would have turned out a better product. It would be nice for this to get a reboot, different studio, different director, and smash everything that has the word ‘rotoscope’ on it
Yeah, if you can get over watching the animation, give it a watch. Episode one drags, but it picks up the second Nakamura confronts Kasuga.
If you would like to watch Flowers of Evil, Crunchyroll and Hidive have all 13 episodes available for streaming.
Okay, now that I’m finished with that sociopathic nightmare let’s pick another Sentai Filmworks anime.
HELL NO! I am not reviewing, “My Teacher Accidentally Made Me Horny”. That’s what I’m calling it and you should all do the same. NEXT!
Okay…I have no idea what the hell this anime is, but it looks harmless enough.
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Let’s read Hiveswap Friendsim... volume 18!
Imagine I edited the final shot of End of Evangelion here to put trolls on it. That’s more effort than I’m actually willing to put in. Imagining it is probably almost as good.
This chapter is fittingly called “Of Endings, Many”.
The opening narration is kind of pointed and sarcastic. It jokes about saying trite things like ‘the circle is complete’... and then goes elsewhere.
“You’ve got enough friends, now you need answers-” - and then it interrupts itself, realising it’s just the intro screen.
I wonder who writes the intro screens?
This time we have... another jadeblood, and also a final pair of purplebloods, the second troll pair.
Lanque
Lanque is written by the mysterious “V”, who previously managed to get us to lick a clown’s armpit and then wrote some interesting things about intertextuality. I have high hopes!
Content warning: Lanque’s story deals explicitly with sex with a man, in a situation of dubious consent on the player character’s part.
Lanque’s theme I’m sure I recognise from Homestuck proper, though I’d have to do some digging to see what it’s reprising. It’s called “yall know i just do the music right” - another James Roach piece.
It begins with us getting a call from Lynera. The narration somewhat uncharitably says “that nutty bitch is exactly the sort of destabilizing influence your life needs right now”. In a positive, not sarcastic way at least.
She wants to start making friends herself...
The narration is really in a hurry this time around. We reprise the party background from the last episode.
I appreciate the kind of breezy enthusiastic chaos in V’s writing.
We’re in a cape, bra and fishnets. A perfect outfit for the final chapter.
Wow the narration just isn’t giving a shit anymore. Final chapter striking hard.
We try to figure out whose hive we’re going to... and oh shit, it’s Ardata’s. First troll we ever met, as well. The party is described as a “frathouse rager” - which, Lynera acknowledges, is not her scene at all.
Is the narrator already drunk? Or is Ardata fucking with our head again?
Ardata declares that it’s a ‘kiiickback’ for all the ‘world’s fiiinest iiinfluencers’... and neither me nor Lynera is invited. Apparently she heard about it from someone called Lanque, who’s also not invited.
What is up with this narration? It’s coming across like a standup performance.
At that point, Ardata drops a... nsfw warning on us.
I didn’t actually realise this volume had an ‘accompanying mature content description’. I think what I’m gonna do is... obviously I’m gonna play the chapter, but I will put specific content warnings before sections of the post that have potentially triggering content, and if there are explicit images, I will pixellise out any explicit bits before I embed them in the post. spoiler alert: this ain’t exactly Ladykiller in a Bind there.
That’s a hell of a warning, huh. Especially given the previous armpit-licking chapter by ‘V’ was about at the absolute limit of sfw horny anyway. Fuck knows what they’re about to inflict on us now.
Also: James Roach’s track name is starting to make sense. Apparently he wants to distance himself from this episode, semi-ironically at any rate? God, what are we in for.
So, presumably the ‘oof, you’re too scared’ link takes us to an abrupt end to the chapter, we’ll check it later. Let’s go on in.
Quick soapbox: as much as I hate the kind of shallow analysis that throws around ‘problematic’ as a summary judgement of a work - nah actually, you can’t just disclaim shit under ‘challenging or controversial material’. By the same token that you can write whatever shit you want in a Homestuck computer game, critics - and random nerds on the internet, which is to say, the entire audience of this game - can discuss it however we find appropriate.
Nevertheless, you haven’t actually done anything worse than make me lick a clown’s armpit so far, and we can approach challenging themes in a way that says something meaningful and important, so let’s see what you have for us, V. To be honest I’m expecting some kind of portrayal of sexual violence given all the disclaimers, but who knows.
The party sounds like hell.
To Lynera, who remains glued to our arm, it’s ‘more than she was expecting’. But before we can leave, Lanque arrives.
I was wrong about what I thought was Lanque’s theme. Lanque’s theme is a slow, mournful saxophone piece. Maybe the music before was Lynera’s theme, and I just forgot how it went?
The narration mentions a ‘curious red stain’ on Lanque’s shirt. They’re obviously going for a whole ‘sexy vampire’ type thing with him. Maybe a Twilight parody, with Lynera in the Bella role? That would be a little dated, though.
I vaguely recall that it was said at some point that the jadebloods were all women. Which makes me suspect that Lanque is a trans guy, and this story is gonna touch on themes of transness and such. That could be something I completely confabulated, though. I’d check the wiki but no doubt it’s been updated by now, and I don’t want to spoil myself on this arc.
He seems to be in a flirty mood. Not sure how old either of these two are supposed to be.
Oh yeah. The knifemeter actually hasn’t shown up in this episode so far. He expresses surprise that Lynera has friends. Or at least, friend.
Eesh, this guy gonna be another Zebruh?
Lanque asks about us and we blather about being an alien, and also general disaster.
It’s really hard to get the sense that this is a loud party where we can barely hear each other over the noise, given both the narration and the soft jazz background.
He says something about not biting unless asked. So if it’s not already obvious... either a genuine rainbow drinker (hey, if Kanaya could do it at age 6 sweeps/13 years, no doubt he could at age... whatever age he is!), or someone who likes pretending to be one.
Anyway, our protag is apparently not overcome by friendship lust at this point, and tries to play wingman and put Lanque’s attention back onto Lynera. This... doesn’t go as well as expected.
(2.43 sweeps, that is - about 5.3 years)
Hmm, why would that be? This could be like, a transphobia thing? Do trolls have that? I’d say of course they fucking do, but apparently they don’t have homophobia, and their gender system... well who the hell knows how troll gender works, having all the signifiers of gender in the real world but none of the material consequences.
Anyway, Lanque calls Lynera a ‘nasty little bitch’. But then immediately says he’s not one to criticise.
So... maybe it’s not a trans thing? We’ll see. Lanque continues being a huge dick, suggesting that Lynera is interested in him because the ordeals are coming, and she wants to take the chance to fuck before they roll around.
Lynera is kind of... not surprisingly pretty hurt.
The narrator challenges Lanque on his rudeness without a choice.
Ah, the classic ‘she deserved it’ defence. Second only to the ‘it didn’t happen, but if it had, they would have deserved it anyway’ defence.
The protag demands to know why Lanque even invited Lynera if it was just to have such a huge go at her like that. Lanque’s explanation is... kind of unclear.
It’s not like she got much of a chance to defend herself there. So far my impression of Lanque is: this guy’s a huge cock. Or possibly a huge nook. Idk what the troll equivalent is.
The narrator decides to ‘Switzerland out of’ this conversation. They say this out loud, of course. Who needs an internal monologue, these days?
Lanque invites us to stay - we’re ‘much more interesting’ anyway. Eesh. I’m inclined to look for a ‘fuck right off where’s my pepper spray’ button, but that’s just me being a lesbian I guess. (Pepper spray is also illegal in the UK. I’m pretty sure.)
Yeah, you said it. He says he’s got ‘less time to waste than most’.
Bryn sees a meta joke about the narrative structure, Bryn clicks the screenshot button.
(Speak of the screenshot button, I had to rebind it to make it easier to paste the screenshots, you see in Ubuntu-- oh, you’re asleep?)
Anyway I kind of expected a choice around about now, but no, we barrel forwards, and end up dancing with Lanque. He takes our hand and leads us to another part of the house.
At that point, Elwurd shows up! I wonder how much of the cast is set to make an appearance in this chapter. If it’s all 35 trolls we’ve encountered so far, this is gonna be a long chapter!
Elwurd seems to be Lanque’s dealer. Not sure what drug she’s selling exactly. Apparently ‘you a drone?’ is the Alternian equivalent of ‘you a cop?’...
Anyway, Lanque buys the drug, and peer pressures us to take it. We’re like, nuh-uh.
We did not, we tell him, ask him to buy drugs for us.
I’m proud of you, protagonist. At the beginning of this story you’d have done anything to get a friend.
At that point, Diemen makes his reappearance. We really are going through the entire cast here, huh.
Yeah. That one’s just too obvious.
Anyway, undrugged, we get to dancing.
God, V, we get it, you want to fuck trolls. The narrator goes with it, though.
I find it kind of interesting how, like... our protagonist in the beginning and ending sketches is pretty much like, a marshmallow, indicating that they represent some kind of AFGNCAAP. But over time, little assumptions leak in. For example, we’re some kind of American nerd - our education system included a ‘high school’, and we had the option to learn Spanish there. We are relatively physically unfit. The wordplay suggests we know English.
Sometimes it’s deliberate - clearly someone made a choice to make it so that our protagonist has opinions about rap and knows a bit about professional wrestling, to suit the themes of the chapters. Those aren’t like, presumed traits assumed of the Homestuck audience, but things that kind of carve out a specific identity
So yeah... we’ve already had the whole ‘cheese person’ thing in Fozzer’s route, and here they’re straight up declaring the protag has pale skin. (Which doesn’t mean they’re white, necessarily, but they are apparently not Black, say.) I think that’s kind of a shame - a wasted opportunity.
Homestuck has already traded a lot on the ambiguity of its characters, which the fandom tends to read as implicitly white, except for like, a relatively small corner. This came to a head at points - most infamously the ‘CAUCASIAN’ controversy during the trickster mode phase, when Hussie ‘jokingly’ declared that his previously ambiguous characters (shaded pure #FFFFFF white, implying a ‘blank slate’) were ‘CAUCASIAN’ in bright flashing letters - at least while in trickster mode. After backlash, the panels were left as-is, but ‘CAUCASIAN’ was replaced with ‘PEACHY’.
Friendsim could have been an opportunity to improve the record a bit, especially as its narrative explicitly addresses many questions of societal oppression and occasionally makes explicit analogues to racism. But... they didn’t do that. Alas.
Anyway, moving on.
Apparently I’m very predictable because the very next panel addresses this exact line of thought.
I feel like this and the ‘not racist’ joke in the previous arc by ‘V’ are kind of... well I don’t know anything about ‘V’, and what they might be intending by these jokes. Here, it’s kind of parodying the whole thing in Homestuck rather explicitly... but whether it’s like, challenging it? There’s definitely a reading that’s like... pointed sarcasm, challenging the source material’s noncommital laziness.
Hey art interpretation is hard lol.
V’s writing is unusually striking, in a way I’m not quite sure how I feel about. I will think more about that once we’ve fully explored this chapter.
Things are getting pretty meta. He comments how we’re paper thin and he can see our blood. We’re like, ok, so you’re a vampire then?
This is the kind of thing! Writing that’s like... on the edge of like, telling a story and just directly talking to the reader, pushing us to engage with ambiguity and metaphor.
To release the tension a bit, the narrator does a ‘sexy dance’.
Anyway, we don’t get to find out what Lanque really thinks of our sexy dancing. Because at that point, Bronya shows up. Lanque decides it’s time to go.
...to a respiteblock, where else. So much for this being a friendsim and pointedly not a dating sim.
We are, it seems, safe. Lanque politely asks if we’d like to kiss. There’s another reminder that this is a very nsfw not for kids scene about to go down in this room right now.
So that’s apparently going to be our decision here. FUCK THE BOY/DO NOT FUCK THE BOY
...no, that’s not our choice. We’re kissing the boy no matter what. This is also portrayed in first person view, because consistency is important!
Apparently our blood tastes ‘sharp and dangerous - like a weapon’.
I feel like this is about to answer a whole fucking lot of fandom questions. At least as far as Hiveswap canon is concerned - arguably a separate entity to Homestuck canon, though obviously, like an expanded universe, designed to be read almost exclusively with intertextuality in mind. An elaboration, I guess.
There’s more like... hey check it out we’re going NSFW. Still nothing like a choice button yet.
One thing I find interesting is like... while this game is packed with lesbians of various stripes, and evidently many of the writers are gay or bi women, all the trolls who get really horny scenes have been boys. (Two of them written by ‘V’, admittedly). Mallek first with his shirtless scene, then much more recently Marvus, and now Lanque.
Also look at these guys. Pretty sure V has a type.
Anyway, the narrator makes the mistake of saying something vaguely derogatory about buckets.
Not sure like... what he finds derogatory there. Mentioning ‘buckets’ vs ‘pails’ (might be a distinction between reproductive and non-reproductive sex?), or saying that he doesn’t seem to have one? He says it’d be his first time.
With an alien, huh. *xenofucker fist bump*
Instead of a sex scene, we get a lore drop.
Once he gets shipped offworld, there will be no more ‘sneaking out of the caverns’. To Lanque, this effectively means his life will be over. This is his last chance to fuck!
A little overdramatic, dude!
Before we can get to it, Bronya interrupts.
So we get interrupted by Bronya. This is finally our choice point. Do we dob Lanque in, or do we fuck?
Regarding ‘problematic’, the main thing I’m seeing is like... Lanque is, at best, barely of age. Since he’s talking about getting shipped offworld soon, I’m guessing he’s close to troll adulthood. In terms of real-world narratives, this is taking on the general tone of ‘college story’ - complete with allusion to a frat party.
I think like... I’m going to read this whole visual novel, and write what I think about it. However, I can also totally understand why you would not want to read this kind of ‘first time’ story. So I’m going to leave that branch to a readmore at the end of the post. Above the cut, to give you all some kind of ending, and we’ll go down the ‘call his mum’ branch. Lol it’s not nearly as nsfw as they make it sound, there’s nothing that really need readmores, nevermind this lol.
Bronya busts the door open and tells him to get dressed immediately.
Lanque gets his mean streak back on, and goes in on Bronya now.
He does love the word ‘bitch’, does Lanque. He tells her she’s not actually his lusus (oh yeah, lusii... it’s been a while since we’ve seen one honestly. The last one was the goat.) She slaps him. He pretends like it was a sex thing.
This is not pretty. Bronya launches into a lecture on Lanque: sneaking out, being an ass to Lynera, and...
Yeah, maybe it’s a good thing we didn’t get further involved.
Apparently he’s not deterred by the fact that we literally called Bronya up to get out of fucking him, and adds us on Chittr before he leaves.
So that’s an ending. Sweet look, protagonist.
But it’s not the ending ending. We get a final screen.
Sure, I want to understand. Is this going to be some kind of direct artist-to-reader commentary on what they were trying to accomplish with that chapter?
The text box turns white, and the font changes. I bet this is Doc Scratch. So no, probably not that. In fact, this segues straight into the epilogue. I think there are different versions of the epilogue depending how you approach the final chapter, or else we were supposed to play the other branch before Lanque, so for the sake of putting the epilogue at the end, I’ll save it for a future post. (I’ve already written it up.)
Now, the other Lanque branches. First of all, refusing at the NSFW notice.
So they poke fun at the reader for like, not accepting the NSFW notice. Uh-huh. You know that Steam doesn’t automatically give a mature content warning if you’ve set up your account that way right? Which I guess is my own fault lol.
Anyway, doing this leads to like... a totally different arc, and a totally different canon. Huh, I genuinely expected they’d like just end the story there.
It’s a cozy party now, apparently.
This version of Lanque is... different.
For one thing, he’s got a flower crown. And instead of soft sexy jazz, we have a pretty piano piece. He says hi to Lynera and me.
Hmm. Not entirely un-hornified, then.
Lynera gushes wildly about us, recapping a whole bunch of plot.
It turns out, rather than taking drugs and having sex and other such risqué things, this party is a chill poetry reading.
So I realise this entire branch is just like, an extended joke at the reader. Look how un-edgy this is. We’re going to support our friends and read poetry.
In this one, instead of asking to kiss us, he asks to hold hands before we read poetry. And he says this is a poem about a past relationship, and it might be a bit raw.
We get Lanque’s poem, in full.
I was going to copy-paste the whole thing in, but it’s quite long, so let’s be uncool and respect copyright or whatever because my fingers were getting tired. It is quite good... addressing loss, and memory, and the lingering influence of a past relationship. It makes me wish I had ever developed the ability to appreciate and comment on poetry, because I feel like I just don’t have the vocabulary to comment on it, or what it might connect to, or anything else. The narration agrees: raw, emotional.
I imagine, though perhaps this is presumptuous, it is reflecting something quite real in the real life of ‘V’.
Lynera also gets the chance to read out a poem. She happens to have one on hand. It’s about Bronya, sure enough, and her loneliness and alienation.
Afterwards, she is self-deprecating.
This version of Lanque is kind and reassuring - the complete opposite of his persona in the sexy branch.
We leave with Lynera after hugging it out. Reading her poem, and being with other trolls in this way, seems to have really helped Lynera. There’s another pointed bit of defensiveness at potential critics.
Soapbox: This is the state of discourse, where the complex feelings we have in relation to fictional works must get flattened out into strict ‘rules’. A character can easily support lesbian and bi interpretations; it can be a relief to bi people and upsetting for lesbians when one of those possibilities is ruled out by having her express interest in a man (not that this, ultimately, rules out lesbian interpretations, since a person can of course be mistaken about their feelings).
To lesbians, it is perhaps likely more salient that many characters they identify with end up expressing attraction to men, and this can seem like yet another instance. To bi women, narratives about picking a ‘side’ are perhaps more likely to be salient, and it can be relief to have an explicitly bi character.
The only conclusion we can draw is that gender is a hellish system of punishment and exploitation, and we should seek to be kind to each other and also abolish it forthwith, write our own stories, and abolish the stranglehold that capital holds on all aspects of our lives including the symbolic media we use to understand the world.
All that said, this repetitive defensiveness about ‘problematic’ writing does kind of annoy me a bit, even if I can understand where it comes from. Let your work speak for itself.
Anyway, that’s enough huge essays (I say, falsely). Let’s finish out the branch.
“...right?”
This branch finishes out with a poke at the whole structure of the game so far - the good endings, bad endings, and so on. We’ve not made a friend, but we have made a stronger connecting with an existing one.
I’m not sure how seriously we should take that given the way ‘valid’ has become pretty much a joke word, if this is still an extended dig at the audience, but there we are.
That was a surprisingly long and rich branch for a first choice, which is kind of nice, actually.
If we click ‘no’ on ‘do you want to understand’...
We just get a game over screen with us sitting in our watchtower looking sad.
So now... it’s time for the nsfw section discussed above. Except... it’s a total fakeout.
First of all, we get an implication that it’s not his first time at all. Anyway, then we get to it. Which is to say, we get a fade to silly anime joke. God, this is like those old 4chan stories where they’d set you up for a sex scene and then rickroll you or something.
We get a ‘dorito faced anime boy’ joke I guess?
Afterwards...
Lol.
Anyway, in this branch, he doesn’t add us on chittr. Lol.
So yeah we die of shame. Welp.
God I can’t believe I thought this would actually go there. Of course it would be a joke at the audience.
Looking back, well, you know, reading the metaphors: he’s a predatory guy and lied through his teeth to get into our pants. Obviously it’s not his first time; obviously he’s not about to bugger off to space and never have sex again T_T, obviously the shit he said was just to get us to fuck; this isn’t just cheesy narrative tropes but within the fiction him playing the protagonist in order to get us to fuck. Complete with the whole attempt to drug us, and make it very unambiguously rape. (Which no doubt Elwurd knew). He got us to explicitly consent before we did anything, but also did enough shady shit so as to make that ‘consent’ kind of questionable when viewed later.
Viewed in that light... what I originally thought was just someone writing a horny fantasy about a hot dominating guy who’s totally into you~ is actually like... a pretty sharp piece of writing about shit pulled by men. There were plenty of warning signs - the ‘objectifying’ way he looks at you, the way he attempts to drug you, etc. I would like to imagine that IRL, rather than taking it as a piece of fiction, I wouldn’t be vulnerable to the same tactics. (Well, obviously I wouldn’t from a guy, at any rate). But it’s kind of a nicely written piece to make you feel stupid and taken advantage of afterwards like... why the fuck did you go along with this.
Though given that this kind of thing is something that people like... actually go through, I feel like they could have warned for it better than ‘challenging and controversial material’. Yes, that might have robbed it of some of its power; but it would also mean that it wouldn’t trigger people who have trauma over this exact kind of thing.
So.
“V”.
Honestly, my strongest feeling about “V” is one of respect. Both their stories have been a weird blend of cheeky, challenging and playful, with some very astute elements and an enormous amount of energy and intensity. They’re prepared to fuck with the reader in ways both silly (lick the troll’s armpit!) and rather more serious (this whole arc), they fuck around with canonicity and narrative structure in creative ways... I wonder what else they’ve written?
There remains only these two clown twins, and the epilogue.
Barzum and Baizli
To finish out the set, we have another pair. The Alternian text says ‘The Soleil Twins’, so I guess that’s their surname. The twins are written by Kieran Miranda, who previously wrote Azdaja, Stelsa and Charun.
The story begins with day nearing, and the protagonist friendless. They get the idea to like... head over to relax with Skylla, but before they can, they run into a house.
A very haunted looking house.
An easy choice for us to begin. ‘No fucking way’ naturally skips this arc, right?
Nope, back at the house. We get another choice: leave left or right. I picked left. I doubt it matters.
Yep, that kind of house. We can’t escape.
After a struggle, we reach the door.
Inside, we immediately pass out with a sense of nausea. Lovely. This can only go well. We hear something like bugs skittering away.
The mansion does at least seem to be explorable. Unfortunately, the door leads to a portrait gallery full of clowns, which is not the most welcome place to end up.
Someone tunes one of the portraits. It turns out to be a TV. Dramatic piano chords come in.
Oh hey it’s some friends.
Their shtick is that the one on the right finishes the one on the left’s sentences, the one on the left speaks in all lower case, and the one on the right speaks in all caps.
They want us to find them. They’re very bored you see, and want to play a game. This is, I understand, an allusion to the Saw series of horror movies, in which I gather a person places people in buildings full of sadistic traps, monitored by various cameras and a small puppet with spiral cheeks. So I guess that’s us now.
We get our first real choice.
I think the door is too obvious. If there’s not another exit, we’ll have to take the door anyway - though that’s likely a different branch, realistically speaking.
We discover a hidden door. Behind it is... a hole in the ground.
I guess we have instant-death options later than usual in this chapter. Our final thought is about the terrible loss of our Chittr profile.
Well, that’s fine. Let’s see what happens if we go straight into the house instead of wandering around.
Approaching the house immediately just skips the wandering around; the text is the same. It was a fake choice. Skipping forward, let’s see what happens if we take the obvious door, not the hidden one.
As we move down the hallway, the lights come on and the walls start bleeding. Lovely. Glorious sense of interior decoration. Tip top.
Beyond the door, we end up in another dark room. Maybe this one will be more of a true CYOA, with death options in every room.
But no. Not immediately, anyway. Ropes come out of the ground and tie us up. The two trolls who were watching us make themselves known.
Carnivalish music kicks in. We finally get a clear view of our captors.
Baizli right (allcaps), Barzum left (lowercase). I’ll try to remember that.
The twins say some predictably sinister stuff about removing our intestines (acid tubes, in trollspeak). The narrator grumbles about once again being reduced to the status of ‘torture muppet’.
When we express a desire to leave, Barzum and Baizli swap both demeanour and capitalisation rule. Now Baizli looks sad, and speaks in lowercase, while Barzum is pissed and speaks in caps.
These two twins, in the tradition of creepy twins, seem to share one mind. Which means they can hardly prank each other! They need someone else.
They rev up a chainsaw and suddenly... we’re back in the same room we started.
Looks like we’ve had another bit of time fuckery from The Powers That Be. Compare Fozzer. The loops kick in, faster and faster. Glued. Buried alive.
Having read the epilogue, all I’ll say is that it seems like someone is trying very hard to push us onto a timeline that ‘works’.
There’s a joke about time loop movies which I don’t get because I haven’t seen very many time loop movies.
After ‘20 or so’ loops, we decide we’ve had enough. But we get a choice of what to do about it.
Let’s try ‘Fuck this.’ first.
This turns out to mean attempting to intimidate the twins instead of begging them to release us.
While they’re baffled by this display, we make a break for an air vent. Surprisingly, we make good our escape. There’s a mention of all our jogging training with Stelsa, which happened in a non-canonical timeline - there was a whole thing about it! - but fair enough. Guess that’s another thing that persists between timelines. Or maybe the protag just thinks they went jogging with Stelsa in this timeline.
We find we’ve missed a bunch of texts from Skylla while we were out, and plan to head over there. But alas... the space loop is still in effect.
We end up back at the house. Unable to escape from the pocket dimension, the branch ends...
So let’s try the other option: ‘remember who you are’.
Come, try to remember...
And that is, of course... FRIENDSHIP. This time, we have something to say to the clowns (after ensuring we haven’t pissed ourselves).
Not killing us is apparently a novel idea for the twins. Or rather, they didn’t plan to kill us - just cut us up a bit, unaware that we wouldn’t heal right back up. The protag corrects the misconception.
So now we’re teaching the creepy clown kids the meaning of friendship. Novel!
The lights come up and they put on a little circus show for us. Apparently this building is not their hive.
They show us various other dangerous-looking circus tricks with the torture/circus equipment. Ah, says the narrator, so risking their lives is these kids’ hobby.
It turns out these kids hatched from the same egg. They tell us they do in fact share a mind entirely - one mind, two bodies.
And at last we end up chilling out and sharing stories.
With this friendship established, we sense a shift of some kind. We take this as a sign that the door might have finally opened.
Not only is the door open, but the ‘pocket dimension’ has dissipated too. The power of friendship! ...or fulfilling some secret design of whoever created the pocket dimension. Mmm.
How touching.
There’s a fakeout victory jingle, which turns out to have been a prank. They explain that... the creepy blood seeping walls and so on were their ‘chucklevoodoos’, but as for the time loop... Not them at all.
“Do you want to understand?” asks the prompt again. Time... for the epilogue.
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