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#Avelina Prat
ekirina · 1 year
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Película de este año, y he podido verla a través de Filmin. No recuerdo si lo pusieron en el cine de mi ciudad, pero es posible que no... Cuesta ver cine independiente en las pequeñas ciudades. Esta película está nominada a mejor comedia y actor (Elejalde) en los Premios Feroz, ganó en Seminci de Valladolid: mejor actor (Ivan Barnev y Karra Elejalde) y también nominada a mejor nuevo director en los Premios Gaudí. Aunque deberían de ir cambiando el título porque lo dirige una mujer y podrían poner a mejor nuevo/a director/a.
Trata del hospedaje que da Alfredo (Karra Elejalde) a Vasil (Ivan Barnev), un búlgaro (muy inteligente y que fue número uno en el juego del bridge y de la ajedrez) que emigró a España en busca de una vida mejor y estuvo viviendo en la calle.
Ha sido como un viaje muy placentero. Me ha parecido sumamente bonita y con la gracia de cómo la gente cambia y evoluciona cuando el destino les sorprende.
Recomendada. Y ojalá pueda ganar ese premio bien merecido la directora Avelina Prat.
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filmaticbby · 4 months
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I recommend the film 'Vasil' (2022) dir. Avelina Prat. Pls share what u think!
gonna watch noww
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whatisreggieshortfor · 11 months
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Could you do Professor Jake Wilson x MC?
No smut or anything, I just wanna see a cute things.
Hey hi 👋🏻 here we are
The crew helped me with class choices for everyone 🤪
Professor of Love
Jake couldn’t take his eyes off her, even knowing he shouldn’t have let them stay there to begin with, especially when so many people could catch him staring. His gaze was soft, watching as she helped another student understand assignments that had seemed to go over their heads. Her raven hair hung over one shoulder like a curtain of silk, hazel eyes skimming the papers laid out on the desk. Even if he managed to tear his gaze away before she looked up, she somehow always knew. She never hid the smirk that twisted her lips when she would glance up at him, “Professor Wilson, don’t be getting too distracted. You need to grade your exams.”
He wanted to hate how easily she could see through him.
He wanted to hate it more when she would catch snippets of what the coeds would say about him and bring it up with that mischievous glimmer in her eye, while still somehow maintaining her innocent expression at the words.
As she had passed him to sit down at his table at the uni café, “If it isn’t our resident Eros.” That one was because they’d been referring to him as the uni’s personal Greek god of love, reciting romantic poems to his students far more often than tragedies.
She had come up to him, right as his office hours closed for the day, watching the students scurry away, “You know they wonder if you, uh, do house calls for your office hours, right?”
She had sat on the couch in his office, legs curling up under her as her fingers dragged through her hair, a salacious grin appearing in her face, “Did you know they say you have hot, single dad energy? I can see it.”
That one annoyed him the most.
Because if his students bothered to look past his chiseled jaw, his beefy arms, his strong chest- they would see his hands. And if they stopped thirsting over his hands for two minutes, they might realize what was always wrapped around his finger.
His ring.
Though, he supposed, he couldn’t blame the students entirely. Most of the faculty seemed to have trouble registering it at times.
Their head of the psych department had tried to set him up- and it took a very stern argument for Rohan to back down.
Tim, as the head of Spanish History, had very persistently offered to teach him the ways they had courted in centuries gone past.
Talia tried to analyze music choices for him, with her degree in theory, to find songs that showed he was looking for love.
He couldn’t tell if Youcef’s philosophy degree meant he could see what they couldn’t, that he had figured it out, or if it just kept him from asking the questions.
But she was the one that loved to tease him the most, Dean of Students, Doctor Avelina Morano.
“These bloody prats,” Tim groaned, rubbing his head as he sat in his office, “First question on the exam- who did the Spanish king finance for a sailing trip that was meant to profit his rule?”
“It’s Columbus, innit?” Rohan quirked a brow, tossing Tim’s rubber band ball across the space to Jake.
“They put the blokes from Road to El Dorado.” He sighed, finally tossing the papers down, “Alright, I need a cleanser-“
“It was the first exam of the semester,” Jake missed aiming his toss of the ball as Avelina’s voice sounded from the doorway, Rohan wincing as it connected with his temple, but she remained unphased, “Do I need to start auditing your classes again?”
Tim groaned, running a palm down his face, “Swear, doc, I’ve taught it to ‘em.”
She finally shook her head, letting herself laugh, “Don’t stress, Timmy. It’s one exam, they’ll get better. Every year this happens, and every year they get better. Probably doesn’t help that Thabi used that movie for the first assignment on themes in her film theory class.”
Jake chuckled, “Thought she agreed to hold off on it this semester and do a classic.”
Avelina shrugged, “Who knows? But I’m here for another reason- Jake, you have someone waiting outside your office.” He cringed, the last time someone had been waiting outside of his scheduled office hours they hadn’t been… very well clothed. She read his hesitation, “It’s Juliet.”
“Oooh,” Rohan called out, “What did you do to get the head of HR coming for a personal visit?”
He sighed, choosing to look towards Avenlina, “It could be anyone’s guess what she needs to speak about.”
He thought, for some reason, that she’d take his side, but she smirked, “Sounds like there are a lot of things you did.”
“Ha ha,” he commented dryly, waving to the boys before following her into the corridor, “You don’t know what this is about?”
“With Juliet?” She grimaced, “Could be anything. Swear I would fire her nosey arse in a second if I could find a qualified replacement. Why did Elladine have to retire to stay home with the kids?”
Jake chuckled again as they made it to his office, the poised woman standing inside the open door as she checked her nails, “Professor Wilson, finally.”
“Apologies, Miss Thompson, but we didn’t have a scheduled appointment.”
“No, silly me for thinking you’d be doing your own work and not goofing off with your mates.” Juliet rolled her eyes, not seeing Avelina’s glare.
“Juliet, being in HR does not give you the right to make insulting comments to my staff.” The woman foolishly always believed the Dean’s temper was all bark and no bite, waving her off.
“Yes, yes,” Juliet sighed, clearly already exasperated with the conversation, “I’ll be frank and to the point, I’m getting complaints from parents again. They’re concerned about a single man that looks as Jake does working with their impressionable children.”
“These ‘children’ are adults,” Avelina countered, “And Jake isn’t single. Maybe if you cracked open his file instead of cracking on with the head of my cosmetology department you’d know that.”
Juliet’s cheeks flushed, but she glared all the same, “His file says nothing about a wife- you are listed as his emergency contact.”
Jake coughed to cover a laugh, amusement in his eyes, “Did you ever look at the ‘relationship’ part of that information?”
“Why would I?” Juliet scoffed, “I know who she is-“
“Clearly you don’t.” Avelina snapped, holding up her hand as Jake held up his, their matching rings glistening in the fluorescent lighting of the office, “Are we done here?”
“You can’t be married!” Juliet huffed, “It’s against policy!”
“Against the policy you enacted,” Jake nodded, “But we didn’t feel the need to get divorced to comply with your new regulations.”
Stomping her heels out of the office, the couple watched her leave, “Looks like I need to find that qualified candidate now.”
“Looks like it.” Jake smiled, “Guess the cats out of the bag now.”
“I give it three hours before she spreads the news around campus.”
“Three? That’s generous, my love.” He fished his phone out, already blowing up with texts from most of the department heads, “I think it’ll take twenty minutes.”
They laughed as she finally wrapped her arms around his waist, in front of the open door, “Oh well, guess everyone needs to accept that you’ve been off the market.”
“Professor Wilson-“ they turned to see a sorority girl, face flushed in embarrassment as she tried to tug her minuscule skirt to cover her legs, giving up in favor of zipping her jacket to cover her chest where it practically spilled from her top.
Avelina laughed to herself, pulling her arms back as she gave Jake a smirk, “You are needed, Professor. Just don’t forget, you’re only allowed to make house calls with me.”
The girl sputtered uselessly as she watched the Dean walk away, cackling, and Jake was left red in the face and chuckling.
His wife could be petty, and she was a tease, but she was his.
Masterlist
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badgaymovies · 5 years
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Today's review on MyOldAddiction.com, The Queen of Spain (La reina de España) by #FernandoTrueba starring #PenelopeCruz, "A great deal of effort is wasted on something without substance" FERNANDO TRUEBA Bil's rating (out of 5): B.5.  Spain, 2016.  Atresmedia Cine, …
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delhi-architect2 · 4 years
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ArchDaily - “[On Set with] Lilly Reich” Awarded the 2nd Lilly Reich Grant for Equality in Architecture
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Laura Lizondo Sevilla, Débora Domingo Calabuig, and Avelina Prat García. Image Courtesy of Fundació Mies van der Rohe
Fundació Mies van der Rohe and Ajuntament de Barcelona have announced online that the 2nd Lilly Reich Grant for Equality in Architecture has been awarded to the research proposal: “[On Set with] Lilly Reich” by Valencian architects Laura Lizondo Sevilla, Débora Domingo Calabuig, and Avelina Prat García. The granted project was selected by an international jury, composed of three professionals linked to the fields of research and dissemination in architecture and the research and dissemination in the matter of equality.
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from ArchDaily https://www.archdaily.com/951251/on-set-with-lilly-reich-awarded-the-2nd-lilly-reich-grant-for-equality-in-architecture Originally published on ARCHDAILY RSS Feed: https://www.archdaily.com/
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architectnews · 4 years
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2nd Lilly Reich Grant for Equality in Architecture
The Lilly Reich Grant, Equality in Architecture, Fundació Mies van der Rohe Photo, Catalan Award
The 2nd Lilly Reich Grant for Equality in Architecture
5 Nov 2020
The Lilly Reich Grant for Equality in Architecture 2020
The 2nd Lilly Reich Grant for Equality in Architecture has been awarded to the realization of the documentary “[On Set with] Lilly Reich”
Fundació Mies van der Rohe and Ajuntament de Barcelona have announced today, in a press conference held online, that the 2nd Lilly Reich Grant for Equality un Architecture has been awarded to the research proposal: “[On Set with] Lilly Reich” by Valencian architects Laura Lizondo Sevilla, Débora Domingo Calabuig and Avelina Prat García.
2nd Lilly Reich Grant for Equality in Architecture Winners: photo : Diego Opazo
The event was attended by Anna Ramos Sanz (director of Fundació Mies van der Rohe) and the authors of the granted project, who explained their research proposal, as well as the participation of Zaida Muxí Martínez (jury member).
According to Janet Sanz Cid, president of Fundació Mies van der Rohe and Deputy Mayor for Ecology, Urban Planning, Infrastructure and Mobility ot the Barcelona City Council,”The support of resources such as the Lilly Reich Grant for Equality in Architecture is key to promoting the effort made by the academic world to generate a body of knowledge on the road to equality. Tools such as this grant make it possible to restore the vision, work and commitment of so many people in the world of architecture who have been underestimated now and before”.
photo : Bauhaus-Archiv Berlin © Irmela Schreiber, Karlsruhe
The Grant bears the name of the pioneer in the fields of design and architecture Lilly Reich in recognition to her legacy, relegated to a second term, if not non-existent- in the narrative and memory of the history of architecture and aims to support the study, dissemination and visibilisation of contributions to architecture that have been unduly relegated or forgotten, made by professionals who have suffered discrimination because of their personal conditions. It also aims to promote access in equal opportunities to the practice of architecture throughout the world.
For this reason and as a novelty to this year’s edition, a specific call for senior high school students has been incorporated in order to encourage them to carry out curricular research projects focused on revertint the invisibilizations in architecture “Lilly Reich Grant for Senior High School Research Projects”. Information sessions for High Schools will soon be held and, starting on 8 March the option for High School students who plan to submit their curricular research projects during the 2021-2022 school year will be open for a month.
In its prior edition, the Grant was awarded to the research proposal Re-enactment: Lilly Reich’s work occupies the Barcelona Pavilion by Laura Martínez de Guereñu. The research results highlighted the need to continue studying and making Lilly Reich’s character and work, thus the 2nd Lilly Reich Grant of Academic Research insists on in the knowledge and dissemination of this essential figure in the history of modern architecture.
Last September the admission period for proposals for this second edition closed with the satisfaction of havin receied 17 research projects from Germany, Chile, Mexico, The Netherlands, Argentina, Italy and Spain. A successful amount that doubles the number of proposals received in the first edition. The Jury that gathered online on the World Architecture Day, has considered these proposals and made their resolution, wich is made public today:
The granted proposal
“[On Set with] Lilly Reich opts for the production and filming of a documentary as a means of disseminating the stated objective. It is a short film project that combines original documental sources with newly created visual material, and that wants to reflect the limitation of recognition in the professional field to this woman, as to so many others contrasting what she contributed (what was done) to what whas told about her (what was narrated). All this is ellaborated by means of a story that puts two timelines in parallel – the one of its production and the one of its historical representation- thus aspiring to identify the turning points for recovering the figure of Lilly Reich under conditions of equality.
The composition of the results will visibilize the specific contribution by Lilly Reich to the field architecture from her professional experience in the fields of design, ephemeral architectures and exhibition spaces and will point out the distortion in the representation of Lilly Reich due to the assumption of gender roles in the social and cultural context, not only of that moment but also through the following decades of the 20th century.
About the authors
Laura Lizondo Sevilla: Valencia 1979. Architect and PhD by Escola Tècnica Superior d’Arquitectura de la Universitat Politècnica de València (UPV). University Professor at UPV. Visiting scholar at the GSAPP, Columbia University (New York) and at Central Saint Martins, UAL (London). Director of the Blanca Valencia Chair and [En Blanco, Revista de Arquitectura]. The results of her research on Mies van der Rohe and Lilly Reich have been published in high impact scientific journals in the field of architecture and history of art.
Débora Domingo Calabuig: Valencia,1972. Architect and PhD by Escola Tècnica Superior d’Arquitectura de la Universitat Politècnica de València (UPV) and École d’Architecture de ParisLa Défense (França). University Professor at UPV Professora Titular d’Universitat a la UPV. Deputy Director of Research (2012-2016) and Chief Editor of the VLC architecture Research Journal (until 2018). Member of the European Association for Architectural Education, Her interests include the methods, means and impact of architectural research, taking into account its social consideration.
Avelina Prat García: Valencia, 1972. Architect by Escola Tècnica Superior d’Arquitectura de la Universitat Politècnica de València (UPV) and École d’Architecture de Paris-La Défense (França). She practiced the profesión before she devoted herself to film. Since 2004 she has been screenwriter and director of both fiction and documentary films. As a screenwriter she has taken part in the shooting of more than thirty full-length films alongside prestigious directors and is a programmer at the Valencia International Film Festival – Cinema Jove.
The Jury
An international jury, composed by three professionals linked to the fields of research and dissemination in architecture and the research and dissemination in the matter of equality, has been responsible for choosing the awarded project.
The jury of the present edition
Christiane Lange is an art historian, membre of the German Research Foundation – Project: “Raisonné catalogue of furniture and furniture design by Mies van der Rohe”. Lange is a fouding membre and president of “Projekt MIK e. V. ”Krefeld, Germany. Her research, exhibitions and films in recent years have focused on the European work of Mies van der Rohe, Lilly Reich and Bauhaus. In 2007 she was the curator of the first programme on the collaboration of Mies and Reich. In 2013 she produced a full-scale model of a Mies van der Rohe design MIES 1:1 The Golfclub Project with Robbrecht en Daem architecten.
Laura Martínez de Guereñu Elorza is an architect, historian and crític, specialised in Europe and its relationship with the transatlantic world during the 19th and 20th centuries.Her research focuses on issues such as the exploration of traces of modernity in pre-fascist Europe and its diaspora, the impact of educational legacies on built heritage, as well as the effect of changing ownership on the life and resilience of buildings.
Laura is Master in Design Studies with Distinction (History and Theory of Architecture) by Harvard University, where she remained for the following two years as a Visiting Fellow, as well as a SpecialAward winning and Phd in Architecture by Universidad de Navarra. She is a hired professor at the IE School of Architecture and Design.
She was awarded the first Lilly Reich Grant for Equality in Architecture and author of the exhibition Lilly Reich’s Work occupies the Barcelona Pavilion.
Zaida Muxí Martínez is an architect and urban planner with a degree by the Faculty of Architecture, Design and Urban Planning (University of Buenos Aires), PhD by Escuela Técnica Superior de Arquitectura de Sevilla and Professor at Escola Superior d’Arquitectura de Barcelona. Together with Josep Maria Montaner, she is co-director of the Masters Degree in Laboratory of the 21st Century Housing at Universitat Politècnica de Barcelona. She collaborates on the Cultura/s supplement of La Vanguardia. She is an expert in issues of space and gender.
According to the jury “The selected proposal has three assets that have made it worthy of the award, the first one is the collective proposal that combines abilities, the second one is the suggested exhibitiondissemination format, which is a documentary and the third one is contrasting the contributions of Lilly Reich to what has been said about her, that is, the proposal of a dialogue between facts and historiography”. Zaida Muxí, one of the members of the jury.
According to the authors of the granted Project “When we started working on this proposal we realised the great imbalance that existed between the professional work of Lilly Reich and the mentions that literature has made about her, projects and critics that build a part of the history of architecture. Historians hardly ever quote her, despite her regular presence in the profesional press of her time- We understood that we had to go back in search of the signs that would allow us to identify and decode her presence in history. Thus, we felt that the format of the documentary was the right one for a visual and temporal reconstruction and a more far-reaching dissemination”.
The Lilly Reich Grant for Equality in Architecture images / information received 051120
Previously on e-architect:
17 June 2020
The Lilly Reich Grant for Equality in Architecture photo : Pepo Segura The Lilly Reich Grant for Equality in Architecture
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