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#Anne Macdonell
thefugitivesaint · 2 months
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Morris Meredith Williams (1881-1973), ''The Italian Fairy Book'' by Anne Macdonell, 1911 Source
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thiziri · 5 months
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Princess Anne, as Vice President of the Royal Scottish Geographical Society, and as Former Patron of Heart of Arabia Expedition, conferring RSGS Honorary Fellowship on Elaine Blaxter, Thomas MacDonell, Professor Nick Millea and on Dr Vanessa Collingridge at the Royal Scottish Geographical Society in Perth, on 16 January 2024.
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simplicii · 4 months
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Anne Macdonell - The Italian fairy book .. WHAT THE STARS FORETOLD .. The Three Golden Hairs .. Rags-and-Tatters
★★——★★——The Italian Fairy Book——★★ Anne Macdonell ★ Spying (qaddara قَدَّرَ) and (وَرَدَ) in WHAT THE STARS FORETOLD – Tuscany ONE night a party of hunters were returning² from the forest to the Court of Naples .. (وَارِد) from the forest, that is ( آتي – قادم) .. Now, one of them was so proud that he would not ride with the others but galloped² on in front² by himself, .. ( تَوَرَّدَ) that is…
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isfjmel-phleg · 4 years
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Bibliography from my Psmith thesis
for @notafraidof-virginiawoolf
Alden, W. L. “Psmith of Pavia,” Harper’s Monthly Magazine, vol. 114, Feb. 1907, pp. 452-57. Google Books, books.google.com/books?id=yU_sIVnTdr4C&source=gbs_ navlinks_s.
Bell, R. S. Warren. “‘Beetle.’” The Captain, vol. 20, no. 118, Jan. 1909, p. 382.
——. Editorial. The Captain, vol. 21, no. 125, Sept. 1909, pp. 569-70.
——. Letter to “Admirer.” The Captain, vol. 23, no. 133, Apr. 1910, p. 95.
——. Letter to “Josie.” The Captain, vol. 22, no. 124, Aug. 1909, p. 480.
——. Letter to “Lancashire Lass.” The Captain, vol. 20, no. 116, Nov. 1908, p. 189.
——. Letter to “Michael.” The Captain, vol. 22, no. 125, Sept. 1909, p. 575.
——. “Valete.” The Captain, vol. 17, no. 102, Sept. 1907, pp. 568-69.
Buckler, Doris. “Thanks to ‘Psmith.’” The Captain, vol. 20, no. 115, Oct. 1908, p. 86.
Dold, Bernard E. Edwardian Fall-Out: The Ironic School. Peloritana, 1972.
Donaldson, Frances. P. G. Wodehouse: A Biography. Prion, 2001.
Dugan, Lawrence. “Worcestershirewards: Wodehouse and the Baroque.” Connotations, vol. 20, no. 2-3, 2010/2011, pp. 228-47.
Edwards, Owen Dudley. P. G. Wodehouse: A Critical and Historical Essay. M. Brian & O’Keefe, 1977.
Edwards, Thomas R. “P. G. Wodehouse.” Raritan, vol. 7, no. 4, Spring 1988, pp. 86-107.
Green, Benny. P. G. Wodehouse: A Literary Biography. Rutledge Press, 1981.
Hayward, John. “P. G. Wodehouse.” The Saturday Book, edited by Leonard Russell, Hutchinson, 1942, pp. 372-89.
Heddendorf, David. “When Plummie Met Sally: The Other P. G. Wodehouse.” The Sewanee Review, vol. 118, no. 3, 2010, pp. 411-16.
Hitchens, Christopher. “The Honorable Schoolboy.” The Atlantic, Nov. 2004, theatlantic.com/ magazine/archive/2004/11/the-honorable-schoolboy/303563/. Accessed 27 Jan. 2020.
Jaggard, Geoffrey. Wooster’s World. Coronet, 1979.
Jasen, David A. P. G. Wodehouse: A Portrait of a Master. Mason & Lipscomb, 1974.
Macdonell, A. G. “The Drama.” London Mercury, vol. 17, no. 100, Feb. 1928, pp. 456-58.
Malkinson, J. “Psmith.” The Captain, vol. 22, no. 122, May 1909, p. 190.
McCrum, Robert. Wodehouse: A Life. Norton, 2004.
Muir, Augustus. “The Popularity of P. G. Wodehouse.” The Strand, vol. 73, no. 434, Feb. 1927, pp. 128-36.
Murphy, N. T. P. In Search of Blandings. Penguin, 1986.
——. A Wodehouse Handbook. Rev. ed., Sybertooth, 2013. 2 vols.
Orwell, George. “In Defense of P. G. Wodehouse.” The Orwell Reader: Fiction, Essays, and Reportage. Harcourt, Brace, 1956, pp. 315-28.
“Psnobism.” Punch, vol. 128, Feb. 15, 1905, p. 109. Google Books, books.google.com/ books?id=iwcIAQAAIAAJ&source=gbs_navlinks_s.
Ramsay, Allan. “The Green Baize Door: Social Identity in Wodehouse, Part Two.” Contemporary Review, vol. 286, iss. 1668, Jan. 205, pp. 39-46.
Rea, Ann, editor. Middlebrow Wodehouse: P. G Wodehouse’s Work in Context. Routledge, 2016.
Readers of “The Captain.” “Psmith, Special Reporter: Some Examples of His Style.” The Captain, vol. 20, no. 118, Jan. 1909, pp. 362-65.
Richards, Jeffrey. “The Triumph of Athleticism: Mike.” Happiest Days: The Public Schools in English Fiction, Manchester UP, 1988, pp. 120-41.
Ring, Tony, and Geoffrey Jaggard. The Millennium Wodehouse Concordance. Porpoise, 1994-2001. 8 vols.
——. The Millennium Wodehouse Concordance. Vol. 7, Porpoise Books, 2000.
Säckel, Sarah. “What’s in a Wodehouse? (Non-)Subversive Shakespearean Intertextualities in P. G. Wodehouse’s Jeeves and Wooster Novels.” Semiotic Encounters: Text, Image and Trans-Nation, edited by Sarah Säckel et al., Rodopi, 2009, pp. 137–154.
Sheed, Wilfred. “P. G. Wodehouse: Leave It to Psmith.” The Good Word & Other Words. Dutton, 1978, pp. 215-22.
Snowden, W. Crawford. “Mr. Wodehouse on ‘Psmith,’ and Others.” Lincolnshire Echo, July 17, 1933, p. 4.
Taylor, D. J. “Before There Was Jeeves: A Hundred Years of Psmith in the City.” TLS: Times Literary Supplement, no. 5607, 17 Sept. 2010, pp. 14-15.
Thompson, Allison Joy. A Culture in Change: The Development of Masculinity through P. G. Wodehouse’s Psmith Series. 2015. Liberty University, Master’s thesis. Scholars Crossing, digitalcommons.liberty.edu/masters/362/.
Thompson, Kristin. Wooster Proposes, Jeeves Disposes, or Le Mot Juste. James H. Heineman, 1992.
Usborne, Richard. The Penguin Wodehouse Companion. Penguin, 1988.
——. Plum Sauce: A P.G. Wodehouse Companion. Overlook, 2003.
Vesterman, William. “Plum Time in Nevereverland: The Divine Comedy of P. G. Wodehouse.” Raritan, vol. 25, no. 1, Summer 2005, pp. 92-113.
Voorhees, Richard J. P. G. Wodehouse. Twayne, 1966.
Wainewright, John Bannerman, editor. Winchester College 1836-1906: A Register. P. and G. Wells, 1907. Google Books, books.google.com/books?id=RQkCAAAAYAAJ&source= gbs_navlinks_s.
Waugh, Evelyn. “An Act of Homage and Reparation to P. G. Wodehouse.” The Essays, Articles, and Reviews of Evelyn Waugh, Little, Brown, 1983, pp. 561-68.
Williamson, Michael T. “Before Jeeves: Impudence in P. G. Wodehouse’s Novels, 1909-23.” Middlebrow Wodehouse: P. G Wodehouse’s Work in Context, edited by Ann Rea, Routledge, 2016, pp. 51-72.
Wodehouse, P. G. “The Aunt and the Sluggard.” The World of Jeeves, Harper & Row, 1989, pp. 147-70.
——. The Gold Bat. The Gold Bat and Other Stories, Penguin, 1986, pp. 9-157.
——. Leave It to Psmith. Vintage Books, 1975.
——. A Life in Letters. Edited by Sophie Ratcliffe, W. W. Norton & Company, 2011.
——. Mike and Psmith. Penguin, 1990.
——. Mike at Wrykyn. Meredith Press, 1953.
——. Over Seventy. Wodehouse on Wodehouse, Penguin, 1981, pp. 465-645.
——. Performing Flea. Wodehouse on Wodehouse, Penguin, 1981, pp. 237-464.
——. Preface. The Man with Two Left Feet and Other Stories, Barrie & Jenkins, 1971, pp. 5-7.
——. Preface. The World of Psmith, Barrie & Jenkins, 1974, pp. v-vi.
——. Psmith in the City. Pennyfarthing, 1988.
——. Psmith, Journalist. Hutchinson, 1987.
——. Something Fresh. Life at Blandings, Penguin, 1981, pp. 7-180.
——. “Under the Flail.” Public School Magazine, June 1901. Madame Eulalie, madameulalie.org/psm/Under_the_Flail_07.html.
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cair--paravel · 6 years
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The Italian Fairy Book by Anne Macdonell, illustrated by Morris Meredith Williams, 1911 (via).
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aspumoni · 3 years
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Genealogy
How is Harriet Fraser (1867-1942), wife of Francis Anglin (1865-1933), chief justice of the Supreme Court of Canada, 1924-1933, related to -~-~ Margaret Macdonald (1849-1936), wife of William Hingston (1829-1907), mayor of Montreal, Quebec, Canada, 1875-1877?
........................Alexander Fraser + Ann Macdonell
.............................1786-1853 ............. 1797-1861
........................................................|
Archibald Fraser ............................. Catherine Fraser
...1827-1874 ............................................. 1821-1865
..........+ ...........................................................+
.Mary Scott ................................. Donald Macdonald
..1830-1915 .............................................. 1817-1896
.......... | ........................................................... |
(continues to … ) .............................. (continues to … )
...........| ........................................................... |
Harriet Fraser .............................. Margaret Macdonald
...1867-1942 ............................................ 1849-1936
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Jacopone da Todi (ca. 1230 – 25 December 1306)
Quoted in Sons of Francis (1902) by Anne Macdonell
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larryland · 5 years
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REVIEW: "Crazy for You" at the Sharon Playhouse
REVIEW: “Crazy for You” at the Sharon Playhouse
When it opened in 1992 Crazy for You was publicized as the “New GERSHWIN musical comedy” though it was an adaptation, of sorts, of George and Ira Gershwin’s 1930’s Girl Crazy.   The basic plot is the same and the music is all Gershwin with five original songs and many more adapted from other shows.  This delightful musical comedy hybrid is receiving a rousing production at the Sharon Playhousein…
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clima40-blog · 5 years
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Charlotte Cotton
This reading dives into sleight of hand and how it is related to the human mind and imagination. The two work in tandem to create what we have come to name as magic. I never really thought about it, but now that I think about it “magic” really is just an act that we perceive as magical, because we are not able to see the process and are forced to fill in the blanks with our on mind. We can’t quite understand or comprehend what is really happening when a magician is blowing our minds, and this is a perfect analogy for the images that are shown at the end of this reading. They are all visually interesting and demand more attention than simply looking at it, saying “that is a nice picture”, and then moving on. All of these images are of something similar or familiar to us, such as the doorway that is represented in Annie MacDonell’s Untitled. However, they are presented in a way that changes up these everyday items and make our imaginations kick in to make sense of what we are looking at. Some of them affect us more so (in my opinion) such as Gate 48 by Anne de Vries which shows the man with holes in his head and there are different images in each hole. There is no right or wrong to what you might think this image means, but it regardless of what you think the narrative is it makes your imagination work to come to your conclusion. 
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