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365filmsbyauroranocte · 5 months

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Music (Angela Schanelec, 2023)

#Music #Angela Schanelec #Schanelec #2023 #hands #water

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phantomladyoverparis · 4 months

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Schöne gelbe Farbe (1991), dir. Angela Schanelec

#Schöne gelbe Farbe #Angela Schanelec #90s #german cinema #women make movies #short film #experimental film

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filmografie · 7 months

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Favorite films watched in September & October 2023:

Cría cuervos... (1976), dir. Carlos Saura

The Spirit of the Beehive (1973), dir. Victor Erice

Odd Man Out (1947), dir. Carol Reed

Fallen Leaves (2023), dir. Aki Kaurismäki

I Was At Home, But... (2019), dir. Angela Schanelec

Benediction (2021), dir. Terence Davies

The Browning Version (1951), dir. Anthony Asquith

The Boy and the Heron (2023), dir. Hayao Miyazaki

Eyes Without a Face (1960), dir. Georges Franju

Ratcatcher (1999), dir. Lynne Ramsay

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kansassire · 8 months

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Music, 2023, Angela Schanelec

#music #angela schanelec

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cinematicjourney · 11 months

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Music (2023) | dir. Angela Schanelec

#music #angela schanelec #aliocha schneider #agathe bonitzer #films #movies #cinematography #scenery #screencaps

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davidhudson · 3 months

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Happy 62nd, Angela Schanelec.

Shooting Orly (2010).

#angela schanelec #cinema #film #movies

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enterfilm · 1 month

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MUSIK (Angela Schanelec, 2023)

"The joys of love but a moment strong. The pain of love endures. A whole life long"

#musik #music #musica #angela schanelec #aliocha schneider #agathe bonitzer #marissa triandafyllidou #argyris xafis #konstantinos lainas #eleni chalastani #stamatis baknis #miriam jakob #film #cine

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directedbywomen · 1 year

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Celebrating Angela Schanelec!

“For me it is something special, not to be alone. I’m interested in what people do in order not to be alone, what burdens they carry.”

I Was at Home, But . . . | Ich war zuhause, aber (2019)

"First of all, it’s very very simple for me: having the chance to put the camera in a space and having a body in front. If I do that, certain questions come up. Filmmaking for me is about thinking about those questions: distance to the body, the space the body is in, movement and what movement means. This is very very basic and essential, but it’s a starting point. There is no theory behind it. It’s more that I start to do something and then, when it’s done, maybe if I reflect I find out something which can be formulated. But this is not the working process."

Read more in The Film Stage's Angela Schanelec on I Was at Home, But…, the Kindness of Ozu, and Her Filmmaking Philosophies.

The Dreamed Path | Der traumhafte Weg (2016)

"Through this alternately mundane and enigmatic teaser, The Dreamed Path establishes its peculiar methods, which involve intermingling ambient distractions and narrative details so thoroughly that it’s hard to tell what to pass over and what to file away as possibly significant—a pursuit further complicated by the even-handed camerawork and editing, which treat each moment to its own lengthy examination. The twist is that, in Schanelec’s hands, everything is both important and inconsequential at the same time." Read more in Slant's Review: The Dreamed Path.

Marseille (2004)

'One of Schanelec's supreme accomplishments, Marseille "demands that we stop, that we let ourselves be swayed by its slow rhythm, and surprised by the audacity of its narration"'

Read more in TIFF's Marseille with Angela Schanelec.

Explore Schanelec's filmography on MUBI: