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#Aaron Diehl
donospl · 10 months
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JAZZOWE REKOMENDACJE: Tyshawn Sorey “Continuing”
PiRecordings, 2023  Tyshawn Sorey kontynuuje eksplorację świata swingującego jazzu prezentując kolejny – po dwóch wysoko ocenionych płytach z roku 2022 – kolejny album z klasycznymi kompozycjami. Wydany przez PiRecordings  album nosi (nomen omen) tytuł “Continuing”. Zachęcamy do lektury naszych recenzji   albumów „Mesmerism”  oraz „The Off-Off Broadway Guide to Synergism” Grającemu na perkusji…
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dustedmagazine · 7 months
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Tyshawn Sorey Trio — Continuing (Pi)
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Tyshawn Sorey has done so many things over the past couple decades — classical art song, hovering free improvisation, Bill Dixon-derived walls of texture and action, funky synth jams with King Britt — that it was only a matter of time before he dealt with jazz standards.  But when he finally did, the results were perplexingly hard to embrace. The trio date Mesmerism felt more strategic than involving, a box ticked. The Off-Off Broadway Guide To Synergism, a triple CD encounter with a quartet that included saxophonist Greg Osby, was as exhausting as it accomplished. But the third time’s the charm, and Continuing, which features the same trio as Mesmerism, is simultaneously deeply idiomatic, artistically necessary, and appealingly personal.
It comprises just four performances, played by Sorey on drums, Aaron Diehl on piano and Matt Brewer on bass. The tunes are not equally known, but each is in some way archetypal. “Angel Eyes” has been performed by Frank Sinatra, Stan Kenton, Ella Fitzgerald and Willie Nelson; it’s one of those hills that every jazz musician of a certain age had to climb. Wayne Shorter’s “Reincarnation Blues,” Ahmad Jamal’s “Seleritus” and Harold Mabern’s “In What Direction Are You Headed?” each tap into a particular essence, and each happens to be the work of a recently departed jazz composer who meant a lot to Sorey, which may explain why this album feels so emotionally direct, even when the trio takes a tune somewhere it wasn’t built to go.
Art Blakey and the Jazz Messengers gave Shorter’s “Reincarnation Blues” a typically hard-swinging treatment. The trio slows it way down, playing it first as a slow, sauntering blues, and then handing it to Diehl, whose solo around the eight-minute mark is a gravity-defying marvel of sound-mass management. “Seleritus” runs over four times as long as Jamal was wont to play the tune, during which time the group respectfully recreates Jamal’s suave voicings and lightly percolating grooves, and then patiently refashions them into a quietly singing exposition of masterful resource husbandry. “Angel Eyes” is nearly as long and nearly stationary, hovering with delicate suspense. Perhaps the most remarkable thing is how little Sorey plays, doling out the sounds of his hi-hat like they’re the sole bag of rations that must keep you alive until spring. The Mabern tune breaks that spell with a soulful roil so visceral that you might miss the ingenious rearrangements taking place every second.
Bill Meyer
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nonesuchrecords · 1 year
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Cécile McLorin Salvant performed in concert at Cabaret Sauvage in Paris broadcast live for the ARTE series Les Concerts Volants. She was joined by pianist Aaron Diehl for the show to perform songs from her new album, Mélusine, due March 24, and more. You can watch the concert here.
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perry-tannenbaum · 2 years
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Spoleto Roars Back, Honoring Africa, Arabic, and Alice (Coltrane)
Spoleto Roars Back, Honoring Africa, Arabic, and Alice (Coltrane)
Review: Jazz @ Spoleto Festival USA  By Perry Tannenbaum It’s difficult to imagine what the stage and the audience would have looked like at Gaillard Center if Rhiannon Giddens’ new opera, Omar, had premiered as scheduled at Spoleto Festival USA in May 2020. #BlackLivesMatter and the COVID-19 pandemic have affected the trajectory of our lives since then, also deflecting the course of the…
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allagashed · 2 months
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brokehorrorfan · 1 month
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Primal Fear will be released on 4K UHD + Blu-ray on March 26 via Paramount. The Golden Globe-winning 1996 mystery thriller is the 43rd entry in the Paramount Presents line of collector’s editions.
Gregory Hoblit (Fracture, Frequency) directs from a script by Steve Shagan (Gotti) and Ann Biderman (Public Enemies), based on William Diehl's 1993 novel. Richard Gere, Laura Linney, John Mahoney, Alfre Woodard, Frances McDormand, and Edward Norton star.
Primal Fear is presented in 4K with Dolby Vision and Dolby TrueHD 5.1 audio. Special features are listed below, where you can also see the complete, fold-out packaging.
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Special features:
Commentary by director Gregory Hoblit, writer Ann Biderman, Producer Gary Lucchesi, Executive producer Hawk Koch and casting director Deborah Aquila
The Final Verdict
Star Witness: Casting Edward Norton
The Psychology of Guilt
Theatrical trailer
Richard Gere stars as Martin Vail, a famed defense lawyer who volunteers his services to Aaron Stampler (Edward Norton), a Kentucky teenager charged with the murder of a Chicago archbishop. Covered with blood, Aaron was captured after a foot chase broadcast live on TV, making a gleeful Vail certain that he could raise his profile by defending the obviously guilty suspect. Assigned to prosecute is Assistant District Attorney Janet Venable (Laura Linney), who is Vail's ex-girlfriend. Vail's case becomes more complicated than he expected when a psychologist, Dr. Molly Arrington (Frances McDormand) concludes that Stampler suffers from multiple personality disorder. Vail also uncovers evidence that the archbishop was involved in a corrupt land scheme and may have molested young parishioners. Now the cynical, opportunistic attorney is faced with a daunting prospect: a client who may actually deserve his best defense.
Pre-order Primal Fear.
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weclassybouquetfun · 1 month
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Next month is the annual exhibitor showcase Cinemacon where movie studios tout their wares for the very anxious theater owners.
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It has already been announced that Sony is sitting this year out, so no info on VENOM 3: THE LAST DANCE, to be released October 25, 2024.
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While I assume there will be some changes to the lineup, so far it is shaping up to be:
OPENING DAY: International Day features a screening of Universal 80s series remake THE FALL GUY starring Ryan Gosling, Emily Blunt, Hannah Waddingham and Aaron Taylor-Johnson (who has said in a recent interview that it is a small role) ; directed by David Leitch (BULLET TRAIN, DEADPOOL 2)
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DAY ONE: WB pulls up with their presentation "The Big Picture". It will be the first Cinemacon for James Gunn in his position as Co-Chairman and Chief Executive Officer of DC Studios.
I expect a song and dance from Gunn about how awesome sauce the new DC film universe will be
I'll believe it when I see it.
Sure to tease SUPERMAN LEGACY which stars David Corenswet as the title character, Rachel Brosnahan as Lois Lane and Nicholas Hoult as Lex Luthor.
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JOKER: FOLIE A DEUX, BEETLEJUICE, BEETLEJUCE
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MORE STUDIO OFFERINGS
Also, FURIOSA: A MAD MAX SAGA
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, the supernatural horror film THE WATCHERS, directed and written by Ishana Night Shyamalan, daughter of M. Night
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, M. Night Shymalan's TRAP starring Josh Hartnett, ALTO KNIGHTS with Robert DeNiro playing a dual role.
Certainly don't expect anything to hear about THE BATMAN sequel other than it won't shoot until 2025. There has been no reason provided, but some say there isn't even a script, others say it was because there were no soundstages available in London to shoot this year.
DAY TWO: ANGEL STUDIOS - The outfit behind SOUND OF FREEDOM.
I suspect they will tease SIGHT starring Greg Kinnear and BONHOEFFER (aka GOD'S SPY) about German theologian Dietrich Bonhoeffer, starring August Diehl, Flula Borg and Clarke Peters.
LIONSGATE: I suspect they will tease Guy Ritchie's THE MINISTRY OF UNGENTLEMANLY WARFARE starring a pick-a-mix of men for all tastes - Henry Cavill, Alan Ritchson, Alex Pettyfer, Henry Golding and Hero Fiennes Tiffins
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; the action-thriller BOY KILLS WORLD fronted by Bill Skarsgård and costarring Sharlto Copley, Andrew Koji (who is working like mad), Famke Janssen and Isaiah Mustafa.
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Surely, another Bill Skarsgård film THE CROW with fka Twigs
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; THE STRANGERS: CHAPTER 1, which is the third film in the franchise - doing a bit of FAST AND THE FURIOUS mathing. It stars Madelaine Petsch, Froy Guittierez and Gabriel Basso
At long last the BALLERINA has pliete into the spotlight. This JOHN WICK spinoff stars Ana De Armas, with Anjelica Huston reprising her role from JOHN WICK 2. It's direct by Len Wiseman who directed the UNDERWORLD films starring his ex-wife Kate Beckinsale.
BORDERLANDS, an action-comedy based on the game, brought to the screen by Eli Roth. Starring Kevin Hart, Jamie Lee Curtis, Jack Black, Cate Blanchett, Haley Bennett and Édgar Ramírez, amongst others.
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and WHITE BIRD, which is in the same universe as the excellent children geared film WONDER. It was due to come out in 2023 but was pushed back due to the actors strike.
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UNIVERSAL / FOCUS FEATURES: I suspect teases for Dev Patel's directorial debut MONKEY MAN. The film was originally slated to go to Netflix but Jordan Peele, under his Monkey Paw shingle, bought it and took it to Universal so it could have a theatrical release. *Granted, Netflix does a theatrical release for most of their films in certain markets, but I get Peele's rationale.
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Their Monsters Universe theatrical idea didn't work, but Universal has realized there is more than one way to skin a cat. They are creating a Universal Monsters themed area at their parks and their monster/horror film ABIGAIL is a re-imaging of DRACULA'S DAUGHTER. It stars Alisha Weir, Melissa Barrera and Dan Stevens and features Angus Cloud in one of his last roles.
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THE FALL GUY most definitely will have a place. Same with THE BIKERIDERS (with Austin Butler, Tom Hardy, Jodie Comer, Norman Reedus, Mike Faist, etc.), which was a 20th Century (Disney owned) Film, and even though it was the first major film out the gate ahead of Oscars/Golden Globes' FYC season with a screening and Q&A held in L.A., the studio purposely stalled the engine and towed it off their schedule. It will now be distributed by Focus Features in the U.S., and Universal, internationally.
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Other possible teases? DESPICABLE ME 4, TWISTERS, the standalone sequel to the 90s film TWISTERS
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, horror film SPEAK NO EVIL starring James McAvoy and Mackenzie Davis
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, WICKED: PART ONE and Sir Ridley Scott's GLADIATOR 2 with Paul Mescal and Pedro Pascal.
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There will also be a surprise screening; studio unknown.
DAY THREE: PARAMOUNT: Expected: the mixed live-action and animated comedy IF starring Ryan Reynolds, written/directed and produced by John Krasinski.
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A QUIET PLACE: DAY ONE, GLADIATOR 2 (though this is a co-production with Universal, so maybe Uni will tout it), SONIC THE HEDGEHOG 3, the unending production that is MISSION IMPOSSIBLE 8,
WALT DISNEY: Possible: THE FIRST OMEN, KINGDOM OF THE PLANET OF THE APES
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, MOANA 2, INSIDE OUT 2, DEADPOOL 3, ALIEN: ROMULUS, CAPTAIN AMERICA: BRAVE NEW WORLD and SNOW WHITE.
CinemaCon always closes out with their awards (which always ties into an upcoming release. Funny how that works.
So far the honourees are:
Star of the Year - Lupita Nyong'o (A QUIET PLACE: DAY ONE)
Breakthrough Performer of the Year - Joseph Quinn (A QUIET PLACE: DAY ONE)
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CinemaCon Vanguard Award - Amy Poehler (INSIDE OUT 2)
Director of the Year - Shawn Levy (DEADPOOL AND WOLVERINE)
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burlveneer-music · 3 months
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My WVUD playlist, 2/5/2024
Mary Lou Williams - Aries Jeong Lim Yang - Taurus Umlaut Chamber Orchestra - III. Gemini Chris Pattishall - Cancer Mary Lou Williams - Leo Aaron Diehl & The Knights - Virgo Jeong Lim Yang - Libra Geri Allen & The Mary Lou Williams Collective - Scorpio Mary Lou Williams - Sagittarius Aaron Diehl & The Knights - Capricorn Umlaut Chamber Orchestra - XI. Aquarius Geri Allen & The Mary Lou Williams Collective - Pisces Mary Lou Williams - Holy, Holy, Holy Max Roach with the New Orchestral Society of Boston and the So What Brass Quintet - Festival Journey Max Roach / M'Boom - Caravanserai
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0rph3u5 · 1 year
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Cécile McLorin Salvant   I Didn't Know What Time it Was
Cécile McLorin Salvant - Vocal Aaron Diehl - Piano Rodney Whitaker - Bass Herlin Riley - Drums
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culturedarm · 1 year
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Following the delicate harmonies and swinging melodies of Mesmerism, the drummer Tyshawn Sorey returns to the repertoire alongside Aaron Diehl, Russell Hall, and Greg Osby on a freewheeling three-and-a-half hour live performance from The Jazz Gallery in New York City. As Touch celebrates forty years of fierce resistance to the status and trappings of 'record label', the multi-instrumentalist Patrick Shiroishi takes a novel approach to field recording, emanating from within the dotted landscape of Evergreen Cemetery in Los Angeles for a stirring treatise on stillness and presence. The sound sculptor Sawako returns with her first solo album since 2014, Yves Tumor sees the spectre of God in life's same old circle, and Gloria de Oliveira embarks on a celestial Brazilian island for the video to 'Eyes Within', as tracks by Klein, Tomu DJ, Rat Heart, Tom Skinner, and Yo La Tengo also feature in the latest roundup of best new music. https://culturedarm.com/tracks-of-the-week-05-11-22/
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noloveforned · 9 days
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i'm (hopefully) at home recovering from a minor heart procedure earlier this week but there's a new show set to air on wlur at 8pm tonight with two hours of (mostly broken) heart related songs. last week's show is also streaming on mixcloud and will air at 10pm tonight after the new show.
we also wrapped up our 'song quotes' theme last week. all semester long we've been starting shows off with a song that quotes lyrically from another song. we heard from: built to spill allo darlin, spiritualized, jeanines, okkervil river, hootie and the blowfish, car seat headrest, tori amos, uncle tupelo, vampire weekend, martha, the spinanes, destroyer, and u2.
no love for ned on wlur – april 12th, 2024 from 8-10pm
artist // track // album // label u2 // god, part ii // rattle and hum // island bodega // dedicated to the dedicated // our brand could be yr life // chrysalis armin // academic genius // armin cassette // lost sound tapes the real losers // beat your heart out // good clean fun // total punk macho boys // dinosaur // macho boys // dirt cult cowtown // tweak // paranormal romance // happy happy birthday to me hound // holding out // some days were good cassette // gold mold s:bahn // you could be mine // love songs // noiseland lung leg // krayola // maid to minx // last night from glasgow majesty crush // seles // love 15 // numero group drop nineteens // white dress // white dress ep // wharf cat nervous twitch // this song about ya // odd socks // (self-released) guided by voices // jabberstroker // sunfish holy breakfast ep // matador still house plants // sticky // if i don't make it, i love u // bison tam lin // snooping animals // tam lin cassette // discontinuous innovations titanic // circulo perfecto // vidrio // unheard of hope patrick shiroishi // the light is not afraid // a sparrow in a swallow's nest 7" // sub pop caroline davis and wendy eisenberg featuring greg saunier // concrete // accept when // astral spirits shabaka hutchings featuring saul williams // managing my breath, what fear had become // perceive its beauty, acknowledge its grace // impulse! tyshawn sorey, aaron diehl and matt brewer // reincarnation blues // continuing // pi harold land // one second, please // the fox (remastered) // contemporary akai solo // demonslayer // spirit roaming // backwoodz studioz serengeti // lou canela // kenny dennis iv // tha god fahim and oh no featuring your old droog // cobbler // berserko // nature sounds estee nack and futurewave // oscar de la renta // stone temple pyrex // wav god music valee and harry fraud featuring saba and mavi // watermelon automobile // virtuoso // fake shore drive beyoncé featuring linda martell and shaboozey // spaghettii // cowboy carter // parkwood entertainment the hit parade // apple tree // under the bridge, volume two compilation // skep wax haha same // calling it a night // guess what to do 7" // sub pop the ladybug transistor // always on the saxophone // can't wait another day // merge the flaming stars // ten feet tall // john peel session on october 17th, 1996 ep // precious club 8 // sunny // sunny digital single // golden islands the reds, pinks and purples // learning to love a band // unwishing well // slumberland
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donospl · 6 months
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Co w jazzie piszczy [sezon 1 odcinek 26]
premierowa emisja 8 listopada 2023 – 18:00 Graliśmy: Maria Kannegaard Trio “Dere” z albumu “Live at Dokkhuset” – Jazzland Recordings Miriam Kibakaya “porcelain girl” z albumu „roots” – Jazzland Recordings Rasmus Oppenhagen Krogh “How U Look” z albumu “Until Then” – April Records Tijn Wybenga & AM.OK ft. Alistair Payne “Redleg” z albumu „Re:Brainteaser” Rob Luft “Be Water, My Friend” z…
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theloniousbach · 3 months
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As a contributing writer, I contributed an hour of programming and suggested some other tunes.
Posted at https://www.wgte.org/blog/this-week-on-jazz-spectrum-210
PROGRAMMER’S NOTES—Song of the Week (“I Should Care”) and a Coda
Set 5/9 pm
Frank Sinatra, The Columbia Years, 1943-1952, vol. 2, “I Should Care”
Lee Konitz/Enrico Pieranunzi, Solitudes, “I Should Care”
Sonny Rollins, Falling in Love with Jazz, I Should Care”
Thelonious Monk, Thelonious Himself, “I Should Care”
Set 6
Thelonious Monk, Milt Jackson & the Thelonious Monk Quintet, “I Should Care”
Alan Broadbent, Pacific Standard Time, “I Should Care”
Steve Wilson, Blues for Marcus, “I Should Care”
Julie London, Julie Is Her Name, “I Should Care”
Set 7
Aaron Diehl and the Knights (with Nicole Glover), Zodiac Suite, “Cancer”
Miki Yamanaka, Shades of Rainbow, “Song for Mary Lou”
Sean Mason, Southern Suite, “Lavender”
Ethan Iverson, Technically Acceptable, “Victory Is Assured (Alla Breve)”
​I often decline Fritz’s annual invitation to write about my favorite albums of the year. I don’t track new album releases nor do I feel I have a wide enough vantage point. In his January 5th blog, Fritz took up the decline of record labels and albums. I could falsely assert that I’ve been ahead of that curve, but the reality is that I’m just part of the problem.
​But I do pore over his lists to catch up on things I should know about. Mark Turner’s Live at the Village Vanguard was at the top of that list. Alas, it isn’t available on the well-known streaming service that takes my money and gives precious little to the artist, so I haven’t yet heard it. But they do have Turner on an album with Miki Yamanaka, who plays a monthly late-night set at Small’s on Mondays with husband Jimmy McBride on drums and an available bass player before she supervises the jam session at midnight. I like Yamanaka’s pluck, her smarts, and her chops, so when I found a set of her trio with Turner from August 2022 I was on it, navigating the Small’s Live Archive to plumb its riches yet again.
​They did “I Should Care” which undoubtedly I’ve heard, and it was the most striking tune of that night. So I looked it up in Ted Gioia’s “Jazz Standards (Second Edition)” to find that he framed it as a quintessential world-weary Frank Sinatra song with stunning solo versions by Thelonious Monk. More than sufficient for me to explore further.
​Gioia recommends versions by Bud Powell and Bill Evans, among others. I could have just followed his recommendations for this or any song and cranked out a perfectly acceptable Song of the Week playlist. I enjoyed following those leads but didn’t deny myself the fun of finding other versions and making my own juxtapositions.
​But the Sinatra opener is irresistible, so, with thanks to Mr. Gioia, I did not resist and put the Riverside Monk solo version (the earlier of the two that Gioia recommends) to end the first set. The middle of the first set is given to two master saxophone improvisers deep into their venerable careers. Listening to Lee Konitz and Sonny Rollins side by side is a chance to learn so much about the tune and jazz improvisation in general.
​If we hear Monk solo to close the first set, the second set opener is another chance to hear him explore the composition, this time with Kenny “Pancho” Hagood’s vocal and, even better, Milt Jackson’s vibraphone extending the conversation about the tune and improvisation that Konitz and Rollins started.
​Alan Broadbent’s and Steve Wilson’s versions are worthy too. I know them from the streams I got to know and treasure from the 2020 lockdown, the renewing pitcher of lemonade I started making from the lemons live and the pandemic gave me. Small’s and Mezzrow’s in particular stream all their sets, and Smoke Jazz Club also presents several streaming sets every weekend. Like Yamanaka, Broadbent is a favorite whose elegant sets with Harvie S and Billy Mintz I never miss. His “I Should Care” is with a different trio from roughly 30 years ago, but he brings that same touch and deep knowledge to this version. Steve Wilson’s presence on a gig makes it worth attention. On one of the ones I’ve caught, the pianist Bill Charlap said nobody makes a tune sing like he does. I haven’t settled on how he sings, but he’s a perfectly modern altoist who is not in Charlie Parker’s broad lineage, nor Konitz’s. That makes his version of the Song of the Week worthy.
​My coda, the last set of the hour, is a further celebration of favorites from the streams. Fritz honored Aaron Diehl’s masterful orchestration of Mary Lou Williams’s Zodiac Suite on his Best of 2023 list. “Cancer” features Nicole Glover’s tenor solo, and she is a treasure. The Yamanaka album with Turner conveniently has “A Song for Mary Lou” as a complement to Diehl with Glover. Sean Mason used to do amazing duets with trumpeter Giveton Gelin at Mezzrow’s, “just playing tunes,” as he put it from the bandstand after one of their stunning extended suites. He’s a precocious melodist and his album is full of them, lush and catchy. Finally, Ethan Iverson gets himself to Mezzrow’s often enough to work through standards and compositional ideas that have born fruit in his new “Technically Acceptable” album. His “Victory Is Assured (Alla Breve)” is meant to evoke Kansas City and Count Basie, just as he did in a Mezzrow set that featured both Basie and Ellington, although more of the former.
​I too may “just be playing/programming tunes.” Still, they are ones that I should care about—and I do.
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indie73 · 4 months
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Jazz musician Aaron Diehl on his rendition of 'The Zodiac Suite'
http://dlvr.it/T15Cxq
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aporias · 4 months
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Aporias Favoritos 2023
23 discos deste ano
Aaron Diehl - Zodiac Suite
Aaron Novik - Frowny Frown
Allison Miller - Rivers In Our Veins
Ceramic Dog & Marc Ribot - Connection
Darcy James Argue - Dynamic Maximum Tension
Empire State Bastard - Rivers Of Heresy
Ghost Train Orchestra & Kronos Quartet - Songs & Symphoniques: The Music of Moondog
Haralabos [Harry] Stafylakis - Calibrating FrictionJohn Zorn - New Masada Quartet, Vol. 2
Kanaan - Downpour
Marek Pospieszalski - No Other End of the World Will There Be
Neil Young - Chrome Dreams
Ni - Fol Naïs
Poil - Yoshitsune
Roomful of Teeth - Rough Magic
Sam Eastmond - John Zorn's Bagatelles, Vol. 16
Steve Lehman - Ex Machina
Sunwatchers - Music Is Victory Over Time
Ultra Zook - Auvergnication
Ultraphauna - No No No No
Uri Caine, Brussels Philharmonic & Alexander Hanson - Agent Orange
The Westerlies - Move
Za! - Za! & la TransMegaCobla 
Playlists
Apple Music Spotify
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citylifeorg · 5 months
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The Guggenheim Honors Gail and Alfred Engelberg and Artist Sarah Sze in 2023 International Gala
Guggenheim International Gala, Solomon R. Guggenheim Museum, New York, November 15, 2023. Photo: Yvonne Tnt/BFA.com © BFA 2023 The Benefit Dinner Featured Special Performances by Jasmine Rice LaBeija and Aaron Diehl and the Ellington Alumni Jazz Orchestra On the evening of November 15, the Guggenheim Museum celebrated its 2023 International Gala. The event honored Gail and Alfred Engelberg, as…
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