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Cult Girl: Doctorate (Hannibal x Female!Reader) pt. 2

Oils

Cult girl socializes at the opera and receives an unexpected call. 

Note: I tagged this as “anti mlm” as in multi-level marketing and not men-loving-men. 

Trigger warnings: Discussions of cults and emotional manipulation

It wasn't until after the opera was over that people began to notice you may have had a little fun during intermission. Hannibal's hair wasn't in its usual perfect side part and his jacket was slightly wrinkled in places. You could cover most of his love bites with your stole, but nothing could hide that post-orgasm glow.

Most opera-goers stayed to socialize for hours after the show concluded, making an already long night even longer. It was like clubbing, but for rich old people.

"So you're the future Mrs. Hannibal Lecter?" A woman with silvery hair said. She dragged her husband into the conversation by the arm. "I've heard so much about you."

You were about to say something witty, but noticed the way she was looking at you. Scanning you up and down. Looking for anything out of place to grill you about.

"Only good things, I hope." Hannibal said in your silence. His voice was vaguely threatening. "She is a doctoral student, in her second year of her graduate studies in clinical psychology."

The husband, who, up to this point, hadn't spoken a word, perked up. "Is that right?"

You smiled, excited for the chance to talk about your passion. "Yes sir. I've still got quite a ways to go, but I love my work."

"You should be proud." The man praised, looking at Hannibal. "You've got yourself an ambitious wife."

"Oh, we're not married yet." You corrected.

"So when can we expect an invitation?" The woman asked.

"Six months from now, isn't it?" Hannibal answered. "Memorial day weekend. Then I'm taking her to Italy for a lengthy honeymoon."

The woman threw her head back and sighed. "That sounds heavenly."

"You young modern girls are always so intuitive." The man commented. "I'll bet you tricked him into marrying you."

You wanted to call this guy out for his sexist bullshit, but he wasn't far off. It was Hannibal who tricked you, though.

Technically, he proposed to you within the first six months. You just didn't know it. It took until shockingly recently to find out.

It was during a ballroom dancing lesson of all places. You were sweaty, but loved the feeling of your lover's hands gently guiding your movements. You stepped away from the lesson to get some water, and innocently asked when he would propose to you.

"I believe I already did." He said with enough conviction to blur the lines of seriousness and sarcasm.

"You pretended to." You corrected. "Remember? We were just pretending to be engaged for Anna's wedding."

"But it didn't end after the wedding, did it?" He observed. "You kept calling me your fiancé long after that weekend passed."

You paused, then threw your head back in exasperation. "Oh my god, Hannibal."

Hannibal laughed. "I told you. Someday it won't be a lie."

"You're a piece of shit, you know that?" You pressed your fingers to your temples. "So we've been engaged this whole time?"

"What can I say?" He said, gently. "I knew you were my one and only even then. It was just a matter of circumventing your inhibitions."

"I'm not complaining." You folded your arms. "But a little notice would have been nice."

"Well, if you insist." He laced his fingers between his own. "[F/N] [L/N]. Will you be my wife?"

Even though the question was truly just a formality, you were still as giddy as a schoolgirl to hear those words.

"Yes, Hannibal Lecter." You said, cheeks stinging from smiling so hard. "I will marry you."

Then you just went back to the dance lesson like nothing happened. It was shockingly in-character for both of you.

"No." You shook your head. "We killed someone together and took a blood oath to never separate."

The couple laughed. Hannibal looked down at you with pride.

“So [F/N].” The man said. “Have you given any thought to your doctoral dissertation?” 

“Oh, Charles.” The woman rolled her eyes. “I’m sure she didn’t come here to be grilled about her studies.” 

“No, it’s okay.” You smiled. As long as you were talking about school, you weren’t being interrogated about the thirty-year age gap between you and Hannibal. “I have been thinking about my dissertation. There are plenty of fascinating topics to choose from, but I can’t not write it about, well, the reason I began to study psychology in the first place.” 

“And that is?” The man raised an eyebrow.

“Cults.” You said, grinning ear to ear. “Understanding them, their leaders, their followers, why people join them. How they evolve and grow more insidious as time passes. What form they’re starting to take in the digital age.” 

“That is interesting.” The woman’s voice rose, connoting genuine engagement. “And what form are they taking in the digital age?” 

You looked up at Hannibal, as if to ask for permission. Permission to rip into her and burn that bridge for good. He answered in the affirmative. 

“Ma’am, could I take a look at your bracelet?” You asked, already knowing exactly what she would say. 

Her face lit up. “Oh, do you like it?”

She pulled it off her wrist and handed it to you. You brought it to your nose and took a whiff, confirming your theory. Then you handed it off to Hannibal, whose sense of smell was much more refined. He took one breath, then recoiled. 

Hannibal covered his mouth and nose with his hand and coughed. “That is... quite strong, Mrs. DeMarco.” 

“It’s Affirm, by doTERRA.” She revealed, her voice growing defensive. “It helps you ground yourself and remember your worth.” 

You handed the bracelet back to her. “Do you sell doTERRA, Mrs. DeMarco?” 

“Well, now that you mention it...” A small smile appeared on her lips. “Why? Would you like to buy some?” 

“I hate to be the one to tell you this, ma’am, but...” You lied. “You’re actually in a cult.” 

She had nothing to say to that. She just stared at you with her mouth agape, urging you to explain yourself. 

“Multilevel marketing companies employ a host of cult manipulation tactics to con people out of their savings.” You explained. “Just because the promise is financial independence instead of a spot in paradise, doesn’t mean it’s not a lie. Research conducted by the Federal Trade Commission shows that the vast majority of participants actually lose money. The statistics are just a google search away, yet thousands of people still insist on the legitimacy of the companies they sell for.” 

“Well, I-” She protested, but couldn’t find the words to defend herself. “I’m there for the community, really. For the first time in years, I have a sisterhood of like-minded women who love me!” 

You smiled through a cringe. “That’s another pretty common cult manipulation tactic. They appropriate familial language to make people feel more connected to the group than they really should be.” 

Although you didn’t expect her to, she looked to be genuinely considering it. 

“Next time you see your ‘sisters’,” You began. “Pay attention to how they talk about people who are not in the group. Or, better yet, tell them that you’re considering leaving. You’ll see how conditional their love is.” 

An awkward, deafening silence followed. The woman looked at her husband, as if willing him to do something. To stand up to the evil twenty-something grad student who had the audacity to cite her sources. 

Instead, the husband just burst out in riotous laughter. 

“Miriam!” He nearly shouted, heaving like he was about to collapse. “I told you that oil business was up to no good! No honest company makes their employees pay to work!” 

The woman’s face turned red. You almost felt bad for her. The feeling vanished when the man put his hand on your shoulder. 

“Seriously, Dr. Lecter, you’d better keep this one.” He said, wiping a tear from his eye. “She’s an absolute godsend.” 

“No divine intervention was involved whatsoever, Dr. DeMarco.” Hannibal smiled to himself and brought a glass of champagne to his lips. “She is a woman of her own making."

"Oh, we all know that's not entirely true." The woman snapped, slipping into passive-aggression. She glanced at Hannibal. "How much are you spending on this mouthy little know-it-all? Isn't it about $80k a year?"

You, of course, brought this on yourself. You threw down the gauntlet by going after this girlboss's side hustle, so now nothing was off-limits.

"I wouldn't worry about that, Mrs. DeMarco." Hannibal said, calmly. "My soon-to-be wife's education is a much better investment than that overpriced napalm you wear on your wrist."

You couldn't help but laugh at that. It was a laugh you shared with the man. Hannibal looked down at you, admiring how your face lit up.

"You'll forgive my wife's rudeness." The man requested. "Please, Ms. [F/N], tell me more about your dissertation."

"Well," you laced your fingers together. "I'm planning to write my dissertation on the cult of academic elitism."

"I would tread lightly, dear." The woman warned, eyes darting to Hannibal. "You wouldn't want to bite the hand that feeds you."

You adjusted your stole, giving them a quick glance at the love bites along your neck.

"I assure you." You said. "He quite likes it when I bite."

Your clutch started to aggressively, audibly vibrate. You could have sworn you'd put your phone on silent, but it buzzed nonetheless.

"Probably just, y'know-" you stuttered, embarrassed. "An amber alert or something."

"We are expecting a snowstorm, I believe. I was warned of it a few minutes ago." Hannibal said, always ready to cover your ass whenever needed. The couple nodded along in understanding.

You pulled your phone from your clutch. Your eyes widened and your face turned sickly pale at the sight of a caller you thought you’d never hear from again. Without thinking, you slid the deny icon across the screen. 

“Right.” You said, tucking your phone and your secrets back into the clutch. “Winter Storm... Theresa is headed this way.” 

Hannibal cleared his throat. “In that case, [F/N] and I must take our leave before we get snowed in. It was very nice catching up with you. I will see to it that [F/N] and I have you for dinner very soon.” 

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Marcus Scott on Bodies of Resistance in Musical Theater

BY:  KARL SAINT LUCY  05 JUN 2018

Marcus Scott’s musical theater work enjoyed its Feinstein’s/54 Below debut on May 24 in a concert entitled Wild Young Hearts: The Marcus Scott Songbook. His identities include “journalist-playwright-musical theater writer-educator-activist,” and, later, “black; for lack of a better term, queer; and socially awkward.” He frames his theater work as an “act of resistance” in “an industry where most of the gatekeepers are white, and nearly 90 percent of the artists produced are white.” There’s no wonder, really, why all his hats seem to be of a piece.

Scott began his multi-hyphenate career as an aspiring child actor in upstate New York. His first rude awakening came when, as the only black kid to audition for a musical headed for Broadway, he was laughed off the stage while singing “Let’s Go Fly a Kite” from Mary Poppins. His performance was good, but the rich, white kids, with their stage moms there to help them run lines, were singing Sondheim; a lower-class black kid, in the audition room by himself, singing a Disney show tune, didn’t stand a chance. Fear kept him from auditioning for the rest of his childhood.

He went on to major in journalism, but his college’s production of Hair inspired him to take on a theater minor, which became a theater major. He got his MFA at NYU’s Graduate Musical Theater Writing Program, then wrote for magazines around the nation, including Soule, Out, Elle, Essence, and many others, on a quest to teach himself how to be a Good Samaritan. (“When journalism is good, it is empathy at its finest,” he says.) He assisted his NYU mentor, Kirsten Childs, on Bella: An American Tall Tale as Playwrights Horizon’s 2016–17 Musical Theatre Fellow.

Scott’s musical, Cherry Bomb (winner of a Drama League Artist Residency in 2017), explores teenage suicide and the defunding of arts programs in public high schools. Its protagonist, Franklin—inspired by the black character of the same name from Charles Schultz’s Peanuts comic strip—is forced to come to grips with his complicity in the suicide of one of his peers. Dear Evan Hansen, which grossed $1.7 million this week, forestalls this kind of nuanced investigation of morality in a youth suicide story by way of pop psychology cliché.

Many of Scott’s songs are set to music by other composers, including Helen Park of KPOP, winner of the 2018 Lucille Lortel Award for Best Musical. His catalogue spans from the Adam Guettel-esque, back-phrased jazz stylings of Avi Amon, to Kim Jinhyoung’s anthemic “On the Horizon.” The songs are tied together by their commitment to political resistance, even when the politics are personal. In fact, “On the Horizon” missed its intended 2016 première at Feinstein’s/54 Below when the venue canceled the engagement for which it was written on political grounds. He also writes his own music, which he categorizes as “Afro-Americana:” “a fusion of black musical genres that analyze, revitalize, and satirize Americana.”

When it comes to gatekeeping, Scott has worked against it his whole life. He’s heard old, white casting directors in the theater industry, on several occasions, bemoan the lack of “diverse” talent who can tap or sing standards, when in fact, six-time Tony Award winner Audra McDonald did just that in 2016’s Shuffle Along. Institutions tokenize “diverse” writers when they create “diversity fellowships.” Producers point to white, middle-aged women — the top buyers of Broadway tickets — as proof that “diverse” programming is impossible. At every level, the industry is staffed by people who are “comfortable doing the bare minimum.” To Scott, this laziness has led to “the least inspired Broadway season in recent memory.” It’s also economically unsound: “Do you know how much money black and brown people spend on entertainment?” (See also: Hamilton and Black Panther.)

Scott emphasizes that diversity cannot stop at race, though—people with different bodies, gender identities, sexual orientations, and abilities need to populate the industry: on stage, in creative roles, on marketing teams, in tech departments, as casting directors. For instance, “if you’re going to commission a story that has LGBT representation on stage, and the cast is a bunch of gay, white men, you’d better get some diverse perspectives in there.”

But he refuses to let the gatekeepers keep him from going after his “black boy joy.”

“It’s about being unbothered,” Scott says. “It’s about living your life. It’s about celebrating your blackness. It’s about celebrating your masculinity or femininity. It’s about celebrating the non-constraints of your blackness.”

Scott has largely lost his faith in journalism as a meaningful tool of resistance, but he continues to look to theater as a “walking First Amendment.” I asked him why theater is so important, especially in the “golden age of television” — he says that the stage has often served as a meaningful site of political upheaval. In his own words, “Theater is the one call to arms I think we have left. Revolutions have come from theater. Life is theater. Why not make fun of life? Why not engage in life? Why not question humanity? It’s a stand-your-ground, no-holds-barred declaration of life. We need theater more than ever.”

The National Black Theatre will hold a public reading of a new full-length play by Scott on June 19 at 7pm—watch their Facebook page for an upcoming announcement. His play, Tumbleweeds, will have a production at Dixon Place in late August, following a successful fundraising campaign on Indiegogo. More, and ongoing, information about Scott can be found on his website.

Images courtesy Marcus Scott

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Black Cotton by Tomeekha Pitre

BLACK COTTON is a photography art book that celebrates the beauty of African American Women, the Afro hair style and the diversity of  African Decent individuals.  We do this through fashion, hair, makeup, digital media and Photography.

BLACK COTTON brilliantly marries these strengths and presents a new definition of the African Woman while telling the photographic journey of the African presence in other cultures.  “Have you ever wondered what it is about the Afro hairstyle that makes people stop, look, and stare?

To some, It may remind them of a time period, to others it may be simple admiration, a reminder of their inhibitions, or the proof within self that they can be free to rock the most powerful hairstyle that represents the FREEDOM of self expression.

Beyond the stylistic glamour of the Afro, the hairstyle is full of history; from styling combs, spiritual association, the unforgettable Black Pride era, to the African presence in Asian culture.”

BLACK COTTON re-identifies the pride and dignity of our African American women here and abroad. We are sure you will feel the same.

  About the Author Tomeekha is a successful business professional within the corporate world of medical healthcare. She has curated and represented emerging visual artists, produced theatre productions, and spearheads HUEMANITEE, Inc.

Tomeekha is the co-owner of Black Cotton, LLC where she is Publisher of literary projects for the Black Cotton Publishing division. Her expertise in business and the arts allows her to enjoy consulting for startup businesses and creative projects.

Her debut novel, Earth’s Quiet Chaos, is a fictional narrative inspired by life experiences. She is spirit-led to share stories that will uplift, empower, educate and inspire individuals to live in the highest version of self.

Website:  https://www.tomeekhapitre.com

Purchase Black Cotton by Tomeekha Pitre Book genre: Art & Beauty Celebrating the beauty of the black woman Target audience:  African-American women, ages 10-65 https://www.tomeekhapitre.com/product-page/black-cotton

Intimate Conversation with Tomeekha Pitre

Tomeekha is a successful business professional within the corporate world of medical healthcare. She is a zealot for multi-media art and community advocacy for artists.  Tomeekha is the co-owner of Black Cotton, LLC where she is Publisher of literary projects for the Black Cotton Publishing division. Her expertise in business and the arts allows her to enjoy consulting for startup businesses and creative projects. Her debut novel, Earth’s Quiet Chaos, is a fictional narrative inspired by life experiences. She is spirit-led to share stories that will uplift, empower, educate and inspire individuals to live in the highest version of self.

BPM:  Tell us about your passion for writing. Why do you write? What drives you? TPE:  This is an interesting question because it reminds me of a haiku I wrote to address questions about why I paint. It goes like this, Music is the reason Painting is my life I write to tell the story

In the past, I mostly wrote poems and short essays. It wasn’t until the year of 2012 that I acknowledged my passion to tell stories. I love to write. If I’m thinking it, I have a strong need to write it. What drives me is being of service. I’ve adopted something my husband always says, “We were born of creativity to create.”  This statement resonates with me because I strongly feel that we show each other the way by sharing our stories.

BPM:  How did you initially break into the publishing industry? Did you ever self-publish? Why or why not? TPE:  In 2013, my husband and I published our first book.  That book is an art photography coffee table book titled, “Black Cotton”. The development and research took so much time and we learned so much that we decided to birth an LLC named after our first published book, Black Cotton LLC. Our business is a media and publishing company. The purpose of our business is to create an opening for independent authors with the intent to (not just publish their book) work side by side. This way the author learns each step of the publishing process. The goal is to provide them with the tools to self-publish their next project and create their own businesses.

BPM:  What hurdles, if any, did you have to overcome as a new author and business owner? TPE: WOW! Let me start with business owner; and I’m going to keep it real because I’m all about sharing lessons learned. Our biggest hurdles were accounting, marketing, sales and promotions. These “lessons learned,” taught us that we couldn’t do everything as well as we thought we could on our own. We had to come real in knowing our skill set, know our weak areas and pay someone with the proven skill to fill our weak areas and trust them to do what they do. The other lesson is there has to be a benefit value for everyone and everything you do and plan for, for the best results.

As an author, my biggest hurdle writing conflict. Oh, my goodness. I was so scared because I know the power of written words. I was scared to write some deadly horrible for a character or have a character get shot or anything. OH MY GOODNESS… I had to get over it. It was the hardest thing as a writer for me to overcome.

BPM:  Our life experiences, challenges and success help define who we are on many levels. At what point in your career did you discover your real worth and own it? TPE:  YES! Great question. I’m 42 and I didn’t get this until the age of 37 or 38 and it’s something that I wish I had discovered at 28. We can’t expect others to respect our worth if we don’t own it ourselves. What that means is – I know I’m really good at taking an idea and through the planning, development and implementation phases. So if I’m going to be of service for anyone in this area, I have a minimum and maximum price for my services. Because I’m serious about what I do, putting a price tag on my work will only attract those that are serious about their work and will pay for what they need.

BPM:  Success leaves clues, whose clues did you follow on your journey? TPE:  I followed and follow the clues left behind from my ancestors. However, in 2012 I attended a healing retreat with Queen Afua. After that retreat, the group decided to continue our meet ups via conference call.  We were doing the gateway work outlined in Sacred Woman by Queen Afua. The first gateway was: Sacred Words. Within each gateway we’re to create an altar in the spirit of the spiritual guardian and in gateway 1 the Kemetic Spiritual Guardian is Tehuti (The scribe). The altar is to consist of specific artifacts that carry the energy of each gateway. It also calls for adding pictures of ancestors, elders, and contemporaries to follow in their footsteps.  So I posted the following pictures on my wall and typed out each of their names under their pictures:

Ancestors: Zora Neale Hurston and Phillis Wheatley Elders: Sonia Sanchez and Maya Angelou (living at the time) Contemporaries: Sister Souljah and Edwidge Dandicat

I wasn’t thinking of writing a book of any kind at this point. My purpose in conquering this gateway was to journal every day.  Little did I know, that God had another form of journaling in store for me. During gateway 1, is when I began writing the story of Earth’s Quiet Chaos.

BPM:  Do you set out to educate or inspire, entertain or illuminate a particular subject? TPE:  My purpose in displaying any of my gifts is done in the spirit of healing and inspiring others. I used to co-host a poetry venue and one of the things I’d always say is that we learn and heal from each other. Which is why it is a requirement in life for us to share our stories (even those we are ashamed of) and our gifts, because for every person who thinks you or your story or your gift is whack, there is that one that will be healed and inspired to BE. So, with that, I’d say I set out to inspire and heal.

BPM:  Did you learn anything personal from writing this book? TPE:  Although this book is fictional, it was inspired by my relationship with my youngest sister. Writing it was healing for me. It was like I gave birth to something new and refreshing. One of the big things I learned was taking it one step at a time. Don’t rush the process. This was really hard for me because I have a project manager background, so I was stressing and getting overwhelmed when I wasn’t sticking to the timeline. Then a soft voice said, “Why are you rushing? This book isn’t being created for you. Let it take its time and it will be the right time.”  I was like, “Yeah. Right on!” So, I learned how to take my time and not rush.

BPM:  What was your primary quest in publishing this book? Why now? TPE:  My quest in publishing this book is to make it available for people to read in hopes that it reaches the eyes of those in need of it.  Why now? Well, because the book chooses its own time to be released.

BPM:  What should readers DO after reading this book? TPE: Well, after recommending the book and/or purchasing for their friends or family – Pray, meditate, and give thanks for no longer allowing another person’s journey to compromise their own.

BPM:  Readers you can follow the author online at the links below. Tomeekha’s website:  http://www.tomeekhapitre.com FB: TomeekhaPitre Instagram: Tomeekha witter: @tomeekha

  Black Cotton by Tomeekha Pitre BLACK COTTON is a photography art book that celebrates the beauty of African American Women, the Afro hair style and the diversity of  African Decent individuals.