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The Lost World Rewrite

So, I recently watched the Lost World: Jurassic Park for the first time and all I gotta say is...

Yeah. So, in spite of the fact I feel that it would be Superfluous and self-aggrandizing, and a maturely written well thought out review would be a better use of my time, I decided to do a rewrite of the Lost World to make it a half-decent movie. I apologize to any fans of the film in advance. This is a rough Idea based on what could be done without completely throwing out the script. Here we go...

The film starts the same; little girl gets mauled by Compies on Isla Sorna

Cut to not Ian Malcolm; there is no Ian Malcolm in this film. There will never be Ian Malcolm in this film. Instead, we cut to Dr. Sarah Harding (played by Julianne Moore) who’s photographing a crocodile nesting. We learn a little bit about her from her assistant, Nick Van Owen (played by Vince Vaughn), namely that while her theories on Dinosaur young rearing are as on point as Alan Grant’s raptor research, she’s not so hot at rearing young herself. Case in point, she’s late for her daughter’s gymnastics performance.

Her daughter is of course Kelly Curtis played by Vanessa Lee Chester, who in this version will have a larger role and more developed personality. Kelly is Sarah’s adopted daughter and the two have been at a loss at what to do with one another since meeting. Kelly is the daughter of one of Sarah’s oldest friends who died while traveling and Sarah took her in. While their relationship isn’t horrible, it’s definitely awkward. Like when Sarah bursts through the gymnasium doors to see Kelly has completely finished her routine and the seat reserved for her has been given to someone else (maybe Michael Crichton or Steven Spielberg in a cameo?)

Later that night, Sarah is called by a mysterious voice on the phone, telling her to pack a suitcase and go outside. She does so and a black SUV pulls up. “Get in.” a man’s voice tells her.

“OK,” Sarah says, annoyed, “who are you people and what’s with the G-man routine?”

“I wouldn’t exactly call it a G-man routine.” says a familiar voice.

We pan over to reveal John Hammond (Richard Attenborough) sitting across from Sarah.

“Can I offer you a drink?” he asks.

The conversation is much the same as the movie with Ian Malcolm (Hammond explains Site B, tells Sarah about the JP incident, etc.). Only this time, there’s a big difference: InGen wants to cut ties with the Jurassic Park debacle and intends to let the Costa Rican Government fire bomb it. Hammond wants to get people onto the island and document the animals to drum up environmentalist support for turning it into a preserve and at least stave off the destruction until a humane solution can be found.

“How can I say no!?” Sarah says. A chance to photograph real Dinosaurs. Never in 65 million years did she think she’d get this chance.

The team she’ll be going to the island with includes herself, Hammond, Van Owen (“Nick’s the best person for the job” Sarah insists), equipment manager Eddie Carr (Richard Schiff), Dr. Robert Burke (Thomas F. Duffy) (“are we sure he’s not a country singer?” Sarah asked, eyeing the supposed paleontologist’s ten gallon hat and beard), celebrity big game hunter Roland Tembo (Pete Postlethwaite), and InGen executive Peter Ludlow, Hammond’s own nephew (“I made the mistake of trusting too many people last time,” Hammond said, “this time, I’m playing it close to the vest.”)

The team arrives on the Island, where Peter suggests setting up camp in a low clearing, much to Tembo’s chagrin (“that,” Tembo said, rolling his eyes, “is a game trail, Mr. Ludlow. Carnivores hunt on game trails. do you want to find dinosaurs or serve them lunch?”)

The group wanders through deep Jungle, Hammond and Ludlow being the slowest, one due to their age the other due to being a little on the wimpy side. As the journey goes on, it becomes apparent that there’s some friction between Peter and John, with Peter second guessing John every chance he gets and trying to act like the leader of the group.

They finally come across a family of stegosaur and we get that adorable pet the baby scene from the movie. Eddie is flabbergasted, Nick is taking pictures like crazy, Burke’s having a conniption, Hammond swells with pride, and we don’t really know what’s going through Peter and Tembo’s heads.

Something startles the Stegs (Tembo reached for his gun. “No!” Nick grabbed the barrel of Tembo’s gun.)

Nick fumed “An animal that hasn’t been seen in over a million years turns up and the only way you can express yourself is to kill it?” Tembo smiled. “Remember that chap about twenty years ago? I forget his name. Climbed Everest without any oxygen, came down nearly dead. When they asked him, they said why did you go up there to die? He said I didn't, I went up there to live.” (cryptic, no?)

“What could have set them off like that?” Wondered Burke. Roland, however, scented the air. “Smoke,” he said simply, pointing “coming from that way. They must have thought it was from a forest fire.”

The group rushes back to their camp, discovering the campfire burning. Eddie and Burke make to smother it. However, the camper door opens to reveal—

“I was gonna have dinner ready when you got back.” Kelly said.

Sarah and Kelly have an argument inside the camper, about how Sarah’s never there for her and how she just washed out of her gymnastics team (“I got bronze,” she said, “not that you’d know. You didn’t even stick around long enough for that part.”)

Kelly convinces Sarah she can stay. We cut to a scene of the group in jeeps, riding through grasslands in a heard of various Dinosaurs. Nick’s in the jeep with Tembo, Peter, and Hammond, while Sarah is with Kelly, Eddie, and Burke. (Tembo turned to Nick. “get in the outrigger. You're closing in on a parasaur.” “Parasaurolophus,” Nick corrected smugly.” “Whatever,” said Tembo, “The one with the big red horn! The pompadour! *Elvis!*”)

Nick climbs into the outrigger and begins to film the dinosaurs. In the other jeep, the group is trying to coax Eddie into their own outrigger.

“No way I’m getting into that thing,” Eddie said “not surrounded by dinosaurs.” “We’re gonna need better shots if we want to save these dinosaurs,” Sarah said, “and you’re the only one who knows how to work the equipment.” “So do you,” Eddie said, “Why not pull over and let me drive? I used to drive cabs for a living.” “I know how the use the camera.” Kelly said. Sarah stared at her. “You do?” “I was in AV club before gymnastics.”

The group snaps Kelly in and they begin their own filming process. For the first time in a long time, Kelly and Sarah seem to be having fun together.

After that moment of chipperness, we cut back to camp. (Roland nodded to Nick. “Tree hugger got a great shot of a Pachy... a pachy... oh, hell. One of those fatheads with the bald spot, Friar Tuck!”) Peter and Hammond are looking over a map. Peter insists that they should go to the abandoned worker village on the other side of the island, where they can find easy shelter and supplies (“IT runs on geothermal power, so it’ll still have power”). Hammond disagrees. (“Absolutely not,” Hammond said, “that part of the island has been overrun by Velociraptors.” Peter frowned “What’s that, veloc-o-?” “Velociraptor,” Burke said, “Carnivore, pack hunter. About two meters tall, long snout, binocular vision, strong, dextrous forearms, and killing claws on both feet.” “That doesn’t sound promising.” said Peter. “You should read Alan Grant’s latest paper on them,” said Burke, “It’s like he met one in real life!”)

Meanwhile, Roland Tembo is now kneeling, looking at a track.

“Come take a look at this.” he says. Everyone gathers around. “do you know what this is?” he asks. Sarah’s eyes grew wide. “We have to leave.” she said. “Why?” asked Kelly. “That’s a T-Rex track!” Burke said. “A T-Rex!” Eddie looked as if he was about to break for the beach and try to swim home. “That’s impossible!” said Hammond “the satellite photos showed that the Rex territory is nowhere near here.”

The group decides to risk staying in the area. Later that night, Kelly hears a noise. Curious, she goes outside to investigate. In the moonlight, she sees a team of unknown men in night vision goggles capturing the dinosaurs that they had been filming earlier that day. As the drive off, Kelly grabs onto the back of one of the trailers to follow them.

We cut back to Sarah’s tent. She’s asleep, not having been roused by her daughter’s departure. But she is roused by what sounds like deep breathing outside. She surreptitiously looks around and sees a massive snout sticking into her tent. It’s the Tyrannosaur!

Just then, Peter Ludlow comes out of his tent with a roll of toilet paper, but upon seeing the dinosaur lets out a scream that wakes the whole camp. The rex turns and bellows at him, trashing their camp all the while in a show of dominance. Soon, the whole group is running through the forest. Hammond is almost eaten by the thing if not for Tembo’s intervention.

Soon, however, the groups are separated from one another. Hammond slips down a river bank into a ravine, Peter just up and vanishes, and Sarah, Van Owen, Tembo, Burk, and Eddie run behind a waterfall with the rex in pursuit. The dinosaur, unable to follow, gives one last roar of anger and leaves. Out of all the people, however, Tembo looks the least scared. He looks…thrilled, actually.

Meanwhile, we cut away to Hammond. He rises (roughly) shaking away the delirium. He looks around, wondering where his party got off to. The T-Rex’s roar is heard in the distance. Better find the others, he thinks. He begins to follow the river; if the group has any sense, they’ll make a new camp on the water. But then he hears a noise and looks down. It’s a Compy.

We get a very similar scene to Dieter Stark’s (Peter Stormare’s) death in the movie (which was based off of John Hammond’s in the first book) with one or two caveats. First, we don’t cut away in the middle. We maintain the scene and the suspense as long as possible (with Compys popping out of the woodwork the more Hammond tries to get away from them). The second…

There was a sound of rifle fire. The Compys scattered and Hammond felt himself pulled up from the shallow water, finally able to breathe. “Tembo,” he coughed.

“If you have any more suicidal ideas,” said Tembo, “keep em to yourself.”

Cut back to Sarah’s group as Hammond and Tembo rejoin them.

“Has anyone seen Kelly?” Sarah asked, worried.

“I think I saw her run in the same direction as Ludlow,” said Tembo.

“Hopefully, they’ll be safe once they leave the Rex’s territory.” said Burke.

“Don’t bet on it,” said Sarah, “Tyrannosaurs have the second largest proportional olfactory cavity of any creature in the fossil record.” “What’s the first?” asked Eddie. “Turkey vulture,” said Burke, as casually as someone would talk about the weather.

“Any idea where we are?” asked Eddie, desperately trying the change the subject. “Somewhere west of the worker village, I think,” said Nick, examining a map of the island (one of the few they managed to salvage from the camp) “It’d be an easy hike there.” “Maybe that’s where Kelly and Peter are,” said Sarah, turning to Hammond. “Yes, but if they did go there, they’re in grave danger.”  said Hammond. “Velociraptors,” said Burke, trying to be helpful.

“Danger or not, we need a radio,” said Tembo, “that buck tore the hell out of our camp and I don’t think we can contact the mainland with smoke signals.” “How do you know the T-Rex was male?” asked Sarah.

Before Tembo can answer, a different roar is heard. A helicopter passed overhead.

“I thought you said we had a few weeks before they started razing the island?” Sarah said. “We do,” Hammond replied, “I don’t know what that helicopter’s doing her.” “It was headed towards the worker village,” said Tembo, “so, if we want to see what’s what, I think that’s where we’re headed.”

Cut to a scene of the group walking through the forest at night. Finally, they reach a vantage point overlooking the worker village…and it’s anything but abandoned.

More than three dozen people, some of them armed, are walking over the compound. Chain link fence ran the perimeter of the camp, newer than the rest of the camp. Tents, vehicles, mobile generators, the works.

Dozens of dinosaurs sit in cages, all bearing the same logo

“It says InGen on the side of that truck!” Eddie said. Everyone turned to look at Hammond. “I had no idea about this,” said Hammond, “why would I ask anyone to come here?” “I think I know who we should ask,” said Nick, pointing down at the camp.

It’s Peter, down in the camp, talking with the armed guards.

“What’s he doing down there?” asked Sarah. “I think,” Hammond said, sadness in his voice, “I’ve made the same mistake twice.” “Anybody seen Tembo?” asked Eddie.

Indeed, Tembo has disappeared.

Cut to Kelly, hiding in one of the trailers. She’d managed to evade her captors, but for how long she can continue to do so is up to debate. Stealthily, she creeps out of the trailer and around the camp over to one of the cages. She undoes the latch. She moves on to the next cage. Rinse and repeat.

Cut to inside one of the tents, Peter and several other people, all InGen personnel, stand around a card table where plans labeled ‘Jurassic Park San Diego’ are lain out.

“San Diego?” One man (a high ranking InGen worker) asked. “it’s already famous for its animal attractions,” said Peter, gesturing to plans on the table, “San Diego zoo... Sea World... The San Diego Chargers.”

“I don’t think John Hammond would have approved of having these animals on the mainland.” An InGen executive said.

Peter frowned. “Well, Hammond’s not in charge anymore. I am.” He turned to another man, this one a hunter by the look of him. “How’s the hunting going?”

“We’ve got plenty of plant eaters,” the hunter said, “some eggs. no raptors though. And our man hasn’t brought in the T-Rex like he said he would.”

Peter rolled his eyes. “What makes you think people want to see a bunch of veggiesaurs and eggs! They’re gonna want a T-Rex!”

“We’re trying, sir!” the hunter says, “but we haven’t seen any raptors since we got here!”

Suddenly, a worker bursts into the tent “The baby’s gone!” he said.

Almost as suddenly, a Triceratops bursts into the tent, smashing into the table and scattering the group. The camp is in chaos! Dinosaurs are running amuck. Vehicles overturned, people tossed into the air. But this is the chance Hammond’s group has been waiting for. They make their way down to the village in the bedlam, and make it into the main building of the worker’s village. Eddie manages to contact the mainland, and things are looking up. But then, we hear an ungodly moan from behind a nearby door. Slowly, Burke heads towards the door, picking up a nearby screwdriver to use as a weapon. He jerks the door open to reveal…

“Kelly!” Sarah cried. Kelly sat inside a broom closet, in her arms a baby T-Rex.

“They just left him tied to a stick out there,” said Kelly, “and I think his leg is broken.”

Despite the limited materials, the group sets to work splinting the baby’s leg. It’s pretty much the same as in the movie. Until the sound of a rifle cocking is heard behind them.

“I’ll be taking that rex now, Dr. Harding,” Roland Tembo said. Tembo has been on Ludlow’s payroll since the beginning. He was never here to protect the group. He’s here to hunt the T-Rex. He was the one who staked the baby out, to attract it’s parents.

Outside, the cacophony has died down. The Dinosaurs have mainly been recaptured. Hammond’s group has been brought before Ludlow, who looks at them condescendingly. “You really thought you were still CEO when you got here, Uncle John? I bought you out the day you asked for my help. We’ll still use the footage you took for our attractions, don’t worry.” “So, you’re going to reopen Jurassic Park then, is that it? Despite my warnings?” “No, not reopen. We’re moving these animals to the mainland so we don’t have to fly out here every time there’s a problem. You put us six million dollars in debt every day since you started making dinosaurs. It’s time to see good on that investment you promised. And the board agrees with me.”

InGen Exec: it’s nothing personal John. Why have a dinosaur and not use it?

“These are animals,” Sarah said, “they deserve respect”

“They’ll have the best of care.”

“And what if they break out! What then?”

Cut to part of Hammond’s team (Hammond, Sarah, and Kelly) being shoved into a trailer with the door locked behind them. Sarah tries to force the door open, to no avail. Kelly runs around, trying to open the windows. Hammond just sits down, despondent at the betrayal of his own family.

Sarah (trying to yank the door open): come on! You stupid…

A familiar roar is heard. A car flips past the window.

“What is it?” Hammond asked, “What’s going on?”

Sarah: I think things just got complicated.

The buck T-Rex from earlier has tracked the them to the Worker village and crashes through the fence. Suddenly, another roar is heard from the other side of the camp. It’s the female Rex, and she’s even more pissed than the male.

“There’s two of them!?” Sarah asked, incredulous. “We spared no expense,” Hammond said.

The rexes wreck the trailer the rest of Hammond’s team is in. Nick, Eddie, and Burke make a break for it. The female Rex sees them and gives chase. She and her mate bare down on them and soon capture Eddie, each taking one end in their jaws and pulling him apart for a snack.

Afterward we get a faceoff between Roland Tembo and the male rex (one that would have been really cool in the movie but we didn’t get it).

Tembo wastes two shot gun blasts on the rex. Out of ammo, he switches to tranquilizers, which finally manage to bring the beast down. The other rex is soon felled after. Subdued in special harnasses, the rexes are air lifted by helicopters to a boat waiting of the coast of Isla Sorna. All in all, the bad guys’ mission is a success. Well, Tembo wouldn’t say so. If you’d told him a year ago he’d get to hunt not one but two T-Rexes he would have kissed whoever told him that square on the mouth. But in the end, it had been so stupidly simple to catch them he just feels crapped on. Didn’t even get a trophy.

“You know, I remember the people who've helped me, Roland. There's a job for you at the park in San Diego if you want it.” Roland turns him down.

Cut to a group of hunters patrolling the tall grass outside the worker village. Suddenly, one of them is pulled under. A hunter a few feet away looks in his direction. “Manolo?” he asks. Another nearby hunter is pulled out of view. The hunters are starting to get scared. “Look alive, people.” one of them says. We hear a familiar coughing sound.

A velociraptor jumps out of the grass and mangles one of the hunters. Soon, pandemonium ensues. The crafty raptors had been evading the InGen hunters, watching them, waiting for the right moment. And with two dinosaur attacks in a row and both rexes out of the picture, now was the time to strike! (And there are no tails sticking up out of the grass cartoonishly! Raptors are supposed to be dangerous, not goofy).

Back at the camp, Roland runs towards the danger while Peter climbs aboard one of the waiting helicopters. “Get me out of here!” he cries.

The raptors swarm the camp. Roland manages to kill a few, but not before they massacre most of the InGen workers there. Tembo even has to watch Burke die in front of him. We get a scene where Hammond’s group escapes their trailer, Kelly defeats a velociraptor with gymnastics and the group plus Tembo manages to get onboard a helicopter.

The rest of the movie follows the actual TLW movie pretty closely with a few differences. Namely, there’s more than one dinosaur rampaging through San Diego, Tembo is helping the remaining team route the dinos back to the ship, we acknowledge the fact that the car they picked in the movie was due to reasons of masculinity, and Peter suffers a nervous breakdown when the dinosaurs break out of the ship’s hold and allows himself to be eaten by the baby rex out of guilt.

Roland fires a tranquilizer shot at the buck rex before it can clear the door. When that’s done, Sarah asks him what he’s going to hunt next.

“I believe I've spent enough time in the company of death.” he said.

We cut to Kelly and Sarah asleep on the couch while a TV plays news coverage of the boat being returned to Isla Sorna with a statement from John Hammond (once again CEO of InGen).

His speech is pretty much the same, ending with “as someone once told me, life finds a way.”

The final shot of the film is the rex family, the stegosaurs, all the dinosaurs back on Isla Sorna. Content as the Jurassic Park credits theme plays in the background.

So, what did you think? Like it, hate it? As always, I welcome feedback and comments!

A Love Letter to ‘Knives Out’

Disclaimer: This isn’t even a review. This is literally just me freaking out about what a great movie I just bloody watched and I just need to vomit words everywhere about it. Sorry in advance.

I think the best thing ever is I went into this with zero information. I remember seeing the original trailer months ago, but it wasn’t detailed. Just the short one of the premise, and to be honest, I’m not really into Whodunits. Clue is one of the exceptions and Castle is the only detective-related thing I’ve ever liked and followed religiously (up until the final godawful two seasons), so I have no predisposition to even care about murder mysteries. But then Rian Johnson dangled the juicy carrot of Chris Evans playing against type (because we all know the man is a sweetie and I can personally vouch that he’s great at hugs) and so I decided to add it to my watchlist. Then the reviews came pouring in that it was great, which surprised me, and so I decided to take a leap of faith to see if the hype was real.

Oh God, was it ever.

Y’all know me by now. I’m a hard, cynical old bitch. It’s tough to impress me, but fucking hell, I really loved Knives Out.

It’s not that it does anything new; it’s that it is a fresh, creative spin on tropes we’re used to and it’s also the strong performances that just make it a delightful film. It’s kooky and dark and offbeat. It’s charming. It’s wonderfully political. It’s irreverent. This is the niche kind of writing that I adore. It’s why I’ve loved shows like Frasier or movies like Snatch. I love the interwoven mess between the plot and the characters and everything coming to light in a big explosion.

Spoilers down below for my talking points, naturally.

I want to start with Marta, simply because I love how this movie framed the character as innocent, but not stupid, useless, or weak. I love that she had a great relationship with Harlan. I love that Harlan didn’t have any evil ulterior motives. It was simply a man who looked around and realized that he thought he was providing for his family but all he really was doing was supporting selfish, downright cruel people. That family basically just siphoned off of him and had the entitlement complex that is currently killing this country right this fucking second. It was very satisfying when he left them nothing and gave Marta the money and the choice of what to do. The final shot of the movie is genius.

Which segways into probably my second favorite thing about the movie: the commentary about the entitled upperclass versus the working class immigrant. The whole Trump debate during the party made me groan because we all just wrapped up three holidays, so I know that people were having to go home for the holidays and listen to the broken-ass logic of their Trump supporter relatives. Especially since they dragged Marta into the bullshit conversation. I LOVE the writing of having this girl who busted her ass, who listened, who was a genuinely good person, still being able to be a good person in the end after one hell of an ordeal. I loved how the movie poked all kinds of holes in the fake narrative of inheritance and immigration and patriotism. Fuck that. This country isn’t some holy land. This country was stolen from the people who were born here and then they built a fake fucking pedestal on top of the mass graves and proclaimed it theirs. Fuck that revision history and fuck the people who believe these lies. This movie is so satisfying because it’s a giant middle finger to those people and it’s a reminder that the future is these hardworking, kind people who care about society and they are the ones who have earned all the good things this country has to offer.

I also love the examples of bigotry and microaggressions that were more subtle. The WASPs in this movie don’t even realize the backhanded compliments and the truly insulting shit that they do since they’re so entitled. For example, Richard handing Marta his plate while he was arguing for Trump. That’s brilliantly done. He thinks of her as a servant while he pretends she’s on equal footing: saying one thing and yet his actions prove the opposite. There’s also Meg’s comment of “we’re his REAL family,” showing that those bastards all will smile and welcome you until the second you cease to be useful to them and then they show you just how truly ugly they are beneath those “civil” masks. When the will was read, it was the exact shitshow we all knew it would be. That was a great representation of the upper class. It’s not about being loud and racist; it’s all those subtle, hideous things they do to suppress people of color and the working class so they can stay on top where they think they belong. This narrative is powerfully woven in that regard and I really needed to hear this story in today’s climate, especially since we just started 2020 today, which could be the end of everything all over again. I applaud the writing. As a woman of color, I see this kind of shit every single day, especially now that I work in higher education, so I really hope it opens more eyes to the shit that not only immigrants but working class POC deal with on a daily basis. I likened it to Zootopia, where you came to the movie for one reason but then you were served an absolutely piping hot side dish alongside the entrée. Well done, Knives Out. Well done.

I need to give a nod to this powerhouse cast as well. I forgot Michael Shannon was in this movie so seeing him made me giddy, as I’ve always liked him since he’s so damn sinister. He’s a great antagonist actor and I almost wish he’d been given more to do. Jamie Lee Curtis did great as well.

But y’all know what’s coming. I mean, look at my profile picture. You know I have to stop and talk about my future husband’s performance.

Chris Evans as a villain.

Not only that, but Chris Evans as a GREAT villain.

Oh, God, pass me the cigarette.

We all knew from his work in the MCU that the man can act his fine America’s ass off, but boy, did I really like his role here. I compare it to Chris Hemsworth in the godawful movie Bad Times at the El Royale, because while that is one of the worst movies of the decade, it was extremely smart in casting Hemsworth in the villain role. Why? Because it sold the believable factor. Chris Hemsworth is so handsome and charismatic that he COULD in fact be a creepy ass cult leader. You take one look at that man’s chest and tell me you wouldn’t fight a smelly hippie to jump in his bed. Damn right I’d be in a Chris Hemsworth cult. Point being, Chris Evans as the handsome but cruel Hugh was phenomenal. I really enjoyed seeing everything unfold. He did such a great job. It’s all the more satisfying knowing that in real life, he’s the cutest, sweetest goofball on earth. I’m so delighted he took this role because he knocked it out of the park.

Which brings me to my next point.

I’m gonna be a basic fangirl bitch for a second here. Just hear me out.

I’d LOVE an alternate ending to this movie where Hugh didn’t do it.

I know, I know. That’s super basic and dumb and I know part of it is because I just wanted to like Hugh anyway, but it actually would be a great piece of storytelling if you changed the ending.

In this premise, Marta really did mix up the bottles and accidentally killed Harlan. Well, what I would change is that Hugh really did have a benevolent epiphany and he decides to come back to stick it to his shitass family and he figures out what Marta did and decides to help her so she’ll slip him his cut. Then the rest of the film is Hugh and Marta trying to cover the rest of their tracks so that Blanc doesn’t piece together Marta’s accidental crime. Over the course of helping her, Hugh gets to know her and they become friends, so by the time they pull it all off—mind you, I’m ambiguous in this AU, I’d be fine if the detective works it out but lets them cover it up or if they actually manage to just destroy all the evidence so he can’t convict her and he admits defeat—he’s now invested and doesn’t accept the money when she goes to pay him. Bonus points if he falls in love with her during the cover up. It’s not necessary, but I saw a couple little sparks, so I think it would be very cute if Hugh and Marta hooked up to protect each other from the horrible family and build their own empire together. But that’s me.

Trust me, this movie is brilliant as written. It doesn’t need that alternate ending. But I have to admit it got my mind churning about what a fantastic character arc it could be if Hugh hadn’t been the bad guy and he and Marta learned things about each other and formed a friendship. I’m a writer, it’s kind of a hobby, sorry. I hope I’m not the only one who thought that, but we’ll see.

I’m so glad I started 2020 with this film. It’s a rare gem. I can’t wait for it to get on DVD, because I am gonna snag it asap and watch it again. What a romp. It’s also gratifying in a petty way that J.J. Abrams went out of his way to undo Rian Johnson’s work in the Star Wars franchise and it’s backfiring majorly critically speaking meanwhile Knives Out is getting bomb ass good reviews, so good for you, Rian. Your revenge is at hand. #TEAMPETTY

I can’t recommend this hard enough. If you love murder mysteries or if you just love Clue-style quirky black comedy, please see Knives Out. It’s worth every red dime, to quote the movie.

Kyo out.

Comfort Films Challenge

Thank you to the wonderful @omnishambolichologram for tagging me as always in these fun activites :3 ^^ Also - sorry it’s taken me weeks to FINALLY post this!

Film are definitely my number one enjoyment in life along with watching television series (aside from the obvious of spending time with family and friends) and there are quite a few comfort films for me, so it’s going to be difficult to narrow down to only seven! I might have to be cheeky and add in a couple of special mentions hehe

And FYI some of these films might not be necessarily comforting, but they are in that they’re easy to watch so many times because I love them that much. This list probably won’t have all of my absolute favourites, but we shall see what my brain comes up with this time because it sometimes changes.

(I won’t be able to rate one more than the other as they’ll all be different kinds of films so I wouldn’t be able to necessarily say one is better than the other)

I’ve chosen these films based on not only how rewatchable they are, but also on their sheer brilliance as a whole in terms of cinematography, dialogue, cleverness and the acting... (and probably on how long I’ve known them and grown to love them everytime I watch them)

Note: I don’t own some of the gifs included in this post. Credit would go to them if I knew who they were but I’m making sure that I don’t take credit for the ones which aren’t mine.

Good Will Hunting (1997)

This film is quirky, intelligent, funny and teaches you a lot about the choices you make in life. I think what I love about this film is how simple the ending is. “I gotta see about a girl...” - sums up how love can end up being the most important thing to grab hold of when you realise you have it and never had it before. I personally believe that this is probably Matt Damon’s best performance out of all his acting roles even to this day. Ben Affleck and Robin Williams were pretty damn great in it too.

Midnight Run (1988)

(This gif is mine).

This film has it all. A damn well cleverly written script with uncanny and hilarious dialogue, brilliant dynamic between the two main characters, fabulous music score, wonderful sets of shots (the cinematography of the beginning scene is great) and basically a simple story that is not only entertaining and easy to follow, but is acted out fabulously by everyone. The whole wild goose chase for these two men played by Robert De Niro and Charles Grodin across the country is just ridiculous, but ridiculously funny. I have to say that it’s definitely one of my top favourites of all time. If you want a laugh, I would recommend this one!

Special mention (another Martin Brest film): Beverly Hills Cop is on point also.

The Breakfast Club (1985)

It was tough for me to just decide on one John Hughes film as he’s one of my favourite directors of all time, but I chose Breakfast Club because it’s the ultimate classic coming-of-age story, and it’s all set in just one location. It’s clever in that there doesn’t have to be lots of action to make it good, all it does is introduce a bunch of teenage stereotypes and take away the shields that they have put on and learn to no longer be prejudice of one another. Eighties is also my favourite era of films and this is just a perfect mixture of comedy and drama. The acting is great and I give applause to especially Judd Nelson and Anthony Michael-Hall for their delivery and their facial expressions.

Special mentions of other John Hughes films he has written/directed that I ADORE: Pretty in Pink (Andrew McCarthy and James Spader yum), Sixteen Candles (hilarious), Uncle Buck (the best family film ever), Planes, Trains and Automobiles and Some Kind of Wonderful <3

Heathers (1988)

Christian Slater and Winona Ryder are the best duo in this film and it is another eighties classic. I related to both these characters and I can never get enough of this film. I have probably seen it twenty times or more and still not fed up with watching it. The dark comedy and the gritty and foul dialogue are iconic in this flick, and I take my hat off to the brilliant Heathers (Kim Walker - may she RIP, Shannen Doherty, Lisanne Falk) for playing such clever and awful characters. I was obsessed at one point with Slater because of his role as J.D and honestly his death at the end of the film is a powerful as fuck ending. The cinematography of the ending makes the film for sure, the angle, the chosen shots I just Ugh. Fabulous.

The Help (2011)

This film. I don’t know it’s just brilliantly done and the acting is perfection. Emma Stone, Viola Davis, Octavia Spencer, Jessica Chastain and Dallas Bryce-Howard are fantastic in their roles and this film explores such a crucial time period that I think is illustrated well. These women while fictional, feel so real and the struggle of black maids (black people in general really but this is specific to the women) is real. I cannot help but cry everytime at the ending, and the way that Aibilene stands up for herself, I never get tired of. It is easy to watch as it’s not painful like 12 Years A Slave, but it still epitomises the segregation that was so prominent in the sixties in southern US very well. I find comfort in how delightful the characters are and still manages to be funny despite the story being focused on such a sensitive subject.

The Shawshank Redemption (1994)

Shawshank, well we all know this film. It has been parodied and quoted so many bloody times, but yet I am cliche in love with it and I cannot fault a single thing about it. Tim Robbins is an underrated as fuck actor and he should be appreciated so much more for his stellar performance as Andy Dufrense. He is the epitome of the straight and narrow man who, really, is not a bad guy at all. In fact, he’s always tried to be the opposite. You symphathise with him throughout and you really feel his struggle, but also his perfect ability to be so human. He makes Red realise he is not as bad as he made himself believe and of course we know how good Morgan Freeman is. Again, this film like Heathers I could watch a million times and never get bored with it. Whether it’s on TV or I find it available online, I always will make time to watch it.

Call Me By Your Name (2017)

I have only recently come across this film about 8 months ago and it’s the kind of film which I can’t help but wonder where it’s been my whole life. I have already watched it probably like 10 times since I found it and I am so happy I did. However, it has led me to form an unhealthy obsession with Timothee Chalamet where he has come up in conversation in real life and I figured the only things I was still an avid fan of was of Supernatural and Red Dwarf, but no this film is just pure delightful dynamite. The cinematography is so elegant and perfect (especially during the dream like sequence when Elio is alone or in the gif above when Elio is watching Oliver). The screenplay brilliantly illustrates how wonderfully amazing but also torturous love can be, and well it is set in the eighties. What more can you love? Timmy and Armie have such good chemistry it’s unreal, and they make their characters so believable. Another film I cannot fault and could watch anytime, even though the ending is heartbreaking af.

Bonus: Bridget Jones’s Diary (2001)

Notting Hill (1999)

About TIme (2013)

There are plenty of other comfort films I adore but it probably depends on my mood. I’m definitely a sucker for romantic comedies and these three are on here as bonuses because they’ve also been very comforting to me over the years. What can I say? Richard Curtis writes some brilliant screenplays and directs some of them too.

Yesterday (2019)

When I’d just seen the trailers and promo stuff for Yesterday, there was some great excitement in me. I loved The Beatles years ago, I mean, I really really loved them, I’ve got about 15 books on them, borrowed my mom’s credit card to shop online for DVDs of all their original movies when I was 14, etc etc, so Yesterday’s premise added up and seemed to look like something I’d enjoy: Danny Boyle, mysterious ultra-niche alternate reality in an otherwise utterly regular world, some kind of deadpan irony about the whole situation…

Then it came and went in cinemas and I never got down to seeing it. So I watched instead this film review by DazzReviews on Youtube, titled “Yesterday Missed A MASSIVE OPPORTUNITY (SPOILERS)”.  It’s a short and simple analysis of key weaknesses of the film, being that its actual contents greatly pale in comparison to its great potential. Even without watching the film, I understood Dazz’s gripe because even seeing snippets of the film bored me. It is such a unique, and almost cute idea afterall: a blackout causing selective loss of memory in every single individual in this world (save for 3, later to be discussed) where post-blackout, The Beatles and other cultural/social phenomenon do not and have never existed. Our protagonist, who pre-blackout was a struggling singer/songwriter, then decides to release Beatles songs from his memory as his own, thus gaining global popularity and attracting immense adoration. It’s not novel, perhaps reminiscent of time-travel narratives idk, but it’s still fun right?  

Yet even after watching this review video and understanding the film’s flaws and being able to imagine how disappointing the film would have been, watching it in full for myself was still an upsetting experience. Google tells me that Yesterday is of the ‘Drama/Fantasy’ genre, which gives me a good starting point for my critique: how utterly un-fantastical it is.

Our protagonist Jack Malik is LITERALLY the most vanilla, ungrateful, boring, not-alive, nothing-at-all, annoying, pathetically male (in terms of tantrum-throwing and ingratitude) character I have ever seen. None of this is hyperbolic, his character literally sucks so freakin much omfg, absolutely devoid of any redeeming or even remotely INTERESTING qualities at all. In fact save for maybe one scene (which I will talk about below), I don’t think there was another single second in the entire film where we saw him smiling. This is not to say that he’s portrayed as especially tortured or depressed in demeanor, merely to indicate his absolute dearth of warmth and personality.

Meanwhile, it becomes clear as the boring film progresses boringly that Yesterday is in fact nothing more than a love story. The cute Beatles twist is merely a device to show us how Jack and his “love interest” Ellie (inverted commas cos their love sucks omfg I cant imagine that ANYONE viewing it is convinced) were in fact meant to be, with Jack’s momentary superstardom existing to show him that all he ever wanted was his old life, the one with Ellie (even though they were never together because THEY ARENT EVEN MEANT TO BE IN THE FIRST PLACE OKAY….). But, just as Jack’s character itself is flawed and awfully written, our female protagonist Ellie is SOOOOOO early 2000s. Just think of the most typical stock supportive, sweet, pretty, unfailingly kind and patient female whose presence is taken for granted etc etc… So her stock sweetie pie female character coupled with the most unbelievably charmless and unlikable male character make for the most unshippable couple you could possibly imagine. We are supposed to be charmed by her obvious-to-everyone-except-him love for Jack, supposed to have our heartstrings tugged by the singular scene of teenage schoolgirl her standing by the wings of the stage with hearts in her eyes while teenage schoolboy him sings a most soulless rendition of Wonderwall but it literally does absolutely nothing. The means has not met the end! This is a grossly uninspiring love story and there is no fantasy whatsoever!!

Honestly how is this even a Danny Boyle product? But then again… Zhang Yimou, boasting the incredibly genius Raise the Red Lantern (1992) on his resume, also did The Great Wall (2016) so I guess even heroes have the right to bleed or even the best fall down sometimes or something. OMG WAIT  I just googled the film again and not only is it directed by Danny Boyle but also written by Richard Curtis LOL wtfffffffffff okay this is the worst film ever seriously

Early on just after the global blackout thing, before Jack becomes the huge superstar that he does after his music (“his” music) is released into the world, when he first decides to use the songs of The Beatles, he is cajoled by his parents into performing for them in their humble living room. (by the way his parents are played by Sanjeev Bhaskar and Meera Syal who I have LITERALLY seen in about 1000 British TV shows and movies by now… idk maybe Yesterday was intended as a semi-ensemble cast film? Since there are other “appearances” by other known faces… ok whatever.) I guess this scene of him, superstar-to-be, sitting down at his piano in the claustrophobic living room with his parents exaggerating their domestic inclinations and comforts (by holding their cups of tea and settling themselves into their sofa-chairs etc) is meant to be comedic, we’re meant to laugh at how his parents have no idea the genius that is about to be released unto the stratosphere embodied by their all-great son Jack Malik, and it’s a predictable scene: his parents get disturbed by the bell and other things in the first 10 seconds of his performance, so Jack has to begin Let It Be 4 times over and never gets past a few lines… and okay, it’s funny because they are treating Jack’s “performance” as such because he has never before produced anything worthy of actual attention and has never performed in any manner that has demanded any respect given that he was an absolutely mediocre singer, but the scene is ruined by how Jack was written to have to react. Instead of taking it in his stride and recognizing that his parents are taking it so lightly because they have no idea how big the song is going to be because they have had no reason to expect anything great of him before, Jack throws a big fucking tantrum and asks why they cannot and have not respected the greatest song to ever be written etc etc… and okay, maybe this was intentional because we are to infer that Jack’s reaction is a projection of his own insecurities about releasing entirely unoriginal songs as his own, perhaps he has doubts about whether they would do as well as they did when The Beatles themselves released them, perhaps he has doubts that he is the right person to do this at all, anxieties and fears about being able to get away with it all… Sure, but I don’t want to give the writers the benefit of this doubt. If I were to watch the scene with my eyes and ears and not my brain, all I’d see is a dumbass manchild with a temper and ego problem incapable of accepting responsibility for the decisions he’s made, plus being unnecessarily cruel and disrespectful to his simple parents who want only to support him, if superficially. Basically, he’s dumb and the worst protagonist you’d want for a romcom.

But let it not be said that I am an extremist with my views: there was one sub-plot that showed promise and that made me think perhaps there was more to this film than the nothingness it had conveyed hitherto. When Jack played in Moscow, as an opening act for Ed Sheeran, we saw the haunting face of a large man in the crowd, carrying a knowing look in his eyes. It gave us a great sense of unease, seeing his concerned face contrasted with the throng of pretty girls screaming their hearts out (you know, à la “Moscow girls make me sing and shout”). Then later we see an English lady (played by the iconic amazing Sarah Lancashire who I know and love so so much from Happy Valley), who like the Russian man, carries the same speculation in her sharp eyes, as she sees Jack manically making his way through Liverpool, visiting key landmarks like Eleanor Rigby’s grave, Strawberry Fields, Penny Lane etc because, as she says to him later, “you cant write songs about places you’ve never been to”. So anyway, this odd pairing make up the only 2 other known humans in the world who for unexplained reasons also remember the existence of The Beatles, and thus recognize that Jack’s positioning of the entire Beatles discography as his own original work to be fraudulent.

So we as audiences who hardly care for this dumbass Jack but have still held on to some hope that the film would bring us some element of surprise and karma for this annoying fraud (whose singing voice by the way is literally the most forgettable ever), we would have loved nothing more than for Jack to face the sound of music (as Mother Mary comes to him). But instead of, I dunno, chopping his head off or outing him to the world, the mysterious duo thank him for bringing their much beloved Beatles songs back into the world, the whole who has forgotten them. They thank him for doing justice to the memory of the greatest band of all time, and together the duo and Jack dance and cheer in a side room minutes before Jack goes out to perform for the biggest crowd he’s ever played to. It’s just…  lame and not even a satisfying easy way out. Oh remember above when i said there was literally only about one scene of Jack smiling, this was it. And he only smiled because obviously he was relieved at not having his secret revealed to the world by these two..... ughhh WE DONT WANT TO SEE YOU HAPPY!! WE HATE U!!

Okay haha I shall end this as I do all my other ‘reviews’… by saying that I’m lazy already and cant really be bothered to continue but shall conclude by proclaiming that this film sucked… not in a remotely camp or quiet or interesting manner either. It was just boring and bad and of great disrespect to the music of The Beatles.

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Omg I have just attempted to read some actual reviews of this film and some actually think it’s ‘charming’ and ‘surprisingly moving’ and that the leads have ‘chemistry’………….. that’s literally the fakest thing I’ve ever heard lol bye bye!

you knew it was coming aLL OF THEM

*darth vader voice* NOOOOOOOOO

1. Favorite action film? Does Raiders of the Lost Ark count as action? If so that2. What movie(s) could you watch over and over and not get tired of? JURASSIC PARK I’ve watched it about a trillion times by now and the soundtrack’s been stuck in my head for like a month straight and even now I’m kinda like “hey I should watch it YET AGAIN”3. Any old school favorites (pre-70s)? I don’t even remember how many pre-70s movies I’ve seen I’m so sorry Belle I know I’m a disappointment to you4. Top 5 directors? Idek if I can name five directors lmao5. Favorite dead actor/actress? Alan Rickman was pretty great

6. Favorite movie from the 90’s? JURASSIC PARK (apologies in advance for how many times I’m going to answer that)7. Ever been/are you such a hardcore fan of an actor actress you watched/will watch any movie they were/will be in? I tried with Harrison Ford a few years back. Watched a handful of movies but didn’t even come close to all of his. I watched a bunch of things solely because Richard Armitage was in them. And as soon I find Diego Luna’s spanish movies with subtitles I’m watching those8. What movie are you looking forward to coming out the most? THE LAST JEDI9. Pixar or Dreamworks? I like both but am not a diehard fan of either?10. Favorite animated movie? Disney’s Atlantis11. Favorite musical? …I’m gonna be controversial here and say the 2004 Phantom of the Opera movie because it was my introduction to the wonderful world of musicals in general so... Ooh or does Dr. Horrible count?12. Are you against book-to-movie adaptations? In theory I’m all for them. It’s just that in practice they’re rarely good.13. Your guilty pleasure movie(s)? The Outsiders. It’s not very good (like, at all) but everyone’s just so pretty (and now younger than me… yikes)14. Robin Williams or Eddie Murphy? Robin Williams15. Favorite chick flick? Legally Blonde and/or She’s The Man. I don’t really watch chick flicks so those are the only ones I can really think of16. Ever watched a movie just because you heard the effects were awesome? No17. Favorite indie film? I don’t even know honestly18. Favorite movie heroine? Princess Leia, Marion Ravenwood, probably others that I can’t think of rn19. Favorite movie action hero? Indiana Jones obviously20. Ever read a book so you could understand the movie? Not to understand the movie, no, but I’ve read books after seeing the movie because I enjoyed it and wanted to know more, because movies always leave things out.21. Favorite kids movie? Atlantis, Mulan, why is my brain malfunctioning there are many more…. OH and I loved the first two Ice Age movies22. Favorite Disney movie? see previous question23. Favorite movie soundtrack? JURASSIC PARK. Also the Lord of the Rings trilogy24. Movie that makes you cry every time? Serenity, Rogue One, and LotR: Return of the King25. VHS, DVD, or Blu-ray? We only have a DVD player out of those so26. Best experience going to the movies? I have two. One was when my friend Nicole and I went to the opening night of the first Hobbit movie, and while the movie itself was… kind of a disappointment, to put it mildly, we had a great time poking sleep-deprived fun at it and attempting to sing Thorin’s ridiculous bass notes (I was sick so I could actually kind of do it). The other was Rogue One; I was… not in the best emotional state going into that, or coming out of it for that matter (can I really call it a “best” experience if I sobbed my way through the last 40 minutes? discuss) but at the same time you know how when a movie or character comes along at the exact right moment in your life? Yeah. That.27. Top 5 actors? Currently Harrison Ford, Richard Armitage, Diego Luna, Nathan Fillion, Hugh Laurie28. Top 5 actresses? (It’s a testament to the fact that most movies are very gender-imbalanced that I’m having a much harder time thinking of actresses than actors) Daisy Ridley, Catherine Tate, Carrie Fisher, Lauren Lopez, Kate Winslet?29. Movie you completely regret seeing? Trainspotting was… strange. And very very TMI. There was also this German movie about a restaurant owner’s misadventures that was just no get this away from me this is cringey and gross and also just utter nonsense. I think I liveblogged it on the OT actually. I had to keep pausing and watching it in small chunks because I just couldn’t handle the terribleness all at once.30. Movie you wish was never made? That German movie. Most sequels and remakes (none of the German movie exist though, thank god).31. Movie your parent showed you? My mom showed us The Great Race, a 60s comedy about an automobile race (I’m imagining that in Tony Curtis’s voice, heh) around the world, and it’s wacko and completely amazing. On the other side of the coin, my dad let me watch Bladerunner when I was way too young for it…32. Last movie you watched? Probably Rogue One33. An overrated movie? Groundhog Day. It was so stupid34. An underrated movie? Atlantis. It’s one of the least-well-known Disney movies, which is crazy because it’s completely amazing35. Favorite comedy movie? SPACEBALLS36. Movie quote you live by? Now I’m just thinking of Spaceballs quotes. None of those are particularly good life advice…37. Movie quote that will always make you laugh? The “everything that happens now, is happening now” “go back to then!” “when? now?” “now!” “I can’t” “why” “we missed it” “when” “just now.” “……when will then be now?” “SOON.” exchange from Spaceballs is PURE GOLD38. Film(s) you’ve watched on a date? Jurassic World. The movie sucked, but the date was fun. There was also one about a recovering heroin addict and his pet cat, which I should have taken as a sign that the dude I was with was not a good match for me. There were also plenty of movie/tv-show ‘dates’ outside of movie theaters.39. Favorite cult film? I don’t think it’s well-known enough to count as a cult film as such but it was on Mystery Science Theater 3000, so…. Teenagers From Outer Space, made in the fifties on an approximately $20 budget with no actual teenage actors. It’s…. it’s an experience in so-bad-it’s-good-ness. Cannot recommend highly enough.40. Directors you’d like to see work together? I don’t pay attention to these things I’m sorry I don’t know41. Actors you’d like to see work together? Everyone from the BBC already has worked together42. Films you wanted to watch, but never got around to watching? Pretty much any so-called classic film you can think of43. Favorite teen movie? It was more elementary school than teen, but The Lizzie McGuire Movie was pretty iconic. (Also I’ve seen a grand total of, like, three “teen movies” so)44. Top 5 favorite films? Raiders of the Lost Ark, Jurassic Park, LotR: Return of the King, can I count the entire Star Wars series as one, and Spaceballs. Such a wide repertoire I know45. Favorite superhero film? Uh….. Thor? Maybe….? That’s solely because of Hemsworth’s and Hiddleston’s faces though. Maybe Guardians of the Galaxy?46. Favorite cop film? The Fugitive isn’t a cop movie but Tommy Lee Jones was a great cop in it so that? (I can’t even think of any cop movies I’m sorry)47. Favorite road trip film? The Great Race, simply because it’s also the only one I can think of48. A disappointing film from your favorite actor? Diego Luna was not exactly a main character in Elysium but I still watched it solely because of him and then his extremely underdeveloped character was killed off halfway through to motivate Matt Damon and basically that movie was a dumpster fire. But, like, a really boring dumpster fire. I think I’d rather watch a literal dumpster fire, actually….49. A disappointing film from your favorite director? I wouldn’t say Peter Jackson is my favorite director my any means, but LotR was amazing and then The Hobbit movies happened and just… why…… why would you do this…..50. The first movie you ever remember watching in theaters? I don’t remember. Maybe one of the Ice Age movies?51. A movie that was better than the book? I wouldn’t say Jurassic Park was better than the book because it left out so much cool stuff, but I did actually like many of the changes they made. And I also saw it before reading the book so that probably helped my opinion of it quite a bit.52. Vin Diesel or Bruce Willis? Vin Diesel was the Iron Giant and Groot so him53. A movie that not many have heard of that you’ve seen? Nobody I know has heard of Teenagers From Outer Space. (How did I hear of it, you might ask? It was on tv at three in the morning and I was really really bored that night)54. A movie that changed the way you view the world? The LotR trilogy certainly changed the way I view New Zealand. I wanna go there.55. Favorite sci-fi movie? I know Star Wars is more space opera than actual sci-fi but I’m answering that anyway.56. Movie you completely nerd-out over every time it’s mentioned? Really any of my faves57. Movie that you’ve seen all the behind-the-scenes action for? Not all because there’s so damn much of it, but I’ve definitely watched a majority of the LotR behind the scenes stuff.58. Movie where your favorite actor was the only good part? Dirty Dancing: Havana Nights was absolutely AWFUL and I enjoyed it immensely, because tiny Diego Luna dancing and being otherwise adorable. That being said he was the only one that knew remotely what acting even was and the parts when he wasn’t onscreen were just… really bad. The script was also awful, but at least it was unpredictable (because it made no sense). At least it was the entertaining kind of dumpster fire.59. Movie from an actor you hate that was better than you expected? First I need to think of an actor I hate….60. Most visually stunning movie you’ve seen? LotR was just beginning-to-end scenery porn.61. A movie your parents introduced you to? Didn’t I already answer this62. Favorite genre? “Soft” sci-fi and/or space opera is usually a good bet. Alternately, anything at all involving archaeology. And if you combine them I’ll love you forever.63. Least favorite genre? Romance. I’d like an actual plot, please64. Comedy movie that you didn’t find funny? Most of the ones I’ve seen tbh65. Horror movie that didn’t scare you? Also most of them, but I rarely watch horror66. Favorite remake of an old movie? I can’t actually think of any where I’ve seen both the original and the remake67. A movie that started a passion for you? Jurassic Park. My dinosaur phase lasted into high school….68. A movie that sparked an interesting conversation? Also most of my faves. Though whether those conversations were interesting for the other person too remains up for debate.69. The main movie you remember from your childhood? Star Wars: A New Hope70. The first movie you saw on it’s opening night? The first Hobbit movie71. A move that made you ache for love. ? Is this asking for a movie that hurt because I loved it so much, or a movie that made me want to find love in my real life, or…? (I guess Rogue One for both? It was painful af and I really want a Cassian, so)