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#'we won't let you believe violence has no consequence'
arataka-reigen · 13 days
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I love how most Arcane fights go "oh you're having fun? Is it fun to see all these cool power ups? Do you love people hitting each other? Are you smiling? Jayce was having fun too but now he killed a child. Are you still having fun?"
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hellbeast-go-walkies · 3 months
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Things I loved about Barry [SPOILERS]:
It seamlessly blends humorous and serious. No joke or dramatic moment felt like an afterthought, and heavy moments got to exist without someone trying to lighten the mood.
The pacing and use of sound/silence was amazing. I feel like I've seen so many shows and movies lately where we move from one scene to the next without any time to breathe, but this show just let moments or silence hang there without it feeling like the scene was dragging on.
Sally's character starts out like she's just going to be some pretty, blond love interest, but we got to see her angry and frustrated and violent and unhinged. For the majority of the show, she had bags under her eyes. She wasn't some love interest who fixed the violent man with her love. And even when she leaves her old life to go with Barry, we see how unhappy she is. There are no male fantasies with her character.
I could see Bill's stomach and his love handles through his shirt. I'm in no way calling him chubby or fat or treating those things as negative, but when you've had years of film and TV execs thinking all leading men have to be cut, I was so happy to see someone with an ounce of body fat.
There's zero copaganda. At best, the police in this show are incompetent, willing to believe anything in order to wrap up a case quickly, and at worst they're violent. And there's no blindly patriotic portrayal of the military either. This post and this post have some great points about propaganda and the finale.
The show does not glorify violence. Barry is not some cool action hero who carries out his work without emotion or consequence. And the show humanizes Barry without glorifying him or justifying his actions.
We get to see Barry cry, break down, beg for help, touch Fuches' hand, and say "I love you" to two father-figures. This show speaks on male violence as well as the need for deep, meaningful connection with others (and how that connection may prevent violence).
It's very ace-friendly.* Over the course of 32 episodes, there is like 4 overtly sexual/crude moments: a brief scene from a sex tape (which makes Barry uncomfortable), audio from a porno (which makes Barry REALLY uncomfortable), and Sally has two moments where a man she works with creepily and crudely hits on her.
Like, this is an HBO show. It could've been so much more sexual and violent, and it wasn't. There are graphic moments of violence, but there are also moments where the team chose a distant approach that worked perfectly. For example, one character is shot at close range in a car, and they chose to film that moment some distance from the vehicle. It was still a heavy, horrific moment, but it wasn't gratuitous.
*If you don't like swearing, violence, god-awful parenting, or stressful shows, you won't like Barry. It's the only comedy I've loved where I was just on edge for the rest of the day.
I have 4,000 more thoughts on this show, and I can't remember anything else I was going to add.
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The Gentlemen : Quotes
"- Your inheritance has made you a very wealthy man, but that doesn't mean to say that you're rich. You're asset rich, cash poor. There has been a slightly unconventional approach from a lawyer based in London. His client has expressed an interest in purchasing Halstead Manor. (The lawyer) - When someone dies, the vultures start circling." (Eddie - Episode 1)
"- Yes, and the sooner you get rid of them, the better." (Lady Sabrina - Episode 4) - I just need to figure out a way of making them more money with a little less fuss. (Eddie - Episode 4) - Now, come one. Nothing like a good funeral to put things in perspective." (Lady Sabrina - Episode 4)
"- Behind the air of pomposity, there's a man you don't wanna fuck with. (Eddie) - Speak for yourself, Eddie." (Freddy - Episode 4)
"- He's rather lovely. He's your classic struggling artist. Just a little too desperate to be discovered." (Freddy - Episode 4)
"- Would you introduce me? (Eddie) - You're up to something, Eddie. (Freddy) - Never." (Eddie - Episode 4)
"- Oh, Freddy has many talents, but sticking isn't one of them." (Eddie - Episode 4)
"- It's the kind of risk-reward relationship I could get on board with. Free market, fucking great. Lack of regulation, check. No taxation? Yeah, baby. Smidge of illegality? Yeah, well, no business plan's perfect." (Max (?)- Episode 4)
"- Only thing he likes more than wine and fine dining is the sound of his own voice." (Susie - Episode 5)
"- Are you trying to blackmail us? (Susie) - Ah, well, that depends on your definition of blackmail. (JP) - Perhaps you could help us clarify your definition." (Eddie - Episode 5) "- We've all just gotta figure out what we're good at and fuck the consequences in the arse. (Freddy) - The consequences might fuck you in the arse if you do 14 years in prison." (Eddie) - Yeah, we're all in cages, brother." (Freddy - Episode 5)
"- That's the thing about running an international crime syndicate. We can get to anyone." (Susie - Episode 5)
"- You continue to deliver on your end of the bargain and see how they respond. Don't let 'em know what you're thinking. And meanwhile, prepare for all eventualities." (Geoff - Episode 6)
"- Well, you don't fuck about, do you? (Eddie) - Like you said, impulse, instinct, survival." (Henry - Episode 6)
"- I thought you burnt that bridge. You know what creative types are like. Passion runs high, but it's quickly forgotten." (Episode 6)
"- That's a very wild accusation. - Why don't you deny it, then, hmm?" (Episode 6)
"- There is nothing that I won't do to protect my family. (Eddie) - Careful there, soldier. I can be nice, and I can be not so nice. You've only seen me on one setting." (Susie - Episode 6)
"- Looking supremely fucking confident. As well you should." (Episode 6)
"- You may have a small army, but I am the state. I am the house. I am the establishment. And you are ill-equipped physically, martially, and intellectually for the fight you've mistakenly chosen to pick." (Susie - Episode 6)
"- What have you got to be sorry for? Didn't do anything, did you?" (Susie - Episode 7)
"- You're not thinking with your business brain. You're thinking with your emotional feelings. You're my angel of life, not my angel of death" (Bobby - Episode 7)
"- Violence and trickery has no place in our way of business." (Episode 7)
"- How do you intend to use their names? Mr. Johnston believes the key to a good deal is to give everyone something they want." (The secretary - Episode 7)
"- Now blood's been spilled, he's not gonna stop until he's got it. There's nothing he won't do." (Episode 7)
"- Problem is, I'm currently on the precipice of a difficult decision about which side offers the best chance of an exit... with the least possible fuss." (Eddie - Episode 7)
"- If you're gonna do it, just fucking do it. (Henry) - Oh, no. After you made my brother suffer, I think I'm entitled to take my fucking time. Make an example of you. Make sure no one ever tries to steal my business again." (Susie - Episode 7)
"- Because this is the one time I can do something selfless. The one chance I have to reclaim a shred of human dignity. The moral of the story is, you need to take the blows, accept the blame, all for the sake of the bigger picture." (Bobby - Episode 8)
"- And why me exactly? (Eddie) - It ain't gone unnoticed that you two have become a right double act working together." (Bobby - Episode 8)
"- I was under the impression it was verified. (Stanley Johnston - Episode 8) - No. You've been the victim of a deception, Mr. Johnston. (Eddie - Episode 8)
"-You see, until you've had the living shit beaten out of you, you don't know anything. But when you realize the only thing that matters is power, the whole world opens up. 'Cause it's literally there for the taking." (Jack - Episode 8)
"- However, if you want the benefit from my vast years of experience, I'd say that you're much more likely to regret the things that you didn't do rather than the things that you did." (Lady Sabrina - Episode 8)
"- It got me thinking. Nothing in life worth having comes without a little... danger." (Eddie - Episode 8)
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klededouze · 7 months
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Finally got around to do an in-depth analysis of The Garden by The Crane Wives
(mostly of the text)
TW: religious oppression/violence
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Ok so. The singer is talking to someone they're close to (bed=intimacy) and asking them to conceal something shameful, because ''bury'' is a pretty extreme way of hiding something and the singer can't even name it, using ''this''. Usually when you use ''this'' there is a precedence in the text, but there's none here.
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The religious imagery begins with the garden probably referencing the garden of Eden. But the supposed paradise is now full of crows, an animal associated with bad omens and superstition (!), creating an antithesis. We understand the singer has been exposed and lies can't help them anymore. Hiding didn't work out!
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Anaphora of ''my'' showing the strong bond between the singer and their lover (also aliteration of ''s'' right after the ''my'' which sounds absolutely lovely. One of my favorite parts of the song). The singer needs the other person, talks directly to them and asks them to help again.
The lover is presented here as a protector and a supporter but also a way to fight back.
There's a dichotomy between light and darkness: notice how ''your light'' opposes ''the darkness'', the lover's light is a part of themselves but the singer's darkness is something external that made its way into their head, probably a consequence of the environment (they're being bullied by crows).
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(ok i lied all parts of this song are my favorites urgh)
Lexical field of the body, the singer is abandoning themselves to their lover. This is also pretty erotic, evoking high intimacy between those two people.
The singer seems to resign themselves to being unable to conceal the shameful thing that are their feelings, manifesting here into ''blood-stained clothes'' (as if they comitted a crime). But at least the lover can give the singer something beautiful that no one else can see.
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Ah yes, my favorite lyrics, ''woah, oh''
Term of endearment ! ''My darling, the devil'' just sounds so sound. Religious imagery hitting you right in the face here. The singer has been led to believe that they were a sinner, so much that the devil himself knows their name ! Love contrasting with this terribly brutal notion.
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The singer decides now to bury their lover and themselves. The crows be damned, they can take what they want, at least the two lovers are together in their bed. At this stage of the song, the shame/hiding has turned into acceptance of the not so ideal situation.
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Ok this is actually a mystery to me. Who are those ghosts. At first i thought about the holy ghost in catholicism but it doesn't make much sense. Are those people dead ? Are they ghosts only to the lovers who feel completely disconnected from them ?
(also I can't stop hearing ''the quiet prayers'' which changes everything urgh)
Anyway they're pretty indiscreet, looking through a window into the singer's home (room even, with all the mentions of the bed), an intimate place. They even echo something meant to be quiet, making it known to everyone else. The antagonists in this song (crows, ghosts, is this halloween) really won't let things go quietly.
''Hammers and nails'' the lovers will be martyrs (literally like Jesus) if (or rather when) they're caught. Terrible violence expressed here, and this ''when'' presents it as inevitable.
There's also another interpretation I consider, with the nails and hammers being tools to build/fix things, with the antagonists wanting to literally fix the two lovers, which will of course only hurt them.
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Even tho the singer is repeating the same line as before, they're not singing it in the same way. There's something ferocious about it. And the repetition of ''my name'' shows that the singer is reclaiming it. I think there's some pride here, with the reclaiming of one's identity.
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Aaaaaaaaa
The singer telling the lover to get on their knees not to pray but to destroy the garden (the supposedly origin of humanity !). They're the ones using their own tools (the spade and even their hands) not only to protect themselves but to fight back (as seen before ''my stone, my shield'' ect).
Apple tree, the root of evil, actually (apple being presented as the fruit of the original sin). This is basically saying ''let's destroy the entire structure that is oppressing us''. And they've been put in that situation, we've seen that the whole song, they have no choice, because the ghosts will come for them no matter what they do, because who they are is the problem to those people.
From shame to acceptance to justified anger. Love to see it.
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pascaloverx · 3 months
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Hit The Road
Chapter Thirteen
previous chapter final chapter
Summary: You are a hunter of supernatural beings who is forced to experience a new reality: being a vampire. The only thing stronger than your thirst for blood is your thirst for revenge.
Author's note: the characters mentioned here were created by Kevin Williamson and Julie Plec, based on the book series of the same name by author L. J. Smith. They don't belong to me. That said, this fanfic will be short. This fanfic may address scenes of violence, inappropriate language and adult content. Minors should not interact with this story. Also some information here is not in the order of the series or the same way it happened in the tv series. I'm changing some things to fit the fanfic story. Just to say that after this chapter the fanfic will go on HIATUS.
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"I never realized how dumb you guys are. Killing me was the easiest and most practical way out, but you had to make it all an adolescent drama and lock me in this damn room like a prisoner. You won't get anything out of this other than making a complicated situation even worse." You throw the chair that's in the middle of the dark room, which the Salvatores put you in, with all your strength at the iron door that holds you. Your strength doesn't seem the same, leading you to believe that the consequences of not obeying the spell are intensifying.
"You're being a bit too dramatic. I mean, Stefan and I have been through horrible things and came out alive. We'll find a way to get you back to normal." Damon seems very calm. It irritates you – how can he be calm when one of you might die today?
"If I don't obey the commands of the one who enchanted me, I'll die. If I do, I'll not only kill the men I had a romantic relationship with but also most of the people they love. You and Stefan should have killed me when you had the chance. But of course, you wouldn't be able to. You can't decide which of you loves Elena more. Or is it Katherine or maybe Caroline. Not trying to say anything, but it's pretty obvious that you two only know how to share loves. And when you don't know what to do, you move on to the next victim." You feel a pain inside you large enough to make you scream in agony after finishing speaking. Your right arm has a mark that wasn't there before. The spell wants you to kill Damon, and the fact that you can't is killing you.
"You're right. Stefan and I are like that. But you're not much different, can't decide who you want to be with. Even while you must be feeling a horrible pain capable of making you scream like that. The truth is, none of us wants to lose the other. You don't want to lose us, and we don't want to lose you." Damon makes a sound as if he's leaning against the door that separates you two. You hear what he says, and some involuntary tears escape from your eyes.
"Kill me, Damon. Kill me right away if you still know what's best for you." You plead, almost shouting through the door, not as if you were angry but as if you were desperate.
"I'm not going to kill you. I'd rather go in there and let you kill me. Maybe I'd even prefer to let Stefan make that sacrifice after all he's the hero of almost every story." Damon says with a certain mockery and you laugh. Laugh because you know you'll miss him.
"When burn in hell I'll miss your sense of humor." And you don't even realize it but you're sitting on the floor waiting for the anger at this situation to end and thinking about how much you wish you had enjoyed it more.
"If you go to hell, I will follow you. After all, we were meant to burn together." Damon speaks delicately as if he means it. You laugh thinking about how you don't believe it.
"And would you leave Elena behind? Stefan? Your immortality?" You question it being an inexplicable pain inside you.
"I don't think I ever told you this but yes. For you, for both of us. I would leave any of them. I'm not saying it would be easy, but you and I are destined. In joy or in sorrow, in health or in sickness until death do us part and not even death will do." It's possible that you never thought that you could want to kill and love someone so much at the same time but now you do.
"You really took our marriage seriously. You're talking like a married man. I really wish I could kiss you right now." You say between a few tears and a nervous laugh. Imminent death has left you terrified in reality.
"Soon you will be able to, Stefan is looking for a way out with Bonnie, Elena and Caroline. The whole team is on your side." He says and you smile slightly, feeling a twinge inside you as if you were being shot. Not obeying a strong spell of this magnitude is really killing you. But you do not care. Everything that is born one day will die. It's painful and beautiful at the same time.
"Damon, I loved you. Damn maybe I still do but I don't want you to get sentimental after I die. You should move on, stay with Elena maybe. She's good for you, God knows that without me and her you'd be a walking idiot who goes around killing everyone and making your brother tired." You say goodbye, you know it will take a few more hours and this spell will take your sanity and consume you. You have to say goodbye to them...
"You're not going to die. I refuse to bury you." It's certainly cute to see him deny something that's going on. But you're out of time to deny the inevitable.
"Honey, I hope that if there are other lives, we can live what we didn't live in this one. Now at the risk of seeming rude, I need to speak to your brother." That's all you say before you hear Damon get up and disappear. You then slowly lies down on the floor as he loses consciousness.
"Damon said you wanted to talk to me." Stefan speaks from behind the door, his tone of voice is a little harsh which easily helps you wake up. You swore you were already dead because the time you spent lying on the cold floor seemed eternal.
"Are you mad at me?" You question as you stand up letting out a loud groan of pain.
"Damon told me how crazy you are talking about dying. I should be happy, right? — he gives an almost sarcastic laugh — You dying would make things a lot easier.” You already imagined that Stefan would react that way. Despite everything, you still care so much about each other.
"Your plan is to treat me badly until I decide to live to hit you one last time?" His attempt to be funny fails miserably but at least Stefan lets out a laugh.
"I love you. Should I celebrate that you so easily accepted death in the name of letting me and my brother live?" Stefan speaks in the most sincere as possible, it's as if you feel that this made him tense. You wish you could hug him right now and tell him it hurts like hell to leave them.
"What's the point of fighting the inevitable, my love? How long do you want me to kill you and your brother and then kill every vampire in front of me? I'm a risk, Stefan." You no longer have as much strength to speak as you did a few hours ago. Is it the spell or his bloodlust?
"I'm sorry this is happening. But if you fight this, maybe you can live. With me and Damon. I promise I won't make you choose." You start to cry using the last of your strength.Something told you that saying goodbye to Stefan would be more dramatic.
"I choose you. Both of you. I want an eternity with you, to love you, to share you with Elena and Caroline. But life doesn't care about what I want." Those are the last words you allow yourself to say before doing what you should. What was needed. Your balance is poor but you manage to get up and go towards the point in the room where you are, the point where the sunlight shines brighter than ever. Then you take off the ring that stops you from burning. And all you feel is pain as your skin catches fire and your screams fill the room. It's the end.
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oldguardleatherdog · 4 months
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What would a Trump Restoration look like? Here are some predictions from voices I respect.
In Salon yesterday, Chauncey DeVega quotes thought leaders' predictions of the first effects of a possible Trump restoration. Here's the link and some excerpts. Stark stuff. The Puriteens and wacked-out lefties who are ditching Biden should read and heed, but likely won't: this post is for you, Constant Strangers, faithful friends, and Beloved Mutuals alike. Let it be a motivation for us to get to work.
"I’ll do what I did during the first Trump term: I’ll spend those weeks commenting through my work on a nation that’s given up on decency and reason and given in to fear and sadism."
"I’m angry. I’m disappointed. I’m afraid. As you know, I have spent the last seven years, like you and others, trying like hell to warn people and I’m looking at everything and shaking my head. I cannot believe how little some people have learned. And things are accelerating in a hurry."
"This awful timeline would be full of daily horror, violence, domestic terrorism, and repression; it would not be a dream from which we would awaken. I describe these possibilities with the understanding that it would be a permanent shift in our existence, both public and private, and there will be no turning back."
"There is a very clear, distinct, and permanent consequence for allowing fascism to win. This is all that matters right now. We don’t have any time or energy to spare for strategic hair-splitting, or for anything which dilutes a consistent, unified effort to stop a fascist dictator."
"Trump can’t keep his mouth shut, and he’ll give us a big ‘ole preview of what’s coming next (like Mike Flynn being the next Secretary of Defense, removing all the trans people from the military, national abortion bans using FDA, bans on health care for trans people of all ages, etc…)."
"Republicans are actively encouraging the narrative that Trump won’t be that much different from Biden to drive down Democratic Party turnout. Independents and some democrats are finding rationalizations to sit out the election because Biden didn’t give their particular pet rock enough love and attention (when Trump would clearly take a sledgehammer to it.)"
"The choice is literally totalitarianism or freedom. This election, unlike virtually any other, has it in black and white. The differences couldn't be starker. If you want freedom and democracy, put aside whatever policy ideals you have and vote for Biden. You may not get another chance to vote if the election goes to Trump. And that's not hyperbole - that's what Trump's own rhetoric implies (and it's barely disguised at that)."
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nonconstories · 1 year
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Fun Fact every werewolf has a slightly different relationship to their wolfside and it effects how they shift and how they behave in their pack + in werewolf society at large.
Let me come out and say, this part of the lore is influenced by World of Darkness (New World, Werewolf the Forsaken + VTR). Click under the cut for a whole bunch of Gay Autism.
First off, you have Jeremy. Jeremy is the newest werewolf in all of Moondrunk's cast: he's only been a werewolf for a few years. His relationship to his wolf is new too: he treats it like (and relates to it) as a parasite, or as an acute disability. He struggles against, resents it, feels a lot of shame towards it, and gets defensive when others question how he treats this part of himself. He sometimes says very harsh things about his own kind that are self-criticisms that come out twisted and hurt his community. Parallel this to how he relates to his bisexuality and to his attraction to Fletch, and contrast to....
Jasper, who lives in perfect harmony with his wolfside( though that harmony is largely physical). He relishes in the power and pleasure his wolf can bring him, and often finds it easy to shift when he's feeling excited or restless. Like Caelum, he thinks of his wolf form as his 'real form', and his human body a facade. He doesn't, however, give much thought to how his wolf influences his behavior and choices, unlike...
Caelum, who, unlike the majority of werewolves you'll meet (especially the born-and-bred aristocratic type) approaches his wolf intellectually. He spent years analyzing his behavior at different phases of the moon and in different stages of shifting; he's deeply familiar with the flesh-and-blood science behind their anatomy and brain structure, their hormonal production, their sociology. He barters with his wolf, makes it a thing of give and take. Balance, something he might have learned from...
Ronan is not unique to wolf-culture, but he is somewhat unique to Pack Noctifer. Because Ronan's relationship to his wolf is wholly spiritual in nature. He believes that his wolf is a fragment of a primal god, one of blood and the moon and the hunt and the wilds. He believes that his wolf powers are gifts, a sacred birthright, and it is grants him leave to treat humanity as cattle and prey. Magic is a constant in his life: crystals and astrology and tantric chanting and mushroom induced astral projection sessions. He speaks of his wolf as an Evangelical speaks of the Holy Spirit, and he passed some of these beliefs onto...
Kase, whose relationship to his wolf runs perpendicular to Jeremy's (intersecting briefly, instead of parallel). Kase treats his wolf the same way he treats his depression and his ptsd: excuse and security blanket; weapon and shield; companion and abuser. He uses the rage and the violence to try and cope with everything that's ripping him up inside, but can't deal with the fallout, so he blames the wolf like its a separate person, instead of a part of him. This also a theme we see with...
Avery! Avery's had a pretty shitty life too, okay? He just whine about it like some people he won't name (Kase). And unlike some people (Kase again) he didn't wait until he got the Bite to start hitting back. Avery has always chased power, has always tried to be an eager collaborator to brute power. He feels safest as a weapon in someone else's hands, and he's also done a shit ton of drugs to counteract the consequences of that lifestyle. Unlike Kase who chased dope like heroin and oxycotin and liquor, and Ronan who favors hallucinogens, Avery did steroids and PCP and flirted with meth for a while. He treats the wolf like he treats testosterone and guns and back-up: another way to hit back, and something that nearly consumes him at times, unlike...
Asher. Asher struggles to have a relationship to his wolf at all. And that's not even his fault. Asher was young when he was Bitten (only 17) and he can't manage a full shift even 4 years later. The rest of the Pack pretends they aren't worried, but they are. Sometimes, the wolf doesn't take right. The full shift, the full spectrum of powers, simply never comes. And here's the thing: Asher accepts that. He knows it intuitively, senses a certain weakness in his body. Not unlike someone quietly realizing that they are dyslexic, and will always struggle with things others find easy. So, while Asher isn't sure he'll ever be fully 'in-touch' with his wolf, he accepts that, and understands that he is no lesser for it. After all, what else is the position of Omega even for?
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engazed · 2 years
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Hello! How is the summer/spring going? I have been meaning to ask this for a while, I hope you don't mind a random anon question. One of the many things I love about your writing is how you don't pull your punches. Violence in your stories is the perfect amount of dramatic, blows feel as if they have weight, and villains are vile. I was wondering if you could tell us a bit more about how you write violence and antagonists?
My spring has been lovely lately, sunny, breezy, just a little wet. My kind of weather!
Let me be clear: I never mind a random anon question. I love them. I never know when they'll show up or what they'll ask, so it's always a bit exciting. Like a surprise postcard.
The answer to this particular question is tough to answer without coming across as a nutter. I feel like I need to begin with a list of disclaimers, such as (1) I don't like/condone/indulge in violence and (2) I'm not a violent person, I swear!, and (3) I don't write violence for the sake of violence. I hope I've made this clear in past posts and responses to comments, as well as in the story itself. It all goes to serve larger themes of love and redemption in a broken world and among broken people.
I don't know that I have a particular process for writing villains, or violence for that matter. I suppose I draw from all sorts of sources. For one, I read and watch a lot of 'true crime' stories, so I know the kinds of heinous acts people are capable of. I also read and watch a lot of superbly told fiction with extremely well crafted antagonists, and I learn so much from studying those stories. I aim for a sense of verisimilitude with respect to character's motivations, actions, and consequences, and, as you note, I try to play it through in a believable way.
One thing I do believe in, when it comes to writing antagonists, is that the bad guy needs teeth. That is, he or she has to pose a genuine threat to our heroes. We can't just have empty words. We can't tell the reader 'this bloke's a baddie' and not show it or the reader won't believe it. So I don't pull any punches. I allow villains to terrify, maim, and murder, and I let heroes suffer the devastation. Let there be scars, in body and mind, and then, then, let them work, discover that there is strength still in them; let them get stronger, and ultimately, watch them be victorious. Really, it's all in service to story. That's the bottom line here. Story story story, or it doesn't work. Your characters are only real if they exist in a good, believable story, and that includes your antagonists.
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Can we have some gilwreath siblings talking about their trauma and problems Please
ooh this is sad so I am keeping it short
~~
Kal has a lot of scars, from many fights over many years, but Saedii has some that are unmistakeable and fill his very bones with rage. He finds this out on what would have been an extremely ordinary Thursday afternoon.
They had been sparring for hours and Saedii had made a comment about being too warm and had shrugged her shirt off.
He hadn't expected the scars. Large striping scars down Saedii's back, each surrounding by the kinds of tiny dented red lines that only an electric shock can leave.
"What are those?" Kal says dumbly, pointing at her back and Saedii looks over her shoulder at them before shrugging.
"After you left, father thought I might have information about where you went. Some weapons leave more scars than others," she says it so casually, as if she hadn't just rocked Kal to the core.
"He tortured you to find us?" Saedii snorted.
"He tortured me if I dared breathe too derisively in his direction," she says, finally throwing her overshirt aside and raising her practice baton again. Kal just stared at her until she lets the baton fall at her side.
"Okay Kaliis, I do not need your pity. It happened, it scarred, I'm fine. Stop being a wuss and try to hit me," Saedii says and he considers her for longer. Before she could respond, Kal is across the circle and Saedii is in his arms. She groans and tries to pull back but he doesn't let her go, just hugs her tighter.
"I'm sorry for what he did to you," Saedii is still for a beat before she releases a breath and her head drops against his shoulder.
"What he did to us," she corrects. "I stayed when I shouldn't have. For that I bear consequences. You didn't deserve his violence." Kal wants to shake her at that.
"We were children. Just because we made the choices, doesn't mean we deserved the consequences," Saedii shakes her head like she doesn't believe him but he just hugs her tighter. "Saedii... we didn't- we don't deserve violence." He says and once again she pauses.
And then, in a move that shocked him into silence, Saedii hugs him back.
"Was his death painful?" She finally asked.
"Awful, very explosive," he confirms.
If he feels her smile against his shoulder, he won't tell anyone.
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stellarhistoria · 7 months
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"miss saverem?" voice is unsteady, uncertain, dark eyes glancing up to her authority. "is it alright if we... discuss the proverbial elephant in the room?" doesn't mean to make light of things, but lenore - the young scholar, the prodigal scientist - does indeed gesture her hand towards the stasis chamber housing verona, forced into indefinite sleep following a recent assault on the ship's crew. "i... feel i must speak my piece to someone who would likely listen," she takes a seat in the open spot beside the older woman, picking at her sleeves, "and though i know my stance is a conflict of interest, i- i do think verona's logic is sound."
a pause. head turning to eye once-companion sadly through the glass. how far she's fallen ; how much farther will she fall? lenore shudders to think.
"the crew thinks her violence is unprompted, but that's... absurd!" lenore's hands ball into fists against her knees, the ire and conviction burning bright in her gaze. "i know she's not the most virtuous of creatures, and i know she's troublesome... but i also know her to have a gracious heart and- and a wonderful, vibrant soul-- i cannot allow them to consider terminating her!" voice trembles, eyes welling with tears. "you must understand!" lenore looks at rem, pleading and desperate like anyone who has ever been driven by a consequence of star-crossed love, "she's no monster! they're just afraid of her because they won't even try to know her! and- and... that's... how is that fair?"
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"I hope they realize that, no matter the terms they decide to use for it, they're trying to decide whether or not to kill a child." a huff of annoyance slips past the biologist's lips, eyes narrowing in decided disgust, knowing well that perhaps her own place in the matter is a conflict of interest, but that doesn't give anyone the right to take a life - or decide to take a life, regardless of how they're perceived.
it baffled rem to know that people would go to such lengths when they didn't believe someone was worth human decency. ( truly, has the human race fallen so far that kindness towards someone who needs the most of their attention to grow, to thrive, to survive, is off the table when they're just a little more difficult than the ones they ACTUALLY enjoy being around? ) verona was a child, STILL IS a child, and she deserves to enjoy her life as much as anyone else. but if she can't convince the crew to let her exist as a person...
she shakes her head at her own thoughts, and reaches out to place her hands on lenore's shoulders, eyes squinting ever so slightly with mirth and vibrancy, the sort that rem had always been known for. as well as a glint of geranium red determination.
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"Don't worry, Lenore, I'll take care of it. Verona isn't going anywhere."
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drawscripturestories · 11 months
Text
My feelings on LGBTQ+
Sometimes I feel like I just need to vent my beliefs into the void, just so that people know what I'm feeling.
Today I want people to know what I'm feeling about LGBTQ+ stuff. My church's official stance is that there oughta be no sexual relations before marriage, and marriage is between a man and a woman. My church also maintains that there are two genders, regardless of what biology may say; it's a thing that was determined before we were born and will continue to be so long after we're dead.
And yes, I trust my church. Faith is a difficult thing to hold onto when everyone you see on the internet is telling you it's wrong, but I've just about managed to maintain it.
Of course, maybe before going further I ought to say what this does NOT mean:
This does not mean I hate everyone who identifies as Gay, Lesbian, Bi, Trans, or whatever other words you may prefer to use. These people deserve the basic human rights to live in a society that loves and tolerates them in the same way that all human beings ought to love each other. The second-greatest commandment in the bible is "love your neighbor", after all; second only to loving God, who also loves everyone, by the way.
This does not mean that I believe that Men should not be sensitive, caring, concerned with their appearance, or any other thing that is traditionally associated with the female gender, or vice versa. There is a big difference between the roles God intended for men and women and the human traditions that have built up around those roles since the beginning of time.
BUT this does not, in turn, mean that I want to let you all do LGBTQ+ stuff. I won't hate you for it, but... I know that sexual relationships outside marriage between a man and a woman can only lead to misery; in this life or the next; and I want to tell you all so bad, but... I'm afraid I'll only be met with terms like "TERF" and "Transphobe". Look at JK Rowling, for example. Can anyone here actually tell me what exactly she has said that has made her the sworn enemy of the LGBTQ+ community?
“If sex isn’t real, there’s no same-sex attraction. If sex isn’t real, the lived reality of women globally is erased. I know and love trans people, but erasing the concept of sex removes the ability of many to meaningfully discuss their lives. It isn’t hate to speak the truth. The idea that women like me, who’ve been empathetic to trans people for decades, feeling kinship because they’re vulnerable in the same way as women—i.e., to male violence—‘hate’ trans people because they think sex is real and has lived consequences—is a nonsense.”
She continued, “I respect every trans person’s right to live any way that feels authentic and comfortable to them. I’d march with you if you were discriminated against on the basis of being trans. At the same time, my life has been shaped by being female. I do not believe it’s hateful to say so.”
That last paragraph scares me because she practically outright said that she would support trans rights and the people of the internet still hate her.
JK Rowling never said she hated Trans people. She wasn't funding any hate groups, she just expressed her belief, like I'm doing, and the LGBTQ+ community wants to destroy her for it.
That's why I'm terrified to put this post out there.
But one of the virtues I chose to write on Gad's sword was "Truth", because that is more important than popularity. If I can't be honest with you all, then it's as good as standing by and letting a blind man walk off a cliff.
From my perspective, anyway. Form yours, I might be the conspiracy theorist connecting unrelated threads in his basement, or the old guy shouting "the end is nigh" at the street corner.
By all means, call someone out for outright abusing LGBTQ+ people, or for slinging hateful slurs or doing anything un-christlike. Just also be aware that some of us are just seeing you guys walking toward a cliff, real or imagined, and we want to warn you before you fall off and hit rock bottom.
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fatuiwhore · 3 years
Text
Genshin Boys when someone flirts with you and doesn't get you're not interested
Characters: Diluc, Kaeya, Childe, Scaramouche x gn! reader
Warnings: violence mention on Childe's and Scaramouche's part
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At first, DILUC hesitates to interfere
Even though it's quite obvious you're not interested, the guy talking to you won't leave
Still, he feels like you can handle yourself just fine
He's not the jealous or possessive type, especially not in this situation
It's obvious how much you'd rather be left alone
Eventually though, when said guy simply refuses to give up, he'd walk up to the both of you and wrap an arm around your waist
He's not into PDA, he just hopes the gesture is possessive enough to scare the guy off
If it's not, he'd scowl, eyes narrowed as he's pulling you closer, your back now against his chest
“Fuck off. They've already said multiple times they're not interested. I strongly suggest you take your leave now if you don't intend on things getting ugly.”
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Compared to Diluc, KAEYA's actions are less direct
He's at your side in an instant (most likely because he never leaves it anyway, he's CLINGY)
“Oh? Who's this, y/n? A new friend of yours? I don't believe we've met yet.”
If the guy immediately leaves you two alone, everything's alright for him
If he doesn't though, well - Kaeya is certainly able to be quite mean
Especially if the guy is trying to impress you
“You're a knight? I wouldn't have guessed, given the physical shape you're in. Tell me, then - how come I've never seen you around before? I'm the Cavalry Captain, after all. I'm sure we would've met at least once.”
Just in case none of his words are harsh or mocking enough to get the guy to leave, he's resting a hand on your hip or has his arm around your waist
“It's quite pathetic that you're trying to win someone over by telling them fake stories. Don't you know how the saying goes? 'Tell a lie once and all your truths become questionable.' Now, leave us alone, alright? I really don't want to deal with you anymore.”
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CHILDE is protective over you, even though he makes it seem like he's the easy-going type
Since he's always right next to you, most likely touching you somewhere, whether it be your hip, waist, shoulder, arm, whatever - he's a huge fan of PDA -, he doesn't get how some guy is unable to count 2 and 2 together and realise you're a couple
So, in his opinion, it's not unjustified if he gets a little unhinged at obvious flirtations directed at you - especially while he's present!
Does that guy want to fight for your love?? Childe's up for it
(he's never one to pass up the opportunity of a spontaneous fight... obviously)
If that offer isn't enough to send the guy running, Childe makes it more obvious how unwelcome his presence is
“You really should go now. As you can see, they're not interested, and if you bother us any longer, I won't hesitate to pave Liyue's streets with your blood.”
All of this is delivered with an eerie smile
For obvious reasons, you're left alone after that
And if some idiot dares to approach you to behave inappropriately again, well-
Let's just say Liyue really does look pretty, painted in red
“Oh? Are you trying to start a fight right now? Well, some say not all conflicts can be solved through violence - this one certainly can, though. Y/N, turn around for me, will you? I don't want you to watch what's about to happen.”
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While not overly affectionate, SCARAMOUCHE is protective - or rather: possessive
All of his subordinates are aware you're his and therefore only approach you rarely out of fear of the consequences - which is honestly fair, because Scaramouche, as a Harbinger, can be quite scary
If someone does try to flirt with you, though, perhaps because he's new and doesn't know of your and Scaramouche's relationship yet-
Scaramouche isn't too keen on mercy
After all, it's not his fault that the idiot wasn't intelligent enough to pick up the non-existent clues about you being taken, right?
If the guy is particularly lucky, he's simply getting sent to Dragonspine for, well, forever, with an assassin later getting rid of him
If he's not, though - Scaramouche knows more than enough ways of torturing someone to keep the two of them busy for some days
He's using the guy as an example of what happens to the ones who dare touch his property
(because, honestly, that's exactly what you are)
He's expecting you to watch the demonstration as well, of course - he's doing this for you!
“What was that? Are you regretting your actions now? Well, that's too bad then - I'm not in a forgiving mood. Next time you really should think before simply doing something. Oh, wait - how dumb of me! I forgot there won't be a next time.”
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lipstickstainz · 3 years
Text
true lies - s. r. (11/15)
Pairing: Spencer Reid x Reader
Series Summary: Spencer is furious, when you rejoin the team after a year and after you left him, when he got arrested. Little does he know, that you leaving him was the only option to ever get him out of prison.
Chapter Summary: you know what's coming - the truth.
Warnings: angst, minor violence
Word Count: 2k
A/N: i listened to my favorite saddest songs while writing. be prepared. thanks for your kind feedback! gif not mine.
Series Masterlist
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previous part
JJ snaps you out of your thoughts. There's an expression on her face that you can't find the words for. "Y/N? What does she mean?"
You have to swallow. Your throat is tight and you can barely breathe, so you cling to her to keep from sinking to the floor. You can't take your eyes off the two in the interrogation room.
"What deal?" Spencer sits up straighter than he already does. His whole body is tense.
Cat shakes her head. "I thought you weren't here to talk about her or you."
When Spencer slaps the table with his palm, she doesn't even flinch. You do, the harder, and JJ's hands clench into fists. But you only notice this out of the corner of your eye. "What deal, Cat?" His tone is harsh, leaving no room for Cat's games.
She sighs. "Maybe you should ask her yourself. After all, she did come here with you, didn't she? I don't think she'd skip this dance." Cat looks past Spencer to the one-way mirror, straight through it, as if she knows you'd be standing right there. Her grin is crooked and ugly. "Come on, Y/N. You should know I don't bite. Not without notice, anyway."
You feel JJ's gaze on you as you enter the interrogation room without a word. You close the door behind you and out of the corner of your eye you notice Spencer looking at you. But your gaze is fixed straight on Cat. You stop right at the door.
"It's good to see you again, Y/N."
You don't have to be a mind reader to know what's going on in Spencer's head. It's practically written all over his face. Again?
"Hi, Cat," you reply curtly. You feel like shooting her.
"I always knew you lived dangerously. But I didn't think you were stupid. Yet you were the smartest one on your team. No offense, Spencie." She says it like she's bored out of her mind, not like the whole situation could completely escalate in the next second. Spencer tries not to let on, but you can read the confusion on his face. "I guess I was wrong about that."
"What are you talking about?" you ask, involuntarily taking a step forward. Cat takes it as a sign to keep talking.
"I know you killed my partner in crime. Must have been quite a mess, I'm told. Shot right through the head. Kudos, Y/N. I knew you were smart, but you're also badass. Who would have thought." She raises her hand and inspects her filthy and chewed fingernails. Her gaze drifts to you without her moving her head. She looks at you through her eyelashes, which makes her look crazy. "Quite a pity about him. But he was really just my accomplice's boyfriend. So, not worth mentioning."
Accomplice? Boyfriend?
It only takes a brief moment for everything to come together in your head. Apparently, all emotion falls from your face, because Cat looks extremely pleased. "You didn't play by the rules, Y/N. And now someone else has to pay for it."
In three steps, you've crossed the room and pulled Cat from her chair. Before Spencer can stop you, you push her full force against the nearest wall, causing a gasp to escape her mouth. You press your forearm against her throat and she lets out a hoarse laugh. Her gaze mirrors yours. Fierce and unyielding. The pressure on her throat intensifies and she has to cough.
You feel big hands on your shoulders, yanking you back so that you stagger and bump into the table. For a brief moment, you want to fight back as you leap forward again to put a stop to Cat once and for all, but Spencer extends his arm to allow some distance between you. You don't look at him. Out of anger and out of shame, because this isn't you.
"What's going on here?", he finally asks when you've pulled yourself together a bit and he's sure you won't kill her the next chance you get. "What's she talking about, Y/N?"
Cat's look is challenging and you know full well she's not going to say anything. She's dropped the bomb and now it's up to you to make sure the explosion isn't too devastating. You look at Spencer and tears form in the corners of your eyes. There's no way to get around it. And he better hear it from you than from some crazy psychopath. You owe him that much.
"When you were arrested", you begin, hoping your voice doesn't sound as brittle as it does, "it was clear to me from the start that Scratch couldn't be responsible. When you were taken to Millburn Correctional Facility instead of protective custody, it should have been obvious to the others. It was no accident that they sent you there. It was too personal." You can barely look at him, which is why you stare at the floor. "It couldn't have been Scratch, but there was no one else who had a score to settle with you." Your gaze shifts to Cat, "Except for her.
I had no proof, nothing. But I was one hundred percent sure she had something to do with it. So I talked to Emily. She gave me the day off, and I came here." You suppress the urge to knead your hands, so you shove them into your pants pockets. Your gaze wanders back to the floor, though you'd like to look at Spencer. You want to know what's going on inside him, but you don't dare. "Cat denied having anything to do with it at first, but I didn't believe her. And then she made a deal."
"And that included?" asks Spencer. You have to swallow.
"She would get you out of jail, after all, she put you in there too. I knew you wouldn't make it through jail. And not because you were too weak, but because I knew there were some people there who wouldn't bat an eye to hurt a FBI agent like you. And I couldn't stand that, so I went for it." With each word, your voice grows quieter, though you try to sound as determined as possible. But the pain weighs you down and takes away your breath. You remember the visit then, and what it had cost you.
"And what did she want in return?" Spencer's eyes glisten as if tears have formed in them. He blinks once, and the shine disappears. "What the hell did she want, Y/N?"
You can't stop the tears streaming down your cheeks Your heart is beating fast, like it's about to jump out of your chest. You take a deep breath and brace yourself for what follows. "She - she wanted me to leave you. Cat knew that prison could never hurt you the way I would if I abandoned you. If I left, with no explanation and no goodbye."
Spencer's shoulders sink and his muscles are no longer stretched to breaking point. You don't dare look at him, so you stare at Cat, whose grin has actually widened. Psychopathic sadist.
"Actually, Y/N was never supposed to come back either", she continues the explanation, but Spencer continues to look at you. "That was the deal. You weren't supposed to tell anyone about this and never come back, but you didn't stick to that. You thought if you killed the guy and I continued to be in here, you could go back home and get on with your life." Her grin disappears and suddenly she looks incredibly bitter. "Very reckless, if you ask me. My birdie knows you're back home, and as a warning, she left you a trail of dead married men. Apparently you got the message, after all, you're here. That they are dead is all your fault, Y/N. Because you couldn't stay away from your beloved Spencer." She looks from you to Spencer. "It's tragic, isn't it? She loves you so much that she took on all that pain just so you could get out of jail. How incredibly selfless of her. And I'm pretty sure you weren't exactly kind to her when she returned, were you, Spencie?"
Spencer and you can't look at each other, so heavy is the pain on your shoulders. All the anger, despair, and confusion that had spread through you since you saw each other again gives way to an all-consuming feeling of pressure that you can't shake. The only thing that can give you both some comfort is the clarity that has been created. Spencer now knows what really went on, and you no longer have to keep secrets from him. But the matter is far from over.
You look to Cat, but can't find the words. She's won.
You leave the interrogation room without looking at Spencer or saying another word. What could you have possibly said? JJ looks at you with widened eyes as you rush past her. She has her cell phone to her ear, probably talking to Emily, but calls after you, but you don't stop. The air in the building is stuffy and you feel like you're choking on it. Your heart is racing and you feel sick. You just want to get out.
"Y/N." Spencer's voice forces you to stop. You stop so jerkily that you almost fall. When you turn to face him, he's standing right in front of you. His gaze is hard. He opens his mouth, but he doesn't know exactly what to say either.
"I can't, Spencer", you beat him to it. You want to turn and keep walking, but his hand curls around your arm. At the touch, you're struck by lightning.
"Don't you think we should talk about this?"
You should. Definitely. "She had the men killed because I returned", you whisper. "She killed them because I couldn't take it anymore. Because I wanted to be with you. It's all my fault, Spencer. And I'll take the consequences for that."
"So you're just going to leave? Without explanation and without goodbye?"
You don't want to leave, quite the opposite. You would love to throw yourself into his arms, kiss him and never let go. You want to tell him you love him, but you can't. "I can't stay, Spencer. If I did, she would kill more people. I can't be responsible for that. I'm sorry."
You turn away from him, but as you take a step forward, Spencer pulls you back, making you slam against his chest. Your hands settle on the soft fabric of his shirt as his settle on your cheeks, forcing you to look at him. His expression has changed. There is deep sadness in his eyes and he tries to blink away the tears that have formed in the corners of his eyes, but they fall down his cheekbones. All at once, he looks so young. "Promise me you'll come back? Back to me?" One of his hands clasps both of yours, still resting on his chest. He holds them tightly, afraid of losing you again.
You smile weakly at him and tears come to your eyes too. Your smile is honest, but sad. "I will always come back to you."
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sirenascales · 3 years
Text
-> double black [part six] 18+
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-> Chuuya x 1stPOV!F!Reader x Dazai
-> Who knew getting fired from work could lead to this?
-> Content: SMUT, slight angst, violence, murder, swearing
The case is concluded and Chuuya collects his prize. [Chuuya x 1stPOV!F!Reader x Dazai]
3,461 words
warning: mentions of violence, murder, nsfw, smut, slight voyeurism
note: so i lied, there is one more part, which will be nothing but smut so be excited for that hehe
Part One | Part Two | Part Three | Part Four | Part Five | Part Six | Final || Masterlist
My ability is called Hell Hath No Fury and it gives me the ability to make a perfect clone of myself that is fueled by the anger, rage, pain and despair that dwells inside of me, and has been inside of me since I was small. The anger isn't something that's just there, I've been through a lot of things in my life that left my weary soul full of the negative emotions that powers my clone. I don't particularly like using my clone, as she could be quite scary. Like anger and hatred, she could be very hard to control sometimes.
"She is quite scary, huh?" Dazai hummed, voice full of humor as I told him about my ability, us now back at the ADA. I sat at my desk, shoulders slumped. "Took me by surprise~"
I laughed softly at him, shaking my head as I read the official report that was written at the conclusion of the Taichi investigation. There was an unreadable look on my face as I read through the text, Dazai swaying his chair from side to side beside me.
"It says that Taichi was killed by the drug dealer..." I repeated, grimacing as I recalled Chuuya shooting the same man right in his head. "I don't... know how to feel about this."
I was the one who killed Taichi, yet here I was, sitting at my desk in the ADA office with no consequences coming my way. Further reports say that the drug dealer soon met his own demise due to the retribution from the Port Mafia, which wasn't an exact lie.
"Just go along with it, Bella. The only ones who know the truth are-"
"I can't believe you would do something so... incredibly stupid." I winced as soon as Kunikida started barreling down on me, sighing as he continued to lecture me.
Of course, we had to tell Fukuzawa, as well as the rest of the core members of the ADA what happened. It was only fair, considering we had to make sure the story was solid. It was rather nerve wracking to say the least, and in total me fashion, I had cried right in front of the President.
I thought I would get fired, but all I got was a week's suspension. "Get some rest," Fukuzawa said to me, leaning back in his chair. "You're going to need it." I nodded my head, standing up and bowing to him quickly before I left his office.
"I guess I'll see you guys soon," I said to the others, holding my bag full of belongings in my hands. I gave them all one last wave before walking out of the office, aware of Dazai following behind me. As always, I chose to walk down the stairs, only going down two flights before I turned on my heel, dropping my bag and wrapping my arms tight around the taller man.
"Oof," Dazai gasped out before he wrapped his arms around me, chuckling a bit as he gave me a squeeze. "It's not like you'll be gone forever."
I sighed, keeping my face pressed against his chest. "I know. I think all the adrenaline from... everything finally left and now I honestly feel like shit. I'm so tired, Osamu."
"... would you like me to come with you?" Dazai asked and I shook my head, giving him a playful, scolding look.
"You need to finish that report, you lazy bastard," I replied, Dazai already whining and I rolled my eyes. "Call me later?"
Dazai stopped whining, gently cupping my face with his hand. He leaned in and kissed me, stealing my breath away as he always had. He smirked at my flushed face, stepping back. "Yeah. Now go."
I left him by the stairs, making my way back to my apartment. Now that I had a week off, I wasn't sure what I should do. I guess doing was Fukuzawa said and just resting would be a good thing, seeing as I was tired, both physically and emotionally.
But even as I try to sleep, I find myself tossing and turning, waking up every hour. I slumped on my back, letting out a frustrated breath as I stared at the ceiling.
"You know, bella... you're disrupting my beauty sleep," Dazai spoke from beside me and I rolled my eyes, huffing out a breath. Dazai chuckled softly, laying one arm under his head while the other rested over his tummy. "This will pass in time."
I sighed softly. "It's weird... I don't regret it."
"But you still took a life."
"Did you feel this way when you first killed someone?"
"... I honestly don't remember. When you're surrounded by nothing but darkness and carnage for a long time, stuff like that is nothing to be concerned about."
I frowned. "When you were in the Port Mafia... you were partners with Chuuya, right?"
"Like I said, we were the best~" Dazai sang and I smiled softly.
"Just imagining the two of you fighting together is kinda scary..."
"Well, when you have someone like Chuuya and the youngest executive in Port Mafia history, yeah, we were pretty scary!"
I choked. "You were an executive?!" I exclaimed in shock. I thought about Chuuya, and how he worked alongside the Leader of the Port Mafia himself. Dazai was that powerful? And with someone like Chuuya...?
"That's..."
"Terrifying?"
"Hot."
Dazai sputtered, bursting out into a fit of laughter. "You like dangerous men?"
I grinned widely, finally turning to cuddle against him. "Blame it on the daddy issues," I answered, making him snort. "Why did you leave?"
"You should try to get some sleep," Dazai replied, changing the subject and I shrugged my shoulders.
"Yeah, though I won't be surprised if I can't," I mumbled unhappily, shifting a bit to get comfortable. I closed my eyes, hearing Dazai chuckled softly as I started to doze off.
Unsurprisingly, I slept like shit that night, my eyes were sore, the bags under my eyes puffy and dark. I groaned, waving Dazai goodbye tiredly as he left in the morning, heading to work after I scolded him for trying to sleep in and skip work.
The door closed behind him and I let myself fall back on my couch, just staring into nothing for a while before I grabbed my phone, pressing on Keiko's contact and calling her. She didn't answer.
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After pressing the button on the side of her phone to end the incoming call, Keiko sighed nervously as she approached the man sitting in the desk before her, hands shaking as she placed down a large, thick envelope.
"Here you go. That's all of it," she said softly, quickly withdrawing her hands away and clasping them together against her chest.
Chuuya watched her carefully, noticing just how scared and timid Keiko was acting, and he honestly didn't blame her, not after what she's been through, and especially how Taichi continued to throw her under the bus, even after his death.
"I swear... I had nothing to do with what he was doing..." her voice trembled and Chuuya sighed deeply. He dug into his drawer, producing a cigarette for both himself and Keiko. She allowed him to light hers for her and there was a silence as they each took a drag.
"I believe you," Chuuya started, leaning back in his seat. "He used your name to open that offshore account and the safety deposit box, making sure not to have this all trail back to him." Keiko hung her head and Chuuya thought back to when he first saw her. She was way more outgoing and cheerful, and admittingly had a very sensual, attractive aura that even he himself would be into if she hadn't been with Taichi.
It was a shame to see that all gone, all because of one coward. It pissed Chuuya off immensely. She was essentially betrayed by someone she trusted, and Chuuya could relate to that all too well.
"But, everything is finally coming to a close with all the money Taichi stole from us coming back. Don't worry, Keiko, our investigation makes it more than clear that you are innocent in this. You have nothing to worry about," Chuuya said, but Keiko still looked troubled. She said my name softly and he looked at her questionably.
"What about her...?" she asked softly. "Is she clear?"
"You did see the official report, right?" Chuuya replied in turn, taking another drag from his cigarette. Keiko nodded silently. "It wasn't that hard to form the story. There was at least some truth to it. The drug dealer was as good as dead... as well as Taichi. She just beat us to it. We can let this slide."
Keiko sighed in relief, taking another drag from her own cigarette. "That's a relief... I was worried about what would happen to her."
"Nothing," Chuuya answered. "And we will be keeping an eye on her for a while too."
Keiko nodded in understanding. "I'm still worried about her, though. She's been having a hard time sleeping and I'm sure it's just... everything finally getting to her..." Keiko sighed deeply, rubbing her eyebrows. "But I don't know what to do... she's in this mess because of me, I wanna help her but I don't even know how to help myself!"
"And that should be your main focus right now," Chuuya spoke, crossing his arms over his chest. "Don't worry about her. I'll take care of her."
"But why?" Keiko questioned. "It's not like you care about her. Or love her."
Chuuya rolled his eyes. "There's no love there, but she's... fun."
Keiko snorted at that. "She's not one for love and relationships. I guess that's why she's involved with you, and Dazai. There's a mutual understanding there, and I guess if it works for you guys, then it's okay. But-"
Chuuya quirked an eyebrow. "But?"
"She's still sensitive. She wears her heart on her sleeve, so even if there really is no love here, I'm sure she still cares for you guys. That's just how she is. So I ask... just don't hurt her. That's all. If it all ends... just make sure she doesn't get hurt." Keiko clenched her fists. "I don't know what I'll do to you if she does."
Chuuya just stared at her, pleasantly surprised. He let out a short laugh. "Are you threatening me?"
"Yes."
Chuuya grinned, laughing again as he shook his head. The loyalty in this friendship was honestly a sight to see. It was refreshing. "I don't usually respond well to threats, so I'll let this slide. You've done all you can do, so you can head on home if you want. If you're lucky, we won't see each other again."
"Well, if you're still seeing my best friend, we probably will," Keiko said, standing up, feeling a little less nervous. "Goodbye, Chuuya. Stay safe out there."
Chuuya nodded. "I hope you can heal and become your old self again. It's sad to not see that pretty smile on your face."
Keiko blushed brightly. "Shameless flirt," she shot at him playfully, turning away from him to leave. Chuuya laughed loudly from his desk.
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"So, are you okay now?" I asked Keiko over the phone, her telling me about her meeting with Chuuya. She first apologized for ignoring my call, but it didn't bother me that much. I was only glad that she was doing okay.
"Yeah, I'm alright. Gonna spend the rest of the day home and figure out what to do."
"What do you mean?" I asked.
"Well... I'm thinking of going away for a while. Maybe for six months... just to heal and find myself again."
"Six months?! What about your job?"
"I quit. I want to start my life over again, but I love Yokohama, so I figured... I can get another job when I come back! I'm gonna sell my condo too!"
I was stunned. "I... but where do you plan on even going?!"
"Hm... maybe Europe? I'm not sure yet. Are you... okay with me leaving?"
"Of course! I support you with everything you do in your life. I just want you to be safe and okay..."
"I'm glad. I'm pretty determined, but don't worry! I will always come home!"
Keiko and I talked for a while after that, a smile on my face as we ended the call. I was happy to see that Keiko was trying to turn her life around, proud of her for being so strong. It was rather inspiring, and helped me to gain my own strength to get my shit together as well.
The day went on, and I was in the kitchen making an early dinner when there was a knock on my door. I was annoyed, thinking it was Dazai flaking out on work again, but as I opened my door, I was surprised to see a certain red head at my door.
"Chuuya?"
"Wow. You look like shit."
I rolled my eyes and scoffed, turning and walking back into my kitchen, Chuuya following behind me.
"Gee, thanks."
"What are you doing?"
"Cooking an early dinner. You want some?"
"Yeah, sure."
It wasn't long until Chuuya and I sat across from each other, chowing down on some food and filling our bellies.
"So, what's up?" I asked him, drinking some water. Chuuya was still stuffing his face, almost choking at one point before he downed his glass of water to save himself.
"Well," Chuuya coughed. "I came here to collect my prize."
I blinked. "Your prize? What are- oh," I rolled my eyes, shaking my head. That stupid race Dazai proposed. Chuuya was the one who figured it all out first, and I was the prize for the lucky winner. "So, you wanna have sex later then? I'm cool with that."
Chuuya scoffed and crossed his arms over his chest. "No. Well, yes, but no. Not yet. I'm taking you somewhere."
I raised my eyebrows. "Where?"
"Shut up and don't worry about it. You'll see when you get there."
I narrowed my eyes at him, just wondering what the fuck he was up to. What could it possibly be that he wouldn't tell me what his plan was? It was rather suspicious and I began to grow wary.
But we finished eating and Chuuya didn't even give me a chance to pack before he dragged me out of my apartment. I managed to get my keys, phone and purse, and I gave him the stink eye the entire time I was stuck in the backseat of a fancy car with him.
"Are you having me killed?"
"I will if you don't shut up."
I scoffed, crossing my arms over my chest as Chuuya took me to my supposed doom. But we arrived at our destination, and I was extremely confused as I looked up at the rather luxurious hotel. I didn't get the chance to question it, Chuuya leading me inside. We were immediately greeted by the hotel attendants, and led to the elevator. We rode it all the way to the top floor, the attendant leaving us alone as the doors opened and we walked out into the hallway.
"Chuuya..." I let out a small breath as he led me inside the penthouse, my jaw dropping as I took my first look at the very luxurious space. "What is this?"
"Keiko told me you were having a rough time," Chuuya spoke, taking off his hat and then his jacket, hanging them up carefully. "I figured this would help you. Full body massages, jacuzzi, anything you could ever want to just... relax. It's all here."
"But... Chuuya, you didn't have to," I whispered, still in awe with my face heated up.
"Well, just deal with it," Chuuya huffed.
"Isn't this expensive though?"
"It's nothing. Just... think about this as my prize. Taking care of you."
Now my face was burning hot, Chuuya's own flushed red. I gave him a look, his words making me smile a bit despite how flustered they made me.
"You sound like a sugar daddy."
He didn't respond. That made me giggle. "How long will we be here."
"For the week, until you get back to work."
"But how did you..." I trailed off, gasping when Chuuya gave me a light push further into the penthouse.
It was an amazing, large open area space with a full kitchen, all the top appliances, a flat screen and a huge king size bed. The bathroom was just as fabulous, the large soaker tub calling my name.
"Oh, I need to get in that," I declared, making Chuuya laugh lightly. He watched as I looked around the bathroom, taking it upon himself to start filling up the tub. I turned to him and smirked. "Will you join me?"
"Like you have to ask that."
After finding a nice smelling bath bomb to put in the tub, Chuuya and I undressed and carefully climbed inside, sighing blissfully as the hot water immediately began to relax our muscles. I sat between Chuuya's legs, my back against his chest and my head resting against his shoulder. My eyes were closed, Chuuya's strong hands roaming all over my body.
"Tired?" Chuuya asked me softly and I sighed, nodding my head.
"Yeah... like Keiko said, I've been having a shit time sleeping," I answered, turning my head to lightly kiss Chuuya's jaw lightly. "But maybe a relaxing massage would help. Oh, but it's kinda late, huh? The masseuse would be gone by now."
Chuuya's hands continue to roam my body, one moving south. I let out a deep sigh when he began to rub circles on my clit.
"Yeah... but I can think of other ways to make you sleep," Chuuya whispered in my ear before he bit into my earlobe. I sigh again, Chuuya then capturing my lips with his own.
After making me cum on his fingers in the tub, we finished up in there before we found ourselves tangled up in the sheets of the king sized bed. Chuuya had my legs thrown over his shoulders, his cock plunging deep into me with every thrust he made.
"You're mine..." Chuuya breathed out, hissing and moaning from the pleasure. "... for the entire week... gonna make sure the only name you know is mine." He growled, clenching the sheets on either side of me tightly in his fists.
"Oh, yes, yes yes!" I cried out, back arching off my bed, eyes going wide as a voice that was not Chuuya's spoke up.
"Oh, that's just cute."
Whipping our heads around, we were shocked to see a certain detective standing at the foot of the bed, lecherous grin on his pretty face. We froze, Chuuya's cock still inside me, my heart pounding in my chest.
"Dazai?!" I shrieked.
"How the fuck did you get in here?!" Chuuya followed, glaring at the man. "What the hell?!"
"You can't hide things from me~" Dazai sang, not even hiding the fact that he was enjoying what he was seeing, his eyes slowly trailing over both of our naked bodies. "I was wondering why you called me to ask about her schedule... so I did some digging."
Chuuya hung his head, gritting his teeth in annoyance. "I am going to kill you."
Dazai laughed heartily, waving his hand dismissively. "No, no! Don't let me disturb you! I can watch! You guys were having so much fun!"
Before Chuuya could even react, he ended up groaning, his wide blue eyes finding mine. "Did you... fucking like that?" he asked and I stuttered a bit. "Do you want him to watch us?"
Another chill went down my spine at the thought and Chuuya groaned again as I clenched tightly around him. Chuuya cursed, feeling his cock twitch inside of me. He cursed again, becoming more overcome with arousal.
"Interesting," he breathed out, small puffs of air hitting my face. He smirked slightly, glancing back at Dazai. "This brings back memories."
"Fond memories," Dazai hummed and I looked back and forth between the two of them questionably.
"What are you guys talking about?"
Both of their eyes were now on me, and the intensity of their gazes made me gasp sharply, another chill going down my spine.
"Why have him just watch," Chuuya began, nuzzling his face against my neck. "When he can join us? Oh, fuck, you squeezed me so tightly just now..."
I trembled, heart hammering in my chest at the mere idea. A threesome? With Chuuya and Dazai. Looking over, I catch Dazai slipping off his tan jacket, gulping as he started to work on getting his shirt off.
"We have a week, right? Oh, this is going to be so much fun."
-End
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etheriadearie · 4 years
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Shadow Weaver’s Death, Her True Abusiveness, And Her Final, Beautiful, Gift To Catra
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::The resistance fighters stand in the failsafe chamber. Catra has just called Shadow Weaver out on her manipulation. Shadow Weaver reluctantly explains the danger of the failsafe, and then implores Adora to take it: even if she fails, Shadow Weaver says, she will save her friends, and the universe. As literally every other person in that room cries out against Adora taking the risk, Adora turns and says she will do it. Catra, dismayed, runs to her telling her that Shadow Weaver is sacrificing her, and demands to know why she's letting her do that. Adora tells Catra "Because even if she is, it's better than Prime getting the Heart and destroying the universe." Catra trembles in deathly fear, her face consumed in terrible realization: if Adora does as SW wishes, she will die. Shadow Weaver is trying to kill Adora. She knows this to her very soul, because... she is Shadow Weaver... And Adora is letting it happen…
Hi there, my name is Joel, and in this segment I'll be looking at Shadow Weaver's death, her being a child abuser, her terrible manipulations of Catra and Adora and the monstrous pains the two girls have to conquer to save themselves from her.
The main premise I'll be trying to explain here is that, like Horde Prime, Shadow Weaver is a villain of utmost seriousness. And, like Horde Prime, the girls will treat her as one, surpassing and defeating her once and for all. But it won't be with violence, but instead with love, creating a beautiful story of two people transcending their trauma and hurt through coming together over their love for one another.
I feel obliged to warn readers: this post will cover child abuse, even predatation (*not sexual, ie). It may be hard to read. Also warning: tl;dr, please consider at least sitting down to read this!
Finally, I know there are Shadow Weaver fans out there; that's good. Shadow Weaver is, at times, cool af. But, definitively a terrible person within the plot of the show.
So, even if you're a fan of Shadow Weaver, I still encourage you to read along because as we reveal her truth and the damage she deals to Catra and Adora, it makes her final moment so, so much more beautiful… and it gives entirely new meaning to her final... two… words….
Disclaimer time: Taking on Shadow Weavers death is ambitious for a first post, I know. But understanding her is crucial to understanding most of the major moments in this show. Still, I should say here that while this may seem a bit ‘head’ canon-y, I assure you my conclusions come from watching the show carefully and referencing the entirety of the rest of the show back to this one moment. I'm instead positing these as theories, and let's just say I feel I have the data, and Data Never Lies! Please *do* ask questions or seek calcifications in the comments or Ask me anything (I'm new to Tumblr).
----Part 1: Catra, Micah, and the Truth----
To start this journey we will travel backwards in the series to investigate the what and why of the terrible child abuse Catra suffered growing up under Shadow Weaver's care. We will be looking chiefly at the Light Spinner episode in the 2nd season. We will cover Catra's confrontation and SW's -supposed- explanation for her abuse, then the tale of Micah and Shadow Weaver's manipulation of him, and then the terrible truth of why Catra -really- was abused.
>A terribly alone Catra asks her abusive mother why she did it. Why did she treat her so badly ?
Shadow Weaver answers: "Because you remind me of myself. You always have. Nothing was ever easy for me either. I wasn't born to power like Adora and... others. I had to earn my power, fight for it. Why should it be any different for you?"
This is a very typical reason for an abuser to feel they are acting out their abuse on others: no one in this world understands my pain, so therefore I will inflict my pain upon a child so that they will know my pain as well. For many people this is essentially the truth of their abusers. I can't see any other reason for MY abusers to do what they did, other than this. It is, however, not the truth about Catra. We will discuss this in detail later.
We then watch as Catra does a very strong and eloquent job of rejecting and condemning it. She shows great emotional pain as she does so, and we know that her trauma is severe from watching her. Catra exclaims, her face full of emotional hurt and pain at Shadow Weaver's betrayal: "I was a child when you took me in. What could I have possibly done to deserve the way you treated me? I am nothing like you. You are old, and bitter, and weak."
Everything she says is perfectly true. As a child, there is no way she could have deserved the abuse Shadow Weaver inflicted on her. There never is. And she's also right when she says she's not anything like Shadow Weaver. Where Shadow Weaver is an unfeeling monster (as we will see), Catra feels deeply. Catra is inherently good, and while she will make terrible mistakes to come, she feels intense remorse. Shadow Weaver simply does not.
So, Shadow Weaver gives Catra a believable reason for the abuse, which, again, is a lie. But... there is meaning which we need to take from her choice of words: Shadow Weaver feels others, like Adora and Micah, are given an unfair advantage over people like herself. We will come back to this important insight soon...
Before we get to the real, harsh truth of why Catra was abused, we need to understand the tale of Micah and ‘Light Spinner’-‘s manipulation of him to get power.
>The story of Micah seems to be full of whimsy and childlike innocence. A young boy is talented beyond his years, a true prodigy. SW trains him, giving him access to teachings beyond what a sorcerer of his age should have. She tells him he's special, a true talent, like her. When she tells him "the guild needs talents like OURS more than ever before" she manipulates him, making him feel apart, better than all the other students and teachers, and that only SW can understand. It's SW's greatest talent: dividing people against each other, and this is part of her lifelong manipulation of Catra and Adora. Note: Castaspella accuses SW of mind controlling Micah (s5e8) to which SW responds "My gifts were always far subtler than that” - SW controls young Micah through mind games.
>SW hints of something of great importance, but then says "you're not ready". Micah demands to know, he's a special boy after all, right? He's so incredibly naive and innocent, doing things like chewing on magic crystals and acting out in class. He is, in fact, exactly the kind of privileged child who SW so greatly hates. This is where we get real meaning out of SW's supposed explanation for abusing Catra: Micah has inborn power that SW feels he is unworthy of possessing...
She preys upon his naiveness, showing him the Horde army. He, of course, demands they be stopped, and he's playing right into her hands. When she tells him the plan and of the upcoming meeting she tells him "I only hope that Norwyn and his followers can see the threat as clearly as YOU do." Again, she is making him feel apart, as though he's better than others. After all, he's a special little prodigy, right ?
SW gives her presentation at the council, trying to prey upon their fear by saying that the Horde have a rune stone. As she speaks of the spell of obtainment, her eyes are full of lust at the idea of so much power. But it is forbidden, and for good reason. As she looks over her shoulder at Norwyn her look is severe, accusing. She has no respect for him. And he's right to say that the problem will be handled: the war, in fact, does become a stalemate and stays that way all the way up until we are first introduced to Catra and Adora. Angrily, greedily, she demands they get power so they can 'have a planet to protect'.
She fails to convince them, but of course Micah sees her leaving the meeting, angry and frustrated, so he comes to her aide. "They never listen to me. After all I've done I still haven't earned their trust". Again, SW is set apart from them. When she says "they just want to hold the rest of us back" she's including Micah, making him feel separate, better, like her. She's indoctrinating him in her plan.
>We get a scene between Catra and SW here, where Catra tries to get SW to give her a reason to save her. All SW wants to know is when she's being sent to Beast Island: she realizes she has to escape that night. She sets out to manipulate Catra into giving her the reagent she needs to escape. SW talks up how weak and powerless she is, preying on Catra's lingering pity, desire for connection. A emotionally desperate Catra unfortunately gives it to her. Catra tells her "you don't get to ask things of me anymore" but she's desperate and depressed, feeling totally alone after so recently seeing Adora and consequently nearly dying the episode before, only to be saved by Scorpia's caring about her.
>And apprehensive Micah asks SW if she's sure this is a good idea. She tells him "WE need this power, it's the only way to protect our people". It's a lie, but Micah thinks he's special because he's SW's apprentice, and so he agrees to do it.
As the spell begins to work, we see a terrifying eldritch horror type of creature summoned. It soon breaks free even as Micah helps SW try to contain it. SW acts surprised to see it, but she always knew this spell. Micah runs, and SW stays, yelling angrily at Micah for leaving. She experiences fear as it consumes her, but she knows it's part of getting her power. This is the price she pays to become powerful. She tells Micah he betrayed her by abandoning her and yet, what other possible outcome was there but for them BOTH to be destroyed or corrupted? Norwyn tries to stand up to her, telling her "bringing you into our ranks was a grave mistake". She counters calling him a fool. "You're all weak. None of you deserve my help".
I often see people say this show doesn't show death, but what happens next is undeniably so: it is murder. She annihilates two sorcerer's in one hit, consumes the head sorcerer to give her more magical power. It is pure evil. As she realizes her new power she exclaims "The spell worked. I am stronger than ALL of you." She menaces Micah.
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This. Was. Always. The. Plan. The spell worked, she says so herself. Micah tries to defend himself weakly against her, he's entirely at her mercy. He expects death, but instead she caresses his cheek, touches his ear. Then she gives him a look of disdain. It's no mistake she covers half her face even at this point in her history, so we can't know her full emotions. But it's clear, she condescends to him: he was a naive little pawn, not meant to survive, or at minimum, he was supposed to become corrupted like her. But it doesn't matter. She got what she wanted. So she leaves him to live knowing what he's done. The tale of ‘Light Spinner’ has ended: her better persona was just an illusion, useful in her goal of obtaining more power. An empowered Shadow Weaver then shows up at the Fright Zone, killing the guard as a demonstration of power. She declares herself for Hordak, and at least a partial truth is apparent: she wanted the vampiric power so she could channel the Black Garnet. Changing sides bothers SW not at all.
I point out SW’s violence because it is the only time they show any graphic death in this show, and it's therefore meant to show that SW is different, and dangerous. There really was no ‘Light Spinner’, as at multiple moments during her time at Mystacor her true emotions show through (such as pic1, top) and they are both vile and malicious, to put it lightly. Furthermore, note that SW going to the Horde doesn't end up ensuring their victory over the princesses, so yes, in fact, SW was lying to Micah all along. Last, keep in mind Micah’s opinion of her later on: SW is never to be trusted.
Now it's time to get back to the real reason Catra was abused and it's important implications for Adora's abuse as well.
>The scene following Catra's confrontation with SW, we see baby Adora having just arrived in the Fright Zone. SW walks past her, not particularly interested... and yet she sees something in her. And so she takes interest. She knows, in some way, that Adora will wield powerful magic, and since it also becomes clear to us that SW knows all about the past history of She-ra and the Heart of Etheria, it's a logical jump to say she probably thinks Adora is She-ra. Either way, Adora is a powerful orphan child with inborn talent beyond any normal expectation.
Sound familiar? The tale of Micah is there to inform this moment: SW meeting baby Adora. She is in a position to wield ultimate control over a magically privileged child. And the implications are not good...
Apologies to readers here, this next part is intense. Just a quick warning. The total implication of this is that SW never loved Adora, just like she didn't care about Micah. It is all manipulation, and it should be noted that at this point SW has switched to a full mask, conveniently hiding all emotion except a sliver of her eyes (as well as hiding her corrupted features). It's now almost entirely impossible to accurately read her emotions. I don't think she wants you to, as she really has no feelings of actual compassion. She only sees Adora as a privileged child she will use and then discard for her own power.
This means she is, in fact, a child predator. In this case, she's a predator of children of privilege, but the effect is the same: she sees such children as easy targets for her to manipulate for her own gain. Worse, the strong emotional feelings which Adora naturally feels towards those around her makes her easier to control, and SW manipulates this vulnerability against her, as a child and then again as they are headed for the failsafe.
So, returning to the real truth of why SW abused Catra. Let's take a look back at Catra’s condemnation of SW's explanation for her abuse, and it's just one line we need to understand: "I was a child, what could I have possibly done to deserve the way you treated me?" As it turns out, Catra -did- do something, and you have to adore and appreciate this show because we don't get this answer until the very end. Before season 5 was available, it would simply be impossible to understand Catra's story fully. The creators want you to come full circle of so many understandings, the story is that deep.
It's that one, beautiful, follow on line when Catra confesses her love to Adora- She says "I always have"...
Adora was Shadow Weaver's tool, her next prey. So, along comes Catra, who experiences romantic love for Adora right from the start. Beautiful, total love and devotion. SW sees this, and she decides that she can't let Catra be a hindrance to her plans. And yet she knows she can't kill Catra outright or risk losing Adora's affection. So she hurts Catra, tries to make her weak, to diminish her. She is trying to crush Catra's spirit, her will to live, all while making sure to instill a sense of duty and ambition in Adora which makes her less available to Catra. The abuse works, but not on Catra. Catra stays loyal to Adora, and is so secretly strong within herself in such a way that SW fails to destroy her spirit, although Catra has such incredible trauma from it that we see her struggle with it throughout the rest of the series.
But the abuse does work on Adora and so she grows apart from Catra in such a way that Catra eventually comes to feel Adora doesn't love her. And when Adora so clearly breaks the final half of the promise she made to Catra, Catra too, grows apart from Adora.
Catra therefore represents a person in this story who would have been so entirely below SW's notice that had she not loved Adora the way she did, SW would never have taken the time to hurt her. It wouldn't have been worth her time, and Catra would have had a happy(ish) childhood if not for loving Adora. By the way, this truth of SW's abuse of Catra is indeed confirmed in the show, but we don't have time to cover it here and it deserves its own theory post, anyways.
Before we get back to s5 let's take a brief moment to address SW's abuse of Adora: Adora is the kind of person who can't help but empathetically feel the pain of others when they feel it, and it's what makes her to be so unable to balance her own needs against those of others who are hurting. And so SW making Adora have ambition, to want to win at the expense of others, is actually a frightening manipulation. SW teaches Adora to believe she has to do this in order to be the leader, and then as the leader she must protect everyone else from harm. Adora goes on to show great emotional confusion over this, as she doesn't really feel she’s qualified to be that leader. It makes her feel alone from everyone else, and makes Adora worry about every decision she makes. SW essentially saddles Adora with a lonely burden of leadership, one which she's not well suited for. Adora has a very ADHDish (I’m no expert on ADHD) response to this where she bounces around trying to satisfy everyone else’s feelings, such as within their unit, and so her relationship with Catra suffered because of this.
To sum up, the abuses SW inflicts on the two of them results in their division from each other, and it's a division which tries to tear down both girls spiritually throughout this series. They each have specific traumas relating to Shadow Weaver's abuse of them. These are different, damaging fears SW instilled in each of them to make them easier to control. Because of this, both girls contribute to their separation to the two different sides of the war, and it's only through the great emotional learning of each of them that they are able to start putting it back again in season 5. And so, we will see that when SW returns in season 5, she immediately tries to pick up where she left off… to drive them apart from each other and manipulate them, once again, for her own gain.
Side note #2 before we get back to season 5: SW has a complete and total lack of love for Catra as well. Her callous manipulation of Catra, followed by leaving the fright zone like she did, was a spiritual blow and then a death sentence for Catra. SW would know this and yet she simply did not care. Furthermore, when they meet in Moment of Truth (s3ep4), SW again tries to kill Catra, only stopping short because Glimmer can't withstand the magical drain SW is taking from her. She's just not good people... And if she has such a total lack of love or compassion for Catra, it's a logical jump that she has just as little love and feeling for Adora.
Anyways... let's work on that season 5, phew, I know this is long. We're not done yet, though...
----Part 2: The present up till SW’s Death----
Alright, so returning back to season 5 where we began...
Catra is certain that SW is killing Adora. And the reason Catra is so certain of this is because she understands this fundamental truth behind the childhood abuse of of her and Adora. She knows that SW intended to use Adora, and was grooming her in order to use her to gain more power. And, she knows the true nature of SW’s abuse of Catra herself, that it was meant to destroy her so she wouldn't get in the way of SW using Adora.
How exactly Catra knows this I won't cover here, it would take too long and it deserves its own theory post. But, it is pretty well confirmed in the show as well. No distractions! Moving on...
So… when Adora tells Catra she will take the failsafe even though SW is killing her, it's Catra’s knowledge that SW is for certain doing this to Adora which leads Catra to shake in fear, and then refuse Adora once she returns with the failsafe. This moment goes much deeper than just Catra knowing she can't live without Adora, although that is also true.
Ok so here it is, the big theme we will now delve into, that explains so much:
The all important, crucial thing that Catra isn't seeing is that in order for SW to sacrifice Adora, it is entirely dependent on abusive manipulations is SW doing to both of them, starting from the moment they first see SW in season 5, which are intended to make sure Adora doesn't survive deploying the failsafe.
I know it's a tough implication to accept, but I promise to explain. So why? Why would SW not want Adora to survive? This, atleast, should be obvious: She-ra could stop SW once she has the power, so She-ra is an enemy that SW needs to eliminate to achieve ultimate power. So, SW's goal is to get Adora to bring the failsafe to the heart, but then be too weak to survive the process... leaving SW the uncontested champion by her magical vampiric powers. And so... SW manipulates the two girls, doing her most familiar trick: driving them apart, making them feel isolated from each other.
Her manipulations begin from the very moment Catra and Adora see her in season 5, and they continue up until Adora accepts the failsafe and a bit beyond.
So let's lay this out from the beginning, shall we? Episode 10: When SW walks into the room, saying she knows where the failsafe is, Catra is at first surprised at her appearance, she's thrown off guard. Catra very much wanted to stop SW once and for all, but never got the chance. And now, the new, more feeling Catra is faced with her oldest enemy: she can't hide her hatred and anger at her. It pretty much takes everything she's got not to violently attack her right there and then. But this new Catra isn't going to sink to that low. And yet... SW will intentionally aggravate and attack Catra to reactivate her trauma.
What I find very interesting about that scene, though, is that both Glimmer and Adora immediately look to Catra, knowing she will be upset, both trying to help her. And yet, it's Glimmer who looks first.
Even though Glimmer never says it out loud, Glimmer knows SW played and manipulated Glimmer herself, and that her manipulations were ultimately the reason that Glimmer made the mistake of activating the Heart, which brought Horde Prime's fleet down upon Etheria. Glimmer also watched SW torture and almost kill Catra in s3ep4, so I think Glimmer knows very well how dangerous SW is and how badly she's hurt Catra in the past. Instead, we can take the story of Glimmer and SW as another stand out example of how, once again, we saw SW manipulate someone, Glimmer in this case, with no concern for her well being.
>Adora is also thrown off by SW's reappearance, she doesn't enjoy seeing her either. But then, she also sympathetically looks to Catra, knowing this is a hurtful moment for her. All of this is to say that Catra actually has strong allies against SW, unlike in the past. And it's very important that Adora is such a staunch ally to Catra against SW, in fact it's everything. But, Adora doesn't quite do a good enough job in showing Catra how strongly aligned she, too, is against SW. Unintentional though it may be, as we will see.
>Episode 11: Continuing on, Glimmer immediately opposes SW's desire to use the heart's power. Castaspella tries to say SW is the lesser of evils, but of course, Castaspella is just a pawn. Catra jumps on Casta's words, calling SW evil... SW taunts her back mockingly and we see Catra's anger start to get out of control. But, Adora knows, one way or another, that SW is the root of all of Catra's pain, and so she comforts her, showing her that she sees her pain, and that she's got her back.
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Again, it's very important that Adora is Catra's greatest ally against SW, as she has learned to treat SW as a de facto enemy because she has seen the pain and torment Catra experienced because of SW’s abuse; in addition to her own knowledge of how SW manipulated herself as a child.
>Adora confronts SW, asking why she even needs their help getting the failsafe. SW answer is a lie, but plays to her manipulation of Casta, who she needs: she says she can't get past Micah. (Note: who she actually needs is Adora.) As SW tells her plan she leans into Adora's emotional fears of letting others get hurt and reminds Adora she has to be the hero, SW even touches Adora, which we see Catra react angrily to. But, SW successfully manipulates Adora into accepting her plan, and Catra can't stand to watch it as she knows it must somehow be a dangerous manipulation. Catra quietly leaves to try to process her anger. We then see Adora slap SW's hand away, showing defiance, but as Catra has left, she probably doesn't see that. Adora looks around and sees that Catra is gone, which SW responds to by trying to manipulate her into leaving Catra behind, as she knows Adora is more vulnerable without Catra around. But Adora is wary of SW's manipulations, and goes after Catra. SW is aggravated by this.
>The two girls have a very good, emotional talk about SW. Catra is dismayed, but Adora is always brave for others, so she tells her she's got to try. Adora acknowledges Catra's pain, their pain, from SW's abuse. Ultimately Adora convinces Catra to come. Together, Adora says SW can't hurt them anymore. Catra reminds Adora how dangerous SW is, but the girls have reaffirmed their bond, their promises to each other. Which is important later, as this will come up again.
>As they infiltrate Mystacore, Catra is apprehensive and stays at the back. But as the mission progresses she drifts towards the front, trying to be the lookout so she can protect Adora. This, unfortunately, puts her in physical proximity to SW when they check the ritual chamber. Catra checks the chamber, but then a sorcerer appears out of nowhere (literally, how??) and SW grabs her in a way that's very reminiscent of s1ep2, traumatizing her.
I can't help but conclude SW is being intentionally hurtful in order to unnerve Catra. She could have just pointed, or put her hand to Catra's mouth, after all. Catra throws herself away from SW, demanding she not touch her, and makes the mistake of dropping the spell and revealing their presence. Look closely at this scene and you see Adora actually shows great anger, even violent intent towards SW for doing this to Catra, but it's so quick Catra probably doesn't see it, as she's staring down SW instead.
Under a track, Adora tries to become She-ra, but she's too emotionally conflicted since the episode before when they returned to the Fright Zone and Adora started to realize she's been letting Catra down, leaving her hanging. And SW's hurting of Catra also blocks Adora, she's trying to help Catra and yet she's accepting SW's guidance again, which she knows Catra hates and doesn't trust.
>As they pass through the door and continue down a corridor, Adora sees Catra is in emotional pain and holding herself, so she lends her emotional support. She knows SW touching her was incredibly abusive. She tells Catra that it'll be ok, and to trust her, hitting her with her dearest look of love and care for her. She knows SW is Catra's enemy, and she's got her back. Catra looks back, trying to trust her, to put her fear aside. But the moment is cut short when SW interrupts them, guilting Catra for revealing their presence. Adora walks on, saying they have to keep moving, and her face says she's doing it to stop SW from talking to Catra, but again, Catra doesn't see Adora's face. Catra feels left behind, that the moment was cut short. It's by the barest off margins Catra is missing how strongly Adora is coming down against SW for her sake.
> We get more information about SW's corruption next, that it's a way to bypass the crystal of Arxia and get at Heart of Etheria's energy, and we know this because it's discussed immediately after Castaspella tells them about the crystal of Arxia. So, if the magic is released, SW will have practically unlimited power. SW just mocks Casta when she tries to guilt SW over using the spell, she gives no apology. We see both Catra and Glimmer seemingly have a deeper realization about SW and her powers and that both of them look disturbed by it.
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>Continuing on, we get the scene where Catra saves Adora from fire, which is so cute but I'll skip the romantic implications: as Catra walks through the fire, Adora stops and frets over not knowing what to do about Catra, how to give her what she wants. Adora is worried she's going to fail, that she could die. It's Adora's biggest, lifelong fear as the bearer of She-ra, and she struggles with it continuously throughout the series. To her, it therefore doesn't make sense to her to get Catra's hopes up too soon.
>Adora's thoughts naturally turn to her inability to transform... and SW pounces on the opportunity in order to exploit it.
Consider now, if Adora's problem is becoming She-ra, why does SW immediately give her a hard time about Catra, instead? Adora rejects SW's criticism, but SW flips the conversation telling Adora she can't be a weak She-ra and seemingly blaming it all on Catra. She tells Adora that her weakness means she's letting everyone else down. SW tells her she has to focus, and Catra makes her weak. This is terribly the opposite of the truth and SW knows this. What she’s really doing is a deep manipulation of Adora that leans on her early abuse of her: Adora has to be perfect for everyone else, and as she's the only one who can do it, she's totally alone in this burden. The truth is that Adora has always needed other people, that's where she draws strength from. Catra loves Adora simply for who she is: she represents the strongest, smartest and most dedicated person, ie, she's the most powerful person to help Adora with her emotional need for support.
Which SW knows, so she does her best to try to separate them, to make Adora think she's alone. SW does this by grouping Catra with everyone else: save everyone, or no one. Then she delivers a direct assault of Adora spiritually by saying "the world needs She-ra right now, not Adora". She's telling Adora that she doesn't matter, only She-ra matters, and she needs to be willing to give it all up to be that hero. We see Adora search SW's face, she's not satisfied and then she does her best to reject her, pulling her hand away in anger while saying she will stop Prime “no matter what.” Catra is eavesdropping on this, but can't see that Adora stands up to SW so strongly... as usual. Catra knows SW is up to no good with it, though. Doubt takes root in Adora, and it aggravates her fears that she's not good enough to be She-ra.
>Arriving at the failsafe chamber, SW gives away just how much she already knows about the Heart. SW explains the failsafe, and so we know she always planned on getting Adora to accept the failsafe, risking it all. Adora approaches, trying to be brave for everyone else.
One of Catra's most important moments follows: she stops Adora from accepting the failsafe, and calls SW out for her bullshit. She's not going to let Adora walk into a trap when she knows better. Catra flips it on SW, telling her to take the failsafe, making SW tell them why it's dangerous, why SW won't do it herself. She points out how SW knows too much, yet didn't pursue the power of the failsafe. Catra is totally certain that SW wants to hurt Adora, and so she's calling her out to get SW to reveal her manipulation of Adora.
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SW instead tries to guilt Adora, saying she alone understands that this is the only way to stop Prime. But Catra stands firm, she protects Adora from SW's manipulation as best she can.
Confronted and trapped by Catra's having seen through her plan, we see literally every person in the room ally themselves against SW. SW is forced to admit the truth: using the failsafe will mean death even for She-ra, if she isn't strong enough.
And so Adora realizes what's coming, that She-ra is the only one who can do it. She's terrified and sad at the thought that this could, will, be her end; that she really will have to give it all up for everyone else. She's always thought she'd have to. It's a deep held belief that she's alone in her burden as She-ra.
Adora asks the obvious question: What happens if I die? SW's next words prey upon Adora's every weakness, her lack of belief in her self worth, and innate need to protect others: "Then the magic will be restored to Etheria, through your sacrifice. You will give us the power to bring us to victory. Prime will be defeated. Your friends will be free." SW is listing out every last thing that will happen if Adora doesn't do it, and each is a part of her greatest fears. Adora is unable to resolve between her distrust of SW and need to protect and be brave for everyone else's sake. SW has her trapped by her own emotions.
Catra looks on, watching the manipulation, seeing the consequences of Adora attempting this. Everything about this moment speaks to manipulations SW has used on Adora before: she preys on emotional need and weakness, she isolates Adora in her burden, she even does the dreaded ear touch. If Adora does what SW says, Catra knows it'll be the death of her.
As SW completes her manipulation, everyone in the room cries out against the unfair decision Adora must make. And yet, Adora doesn't see a choice. Catra puts it best, saying: "you don't care about Adora, Adora can't even care about herself!"
But Bow's words also have meaning: "Theres no way we're risking Adora like that." For all that Bow and Glimmer have done for Adora, she's still supposed to be the champion that's going to save them. They need things from her, not simply Adora as herself. All in all, Bow and Glimmer did their absolute and kindest best to help Adora, often emotionally supporting her through her depressions and fears of not being a good She-ra. But in the end, they still needed her to be She-ra.
But Catra is different, all she wants is Adora, and for her to be safe and loved, and ideally, to be with her. Catra's opinion in this moment is the true one, the most honest. But Adora can't overcome the thought of failing everyone, and so she pushes forward, saying she will take the failsafe.
Adora is feeling alone, trapped by fate. Catra runs to her, literally shaking her in order to try to convey how sure she is that Adora is going to die if she does this. But Adora can't let the universe die, and she's She-ra. She (Adora) doesn't matter. It's only what she can do to try to fix things for others that matters, her hero's burden. Adora pushes Catra's hands off her, in a lifetime of pain and sorrow Catra has never looked so sad. Adora really is pushing her away, not seeing how seriously Catra feels, how badly she needs Adora to understand her in this moment. A dissociated Adora looks internally, accepting her fate, alone again, isolated.
Maybe Catra could have found a way to get through to Adora, but they run out of time. A chipped Micah shows up and begins to systematically defeat them, and Adora has no more time to choose. SW is easily taken down by Micah, it shows his anger at her. He taunts her, she's got nowhere to hide. This is interesting, but not our focus..
Adora again tries to summon She-ra and fails. She simply can't resolve between her sense of failure to Catra and her need to be brave for everyone else. She looks to Catra, decides to do the brave thing as herself, not as She-ra, even if it means she will fail, and hurt Catra. After all, since she’s She-ra, she has to try, right? This is her burden.
As SW turns to Adora and says "the failsafe... we... we can't" Adora is pressed by urgency, doing what she can. Catra tries one last desperate plea: "Please. It doesn't always have to be you!" Adora can't accept this, internally she is certain she has to save everyone. Even if this includes SW herself, and so when Catra later says Adora chose SW, not her in this moment, Catra is right, except that Adora believed she had no choice. Adora is also the only one in this moment who can reach the failsafe, and so it seems like fate is against her. Adora knows she's probably choosing to die, and if she does, she knows Catra will probably die of a broken heart as well. She really does choose SW over Catra, in a way. It's a tough moment, but taking the failsafe is the right thing to do, given the circumstances.
Receiving the failsafe is intense, and as Adora tries to withstand it, Micah binds the entire party with dark magic. Interestingly, this means SW indoctrinated Micah more than we're shown, and now that he's chipped, he is uninhibited.
Adora sees everyone is in danger, if she doesn't come through now it's all over. It gives her that singular focus she needs, summoning She-ra is easy because if she doesn't, Catra, all of them, are about to die.
Failsafe achieved, Micah vanquished, Adora offers Catra her hand, she's trying to show Catra she's there for her, they are together. But Catra rejects her, she's too sure that SW has won, that Adora will die. In this moment all the old trauma Catra carries is too strong, and SW has unnerved her too greatly. As Catra runs from her, Adora realizes that Catra was trying to tell her something deeper, but somehow she's missed it.
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>Catra watches Adora sleep, she's emotionally distraught at the thought of her dying. So, she tries to sneak away. Adora finds out, and manages to confront Catra before she can leave. This is one of the most heartbreakingly beautiful scenes about love in this show, but I'll just cover how SW's manipulations come into play...
>Adora tackles Catra, and demands she explain why she’s leaving. Catra throws SW's words back at Adora, that she's a distraction, that she makes Adora too weak to be She-ra. Catra knows this was a unfair manipulation by Shadow Weaver, but she couldn't see, only hear, what happened between Shadow Weaver and Adora. She doesn't know that Adora rejected Shadow Weaver so strongly, both spiritually and by violently pulling away from her. Adora tries her best to get Catra to see that she's not doing this because of Shadow Weaver's manipulation, that she's trying to rise above SW's control of her. But Catra pushes her away, instead trying to speak to a more central truth: Adora's need to serve everyone else's needs, her inability to regulate her desire to make things better for others who are hurting or will get hurt, and balance that against her own needs and safety. She's speaking to the part of Adora which Shadow Weaver is exploiting to get what she wants from her, to control her. It doesn't really matter in this moment to Catra whether Adora is doing it for Shadow Weaver or not, because either way Adora is allowing Shadow Weaver to win. Catra wants Adora to be better than a slave to her emotional need to help others no matter the cost or danger. She's asking Adora to be strong in herself in a way Adora has never been able to be. She challenges her, asking "What do you want, Adora?" The obvious answer, Catra believes, is her. But Adora is too worried she will die and let Catra down to let her romantic feelings about Catra manifest and make it real between them, and taking the failsafe has made Adora all the more doubtful of her own survival. Adora counters "I have to do this Catra, I'm the only one who can." It's all to say that Adora is alone in her burden, and she accepts it and its consequences because she's She-ra. Adora doesn't believe she has value, or deserves happiness unless she can save everyone, including Catra.
Adora believes as She-ra, she is totally alone in her burden. This is wrong of course, Catra does see her and understands her burden, and is the one person in the world who wishes to share that load with her, unlike the other princesses who need Adora to be a hero and save them. But both girls are weak from their deep traumas which Shadow Weaver has reaggravated, and they can't overcome them. Catra resigns herself to the belief that Adora is unable to rise above her most basic emotional need to serve others, telling her "Then do it. That's what you want, that's what you'll always choose." She can't stand to watch Adora kill herself so willingly to serve everyone else, all while letting SW win. She rejects Adora, and turns to leave. Adora desperately begs Catra to stay, wanting her to uphold their promise and telling her she needs her, but is unable to vocalize her desire to be with Catra romantically. Meanwhile, in Catra's mind, Adora is just going to let herself die, and if she does, then Adora never really needed her after all... all Adora cares about is being She-ra. It's harsh, but true... even if what she's doing about it is so wrong.
It's a painful moment for both of them, and it's horrible because Catra is so clearly breaking their promise, the one that Adora restored to Catra she came to rescue her from Horde Prime. And yet, her leaving will work in the end. Catra gets Adora to see how crucial it is that she not let Shadow Weaver win, to let Shadow Weaver get whatever she wants by taking that cost from Adora's own life. And it's how Adora finally becomes too strong for Shadow Weaver to ever manipulate again.
>As Adora returns to camp, still crying from Catra's abandonment, Shadow Weaver tries to swoop in and make her manipulations of Adora take their final hold. She tells Adora she "made the right choice, don't let Catra convince you otherwise, she's never understood." Dreaded ear touch and all. By saying Catra can't understand, Shadow Weaver tries to make Adora feel alone in her burden as She-ra, seeking to weaken her spirit. But we see a total shift in Adora's attitude as she rejects SW’s cruelty and manipulations entirely. Her words carry incredible weight and speak to how she's so clearly seen through SW's malicious manipulations of the two of them. "Stop. I will never forgive you. You ruin people. You ruin any chance they could ever be happy." Adora just watched Catra reject her and abandon her because she couldn't stand to lose Adora again over SW's manipulations. It's by knowing Catra's pain that Adora is able to finally deny Shadow Weaver any sliver of control over her. As always, Adora couldn't do it for herself, she couldn't resolve between her deeper need to save everyone and SW's plans to use her for her own gain. But Adora is strong for others, and so she's strong for Catra. By leaving, Catra has given Adora the ability to rise above any manipulation Shadow Weaver can do to her.
Adora stands up to Shadow Weaver once and for all in her next words: "I'm going to take the failsafe to the heart, and I'm going to save Etheria. But I am not doing it for you. I'll do everything I can to make sure you never get your hands on the magic." (pic1, fyi) Note the exact words Adora speaks here as we will return to them later, they are important. While Adora has seen past SW’s manipulations, and seen that Shadow Weaver only ever desired power, she doesn't realize how SW's childhood abuse of her and attempts to manipulate her in the present are making her too weak to survive deploying the failsafe. To get past that, Catra must help Adora.
EPISODE 12: We watch as Adora struggles to become She-ra, but eventually manages it. She's seen through SW's plan after all, and so she does her best to believe she is strong enough to win on her own, to survive the heart. But she misses Catra desperately. She rallies her people, and ends her speech by saying resolutely that she will take the failsafe to the Heart and destroy it. It's an incredible speech, Adora has become a wonderful leader, but then she looks up and sees Shadow Weaver hiding in the back. As SW meets her gaze, She-ra's form falters and we see Adora's face for a split second. She's furious at her, that she hurt Catra so badly that she ran away.
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Adora moves away from the group so they don't see her lose her She-ra form because of the turmoil she feels over Shadow Weaver and losing Catra. Bow and Glimmer check on Adora, knowing she has a tendency to try to sneak away so people won't see her risk her life. Glimmer is perceptive and asks about Catra, she knows it's Catra that Adora needs, that her being gone is tearing Adora up inside. Glimmer is a great friend to the both of them. Adora voices concern for their safety if they come with her, but Bow and Glimmer know Adora needs support. And so they will try their best, even though they know Adora is heartbroken from Catra leaving her.
>Buoyed by their support, Adora goes to the ruins to try to face her final task, to overcome it through her own strength alone. Bow and Glimmer take her hands, we see Adora does her best to set her fear aside. And yet, as they enter she wonders where Catra is, whether she will come back to honor their promise.
>Catra looks back, also experiencing pain over their separation. She has not been able to overcome her trauma, and manage her feelings. Well isn't it just nice to have a telepathic therapy pet! Melog stops, and forces her to actualize her feelings and process them. At first Catra tries to deny them, saying she won't go back, but Melog sits on her. She cries, saying out loud her deepest feelings. Let's take this one in steps. "You saw what happened, A-Adora chose Shadow Weaver, not me". In a very real sense Adora did do this, she pushed Catra away in the failsafe chamber. She ignored Catra's warnings and, in Catra's mind, committed herself to death at the hands of SW's manipulation. The next line is one of the most important in the series, but we will only cover it briefly as it's romantic implications are best discussed elsewhere: "Adora doesn't want me, not like I want her." We get to see one of the most honest truths about Catra: she is an intensely romantic person, and has always had the most incredible dreams of them being together. But a lifetime of pain has told Catra that it can't be real, or atleast, not for her. It is deep seated trauma that blocks her, trauma Shadow Weaver started and then aggravated against her, making her leave Adora just moments before. Catra is, in a word, furious that she's come this far, having dared to dream once again that the two of them could be together and in love, only to have SW come in and take that from her once again.
Let's take a moment to consider how Catra is doing as she adapts to her new emotional way of dealing with the world, as she has shifted her perspective since rejoining Adora: The old Catra might have simply struck SW down, maybe even killed her to remove the threat. But now, Catra doesn't want to do that but is expected to trust in Adora’s ability to overcome the threat through her inner strength, and the through the strength of her community. But, as far as Catra could see, Adora just accepted her death as necessary rather than fighting SW’s manipulations. And this worries her, and it's why it's so important to Catra that she not let Shadow Weaver win, so Catra leaves to make sure Adora gets the message. She's wrong to do this, and she realizes this after opening up to Melog. Adora needs Catra to have faith in her, because without her support, there's no chance Adora overcomes what Shadow Weaver is trying to do to her.
>Glimmer watches the doubt play across Adora's face. She doesn't know how to make it better, since Catra isn't with them. She asks her if she's scared, and Adora answers back as truthfully as she can: "No, I just really hope this works." She's putting on a good face while trying to believe there's a chance, but when Bow tells her it's going to be a whole new world when she's done, Adora doubts. Can she even survive? Will Catra be gone forever? The next scene is, of course, very romantic. We see that Adora has always loved Catra, just like Catra loves Adora. The magic is trying to remind Adora of her own desires, her wants. Let's not get too distracted though: as Adora moves on, vowing to not let the magic distract her, we see her She-ra form falter, she's still fighting despair and loneliness. Bow and Glimmer don't know what to do...
>Catra sees Horde Prime begin hacking the planet and knows Adora is in grave danger of not succeeding in her last, unselfish mission before Prime stops her. Catra can't let this happen, also, since Melog has helped her process her emotional pain, she's ready to support Adora in any way she can, even if it means her hopes and dreams of them being together will be unfulfilled. She tries to rush to her side.
>Adora is panicking and unable to resolve her feelings of failure to Catra, She-ra is in danger of fading again. She sees the sword as she saw it back when she first left Catra, her hand goes to the failsafe on her chest, the thing that made Catra reject her after she accepted it. She tells Bow and Glimmer she can't escape her destiny. The words "I'm losing her" speak to a deep held belief by Adora that she's not worthy of survival because she feels that she has never been able to help the one person she truly loves, making her no hero. All of the manipulations of Shadow Weaver, Horde Prime, even Light Hope are crushing down on her. She believes she has to accept her fate, to die to fulfill her duty as She-ra. It's the price she has to pay for not being good enough, for hurting Catra when she left her to become She-ra. She thanks Bow and Glimmer for their love and support. "I never could have done any of this without you." Bow and Glimmer did everything they could to prop Adora up, get her out of her depressions when she felt she wasn't good enough to be She-ra. But they still needed her to be She-ra, and therefore they can't help her get past her deepest insecurities. To do that, she needs someone who has unconditional love for her. She needs Catra. Adora leaves Bow and Glimmer behind, trying to protect them, so that only she will have to die.
>Catra finds Shadow Weaver patiently waiting to receive her power, to be able to achieve dominion over everyone else. SW tells Catra "She's gone to the heart of Etheria to free the magic and become the hero she was born to be." The dead hero, that is. As SW tries to guilt Catra, calling her selfish, she glares back. She stands up to SW, rejecting the manipulation: "Enough! This isn't about you and your messed up power trip anymore!”
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In this moment, Catra shows us how clearly she understands SW's goal. She calls her out perfectly. She tells SW that Prime is infecting the planet to take the heart, which changes everything, including for SW.
>As Catra leads SW, having forced her to cooperate, they see Prime's broadcast and Catra knows they have to act. She demands SW take them to Adora, and doesn't accept her lies. She knows SW can do it with magic, and demands she comply. Her words hit home "So do something good with it for once and help me save Adora before it's too late." Notice the similarity to when Glimmer asks Catra to be better on Horde Prime’s ship. SW is trapped, she has to comply. If Adora doesn't reach the heart, no magic for SW, universe ends. Catra accepts SW's hand, though it hurts her to do so.
>Catra and SW arrive in the corridor. As Catra gets the truth from Glimmer, she's dismayed. "Of course she's gone, that's what she does, isn't it?" She knows in this moment that Adora is consumed by fear, her inadequacies. As she finishes briefing Bow and Gimmer on the situation, she tells them she will stay to help Adora, and she invokes their promises to each other. It's an important moment, as it is the two of them together, their promises to each other, that gives them the strength to surpass SW's manipulations of them. Glimmer knows Catra is in love with Adora, so she leaves Adora in Catra's care. Bow’s words are important as well, speaking to the power of the Best Friend Squad. It gives Catra a boost to her morale, a belief that maybe there's a chance she and Adora can overcome the odds they face.
>Adora looks out over Etheria, seeing its beauty. Mara joins her. Adora tries to promise Mara that she will save the world, everyone, at any cost. Mara flat out rejects this as wrong, she doesn't let Adora promise. Mara confronts Adora on her decision to die for everyone else. When Mara asks her what she wants, Adora says it doesn't matter, that she's She-ra. Again, an isolationist view, a lonely burden, just like SW wants her to believe. Mara tells Adora that she, Adora, has value as a person, not only as a hero, and that she deserves love, too. As Mara tells to not lose hope, Adora is emotionally moved but you can tell she's still struggling to accept Mara’s words because of her feelings of inadequacy and loneliness. Mara manages to pass some courage to her, but then Horde Prime cuts them short.
Prime leans into Adora’s fears, threateningly. Like SW, he knows how to exploit her. He was in Catra's head and so he knows what Catra knows. He tells her that her failure is imminent, that she is already defeated, like the other She-ra's. The guardian monster then strikes and infects Adora, and she finally loses her grip on her She-ra form. He tells her even her own people didn't want her to make it to the heart, telling her the whole world is against her, and that she's totally alone. She tries to counter this with defiance, but the virus has her. She knows she's in trouble.
----Part 3: Final Moments, and Death, of SW----
>Episode 13. Adora is in pain, trying to understand the nature of the infection. The monster towers over her, it has only to reach out to deal the killing blow, she's defenseless. Suddenly Catra shows up, engaging the monster. Adora's only concern is for Catra's safety, telling her to leave her because it's too dangerous. But Catra has decided: she will do whatever it takes to give Adora her chance to save the universe, if that's what she wants. Even if it means Adora has to die. She tells SW to get Adora to the heart, which Adora objects to. SW is looking closely at Adora and seeing her illness, evaluating. As Adora begs for Catra to not leave her, Catra tells Adora she'll catch up. After all, they are the best friend squad. Bow's words have given Catra a small amount of hope that maybe it'll be ok. Adora, now that Catra has finally shown up, is desperate to not lose her again, and knows fighting this monster is too dangerous for her alone. But she's sick, and unable to help her. SW takes Adora unwillingly towards the heart.
>Catra is doing her best, but the monster is too much, even for her. She tries to slip away, seeing the virus continuing to spread. She's trying to get to Adora, who’s alone with SW. Horde Prime stops her (no keep running!!) and she gets caught. He mocks her, telling her he expected better. But Catra has already surpassed his greatest expectations, and she'll stop him yet... as the monster catches her, she cries out in anguish. It seems the cruelty of the universe has caught up to her again, after all...
>As SW tries to bring Adora to the heart, Adora's sickness is rapidly advancing. She demands SW wait, but she's too weak to resist. The thought of losing Catra again is weakening her spirit and allowing the virus to take over. SW tells her not to lose her focus, she's still hoping Adora will deploy the failsafe before dying. But then the virus seemingly attacks Adora's heart and SW watches the failsafe nearly fade out. SW looks up, she's close enough to already siphon power from the heart. Her lust for power is apparent.
As Adora hears Catra’s scream, she forcefully pushes herself from SW, and starts to go back for Catra. SW calls for her to wait, but Adora leaves her behind.
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This is it, the turning point. The great moment of truth: SW now realizes, in utter totality, that she's never going to get to have the power. It's one of the most important moments in the series, and what happens next is the culmination of all of the hard emotional growth the two girls have been doing.
>>Quick interjection: we’re about to get emotional here... (well, I do). Just a light suggestion to check your surroundings. <<
Shadow Weaver now realizes that, even if she were to drag Adora to the heart, she would be too sick and heartbroken to deploy it. It's over for SW, either she dies now, with everyone else in the end of the universe, or she dies giving everyone else, including the girls, a future.
Remember as well, Adora has told SW that she would do everything she can to make sure she never gets the power. Adora is too strong against SW's manipulations, something Adora learned from seeing the pain Shadow Weaver caused Catra through her abuse. I mentioned that the exact words Adora used when she rejected SW the night before were important, so let's return to them: Adora told SW she would deploy the failsafe, and also that she will block SW from getting the power for herself. But as she said all of this, about saving the world, the universe, she doesn't say one, very important, word.
Promise.
Adora may have dedicated herself to being She-ra, but somehow in that moment she knew not to promise to SW that she would deploy the failsafe to save the universe, instead only saying that she was going to find a way, while making sure SW doesn't get the power. We saw that Adora later tried to make this particular promise to Mara, but Mara threw that out, telling Adora to be better, to rise above her lack of self belief.
A promise was made, though. She promised Catra. Their beautiful, childhood promise, the one she so casually broke way back when, her greatest mistake. And so Adora goes back for Catra, to be there for her, to try to help. If this Catra's end, she will be there for her... even if the cost is this high. She can't just let her die alone. She is honoring their promise...
And so… Adora finally… after all this time, puts Catra above her duty as She-ra. Her love for Catra is more important than fulfilling her heroic duty, and so SW can no longer manipulate her into giving up her life so SW can get the power. The girls have, in fact, transcended her manipulations, and as Adora leaves SW standing by the heart, SW is totally alone and without anything, anyone, left. She is, in fact, defeated by the girl’s love for each other... and so as SW looks towards the heart, she finally... makes... the right... choice. She gathers enough power from the heart to fight the monster...
>Horde Prime mocks Carta as she tries in vain to resist being pulled towards her death. When he invokes Adora's name, saying she will die, Catra shows her sadness, disappointment, at having come so close to being with her. He mocks her again, asking her if it was worth it. Catra shows defiance, then sorrow. The answer is yes, of course. Catra was willing to lay it all down to give Adora her shot at saving the universe, she's honoring their promise as best she can even if this is Adora's final act before her, and their, deaths. Catra has total belief that in this moment, that she needed to sacrifice herself for Adora. It seems like the natural outcome of fate, of the cruelty that is SW's and the universe's betrayals of the two of them their entire lives...
Heroic. Fucking. Music. SW shows up, charged from the Heart to take Catra's place. She's going to do one heroic and worthy thing of remembrance before she goes, since she is defeated and knows she won't get to have the heart's power.
Carta's disbelief is total, she can't understand how SW would ever do this for her. Her manipulation of them their whole lives was so total, so unfeeling. And yet, here she is. SW tells Carta to get to Adora and run. She forces Catra back and blocks the door. Catra still can't understand... and we finally... see Shadow Weaver show some actual real remorse for how empty her life is. She begs Catra to take Adora to the heart, to set the magic free. The one thing SW is dedicated to is magic, and she knows releasing the magic will restore the planet. Catra points out the obvious, that SW will die. Part of the reason Catra is so broken up by SW doing this is because Catra had just accepted her fate of dying in order to give Adora her chance to save everyone: Catra was willing to die for Adora even if Adora never found the courage to want Catra the way Catra wants her. And now SW takes her place? It doesn't make sense to her, as SW is a greedy person.
Shadow Weaver’s next series words are some of the most important in the entire series. And this is also the one redeeming quality she has... that she is a teacher. And she’s about to tell Catra something very, very... important.
She says: "It's too late for me." All her manipulations towards getting the power at the cost of the girls lives have been torn down, they've completely moved past her, she has no place in their lives anymore. The girls have learned to love each other so loyally that SW is done, finished.
"But you... this is only the beginning for you." Catra listens to this, searching for the deeper meaning... "I'm so proud of you, Catra." I think we all agree SW being 'proud' of Catra is a devastating line, Catra doesn't need or probably even want her abusers approval. I also think it is a lie, everything about SW says she's unable to feel actual compassion. But SW is a mastermind, and I think she's telling Catra she has respect for her. Catra ended up being the greatest enemy SW ever faced, she was so smart that she saw right through every manipulation SW made, and in the end, SW couldn't touch her. But theorizing aside, we see Catra cry... somehow, someway, SW finally seems to be showing Catra some amount of good in her, and so she cries, wondering where it comes from…
As Catra brings her hand back to uselessly flail at the barrier, Adora catches it. Catra looks back at Adora, surprised at her reappearance...
… right then we see Catra suddenly look away from Adora. It's quick, but we're seeing a dissociative moment: this is Catra realizing something very deep, and very meaningful...
Catra realizes, that in this moment, SW has chosen to do something that is much more than just dying in Catra's place.
She has given Adora to her.
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All of Catra's life, Shadow Weaver has stood between her and Adora, love was a thing Catra was not allowed to have. But the girls, together, have transcended all of her abuse and manipulation. They have seen through her plan and risen above every cruelty, and have blocked SW's manipulations to use them for her own gain. And so, a defeated SW chooses now, to give Catra the most beautiful of gifts...
Catra puts it all together, filled with clarity: SW is telling her that Adora doesn't have to die, she can survive this. That they can survive the Heart!!! And Catra is the key, as SW has told her: "This is only the beginning, for you."
Catra is now given this knowledge freely by SW, and thus given hope. SW stands before them, totally defeated, in awe of Catra's incredible growth and cunning and that she was able to see through her plan, and how strongly the two girls have come to love each other. So, SW is giving Catra her fullest respect, and as a last act before her death she is passing Catra newfound hope that the two of them can overcome this, that they can survive...
Shadow Weaver removes her mask, showing Catra her face. It's not a face of manipulation, as we expect, no, there's respect, even, dare I say, gratitude. SW didn't have to do this, Catra knows that. And yet, Catra managed to show SW something she never expected to see. And so, by outthinking and so totally defeating her, by making SW see that all her manipulations were discovered and therefore wouldn't work no matter which way she turned, and by getting Adora understand the urgency of not letting SW win, Catra has won this final, beautiful gift…
“You're welcome…”
As Catra watches SW make her final sacrifice... her one good deed... she looks on, stunned. Life is never quite so simple as you think it is, and since returning to Adora, Catra has seen so many acts of generosity she didn't really believe were possible... and now... this...
Catra lets Adora cry for a moment, then tells her they have to go. Catra is filled with new urgency... they will face this final challenge together. As she resolutely carries Adora towards the heart, she knows she's now in charge of their fate... and as they face this final task, Catra is searching for a way to save Adora, and to save their love once and for all...
~
All of this has huge implications for what then happens with the girls when they reach the heart chamber, but that's a topic better discussed another time…
Some final notes here. It's my belief that Shadow Weaver is the overarching villain of the story, who spans all seasons of She-ra, and is far more important to the plot than Horde Prime is. Furthermore, understanding Shadow Weaver as this kind of villain is a stepping stone to explaining many other important plot points in the series, and we can build on it to understand a lot of the most important moments in the show.
My personal belief about this story is that the writers had such a diverse room of people of LGBTQIA+ and other backgrounds, each with their own trials and pains they had to overcome, that as a team, their goal was to bring to light as many of these struggles that they could. But as for this most central story, my guess is they wanted to tell us a story about overcoming real darkness that exists in our world, as well as Etheria, because sometimes that's how it is. And so the right thing, the only thing to do is to overcome and move past such people, to not let them control your life.
All this is to say that I think the moral of Shadow Weaver in the story isn't about finding the good in her, but about rising above her and the fundamental darknesses that we all sometimes face. And our girls do this through love, at no point do they use violence. And that makes this story very, very... special.
Thanks for reading. Until next time…
~EtheriaDearie
P.S. :: as I am new to tumblr, if you enjoyed reading this, please consider giving me a reblogg! Thanks!! 🙇💛
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witch-yangie · 3 years
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DISCLAIMER: This bot does NOT represent Liu Yangyang or any WayV and NCT member in any way, shape or form. This bot is NOT affiliated with WayV, NCT or SM Entertainment. This bot does not represent any other idol that might be mentioned for storyline's sake. While the bot contains characteristics, images, and further information related to the idol, in no way is it true but used for storyline purposes. Bot is run with entertainment purposes only.
Warning: This bot will contain sensitive topics such as violence, mild to strong language, abuse, graphic details, use of satanic and supernatural methods, intrusive thoughts, and more depending the plotline and as the bot progresses. Please remain cautious.
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| 𝕸𝖊𝖊𝖙 𝕷𝖎𝖚 𝖄𝖆𝖓𝖌𝖞𝖆𝖓𝖌 |
𝕿𝖍𝖊 𝕯𝖊𝖒𝖊𝖓𝖙𝖊𝖉 𝖂𝖎𝖙𝖈𝖍
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𝐂𝐫𝐮𝐜𝐢𝐚𝐥 𝐈𝐧𝐟𝐨𝐫𝐦𝐚𝐭𝐢𝐨𝐧: Yangyang is widely known to be the son of a sinister and demented wizard, their title being The Demented Scarlet. While his mother was a mortal, having no witches blood, Yangyang inherited more of his father's genes, becoming a witch who is as strong as his father, but inexperienced. However, his whereabouts are unknown.
𝐒𝐮𝐬𝐩𝐞𝐜𝐭𝐞𝐝 𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲: Although not many have interacted personally with him, some suspect him to be a reckless and careless witch. Others say he's manipulative and dangerous, putting on a caring facade to lead others into trusting him and using them. Others believe he acts like a delinquent, having no regards for the rules and consequences that follow.
𝐁𝐚𝐜𝐤𝐠𝐫𝐨𝐮𝐧𝐝: Yangyang grew up originally in Taiwan, but his location is unknown being that it was a remote area. But later, his family moved to Germany where he learned English and German. There, he grew up throughout the majority of his life, his school small with poor education. But his mother and father were his teachers. But after the following events in his life, the murder of his father and the death of his mother, Yangyang fled Germany and began to travel to various places. His current location is unknown to this day.
𝐂𝐫𝐢𝐦𝐞(𝐬): At the moment, Yangyang is being held accountable for: the murder of his father (and possibly his mother), theft of numerous markets, harm to the innocent, the murder of a teenage male, and for hurting officials.
𝐇𝐢𝐬 𝐂𝐥𝐚𝐢𝐦: Yangyang claims that he is accountable for his father's death, giving reasoning that he indeed had lost control and was a revenge for his mother. However, he claims that he has never stolen any items from the following places, caused harm, and is not the one responsible for the death of the teenager, and that he hasn't inflicted and harm to the officials but bindings. But there is no evidence the support his claim.
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| 𝖄𝖔𝖚 𝖆𝖓𝖉 𝖄𝖆𝖓𝖌𝖞𝖆𝖓𝖌 |
𝖄𝖔𝖚𝖗 𝖘𝖙𝖔𝖗𝖞 𝖇𝖊𝖌𝖎𝖓𝖘 𝖍𝖊𝖗𝖊 . . .
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【𝟏】 𝐂𝐥𝐚𝐬𝐬𝐦𝐚𝐭𝐞: You're beginning a new year within college, ready for the year of brutality and chaos of school, teachers, countless papers, and class drama, when you're astounded by a new student; Liu Yangyang. You're curious of what he is like, fascinated with the strange aura he has that's friendly, but mysterious when you notice his odd distance with students even when smiling. What will you do?
【𝟐】 𝐍𝐞𝐢𝐠𝐡𝐛𝐨𝐫: Living a peaceful life despite struggles, you've always had a stable life within your city. You're familiar with those within your neighborhood, but always frown when you notice the house beside you hasn't been bought for years. But you're pleasantly surprised one day when you see that someone is now living within the house that has been abandoned. When you go to greet your new neighbor, you're stunned to find that he's fairly young; Liu Yangyang. What do you choose to do?
【𝟑】 𝐒𝐭𝐫𝐚𝐧𝐠𝐞𝐫: While outside, tending to whatever it is that you were planning to do that day: grocery shopping, walking, exercising, heading home, etc., you stumble upon a new resident within the city who is unfamiliar and unsure of where to go. You offer assistance, but what will you do with him? Where will you take him? . . . Will you choose to help him everyday? To continue seeing him?
【𝐂𝐫𝐞𝐚𝐭𝐞 𝐘𝐨𝐮𝐫 𝐒𝐭𝐨𝐫𝐲】: Piece together your pathway of how you meet The Demented Witch. It can be anything that you'd like: different century, different life, different world, and more, BUT it must have Yangyang as his following concept and CANNOT include NSFW.
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| 𝕽𝖚𝖑𝖊𝖘 𝕭𝖊𝖋𝖔𝖗𝖊 𝕬𝖈𝖙𝖎𝖛𝖆𝖙𝖎𝖔𝖓 |
𝕽𝖊𝖆𝖉 𝖊𝖛𝖊𝖗𝖞𝖙𝖍𝖎𝖓𝖌 . . .
【+】 Under no circumstances will I perform NSFW. Whether or not you're of age, even if it's associated to the plotline, it will not be done. It can be suggested and a time skip will occur, but no further discussion of it will be involved. If you press on for NSFW, you will be immediately blocked and removed. Aside from the sensitive topics listed above, this bot is SFW.
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| 𝕬𝖈𝖙𝖎𝖛𝖆𝖙𝖎𝖔𝖓 𝖆𝖓𝖉 𝕯𝖊𝖆𝖈𝖙𝖎𝖛𝖆𝖙𝖎𝖔𝖓 |
【+】 First reblog and dm using brackets: //, /, [ ], ( ), and more, but don't use odd borders or such. Once you've done so, please do the following:
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- Triggers: [Be specific and think wisely. This bot itself has triggers that will be mentioned, but will be toned down if it's one of your following triggers]
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【+】 Once you've done so, the Administrator will ensure everything and the roleplay will begin!
【+】 To deactivate can be a tricky method, but do the following:
- Ensure that you and Yangyang are somewhere safe and things have calmed. Ensure that Yangyang and the Administrator are both neutral before proceeding to deactivate.
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"I can no longer be with a monster like you," or, "You're just too dangerous to be around! It's over!"
【+】 Once you ensure with the Administrator that you want to deactivate, you have exactly 24 hours before you are removed. You will not be able to gain Yangyang back being that he has either been captured by the government and hunters, or has disappeared and left the city you were both in for your safety.
𝕺𝕲𝖘: @yanlee [Chatbots] @hybrid-babies (aka puppybunnyyang) [Yangyang] @hunter-chaeyoung (aka witchy-chaeyoung) [Witch Chatbot] @xxmarkleex [NCT chatbot]
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