I get what you mean through that post about TWD but for the sake of someone who can't articulate why, what is political abt TWD?

do not take what I’m about to say as the only possible interpretation of the walking dead - or zombie apocalypse media more broadly, but twd acts as a handy representative for the genre in the popular north american consciousness I think, so I will be using it interchangeably. But I think there are a couple productive perspectives you can take with this kind of media.

fundamentally I think twd is horror aimed at the middle class. It presents a world where the state is no longer present, where your fear of other people cannot be soothed by calling the police (the protagonist of the show being a cop is notable here). the state in this imaginary is the sole barrier between civilisation and savagery. People turn on each other, loot, destroy property, and are generally untrustworthy. Zombies are an unthinking hoard of non-persons who only spread disease and death. The suburb is no longer safe. The ‘message’ or thesis of twd and shows like it is that human beings are only orderly and polite to one another so long as there is a state to enforce these social norms, and absent that, everyone will turn on each other (the “social contract”). Zombies in this case are less an expression of medical anxieties about a pandemic (although that’s not not a concern), but more so an expression of concerns about ‘mass immigration’ and a general racial intrusion into white suburban life. Zombies aren’t just a plague people deal with, but almost always cause the complete dissolution of American society. I don’t think you can decouple zombies in popular American consciousness from the racial anxieties of white people.

and more deeply than that I think american zombie media is a similar type of expression of what Cesaire calls the boomerang effect - what colonial powers do overseas they will eventually do to themselves. Now he was speaking of Europe’s turn to fascism (fascism in this instance being framed as a form of domestic colonialism), and twd is not necessarily presenting zombies as a punishment we bring on ourselves. America and Canada are also both settler colonial states, meaning that settlers permanently occupy the land they have invaded instead of returning home, so this is slightly different. But I think when people imagine zombie apocalypses, they are working through a scenario where their own civilisation is devastated by some invading force, where their stolen property and land are stolen back from them. They are working through an imagined boomerang effect, a fantasy where they are the blameless victims and their ill-gotten gains are taken from them unjustly. The history of settler colonial states is such a horrific, apocalyptic state of affairs that projecting that back onto oneself is a way of working through that history without ever reckoning with what that means. It is easier to fear colonialism happening to you than to extend sympathy to those who have been dispossessed by your ancestors, and in this configuration, you don’t have to confront your own way of life or the part you play in this history.

And it’s doing other stuff too. I think there’s a lot you can dig into with how masculinity is portrayed in these types of shows - men protecting their families by killing hoards of zombies, by being rewarded at every turn for distrusting other people and being generally anti-social. White men in particular have internalised ideas about masculinity that are bound up in violence and racial superiority, and zombie media provides a handy fantasy in which you’re forced to protect your wife and kids by killing as many people as humanly possible. In this framework, the zombie apocalypse is almost a welcome state of affairs, facilitating a return of traditional masculinity where men can freely express their violent desires, and their victims are mindless diseased non-persons who you are morally obligated to destroy. Zombie apocalypses provide a scenario where masculinity is valuable again. It might be instructive to consider zombie media as “inventing a guy to get mad at” so you have some place to put these ideas about masculine and racial domination. White middle class Americans are probably the safest group of people on planet earth, but because of that sustained safety you need to invent imagined scenarios where the violence of your identity as a white person or a man is still relevant, and so shoving that into a fantasy where you HAVE to kill people is alluring. Of course, whiteness and masculinity still produce a lot of violence in the world and these people are generally violent in both direct and indirect ways (calling the cops on black people, mass shootings, etc), but like it’s harder to consider yourself a conquering hero while dialling 911 you know. I think this is a wish fulfilment fantasy in its purest form, confirming all of their racial paranoias and providing them with a space where they are REQUIRED to kill shitloads of people.

There’s definitely more you can say but I’ll cut it off for now. And just to be clear I’m not saying enjoying twd or the last of us or anything else makes you a white suprematist or whatever, but zombies in popular consciousness are (at least partially) tapping into the anxieties present in white supremacist settler colonial states. I can’t speak to the entire genre, and I’m sure there are instances where zombie apocalypses are presented differently, but at least in this instance twd is generally reactionary and provides a safe space for people to work out their feelings about whiteness and masculinity while living in the imperial core