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Nightmare to Ravyn:
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ain't gonna lie i cried
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Colleen Moore’s fairy tale castle dolls’ house. Moore was one of the most successful silent film stars (famous for popularising the ‘Dutch boy’ bob), and she started creating this dolls’ house in 1928. She enlisted the help of professional planners and architects, such as Horace Jackson, the set designer at First National Studios. The entire house can be broken down into individual pieces and packed into specially designed shipping crates, and from 1935 to 1939 Moore took the dolls’ house on tour through the U.S. to help raise money for children’s charities, which proved hugely successful. Moore gave the dolls’ house to the Museum of Science and Industry in Chicago in 1949.
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If *I* established a kingdom I would simply put an end to the cycle of the rise and fall of empires by governing wisely and being really good at fending off invasions and proving I earned the Mandate of Heaven and not letting my defining character traits end up being my downfall
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I mean if we're really getting into it, most problems with people creating stories to critique Christianity boil down to either a. They do absolutely zero research and think "why do bad things happen" is unanswerable for anyone who believes in a fundamentally good deity, b. They assume that the religious beliefs of two churches in Missouri run by an abusive pastor are the religious beliefs of 3 billion people, or c. They're actually critiquing cultural systems which utilize Christianity to uphold oppression (good! Critique that!) but they conflate that with the religion itself which often leads back to the first two points, meaning they make factually incorrect statements about actual religious teachings and approach faith as inherently evil (wrong! Read the Book!)
I do believe you can write a story critiquing faith or religious systems or religion and do it well but unfortunately 90% of the time this is how people do it. Which is poorly done and useless.
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Your anons today are hilarious
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and the award for most beautiful character arc in all of cinema goes to:
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THOR (2011) / LOKI 2x06 (2023)
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musicians should make it a point to have daylight shows instead of only nighttime concerts, send tweet
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metal is so fucking good I'm eating it
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Thanks @hikayagami for the HQ clip.
Why are you running Meme - Tokyo Mew Mew/Mew Mew Power version
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LOKI | S2E1 'Ouroboros'
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thing is.
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the doctor in series 3 is a lot more complex people give him credit for.
when he gets mad at martha at the end of 'smith and jones' it's not because he's offended at her flirting, annoyed at her insinuations, 'how dare she'. no. he's mad because she sussed him out, right down to the blue suit.
in 'smith and jones' the doctor has a clean slate, he has reinvented himself. and this version has no baggage.
this doctor hasn't got a brown suit it's blue, this doctor is flirtaious, romantic, even does the 'honourable' thing of making sure she knows the kiss he will give her means nothing. she won't get attatched that way when he sacrifices himself to draw out the plasmavore.
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but this doctor is also a bit callous, he's excited by the thrill and danger, dimissing very real distress from people around him in favour for the facts. he only pulls himself back upon his conversation with martha.
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in fact, it's no coincidence the kiss happens after martha commemorates the dead, her old mentor.
the problem is however, martha is too clever, too observant, too confident to completely be won over by this entirely. when he tells her he is the doctor, just the doctor, at first she refuses to call him by this. he has to earn it. sonic screwdriver? lol, got an electric spanner too? she asks if he has help because surely he didn't come to this hospital because he thought something was wrong on his own?
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that's why he says stuff like this. he's like why are you poking holes in the illusion. i'm *this* person now, don't take me back to my reality.
but he's not quite done. they both could have died on the moon but she saves his life so, he gets another chance. incomes the reinvented doctor part two. [you can argue the doctor always knew they would make it because martha told him she saw him in a moment that had happened for her but not yet for him.]
so part 2 commences but he's turning it all the way up because he wants her as his companion.
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so he's smooth talking her, but even then she's still not letting him get one over on her. "not pompous at all." so better turn it up some more, and he time travels, a 'cheap trick' to impress her more.
until his newly formed version of himself gets a hole poked in once again after martha inadvertantly makes him remember rose. and he clams up, decides it will only be one trip in a pretty aloof, defensive and abrupt way. shuts down any path that could lead to something more, testing to see if she can do the same - "i only go for humans" - she can and away we go. he's racing about the tardis back to semi-normal and they are off.
it's why he's so having mood swings all throughout 'the shakespeare code,' flip flopping between annoyance and dismissal at her questions, she's ruining how it was supposed to go in his head. she wasn't supposed to ask *this* many questions, she was just supposed to be impressed. but she went and reminded me of rose so this can't work now, it's gonna be one trip. but then flipping back to this need to impress and to just fall back into step to how they were, running around and having an adventure. how he's supposed to be.
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and he decides i don't want this to end. im extending the trip. but yet again martha pokes another hole - his home. but the doctor holds onto the pretense for as long as he can. he doesn't just say "we can't go to my home and please don't ask me why because it's painful." he just lies. and this pretense now takes on a new form, because it directly references rose with choosing new earth. see, he starts by reminiscing on gallifrey when he describes it to her then chooses someone else to reminisce on. rose. all with little regard to how martha would feel about being used in this way. but unfortunately for the doctor, this takes a dramatic change for the worse as taking martha here directly leads to her abduction.
now, despite martha's olive branch after the death of the face of boe, the doctor still doesn't tell her the truth. until she sits down, and really hones in on his lies and the people of new new york began to sing for the dead. and the doctor looks at martha, the human, listening to the humans commeorate the dead. and tells her the truth. that he lied because he liked it. because he could pretend. pretend that his reality was not true. he was not the last timelord.
intriguingly enough, by the time we get to the lazarus experiment, the doctor seems determined to play out how the story was supposed to go. yet again disregarding martha's feelings. find a new companion. travel for a bit, then bring her home safe and sound. and not one year later. no ties, a nice thanks then goodbye. no heartbreak, no tears. but he comes back. because he doesn't want it to end yet, offers her another trip. and here goes martha again. telling him he needs to be clear in what he wants right now. he's not someone who can just breeze in and out of her life without a second thought. is she his companion or is she a passenger?
and the pretense is over. mostly anyway, and the doctor is at his mlst vulnerable due to the circumstances of '42' and by its end, it's like a refreshed smith and jones.
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but now he doesn't feel the need to lie, he's not fully there yet. but he's more comfortable, he doesn't need to pretend.
perhaps too comfortable.
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ANNE OF GREEN GABLES (1985)
Kindred spirits are not so scarce as I used to think. It's splendid to find out there are so many of them in the world.
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i just remembered that sirius black had pictures of half naked women on his wall so snape would have seen it when he was in his room looking for a picture of lily to keep his sanity, so im just sat here cackling at the idea of snape in there looking up at the walls like wtf
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every time I see “you can’t love this character bc they killed someone” i remember how the leads in acclaimed children’s book series skulduggery pleasant have killed several hundred people each and feel calmed
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