ok so you're mary winchester...... (youtube)

here she is my mary magnum opus<3 also known as dear jensen ackles my supernatural prequel is better than your supernatural prequel. get wrecked

Stackednatural- 272/327

Ghostfacers (3x13) April 24th, 2008

he's thinking about the fact that he gets to see dean again here

do you understand my vision?

so long, london......

bro bro.... the s15 directing could have been so good. characters looking directly at the camera more and more, the lighting changing continuously, the screen glitching whenever cas is present, the screen sometimes blacking out and you can only hear the voices, we could have had it all. ..

In the back seat, Dean casts a guilty look at Cas, and the realization dawns on Cas that Dean knows exactly what is happening, and that it will have devastating consequences. Dean can’t look at him, and turns away.

Supernatural 12.09 First Blood, written by Andrew Dabb

i missed you for twenty-nine years

who i wanted to save me

Rob: We got this question that we’ve been avoiding because it’s a lot of words. When Castiel is talking  to Dean in a truck about being human, the line that was aired is a different line that the script reads.

Ben Edlund: Sure.

Rob: So the line that aired is, Castiel says “I used to belong to much better club and now I’m powerless, I’m hapless , I’m hopeless, I mean, why the hell not bury myself in women and in decadence, right? It’s the end, baby, that’s what decadence is for. Why not bang a few gongs before the lights go out. But then, that’s just how I roll.” But the script reads “But instead we become this. The only thing, I think,  we have left, Dean and me, is each other. If Dean says it’s time to get out in the blaze of glory, win or loose, so be it. I’m in, but then, that’s just how I roll.” It’s just an interesting little difference.

Rich: Well somebody had to rewrite that, right?

Ben Edlund: Sure, I mean, like that was either a rewrite based on a note or something that- it’s possible that there was a shift in language that came from a pass through Kripke. To me that feels like a rewrite based on “ Ok, we know what the subtext is, bury it a little bit.” 

Rob: Gotcha.

Ben Edlund: Because, you know, it’s more interesting to know that an then have language kind of be less to the core. I mean, maybe not, sometimes you really want to go to that core.  But it didn’t seem necessary in that moment because look at the larger context. This guy is still hanging around. He’s going on a mission. And previously in the prior scene when he’s kind of like, when we used the word insouciant for the first and last time in Supernatural’s history. I believe, unless it gets quoted later in 15 seasons and I missed that. At that point he is totally ride or die with Dean. He’s basically “You say we a going on a suicide mission and there’s no hope or whatever” and Dean’s going “Yes, that’s what I’m saying” and he goes “Okay, let me go get the truck.” And so, in a sense, it was like- I would’ve done the same thing today. If that makes sense. Looking at the whole. 

Rob: I like the idea of burying it more and not serving it on a platter. Letting people- 

Ben Edlund: Mainly because all the other aspects of that story tell us that. Show us that, actually. That’s the whole thing. Show us, not tell us. I’ve heard that at some kind of seminar.

-Supernatural Then and Now podcast. BONUS CLIP: Ben Edlund Talks

when I saw this shot for the first time I was desperately trying to remember what it reminded me of, because the way Eddie and Buck were looking at Bobby seemed so excited and childlike, and then it hit me —

the impossible, 2012.

somebody got clingy after their angel (the only piece of heaven dean has ever had) came back from the empty

destiel & "your love is killing me" by sharon van etten

“I don’t know what’s God and what isn’t.”

he isn’t.

Little Cas midnight sketch from a few days ago

I've been watching spn since high school but for some reason it took me this long to make actual art for it.