Image: The New York Times

The aircraft cracked in half, a seed-pod giving up its spores, an egg yielding its mystery. Two actors, prancing Gibreel and buttony, pursed Mr Saladin Chamcha, fell like titbits of tobacco from a broken old cigar. Above, behind, below them in the void there hung reclining seats, stereophonic headsets, drinks trolleys, motion discomfort receptacles, disembarkation cards, duty-free video games, braided caps, paper cups, blankets, oxygen masks. Also—for there had been more than a few migrants aboard, yes, quite a quantity of wives who had been grilled by reasonable, doing-their-job officials about the length of and distinguishing moles upon their husbands’ genitalia, a sufficiency of children upon whose legitimacy the British Government had cast its ever-reasonable doubts—mingling with the remnants of the plane, equally fragmented, equally absurd, there floated the debris of the soul, broken memories, sloughed-off selves, severed mother-tongues, violated privacies, untranslatable jokes, extinguished futures, lost loves, the forgotten meaning of hollow, booming words, land, belonging, home. Knocked a little silly by the blast, Gibreel and Saladin plummeted like bundles dropped by some carelessly open-beaked stork, and because Chamcha was going down head first, in the recommended position for babies entering the birth canal, he commenced to feel a low irritation at the other’s refusal to fall in plain fashion. Saladin nosedived while Farishta embraced air, hugging it with his arms and legs, a flailing, overwrought actor without techniques of restraint. Below, cloud-covered, awaiting their entrance, the slow congealed currents of the English Sleeve, the appointed zone of their watery reincarnation. —Salman Rushdie, The Satanic Verses

Rushdie's advice, "Don't use adjectives," thus serves as a beacon for anyone who uses language to persuade, engage, or lead. It's not just about writing; it's about how we construct and communicate our ideas effectively. In a world bombarded with information, the ability to tell a compelling story without leaning on the crutch of adjectives can make your message stand out. As leaders, marketers, and communicators, adopting this minimalist approach could very well be the key to captivating and influencing your audience in a profound and enduring way.