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skallagrimsson · 5 months
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His Majesty King Harald's speech on New Year's Eve 2023.
Invisible hands helps us, writes Jon Fosse, our own Nobel Prize winner in literature, in one of his poems. These invisible hands can be so many different things: Love, friendship, a belief in God, will, hope.
We all need some invisible hands. And many of us need them a little extra now. Both here at home and in the world around us.
Tonight I want to encourage you to light candles.
A light for all who suffer in wars and conflicts.
A light for people we miss.
And a light for hope.
Hope that a better world, where we can all live in freedom and peace with each other, must be possible. Hope that what is difficult in our lives must become a little easier to live with.
For me, there is a defiant hope in this one word: We.
We is a small but spacious and beautiful word. For us, it embraces us all. It is the opposite of us and them. The opposite of putting each other in stalls.
Together, we contribute to creating a good environment at school, at the workplace and in our local environment. Together, we have agreed that in Norway we must take care of each other, so that we all have the opportunity both to give and to receive during our lives. Together we create an understanding of right and wrong so that we can behave properly towards each other and take care of the trust between us.
To bring about this community for real, we need
To listen
To speak the truth about reality
To be patient.
I strongly believe in listening. Listening gives hope for a community with room for everyone. Because something a little magical can happen when we actually listen to each other.
We will be seen.
We are taken seriously.
We straighten our backs.
It's almost too easy and good to be true! And that is something we can all achieve.
It worries me that a number of young people, but also older people in Norway today do not feel seen, understood and counted on. I fear it will create anger and frustration that could harm our community.
To each and every one of you I want to say: I don't know what it's like to be you. But I would very much like to understand. Hold on to the fact that you are a whole person for better or worse, like everyone else - especially when others forget to remind you.
Accept help when you need it.
And be helpful to others when you can.
I hope you feel that invisible hands are supporting you. Maybe not always. But that you have something or someone that gives you strength and hope. Remember you have a voice. Use it when you can!
Listening is connected with speaking the truth about what has happened, and acknowledging each other's reality.
It was also a prerequisite for the Truth and Reconciliation Commission's work, which was presented this summer. There, shocking stories were told about the injustice committed against the Sami, Kven and Forest Finns through the brutal policy of Norwegianization - which lasted from around 1850 until well into our time.
People were deprived of their language, their culture, their self-confidence and their identity. For some, it cost them their lives.
And all this was done in the name of nation-building – in a Norway that at the time itself needed to build self-confidence as a nation after 400 years of Danish rule. The Norwegianization was a loss for all of us.
A loss of a cultural wealth that belonged - indeed belongs - in our own country. Looking with open eyes at what has actually happened is crucial for the reconciliation work that must now follow in the wake of the important report.
This also applies to other relationships in life - and in conflicts in the world around us. We must acknowledge what has happened, what cannot be undone. And what we have to build on together - after all.
Listening, and speaking honestly, I think is crucial for a community. And then we need the difficult patience.
I've lived long enough to know that things take time. Both in society, between people, and in ourselves. Much of lasting value has no quick fix. It has taken us generations to build the society we know today as ours, of which we are proud and feel at home.
A foundation in building society is about how equipped we are as a people and a nation to face dangers and threats. Both internal and external. Our most important protection is a robust and persistent people who can withstand a blow.
We cannot take peace and freedom, resources and common goods for granted. We must stand guard! Norway's preparedness is, when it comes down to it, the sum of each individual's resilience.
We build on this positive force all the time through good partnerships. Through strong local communities. By standing up for each other, in the belief that there is a common good. It gives me great hope, because this is something we can all be part of. Both with invisible and active hands.
But then there are areas where the last thing we need is more patience.
Many young people write to me and express concern that not enough is being done to take care of nature and our earth. Young people are giving up on adults who don't take strong enough action, and not fast enough. I share the young people's concern and their impatience. The hope is that the new goals the world's leaders have set must be followed by action.
We now need everyone's impatience before time runs out for us. I cannot express this strongly enough.
Dear everyone,
When it's cold and dark, it's important to remember all the warmth, strength and good will that we humans share with each other on a daily basis.
It is natural for us to help each other. To comfort. Sharing.
We must cherish this good spark within ourselves.
Because this is us, this is us.
My New Year's hope is that we will be the invisible hands that support each other.
Happy New Year!
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skallagrimsson · 1 year
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Aperture de Apocrypha: Kayne, the Crawling Chaos
[ID: A digital drawing of Kayne, resembling a vintage advertisement for a circus act. The artwork is monochrome, rendered in various shades of brown, with the exception of his eyes, which glow a bright red. His face is overly exaggerated, resembling a wooden or ceramic puppet, mouth open in a wide grin as he guides a large dagger with a broken-off tip into his mouth. Broken pieces of the dagger lie in his mouth, behind long, blocky teeth. His hands are mechanical, his fingers ending in clawed tips. A large, thick ruffle is around his neck. Smaller ruffles are around his cuffs. His clothes are made of a thin, wrinkled fabric, reminiscent of early 20th century clown attire. Surrounding his entire silhouette is an outline in light tan. Kayne is framed by a rectangular border detailed with gears and tentacles wrapping around it, followed by a second simpler border along the outer edges of the artwork. Various blocks of text are at the bottom of the artwork. At the very top of the artwork is centered text that reads: "Aperture de Apocrypha". At the bottom of the inner border, where Kayne's torso ends, is a headline in fancy letters that reads: "Kayne the Crawling Chaos". Below that are three columns of smaller text. The first column reads: "On the Stage; the Grandest Show in the Cosmos". The second column reads: "The only friend you need; the only friend you have". The final column reads: "Show Opens December 3rd; In Person". At the bottom of the page, centered and below the three columns of text, is a line of text which reads: "Azathoth's Amazing Automatons", followed by the artist signature. /end ID]
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Leave it to Malevolent to make me power through chronic fatigue and draw a robotic circus-themed version of Kayne for 10 hours straight.
I am exhausted but I am living the life; Kayne is such a fun character to draw, even if all the ruffles I gave this version of him became the bane of my existence for a solid one and a half hours.
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skallagrimsson · 1 year
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A concept sketch for the King in Yellow's design that developed into a portrait.
[ID/ A digital drawing of the King in Yellow, with wood block texturing to the shading. He is in three quarters profile, looking towards the left, on a dark reddish brown background. The drawing cuts off at his shoulders, with his chest shown in a deep V, bust style. Instead of a face, there is smooth white chitin. Many insect legs poke out of his shirt collar, and curl around his chin. The King is wearing a hooded robe in glowing golden amber, thrown over a mellow tan shirt. The edges of the robe and shirt are slightly tattered, with small holes. On his head is a glowing crown, with tall angular spikes in the same pale yellow. This crown wraps around the sides and back of his head, but leaves his forehead bare. Behind the King’s head is a cracked circle of a lighter brown outlined in gold, mimicking a halo. The edge behind him has shattered, leaving shards exploding towards the right. At the bottom, the artist's signature is written in gold. "Tyrastafr - Krakaheimr". /End]
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skallagrimsson · 1 year
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This is The Jester ♟️🧞‍♂️ #duckyou #ceramics #potterylove #keramikk #kunst #interiørdetaljer #interiørtips #Vakreverden #hjemoginteriør #innredningsdetaljer #nordichome #hadetpåbadet #potteryart #ceramicart (ved Storevar) https://www.instagram.com/p/Cl0dIBeK8D0/?igshid=NGJjMDIxMWI=
Shop link!! - > www.charlie-made-this.com
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