Do you like piña coladas and getting kot kot kot kot kot kot in the rain

First rehearsal!

Світи-світи, місяченьку, коло мого дому

all goofing aside I genuinely don't understand the urge to reimagine Taylor Allison Swift as a secretly queer icon when the pop music scene(TM) is like. literally overflowing with women who actually like women. Gaga and Kesha and Miley and Halsey are right there. Rina Sawayama and Hayley Kiyoko and Rebecca Black and Kehlani and Victoria Monét and Miya Folick if you're willing to get slightly less top 100. Janelle and Demi for them nonbinary takes on liking girls. like what are we doing here. like I'm not even saying you can't enjoy Taylor but why would you hang all your little gay hopes on her.

sometimes you jus gotta 🍞🥖🥐🥞🍞🥖🥐🥞🥖🍞🥐🥞🍮🥖🍞🥞🍮🥐🍞🥖🍮🍯🥐🍞🥖🥞🥐🍯🥖🍞🍮🥞🍯🥐🥖

KUUMAA - Helsingin Jäähalli 26.04.24

📸 norovilma (insta)

the guy who Kot Kot kä is trying to call is Online kä

i love you b-sides. i love you demo tapes. i love you debut albums. i love you minute-long interludes.

mut on tuomittu juhlimaan

I absolutely love songs that immediately (or almost immediately) let me know what sort of energy to expect for the whole duration of the song. I love a consistent, aggressive, often mechanical rhythm that confidently pulls me into the song and forces my scatterbrained mind to stick to the musical “path”. Within seconds of hearing Fantastista for the first time last year I knew I had a new obsession, because it stimulated my brain oh so perfectly, as did the vast majority of his other songs. I think that (Fantastista), Hirttää kiinni, Siitä viis and Toiset samanlaiset are in my most frequently played partly for that reason.

Kot Kot, uh….does not do this. I was actively fidgeting in my chair from how irritated I was during the first listen. It frustrated me because I felt like I was being teased with spoonfuls of something really good, but as soon as I could begin to savor the taste, he yanked the spoon from my mouth and shoved a completely different spoon in instead. And tbh I'm not a fan of the increased amount of singing being added to his songs lately, but that should probably be a separate post. There are very brief, fleeting moments of joy, but before I know it, it's over.

But after several listens and going through the lyrics…I guess that’s the point? He's in a frustrating loop. He's momentarily filled with joy, but it's over all too soon, and he doesn't know where or when he'll find it again-besides The Party, so that's what he chases, for better or for worse. And if I'm being real, I've been stuck in a similar emotional loop to what he's describing more times than I'd like to admit. I still don't really love the song, but I...really appreciate it? It's hard to describe

In any case I have to say I respect him so much for trying something different, even if it’s not quite what I expected. It’s both deeply satisfying and unsatisfying at the same time, but I feel like that accurately sums up how he feels as an entertainer at this point. And it makes me even more curious (in a good way) about what the next album will be like

Also if anything like this means more visuals like t h o s e than you know what I actually have no complaints, 12/10 six out of five stars god fucking bless you man

(by vimalchandran)