"𝘙𝘰𝘮𝘢𝘯 𝘸𝘢𝘴 𝘢𝘸𝘢𝘺 𝘴𝘰𝘮𝘦𝘸𝘩𝘦𝘳𝘦 𝘢𝘯𝘥 𝘐 𝘴𝘵𝘢𝘺𝘦𝘥 𝘧𝘰𝘳 𝘢𝘣𝘰𝘶𝘵 𝘢 𝘸𝘦𝘦𝘬 𝘸𝘪𝘵𝘩 ꜱʜᴀʀᴏɴ. 𝘚𝘩𝘦 𝘩𝘢𝘥 𝘢 𝘵𝘰𝘶𝘤𝘩 𝘰𝘧 𝘤𝘭𝘢𝘶𝘴𝘵𝘳𝘰𝘱𝘩𝘰𝘣𝘪𝘢 𝘢𝘯𝘥 𝘩𝘢𝘵𝘦𝘥 𝘴𝘩𝘶𝘵𝘵𝘪𝘯𝘨 𝘥𝘰𝘰𝘳𝘴. 𝘌𝘷𝘦𝘯 𝘪𝘯 𝘩𝘰𝘵𝘦𝘭𝘴. 𝘚𝘩𝘦 𝘸𝘢𝘴 𝘢 𝘭𝘰𝘷𝘦𝘭𝘺 𝘭𝘢𝘥𝘺. 𝘐 𝘳𝘦𝘮𝘦𝘮𝘣𝘦𝘳 𝘦𝘹𝘢𝘤𝘵𝘭𝘺 𝘸𝘩𝘦𝘯 𝘵𝘩𝘢𝘵 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩 𝘸𝘢𝘴 𝘵𝘢𝘬𝘦𝘯. 𝘞𝘦 𝘩𝘢𝘥 𝘣𝘦𝘦𝘯 𝘪𝘯𝘷𝘪𝘵𝘦𝘥 𝘵𝘰 𝘢 𝘤𝘩𝘢𝘳𝘪𝘵𝘺 𝘪𝘯, 𝘐 𝘵𝘩𝘪𝘯𝘬, ꜰʀᴇꜱɴᴏ. 𝘐𝘵 𝘸𝘢𝘴 𝘱𝘳𝘦𝘵𝘵𝘺 𝘣𝘰𝘳𝘪𝘯𝘨 𝘴𝘰 𝘸𝘦 𝘥𝘦𝘤𝘪𝘥𝘦𝘥 𝘵𝘰 𝘭𝘦𝘢𝘷𝘦 𝘢𝘯𝘥 𝘤𝘢𝘭𝘭𝘦𝘥 𝘢 𝘩𝘪𝘳𝘦𝘥 𝘤𝘢𝘳 𝘵𝘰 𝘵𝘢𝘬𝘦 𝘶𝘴 𝘵𝘰 𝘵𝘩𝘦 𝘢𝘪𝘳𝘱𝘰𝘳𝘵. 𝘕𝘢𝘵𝘶𝘳𝘢𝘭𝘭𝘺 𝘵𝘩𝘦 𝘢𝘤𝘵 𝘰𝘧 𝘴𝘰𝘮𝘦𝘣𝘰𝘥𝘺 𝘥𝘰𝘪𝘯𝘨 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘢𝘴 𝘦𝘹𝘤𝘪𝘵𝘪𝘯𝘨 𝘢𝘴 𝘱𝘩𝘰𝘯𝘪𝘯𝘨 𝘧𝘰𝘳 𝘢 𝘤𝘢𝘣 𝘤𝘰𝘶𝘭𝘥 𝘯𝘰𝘵 𝘣𝘦 𝘱𝘢𝘴𝘴𝘦𝘥 𝘶𝘱 𝘣𝘺 𝘵𝘩𝘦 𝘱𝘢𝘱𝘢𝘳𝘳𝘢𝘻𝘻𝘪 𝘴𝘰......"

—ɪɴɢʀɪᴅ ᴘɪᴛᴛ 𝘪𝘯 𝘢𝘯 𝘪𝘯𝘵𝘦𝘳𝘷𝘪𝘦𝘸 𝘣𝘺 𝘊𝘩𝘳𝘪𝘴 𝘚𝘪𝘮𝘮𝘰𝘯, 13ᴛʜ ᴊᴜʟʏ 2000. 🎀

“𝘐 𝘭𝘰𝘷𝘦 𝘸𝘢𝘵𝘤𝘩𝘪𝘯𝘨 𝘩𝘦𝘳 𝘪𝘯 ᴠᴀʟʟᴇʏ ᴏꜰ ᴛʜᴇ ᴅᴏʟʟꜱ 𝘢𝘯𝘥 𝘩𝘦𝘳 𝘱𝘭𝘢𝘺𝘪𝘯𝘨 ᴍᴀʟɪʙᴜ, 𝘢𝘭𝘭 𝘵𝘩𝘢𝘵 𝘬𝘪𝘯𝘥 𝘰𝘧 𝘴𝘵𝘶𝘧𝘧 𝘪𝘴 𝘧𝘶𝘯. 𝘉𝘶𝘵 𝘐 𝘵𝘩𝘪𝘯𝘬 𝘵𝘩𝘰𝘴𝘦 𝘤𝘩𝘢𝘳𝘢𝘤𝘵𝘦𝘳𝘴 𝘢𝘳𝘦 𝘮𝘰𝘳𝘦 𝘱𝘦𝘰𝘱𝘭𝘦 𝘱𝘳𝘰𝘫𝘦𝘤𝘵𝘦𝘥 𝘰𝘯𝘵𝘰 𝘚𝘩𝘢𝘳𝘰𝘯 𝘢𝘴 𝘰𝘱𝘱𝘰𝘴𝘦𝘥 𝘵𝘰 𝘸𝘩𝘢𝘵 𝘴𝘩𝘦 𝘸𝘢𝘴 𝘳𝘦𝘢𝘭𝘭𝘺 𝘤𝘢𝘱𝘢𝘣𝘭𝘦 𝘰𝘧. ᴇʏᴇ ᴏꜰ ᴛʜᴇ ᴅᴇᴠɪʟ 𝘴𝘩𝘰𝘸𝘤𝘢𝘴𝘦𝘥 𝘸𝘩𝘢𝘵 𝘴𝘩𝘦 𝘸𝘢𝘴 𝘢𝘤𝘵𝘶𝘢𝘭𝘭𝘺 𝘤𝘢𝘱𝘢𝘣𝘭𝘦 𝘰𝘧, 𝘢𝘯𝘥 𝘸𝘩𝘪𝘤𝘩 𝘐 𝘵𝘩𝘪𝘯𝘬 𝘪𝘧 𝘴𝘩𝘦 𝘩𝘢𝘥 𝘩𝘢𝘥 𝘮𝘰𝘳𝘦 𝘵𝘪𝘮𝘦 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘪𝘯𝘥𝘶𝘴𝘵𝘳𝘺 𝘴𝘩𝘦 𝘸𝘰𝘶𝘭𝘥’𝘷𝘦 𝘤𝘪𝘳𝘤𝘭𝘦𝘥 𝘣𝘢𝘤𝘬 𝘵𝘰 𝘵𝘩𝘰𝘴𝘦 𝘬𝘪𝘯𝘥 𝘰𝘧 𝘳𝘰𝘭𝘦𝘴.”

—ᴍᴀʀɢᴏᴛ ʀᴏʙʙɪᴇ, 𝘵𝘰 ꜰᴀʀ ᴏᴜᴛ ᴍᴀɢᴀᴢɪɴᴇ, 2021 🎀

“𝘐𝘯 𝘰𝘳𝘥𝘦𝘳 𝘵𝘰 𝘥𝘦𝘭𝘪𝘷𝘦𝘳 𝘢 𝘤𝘰𝘯𝘷𝘪𝘯𝘤𝘪𝘯𝘨 𝘱𝘦𝘳𝘧𝘰𝘳𝘮𝘢𝘯𝘤𝘦, ʀᴏʙʙɪᴇ 𝘳𝘦𝘴𝘦𝘢𝘳𝘤𝘩𝘦𝘥 𝘢 𝘭𝘰𝘵 𝘢𝘣𝘰𝘶𝘵 ꜱʜᴀʀᴏɴ ᴛᴀᴛᴇ 𝘢𝘯𝘥 𝘦𝘯𝘥𝘦𝘥 𝘶𝘱 𝘸𝘢𝘵𝘤𝘩𝘪𝘯𝘨 𝘮𝘢𝘯𝘺 𝘰𝘧 𝘩𝘦𝘳 𝘧𝘪𝘭𝘮𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘳𝘰𝘭𝘦. 𝘐𝘯 𝘵𝘩𝘦 𝘱𝘳𝘰𝘤𝘦𝘴𝘴, 𝘴𝘩𝘦 𝘥𝘪𝘴𝘤𝘰𝘷𝘦𝘳𝘦𝘥 𝘵𝘩𝘦 𝘯𝘶𝘢𝘯𝘤𝘦𝘴 𝘰𝘧 ᴛᴀᴛᴇ’ꜱ 𝘢𝘤𝘵𝘪𝘯𝘨 𝘸𝘰𝘳𝘬 𝘣𝘶𝘵 𝘰𝘯𝘦 𝘱𝘢𝘳𝘵𝘪𝘤𝘶𝘭𝘢𝘳 𝘧𝘪𝘭𝘮 𝘴𝘵𝘢𝘯𝘥𝘴 𝘰𝘶𝘵 𝘵𝘰 𝘩𝘦𝘳. 𝘐𝘵 𝘸𝘢𝘴 ᴊ. ʟᴇᴇ ᴛʜᴏᴍᴘꜱᴏɴ’ꜱ 1966 𝘤𝘶𝘭𝘵 𝘤𝘭𝘢𝘴𝘴𝘪𝘤 ᴇʏᴇ ᴏꜰ ᴛʜᴇ ᴅᴇᴠɪʟ, 𝘢 𝘧𝘢𝘴𝘤𝘪𝘯𝘢𝘵𝘪𝘯𝘨 𝘩𝘰𝘳𝘳𝘰𝘳 𝘧𝘪𝘭𝘮 𝘣𝘢𝘴𝘦𝘥 𝘰𝘯 𝘢 𝘯𝘰𝘷𝘦𝘭 𝘣𝘺 ʀᴏʙɪɴ ᴇꜱᴛʀɪᴅɢᴇ.”

“𝘚𝘩𝘦 𝘸𝘢𝘴 𝘴𝘰 𝘨𝘰𝘰𝘥 𝘪𝘯 𝘪𝘵,” ʀᴏʙʙɪᴇ 𝘴𝘢𝘪𝘥. “𝘍𝘶𝘯𝘯𝘪𝘭𝘺 𝘦𝘯𝘰𝘶𝘨𝘩, 𝘸𝘩𝘦𝘯 𝘐 𝘴𝘱𝘰𝘬𝘦 𝘵𝘰 ᴅᴇʙʀᴀ ᴛᴀᴛᴇ 𝘴𝘩𝘦 𝘴𝘢𝘪𝘥 𝘵𝘩𝘦 𝘴𝘢𝘮𝘦 𝘵𝘩𝘪𝘯𝘨. 𝘚𝘩𝘦’𝘴 𝘭𝘪𝘬𝘦, ‘𝘕𝘰, 𝘵𝘩𝘢𝘵’𝘴 𝘮𝘺 𝘧𝘢𝘷𝘰𝘶𝘳𝘪𝘵𝘦 𝘱𝘦𝘳𝘧𝘰𝘳𝘮𝘢𝘯𝘤𝘦 𝘰𝘧 ꜱʜᴀʀᴏɴ’ꜱ.’ 𝘚𝘩𝘦 𝘸𝘢𝘴 𝘴𝘰 𝘢𝘴𝘴𝘶𝘳𝘦𝘥, 𝘢𝘯𝘥 𝘪𝘵’𝘴 𝘴𝘵𝘳𝘢𝘯𝘨𝘦 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘪𝘵 𝘸𝘢𝘴 𝘩𝘦𝘳 𝘧𝘪𝘳𝘴𝘵 𝘮𝘰𝘷𝘪𝘦 𝘢𝘯𝘥 𝘴𝘩𝘦 𝘴𝘦𝘦𝘮𝘦𝘥 𝘷𝘦𝘳𝘺 𝘢𝘴𝘴𝘶𝘳𝘦𝘥 𝘪𝘯 𝘩𝘦𝘳 𝘢𝘤𝘵𝘪𝘯𝘨 𝘤𝘩𝘰𝘪𝘤𝘦𝘴. 𝘐𝘵 𝘸𝘢𝘴 𝘢 𝘨𝘰𝘰𝘥 𝘤𝘩𝘢𝘳𝘢𝘤𝘵𝘦𝘳 𝘧𝘰𝘳 𝘩𝘦𝘳.”

—ᴍᴀʀɢᴏᴛ ʀᴏʙʙɪᴇ, 𝘵𝘰 ꜰᴀʀ ᴏᴜᴛ ᴍᴀɢᴀᴢɪɴᴇ, 2021 🎀

"𝘈𝘴 𝘧𝘢𝘳 𝘢𝘴 ꜱʜᴀʀᴏɴ 𝘢𝘯𝘥 𝘩𝘦𝘳 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯𝘴𝘩𝘪𝘱𝘴 𝘸𝘪𝘵𝘩 𝘱𝘦𝘰𝘱𝘭𝘦, 𝘴𝘩𝘦 𝘢𝘭𝘸𝘢𝘺𝘴 𝘩𝘢𝘥 𝘢 𝘸𝘢𝘺 𝘰𝘧 𝘧𝘪𝘯𝘥𝘪𝘯𝘨 𝘴𝘶𝘤𝘩 𝘨𝘰𝘰𝘥𝘯𝘦𝘴𝘴 𝘪𝘯 𝘰𝘵𝘩𝘦𝘳𝘴. 𝘐𝘧 𝘴𝘰𝘮𝘦𝘰𝘯𝘦 𝘩𝘶𝘳𝘵 𝘩𝘦𝘳, 𝘴𝘩𝘦'𝘥 𝘴𝘢𝘺, "𝘖𝘩, ꜱʜᴇɪʟᴀ��, 𝘐'𝘮 𝘴𝘶𝘳𝘦 𝘵𝘩𝘦𝘺 𝘥𝘪𝘥𝘯'𝘵 𝘮𝘦𝘢𝘯 𝘵𝘰.' 𝘚𝘩𝘦'𝘥 𝘢𝘭𝘸𝘢𝘺𝘴 𝘮𝘢𝘬𝘦 𝘦𝘹𝘤𝘶𝘴𝘦𝘴 𝘧𝘰𝘳 𝘰𝘵𝘩𝘦𝘳𝘴. ꜱʜᴀʀᴏɴ 𝘸𝘢𝘴 𝘫𝘶𝘴𝘵 𝘵𝘰𝘵𝘢𝘭𝘭𝘺 𝘭𝘰𝘷𝘪𝘯𝘨 𝘢𝘯𝘥 𝘢𝘭𝘴𝘰 𝘵𝘰𝘵𝘢𝘭𝘭𝘺 𝘷𝘶𝘭𝘯𝘦𝘳𝘢𝘣𝘭𝘦. 𝘚𝘩𝘦 𝘸𝘢𝘴 𝘫𝘶𝘴𝘵 𝘢 𝘳𝘦𝘮𝘢𝘳𝘬𝘢𝘣𝘭𝘦 𝘱𝘦𝘳𝘴𝘰𝘯, 𝘴𝘩𝘦 𝘯𝘦𝘷𝘦𝘳 𝘨𝘢𝘷𝘦 𝘶𝘱 𝘰𝘯 𝘢𝘯𝘺𝘣𝘰𝘥𝘺.

— ꜱʜᴀʀᴏɴ’ꜱ 𝘣𝘦𝘴𝘵 𝘧𝘳𝘪𝘦𝘯𝘥 ꜱʜᴇɪʟᴀʜ ᴡᴇʟʟꜱ, 𝘱𝘶𝘣𝘭𝘪𝘴𝘩𝘦𝘥 𝘪𝘯 𝘚𝘤𝘳𝘦𝘦𝘯𝘭𝘢𝘯𝘥 𝘔𝘢𝘨𝘢𝘻𝘪𝘯𝘦 𝘕𝘰𝘷𝘦𝘮𝘣𝘦𝘳 1969.

ꜱʜᴀʀᴏɴ ᴛᴀᴛᴇ 𝘧𝘦𝘦𝘥𝘪𝘯𝘨 𝘢 𝘭𝘢𝘮𝘣 𝘸𝘩𝘪𝘭𝘦 𝘰𝘯 𝘣𝘳𝘦𝘢𝘬 𝘧𝘳𝘰𝘮 𝘧𝘪𝘭𝘮𝘪𝘯𝘨 ‘ᴇʏᴇ ᴏꜰ ᴛʜᴇ ᴅᴇᴠɪʟ’ 𝘪𝘯 𝘍𝘳𝘢𝘯𝘤𝘦. 𝘗𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘦𝘥 𝘣𝘺 ᴘʜɪʟʟɪᴘᴇ ʟᴇ ᴛᴇʟʟɪᴇʀ, 1965.🎀

“𝘐’𝘭𝘭 𝘢𝘭𝘸𝘢𝘺𝘴 𝘳𝘦𝘮𝘦𝘮𝘣𝘦𝘳 𝘵𝘩𝘢𝘵 𝘥𝘢𝘺 𝘪𝘯 𝘴𝘱𝘳𝘪𝘯𝘨 𝘸𝘩𝘦𝘯 𝘐 𝘮𝘦𝘵 ꜱʜᴀʀᴏɴ 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘧𝘪𝘳𝘴𝘵 𝘵𝘪𝘮𝘦 𝘢𝘵 𝘵𝘩𝘦 𝘝𝘰𝘨𝘶𝘦 𝘴𝘵𝘶𝘥𝘪𝘰 𝘪𝘯 𝘗𝘢𝘳𝘪𝘴. 𝘐𝘯 𝘮𝘺 𝘤𝘢𝘳𝘦𝘦𝘳 𝘐 𝘩𝘢𝘷𝘦 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘦𝘥 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥’𝘴 𝘮𝘰𝘴𝘵 𝘢𝘵𝘵𝘳𝘢𝘤𝘵𝘪𝘷𝘦 𝘸𝘰𝘮𝘦𝘯, 𝘣𝘶𝘵 ꜱʜᴀʀᴏɴ 𝘪𝘴 𝘵𝘩𝘦 𝘰𝘯𝘦 𝘸𝘩𝘰𝘴𝘦 𝘮𝘦𝘮𝘰𝘳𝘺 𝘮𝘰𝘴𝘵 𝘥𝘦𝘦𝘱𝘭𝘺 𝘮𝘰𝘷𝘦𝘴 𝘮𝘦. 𝘈 𝘤𝘩𝘢𝘳𝘪𝘴𝘮𝘢 𝘢𝘯𝘥 𝘢𝘯 𝘶𝘯𝘧𝘰𝘳𝘨𝘦𝘵𝘵𝘢𝘣𝘭𝘦 𝘣𝘦𝘢𝘶𝘵𝘺, 𝘴𝘩𝘦 𝘪𝘴 𝘴𝘵𝘪𝘭𝘭 𝘢𝘭𝘸𝘢𝘺𝘴 𝘰𝘯 𝘮𝘺 𝘮𝘪𝘯𝘥.” -— ᴊᴇᴀɴ-ᴊᴀQᴜᴇꜱ ʙᴜɢᴀᴛ

ꜱʜᴀʀᴏɴ ᴛᴀᴛᴇ 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘦𝘥 𝘣𝘺 ᴊᴇᴀɴ-ᴊᴀQᴜᴇꜱ ʙᴜɢᴀᴛ 𝘧𝘰𝘳 ᴠᴏɢᴜᴇ, 1967. 🎀



ꜱʜᴀʀᴏɴ ᴛᴀᴛᴇ 𝘪𝘯 𝘢 𝘱𝘳𝘰𝘮𝘰𝘵𝘪𝘰𝘯𝘢𝘭 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩 𝘧𝘰𝘳 ‘ᴛᴀʀᴢᴀɴ ᴀɴᴅ ᴛʜᴇ ᴠᴀʟʟᴇʏ ᴏꜰ ɢᴏʟᴅ’, 1965. 🎀

“𝘐𝘯 𝘵𝘩𝘦 𝘴𝘪𝘹 𝘺𝘦𝘢𝘳𝘴 𝘵𝘩𝘢𝘵 𝘐 𝘬𝘯𝘦𝘸 𝘩𝘦𝘳, 𝘴𝘩𝘦 𝘯𝘦𝘷𝘦𝘳 𝘴𝘢𝘪𝘥 𝘢𝘯 𝘶𝘯𝘬𝘪𝘯𝘥 𝘸𝘰𝘳𝘥 𝘢𝘣𝘰𝘶𝘵 𝘢𝘯𝘺𝘰𝘯𝘦. 𝘍𝘳𝘰𝘮 𝘵𝘩𝘦 𝘣𝘦𝘨𝘪𝘯𝘯𝘪𝘯𝘨 𝘮𝘺 𝘧𝘳𝘪𝘦𝘯𝘥𝘴 𝘶𝘴𝘦𝘥 𝘵𝘰 𝘵𝘦𝘢𝘴𝘦 𝘮𝘦, “𝘏𝘰𝘸 𝘤𝘢𝘯 𝘺𝘰𝘶 𝘸𝘢𝘬𝘦 𝘶𝘱 𝘪𝘯 𝘵𝘩𝘦 𝘮𝘰𝘳𝘯𝘪𝘯𝘨 𝘢𝘯𝘥 𝘭𝘰𝘰𝘬 𝘢𝘵 𝘵𝘩𝘢𝘵 𝘧𝘢𝘤𝘦 𝘰𝘧 𝘩𝘦𝘳𝘴?” 𝘐𝘵 𝘸𝘢𝘴 𝘢 𝘨𝘰𝘰𝘥 𝘲𝘶𝘦𝘴𝘵𝘪𝘰𝘯. ꜱʜᴀʀᴏɴ 𝘸𝘢𝘴 𝘴𝘰 𝘰𝘷𝘦𝘳𝘸𝘩𝘦𝘭𝘮𝘪𝘯𝘨𝘭𝘺, 𝘴𝘰 𝘪𝘯𝘤𝘳𝘦𝘥𝘪𝘣𝘭𝘺 𝘣𝘦𝘢𝘶𝘵𝘪𝘧𝘶𝘭… 𝘚𝘩𝘦 𝘩𝘢𝘥 𝘵𝘩𝘪𝘴 𝘬𝘪𝘯𝘥 𝘰𝘧 𝘧𝘳𝘢𝘨𝘪𝘭𝘪𝘵𝘺 𝘢𝘯𝘥 𝘺𝘰𝘶 𝘫𝘶𝘴𝘵 𝘬𝘯𝘦𝘸 𝘴𝘩𝘦 𝘸𝘢𝘴 𝘣𝘰𝘶𝘯𝘥 𝘵𝘰 𝘨𝘦𝘵 𝘩𝘶𝘳𝘵 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘰𝘧 𝘪𝘵, 𝘣𝘶𝘵 𝘺𝘰𝘶 𝘴𝘵𝘪𝘭𝘭 𝘤𝘰𝘶𝘭𝘥𝘯’𝘵 𝘩𝘦𝘭𝘱 𝘢𝘥𝘮𝘪𝘳𝘪𝘯𝘨 𝘵𝘩𝘢𝘵 𝘲𝘶𝘢𝘭𝘪𝘵𝘺 𝘪𝘯 𝘩𝘦𝘳. 𝘚𝘩𝘦 𝘸𝘢𝘴 𝘴𝘶𝘤𝘩 𝘢 𝘴𝘱𝘦𝘤𝘪𝘢𝘭 𝘱𝘦𝘳𝘴𝘰𝘯. 𝘚𝘩𝘦 𝘸��𝘴 𝘴𝘰 𝘵𝘳𝘶𝘴𝘵𝘪𝘯𝘨, 𝘴𝘰 𝘦𝘢𝘨𝘦𝘳 𝘵𝘰 𝘢𝘤𝘤𝘦𝘱𝘵 𝘱𝘦𝘰𝘱𝘭𝘦 𝘢𝘴 𝘵𝘩𝘦𝘺 𝘸𝘦𝘳𝘦, 𝘴𝘰 𝘨𝘦𝘯𝘦𝘳𝘰𝘶𝘴, 𝘴𝘩𝘦 𝘯𝘦𝘷𝘦𝘳 𝘴𝘩𝘶𝘵 𝘩𝘦𝘳 𝘥𝘰𝘰𝘳 𝘵𝘰 𝘢𝘯𝘺𝘰𝘯𝘦. 𝘚𝘩𝘦 𝘢𝘭𝘸𝘢𝘺𝘴 𝘩𝘢𝘥 𝘢 𝘸𝘢𝘺 𝘰𝘧 𝘧𝘪𝘯𝘥𝘪𝘯𝘨 𝘴𝘶𝘤𝘩 𝘨𝘰𝘰𝘥𝘯𝘦𝘴𝘴 𝘪𝘯 𝘰𝘵𝘩𝘦𝘳𝘴… 𝘢𝘴 𝘫𝘶𝘴𝘵 𝘵𝘰𝘵𝘢𝘭𝘭𝘺 𝘭𝘰𝘷𝘪𝘯𝘨 𝘢𝘯𝘥 𝘢𝘭𝘴𝘰 𝘵𝘰𝘵𝘢𝘭𝘭𝘺 𝘷𝘶𝘭𝘯𝘦𝘳𝘢𝘣𝘭𝘦. 𝘚𝘩𝘦 𝘸𝘢𝘴 𝘢 𝘳𝘦𝘮𝘢𝘳𝘬𝘢𝘣𝘭𝘦 𝘱𝘦𝘳𝘴𝘰𝘯— 𝘴𝘩𝘦 𝘯𝘦𝘷𝘦𝘳 𝘨𝘢𝘷𝘦 𝘶𝘱 𝘰𝘯 𝘢𝘯𝘺𝘣𝘰𝘥𝘺.

"𝘐 𝘵𝘩𝘪𝘯𝘬 𝘵𝘩𝘦 𝘨𝘳𝘦𝘢𝘵𝘦𝘴𝘵 𝘵𝘩𝘪𝘯𝘨 𝘐 𝘤𝘰𝘶𝘭𝘥 𝘴𝘢𝘺 𝘢𝘣𝘰𝘶𝘵 ꜱʜᴀʀᴏɴ 𝘸𝘢𝘴 𝘵𝘩𝘢𝘵 𝘴𝘩𝘦 𝘸𝘢𝘴 𝘧𝘰𝘳 𝘳𝘦𝘢𝘭. 𝘐 𝘮𝘦𝘢𝘯 𝘳𝘦𝘢𝘭𝘭𝘺 𝘧𝘰𝘳 𝘳𝘦𝘢𝘭. 𝘓𝘪𝘬𝘦 𝘐 𝘴𝘢𝘪𝘥, 𝘐 𝘩𝘢𝘷𝘦𝘯'𝘵 𝘩𝘦𝘢𝘳𝘥 𝘢𝘯𝘺 𝘴𝘵𝘰𝘳𝘪𝘦𝘴 𝘰𝘳 𝘯𝘦𝘸𝘴 𝘳𝘦𝘱𝘰𝘳𝘵𝘴 𝘵𝘩𝘢𝘵 𝘵𝘦𝘭𝘭 𝘢𝘣𝘰𝘶𝘵 ꜱʜᴀʀᴏɴ 𝘵𝘩𝘦 𝘸𝘢𝘺 𝘴𝘩𝘦 𝘳𝘦𝘢𝘭𝘭𝘺 𝘸𝘢𝘴. 𝘌𝘷𝘦𝘯 𝘐, 𝘸𝘩𝘰 𝘭𝘰𝘷𝘦𝘥 𝘩𝘦𝘳, 𝘧𝘪𝘯𝘥 𝘪𝘵 𝘩𝘢𝘳𝘥 𝘵𝘰 𝘴𝘢𝘺 𝘸𝘩𝘢𝘵 𝘐 𝘮𝘦𝘢𝘯 𝘴𝘰 𝘵𝘩𝘢𝘵 𝘴𝘩𝘦 𝘥𝘰𝘦𝘴𝘯'𝘵 𝘤𝘰𝘮𝘦 𝘰𝘶𝘵 𝘴𝘰𝘶𝘯𝘥𝘪𝘯𝘨 𝘢𝘭𝘭 𝘴𝘱𝘶𝘯 𝘴𝘶𝘨𝘢𝘳𝘺.

ꜱʜᴀʀᴏɴ 𝘸𝘢𝘴 𝘵𝘩𝘦 𝘵𝘺𝘱𝘦 𝘰𝘧 𝘢 𝘨𝘪𝘳𝘭 𝘸𝘩𝘰 𝘩𝘢𝘥 𝘯𝘰 𝘥𝘦𝘧𝘦𝘯𝘴𝘦𝘴, 𝘯𝘰 𝘱𝘳𝘦𝘵𝘦𝘯𝘴𝘦𝘴, 𝘴𝘩𝘦 𝘸𝘢𝘴 𝘫𝘶𝘴𝘵 𝘩𝘦𝘳𝘴𝘦𝘭𝘧 𝘢𝘭𝘭 𝘵𝘩𝘦 𝘵𝘪𝘮𝘦. 𝘓𝘪𝘬𝘦 𝘪𝘧 𝘢 𝘧𝘳𝘪𝘦𝘯𝘥 𝘴𝘢𝘪𝘥, '𝘏𝘦𝘺, 𝘵𝘩𝘢𝘵 𝘣𝘳𝘢𝘯𝘥 𝘰𝘧 𝘵𝘰𝘰𝘵𝘩𝘱𝘢𝘴𝘵𝘦 𝘺𝘰𝘶'𝘳𝘦 𝘶𝘴𝘪𝘯𝘨 𝘪𝘴 𝘯𝘰 𝘨𝘰𝘰𝘥. 𝘐𝘵 𝘩𝘶𝘳𝘵𝘴 𝘵𝘩𝘦 𝘦𝘯𝘢𝘮𝘦𝘭.' 𝘔𝘰𝘴𝘵 𝘱𝘦𝘰𝘱𝘭𝘦 𝘸𝘰𝘶𝘭𝘥 𝘢𝘯𝘴𝘸𝘦𝘳 𝘣𝘢𝘤𝘬, '𝘞𝘦𝘭𝘭, 𝘮𝘢𝘺𝘣𝘦 𝘺𝘰𝘶 𝘵𝘩𝘪𝘯𝘬 𝘴𝘰, 𝘣𝘶𝘵 𝘮𝘺 𝘥𝘦𝘯𝘵𝘪𝘴𝘵 𝘳𝘦𝘤𝘰𝘮𝘮𝘦𝘯𝘥𝘦𝘥 𝘪𝘵, 𝘴𝘰 𝘵𝘩𝘦𝘳𝘦.' 𝘠𝘰𝘶 𝘬𝘯𝘰𝘸, 𝘰𝘯 𝘵𝘩𝘦 𝘥𝘦𝘧𝘦𝘯𝘴𝘪𝘷𝘦. 𝘉𝘶𝘵 𝘪𝘧 𝘺𝘰𝘶 𝘴𝘢𝘪𝘥 𝘵𝘩𝘦 𝘴𝘢𝘮𝘦 𝘵𝘩𝘪𝘯𝘨 𝘵𝘰 ꜱʜᴀʀᴏɴ, 𝘴𝘩𝘦'𝘥 𝘴𝘢𝘺, '𝘖𝘩 𝘳𝘦𝘢𝘭𝘭𝘺? 𝘕𝘰 𝘬𝘪𝘥𝘥𝘪𝘯𝘨? 𝘎𝘦𝘦, 𝘣𝘢𝘥 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘦𝘯𝘢𝘮𝘦𝘭? 𝘛𝘩𝘦𝘯 𝘐 𝘨𝘶𝘦𝘴𝘴 𝘐'𝘥 𝘣𝘦𝘵𝘵𝘦𝘳 𝘤𝘩𝘢𝘯𝘨𝘦 𝘣𝘳𝘢𝘯𝘥𝘴.' 𝘐𝘵 𝘸𝘢𝘴 𝘵𝘩𝘪𝘴 𝘪𝘯𝘤𝘳𝘦𝘥𝘪𝘣𝘭𝘦 𝘵𝘢𝘭𝘦𝘯𝘵 𝘰𝘧 𝘩𝘦𝘳𝘴 𝘧𝘰𝘳 𝘣𝘦𝘭𝘪𝘦𝘷𝘪𝘯𝘨 𝘦𝘷𝘦𝘳𝘺𝘣𝘰𝘥𝘺, 𝘧𝘰𝘳 𝘣𝘦𝘪𝘯𝘨 𝘴𝘰 𝘦𝘢𝘴𝘪𝘭𝘺 𝘱𝘦𝘳𝘴𝘶𝘢𝘥𝘦𝘥, 𝘵𝘩𝘢𝘵 𝘮𝘢𝘺 𝘩𝘢𝘷𝘦 𝘦𝘷𝘦𝘯𝘵𝘶𝘢𝘭𝘭𝘺 𝘥𝘰𝘯𝘦 𝘩𝘦𝘳 𝘮𝘰𝘳𝘦 𝘩𝘢𝘳𝘮 𝘵𝘩𝘢𝘯 𝘨𝘰𝘰𝘥.” —ꜱʜᴇɪʟᴀ ᴡᴇʟʟꜱ

ꜱʜᴀʀᴏɴ ᴛᴀᴛᴇ 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘦𝘥 𝘣𝘺 𝘑𝘢𝘮𝘦𝘴 𝘚𝘪𝘭𝘬𝘦, 1968. 🎀

ꜱʜᴀʀᴏɴ ᴛᴀᴛᴇ 𝘢𝘵 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥 𝘱𝘳𝘦𝘮𝘪𝘦𝘳𝘦 𝘰𝘧 “𝘋𝘰𝘯𝘵 𝘔𝘢𝘬𝘦 𝘞𝘢𝘷𝘦𝘴”, 𝘑𝘶𝘯𝘦 9𝘵𝘩 1967. 🎀

ꜱʜᴀʀᴏɴ ᴛᴀᴛᴇ 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘦𝘥 𝘣𝘺 𝘚𝘩𝘢𝘩𝘳𝘰𝘬𝘩 𝘏𝘢𝘵𝘢𝘮𝘪, 1969. 🎀

angel🎀

Sharon Tate photographed by Peter Basch. 🎀

Sharon Tate photographed by Peter Basch, 1966.🎀

Sharon Tate photographed by Phillippe Halsman, 1966.🎀

Sharon Tate photographed by John Engstead, 1963.🎀

Sharon Tate photographed by Terry O’Neill, 1969.🎀

Sharon Tate photographed by Terry O’Neill in London, 1969. 🎀

“When Daddy was transferred back to the States and Palos Verdes, California, I convinced him that I’d be safe in Hollywood—you know how Army men are, so terribly protective of their daughters. I’ve got two sisters, 7 and 13– and Daddy’s now in Vietnam, but he still worries about us all.” -Sharon Tate. 🎀

Sharon Tate photographed with her father Paul Tate, 1965.