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sayornispress · 15 days
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I got a bunch of buttons for some binds and they are finally ALL HERE I am basically vibrating with excitement. Like a dog waiting so impatiently to chase a stick
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sayornispress · 19 days
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sayornispress · 27 days
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Artist Spends 3 Years Hand-Painting the Quran in Gold on 164 Feet of Black Silk
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sayornispress · 28 days
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"Woman with a parasol, facing left" is another paper from the new collection "Skyscapes". Using acid to modify how the colors behave in the size surface, and with specific combing, a new range of marbled papers was created. This new collection will be available at the store next Saturday, April 6th. Sales starts at 12 UTC.
Home | Renato Crepaldi Hand Marbled Papers (bigcartel.com)
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sayornispress · 28 days
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The new collection "Skyscapes" is soon to be available! This new collection has born from experimenting with mixing small amounts of weak acids into the colors and methodical combing, the result are these tiny cloud-like shapes that really do justice for the "Ebru" name that marbling technique receives in Turkish. "Peachy Sunset" is the first paper from this collection.
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sayornispress · 1 month
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every time someone says ‘oh, you knit? do you like it?’ i have the marrow-deep urge to tenderly take their face in my hands and press my lips to their their eyelids and telepathically transmit the full overwhelming awareness that i carry just beneath my skin every moment of every day of how important fiber crafts and textiles are and historically have been to humanity. every stitch i work is a thousand billion stitches that have already been worked and will be worked in the future, from the farthest reaches of prehistory until time immemorial. every spindle i spin is spun with the same flick of uncountable fingers from ages past, all united across history in the deceptively simple movement that has shaped history, and art, is the context within which every single person on earth has ever lived their life and lives their lives still. everything from our phones to our homes is given shape and form by the overlooked but utterly important textile arts.
‘of fucking course i like knitting, you jackass,’ i say gently. ‘i wouldn’t do it otherwise.’
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sayornispress · 1 month
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Now that the book has been delivered, I can share photos! into the wild blue by @andfasterthings (aka honeydripping on ao3), the author copy! My copy is still sitting in my desk awaiting my latest crochet project’s completion XD
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The illustrations were free from Heritage Library, a personal favorite source for images. The HTV was pretty challenging to weed but I think it turned out well enough. (I did notice the missing tittle in the author copy, seconds before I was about to seal it in an envelope—just in time for a quick fix!
More photos/commentary/stuff under the cut!
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I have a new metadata page layout! I’m enjoying all the space. The chapter pages were tough to get aligned right—both the first and last content pages needed to be on odd pages, so I had to do some finagling. Got it done, though!
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Some in-progress shots! I feel like I’ve gotten a lot more responsible lately, I’ve only just started labeling my boards XD
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The ink drops endpapers are a godsend. Favorite collection of printed papers, easily. The next photo is the basic typeset—this one is set entirely in IM Fell Great Primer.
And finally, the open-down-the-middle shot, one I love to include. The spine throw! The way the boards nestle! And my most even endbands to date. And the way the paper lays so nicely, even though they’re short grain! Gorgeous!!
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sayornispress · 1 month
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okay wow that was me oop
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A fanbinding of Hawks and Hands by Dira Sudis @dsudis from AO3
This one ended up at almost 600 pages, set in EB Garamond! About 200k in total. It’s in the mail today, so I can post photos I’ve already shared with the author. Hopefully it will be delivered before Week 1 of @ds30below is done!
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sayornispress · 1 month
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The best notes written in manuscripts by medieval monks
Colophon: a statement at the end of a book containing the scribe or owner’s name, date of completion, or bitching about how hard it is to write a book in the dark ages
Oh, my hand
The parchment is very hairy
Thank God it will soon be dark
St. Patrick of Armagh, deliver me from writing
Now I’ve written the whole thing; for Christ’s sake give me a drink
Oh d fuckin abbot
Massive hangover
Whoever translated these Gospels did a very poor job
Cursed be the pesty cat that urinated over this book during the night
If someone else would like such a handsome book, come and look me up in Paris, across from the Notre Dame cathedral
I shall remember, O Christ, that I am writing of Thee, because I am wrecked today
Do not reproach me concerning the letters, the ink is bad and the parchment scanty and the day is dark
11 golden letters, 8 shilling each; 700 letters with double shafts, 7 shilling for each hundred; and 35 quires of text, each 16 leaves, at 3 shilling each. For such an amount I won’t write again
Here ends the second part of the title work of Brother Thomas Aquinas of the Dominican Order; very long, very verbose; and very tedious for the scribe; thank God, thank God, and again thank God
If anyone take away this book, let him die the death, let him be fried in a pan; let the falling sickness and fever seize him; let him be broken on the wheel, and hanged. Amen
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sayornispress · 1 month
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knitting tutorial made by a twenty-something knitting influencer: 18 min long, 12 of those minutes being the intro and a sponsor plug, they show the first few steps of the tutorial at the slowest speed known to man, they show the most important steps at a neck-break speed, they stop every five seconds to talk about what they just did, 40,000 comments filled with questions ranging from insightful to “how do i knit”, filmed with a camera that costs more than a car, the tutorial is incorrect.
knitting tutorial made by a seventy-something grandmother: two min long, filmed 17 years ago, shows you what you want with the skilled patient hands of a beloved deity, made with the world’s shittiest camera, the best video on the fucking internet, four comments and 30 views, you lose the video and never find it again.
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sayornispress · 2 months
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30 Below: Fanwork Week (March 11-17)
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And off we go! 
This week's goal is to celebrate fan creations in any ways you can think of.
Those include but aren't limited to:
comments, comments and more comments
recs: creator samplers, themed lists, self-recs—for fic, art, meta, vids, edits and everything else
creator shout-outs
podfic, remix, translation (don’t forget about permission!)
of course, new fanworks!
Prompts are optional, and you can interpret the theme however you see fit. Wanna do something else this week or do the fanwork thing later? No worries! The AO3 collection is open indefinitely and I will be sharing everything tagged #ds30below or mentioning @ds30below.
Mush, yee-ha! Have fun!
🐢fest info
🐢all themes & prompts
🐢helpful resources
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sayornispress · 2 months
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A fanbinding of Hawks and Hands by Dira Sudis @dsudis from AO3
This one ended up at almost 600 pages, set in EB Garamond! About 200k in total. It’s in the mail today, so I can post photos I’ve already shared with the author. Hopefully it will be delivered before Week 1 of @ds30below is done!
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sayornispress · 2 months
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Pros and Cons of making things
Pro: Thing
Con: Make
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sayornispress · 2 months
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Earlier this week I reported on the very depressing for-profit fic pirating happening in certain corners of fandom—but (somewhat coincidentally, timing-wise) I also had the joy of reporting this story on fanbinding, and the work of the @renegadeguild! Featuring the words (and fanbinds) of the brilliant @celestial-sphere-press, @butterfingersbookbinding, and @fanboundbooks (who also talked about Renegade on the most recent Fansplaining episode).
Renegade's binders are strong proponents of the non-monetized gift economy—they truly embody the spirit of fanfiction, in my opinion, both in the communal way they share their work with fic writers and each other, and in the DIY way they approach making books:
There’s a strong parallel between the amateur, instinctive nature of fanfiction and the act of fanbinding. While plenty of fic is penned by formally trained writers, much of it is not. Tiffo, who binds as Fanboundbooks, likens the reverse-engineering involved in teaching oneself both activities. As writers, people try to figure out why stories work. Fanbinders collectively share the process of learning to turn that work into a physical object—tactile, clean, often beautiful. Fic is largely unencumbered by the forms and structures of traditional publishing, and fanbinders approach their work with the same spirit. “People will often say, ‘How do I do this?’ or ‘What’s the rule for this?’” Tiffo says. “The answer that we always try to throw in Renegade is, ‘This is what other people have done, but know that there is no rule to your book—you can make whatever you want.’”
It's a shame seeing people conflate the bad actors of the pirating situation—many of whom don't appear to be in fandom and seem motivated by pure profit—with the work of fanbinders at large, and seeing people scared to try out fanbinding because of the recent news. Not-for-profit fanbinding is just as legal as writing fanfiction, and I don't speak for all fic writers, but if someone ever bound one of my fics, I'd be so touched I would almost definitely weep. 😭
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sayornispress · 2 months
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It's 2024. I have been participating in fandom for 40 years. This is a ramble commemorating some history I've experienced along the way.
In 1984, I attended my first convention, and made a beeline for the one long row of covered tables in the Dealer's Room that was, according to the whispered lore of my friends, 'the one'. "um", I said, very suavely and coherently, except for how it was totally the opposite of those things, "I'm here for the... for the, uh. For-"
"Come around here," the man behind the table said with exhausted ennui, so I went around, and he lifted up the table skirt next to him and pointed to rows and rows of boxes underneath the line of tables. "It's all under here."
It was all under there. Along with about five older ladies with glasses, graying hair, cardigans. Flipping through slash zines and chatting in whispered voices like old friends (which of course they were). I noticed one of them had the good sense to be wearing kneepads. I was still too young and ablebodied to need kneepads when crawling on a carpeted floor, but I immediately found her preparedness skills to be both impressive and hot. "You're new," one of the ladies whispered to me--a bit warily, which made sense. "Are you sure you're in the right place?"
In the faint light (the kneepads lady had also come prepared with a flashlight, additional practicality hotness points for her) I grabbed a comb-bound book with a heavy line art piece on the cover, featuring a musclebound Captain Kirk getting righteously and enthusiastically plowed by a stern-yet-ebullient Spock. "This," I said, pointing helpfully at the cover, like I was trying to make myself understood in a language I had only the vaguest knowledge of. "I'm here for this."
Outside at the convention, most of the attendees were wearing large homemade circular pins that shrieked 'K/S is BS!!!'1. But underneath the table, we reveled in the forbidden.
***
In 1985, I fell very hard for Starsky & Hutch fandom. Which was simply referred to at the time as 'the other fandom', because there were only two. We were upstarts. Many fannish elders predicted that it was just a phase.
***
The 'circulating library' was a massive stack of barely-legible pages that smelled strongly of mimeograph ink. When you were on the list, you would write stories while you waited for your turn, and when the big box was mailed to you, you would read everything (new finds, old favorites), add your own sloppily-typed or hastily-mimeographed stories, and then mail the whole thing to the next person. For me, at the time, it was an extremely expensive indulgence--but my favorite one.
***
By 1990, slash fandom had grown enough that I no longer knew everyone in it, which was both thrilling and a bit daunting. A young woman at a convention waited for me after a panel I was part of (I think it was 'writing impactful smut' or something like that), and said she had a question she didn't want to ask in a group setting. I'd heard that before. I said that's fine, go ahead and ask; and she came out with: "Why do you have to be gay?"
I blinked. "Is... that a problem?"
She looked annoyed. "Yes, because your stories are on all the recommendation lists and in all the top zines, but if you're gay and I read something you wrote and I get hot from it that makes me gay, and I'm not gay."
"Wow." I grinned, I couldn't help it. It probably made me look very predatory-dyke-about-to-score-a-toaster. Whatever, it was enough to make her back away from me fast.
When I thought about it later that night, I wondered what it would be like not to be the only queer person in slash fandom.
***
By 1997, slash started appearing on the internet. Many fannish elders claimed it was the death knell of slash fandom, or dismissed it as 'just a phase'.
***
Anyway, I wrote all this for myself as a commemoration of sorts, but if you took the time to read it--thank you. Love you, fandom. I always will.
1 In those days, m/m fandom was known as 'slash', which grew from the fannish shorthand where 'K&S' meant a story of Kirk and Spock having adventures or tribulations or what have you, and 'K/S' meant a story of Kirk and Spock getting it on (Kirk divided by Spock or Spock into Kirk--it was mathy fannish humor and I was into it then and I still am now). Slash was decidedly unpopular in the fannish world in 1984, and there was a concerted effort to force slash authors, artists, and fans out of 'mainstream' fannish public life. Hence, under the table.
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sayornispress · 2 months
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@kitsune1366
Hey! :) I used the uhhhh movie..film....something-or-other website that Vathara talked about (am writing this at 2:30 am, stayed up too late typesetting, brain a little fried, sorry) and a few analysis posts to roughly divide the books evenly into a few arcs each, and then the last book was a touch smaller and I put the author's notes all in an appendix at the end of that volume so it would be the same size! I considered putting the notes in their appropriate volume, but tbh I'm most likely to read the fic and consult notes as totally separate activities, so, *shrug*
I love how this set turned out! All the different colors are so gorgeous and I love the designs @chaoticbindery went with.
Embers by Vathara @wuxiaphoenix
Special thanks to @sayornispress for letting me use their typeset to complete these binds for the 4th annual @renegadepublishing exchange! Thanks to the mods and my giftee for their patience while I struggled lol 🙈
I hope my giftee loves them as much as I loved making them. I'm glad they arrive at their forever home.
This is what the gift economy of Fandom is meant to be!
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I kinda didn't understand what over 700,000 words meant when I first decided to bind this monster of a fic. But I was excited to learn to round books and do these 2 bookcloth cover designs. I also came in possession of a very large and diverse variety of heat reactive foils... so here we are lol. I think each book from printing to completion took me 20ish hours?
Below the line, you will find more information regarding these binds
Embers book 1
This puppy was so complicated for me to complete that I made it twice. The first one was so horribly made that I refused to show it to anyone.
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Made using Colibri Golden bookclothfor the cover with green foil. The back was done using Duo Herb Garden with gold foil, which was a yellowish undertone. The endpapers are Thai Banana Green from ASW. I used warm white 28lbs paper from chirch paper to print, linen thread, and remie bands, and I made the endbands using Herb Garden and 4mm twig core.
It's about 700 pages and 1 1/4 thick
Embers book 2
I kinda loved this one the most. This was the second book made, so it has a lot of the flaws the first version of book 1 had, but I was happy enough with what I accomplished with it and the construction of the book was solid.
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Made using Colibri Pearl bookcloth with silver, black, and metalic blue foil for the front, the back was done using Duo Polar from Australia with silver foil. the endpapers are Thai Banan Blue from ASW. I used the same warm white 28lb paper from church paper, linen thread, and rembie bands, and the endbands were done using polar bookcloth and 4mm twig core.
700 pages, 1 1/4 thickness. I'm very proud that the dimensions of all the books are the same 💙
Embers book 3
This one is my all-time favorite, and I blame it on the sky bison on the cover. I can't help it. They are my favorite creatures on the whole show!
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The cover was made using vintage Colibri Copper (some company had rolls of these colors from years ago, and they had been discontinued in, I believe in 2010) using gold foil. The back is Duo Sunshine, and I used metalic orange foil. The end papers are Thai Mango Mustard from ASW. I used white warm 28lb paper, linen thread, rembie bands, and 4mm twig with sunshine cloth for the endbands.
It's a bit under 700 pages, but still 1 1/4 thick.
And finally...
Embers book 4
When I completed this one, I almost cried 🤣. I loved working on these binds, but I was so happy to finally be done.
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I used vintage Colibri Uran with metalic red foil for the front and Duo Evening Red with black foil for the back. The endpapers were done using Thai Banana True Red from ASW. I used the same warm white 28lb paper, linen thread, and rembie bands, and the endbands were made using Evening Red with 4mm twig core.
About 650 pages yet still 1 1/4 thickness.
Funfact: These 4 books weigh 12 lbs together 🤣🙈
If you would like to learn how to bookbind consider joining Renegade!!!
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sayornispress · 3 months
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The first batch of 2024 is coming out! The collection of a dozen of new hand marbled designs will be available next Monday, January 22 at 12 UTC. In this new collection, I tried to explore even deeper the color blending technique, where I try to achieve a more detailed and natural 'stone pattern'. The first big challenge is to control how much of each color will blend (A white spot with little black, or a black spot with little white?) and how much you want the two colors to blend...Too little and too much blending, will spoil the details!
Home | Renato Crepaldi Hand Marbled Papers (bigcartel.com)
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