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saltyfirebread · 1 month
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Aziraphale lied Theory
First of all, this theory is not mine, its from @/doubleskk on Twitter and can be found HERE. Go show them some love! It's in Portuguese, so I'll do my best to translate it - blue texts are my personal additions!
This season, we have something very clear in Aziraphale's development arc: is his relationship with LIE. He lied to protect Job's children, and he lied he had performed a miracle to make Nina and Maggie fall in love. That's not counting other little lies, sprinkled throughout the season here and there.
We keep seeing Crowley say "I'm a demon, I lie", but in the big finale, we have Crowley saying the truth - the big truth, the one he has been avoiding for 6 thousand years.
All of this was to set the stage for the biggest lie of all: the lie he had to tell Crowley to fend him off and protect him.
When Metatron goes to buy the coffee, he asks Nina if people ask for death, as the name of her shop is "Give me a coffee, or give me death". What if that name is an allegory for the actual conversation between Metatron and Aziraphale?
Aziraphale may have been threatened. Either Azira goes back to heaven (coffee), or he and Crowley would have their existence erased from the Book of Life (death). So, to protect Crowley, Aziraphale had to invent a lie to make sure he got away. The Book of Life was namedropped a couple of times in the show, a Chekhov's gun that never went off - Neil is too good of a writer for that.
And Aziraphale knew that Crowley would be pissed if he agreed to go back to Heaven after everything that happened, and he knew that Crowley would never accept being an angel again. "But rescuing me makes him so happy" - Aziraphale had to make sure Crowley wouldn't realize he needed saving.
That's why he knew exactly what to say to mess with Crowley.
At 41:14 of episode 6, when Azira starts telling the (alleged) lie to Crowley, he becomes all flustered, moving his hands from side to side and stammering, SAME PATTERN as when he lies to the angels about having done the Nina and Maggie fall in love, in episode 2.
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[This part really works better with 2 videos side by side, which you cannot do on tumblr, so if you want you can check them out here]
The sequence of him talking to Metatron at the table is nothing more than an enactment of his lie. The conversation didn't go like that, Aziraphale made everything up.
And when Crowley declares himself, Aziraphale starts shaking his head in despair: not now, don't tell me that now.
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He also looks out the window as soon as the confession starts, as if he knows Metraton was watching him outside.
Then there's the kiss, Aziraphale falters for a moment, but he has to keep up with the lie and he knows he has to hurt Crowley on purpose. And after Crowley leaves, Aziraphale is MUST recover in seconds, because Metatron is coming back. Also notice that when Metatron comes back, he doesn't ask if Crowley agreed to go back to heaven or not. He just sends a "How did he take it?"
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That is, there was never any choice, and for Metatron Aziraphale was only going to break the news that he was leaving. And Aziraphale had to invent a lie to the inmates to make sure Crowley stayed away from him.
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saltyfirebread · 1 month
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Have you ever wondered why Crowley chose to present himself as a woman during Jesus' crucifixion scene?
This is just my theory, but during Jesus' time, there were strict rules on how men treated women. One of them was that Jewish men would never greet or speak to a woman in public unless they were their wife, daughter, mother, or sister.
Since Crowley wanted to keep himself as low-key as possible (and probably hide his strange eyes from humans), he presented himself as a woman so no one would approach him.
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saltyfirebread · 2 months
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Re: "You go too fast for me, Crowley", because I think I finally figured out the real meaning behind that line
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Naturally, this line of all lines, the most line of them all, is constantly circling around my rotten brain like a moth around a flame.
In addition, though, there's always been another Good Omen's line/exchange that has kept bothering me again lately. And literally until just about five minutes ago, I had never thought of relating them back to each other.
Now, five minutes later, I have and I think I just ... figured it out.
In case you were wondering: The second line that wouldn't leave my head is what Aziraphale says to Crowley during their clandestine meeting at St. James' Park in 1862 when Crowley asks him for Holy Water:
A: "I'm not bringing you a suicide pill, Crowley!"
And here's what bugs me about this: Why did Aziraphale, without a breath of hesitation, immediately assume Crowley wanted the Holy Water to commit suicide if things ever went wrong?
That's ... such a dark assumption to make. Especially because that is absolutely not what Crowley wanted it for, as he literally says himself:
C: "That's not what I want it for, just insurance."
And what does Aziraphale reply?
A: "I'm not an idiot, Crowley!"
Because he firmly, firmly believes that Crowley is asking him to bring him the Holy Water as a foolproof method of taking his own life in case Heaven and Hell ever find out about them.
To this day, that conversation gives me chills whenever I think about it. We so rarely get see what genuine emotions and thoughts for and about Crowley Aziraphale keeps neatly tucked away behind that tightly buttoned waistcoat of his. This moment in 1862 is one of the very rare ones where his façade slips a little – and the peak we get isn't a fun one. It's a very dark, scared and vulnerable one.
What am I on about and how does this all relate to the infamous "You go too fast for me, Crowley"-line? Let's look at it under the cut.
(Word count: 2560 | Reading time: ~10 min. | TW: mentions of suicide)
Like I mentioned up above, it always struck me to my core that Aziraphale very clearly immediately assumes Crowley wants the Holy Water for possible suicide. Not only is that a very dark and upsetting thought, it also poses the question: Why? Why is that the first place Aziraphale's mind goes to?
Crowley says at the very beginning of their conversation:
C: "We have a lot in common, you and me."
He's definitely referring to their (very mutual) relationship Arrangement and the fact that they both find themselves kept apart and watched by their respective head offices, not allowing them to ever misstep and give themselves away.
After bickering around a little like they do, Crowley asks his favour – and he makes it very clear in a quiet and serious voice that:
C: "This is something else. [...] For if it all goes wrong."
He's not just talking about Heaven or Hell finding out about some silly frivolous miracles, no. He's talking about them finding out about their Arrangement, their relationship. The worst of all worst case scenarios.
So bad, in fact, that he doesn't even ask his favour out loud but instead decided to write it down.
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Aziraphale's reaction is ... severe.
We immediately see his face drop as, he too, realizes that this is all of a sudden a very serious conversation indeed. And he immediately and vigorously denies Crowley's request because he thinks it to be one for a suicide pill.
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To understand how he could arrive at that lightning-quick (and also wrong) conclusion, we have to try and understand how Aziraphale sees Crowley and the threat that the angel himself as well as their relationship poses to Crowley.
Crowley can, at times, be a very self-deprecating and cynical character. He's without a doubt carrying a lot of trauma and unspoken fears and emotions with him at all times. Aziraphale at this point in their relationship probably has a good notion of what those are – but he doesn't know the whole depth of it because they've never been able to speak freely enough and Crowley has seemingly decided to keep many-a things to himself, still. They both tread the waters of plausible deniability very well.
So, to jump to the conclusion of Crowley entertaining suicidal thoughts in the face of unavoidable danger is ... quite a violent jump. And remember: "[...] underneath it all, Crowley was an optimist. If there was one rock-hard certainty that had sustained him through the bad times then it was utter surety that the universe would look after him."
So, what is it that Aziraphale does know that would drive him to such a drastic conclusion when, in reality, secret optimist Crowley only ever wanted the Holy Water to protect himself against Hell to come out safe on the other end of things?
2500 BC, Land of Uz: A: "That [going along with Heaven/Hell as far as you can] sounds, um ..." C: "Lonely? Yeah." A: "But you said it wasn‘t." C: "I‘m a demon. I lied."
After Crowley helps Aziraphale out in Edinburgh in 1827, Crowley is immediately sucked back down to Hell We don't know what exactly happened after that or just how long Crowley was gone. We also don't know if Crowley ever told Aziraphale what happened, once he returned. What we and Aziraphale do know, is that Crowley ends up asking him for Holy Water, out of the blue, only a couple of decades later.
1601, The Globe: A: "But if Hell finds out [about the Arrangement], they won't just be angry. They'll destroy you." (additionally, later in time, C: "My lot does not send rude notes.")
Ergo: It's very clear that Aziraphale seems to have put two and two together with his own angel math by what he has a) witnessed himself and b) what Crowley has said himself which equals: In going against Hell, Crowley has felt incredibly lonely before he had Aziraphale by his side and if Heaven and Hell were to ever find out about them, Hell's punishment would be a whole lot worse than Heaven's.
He thinks Hell would destroy Crowley.
So when Crowley, who so rarely says how he really feels and one of the few times he did, told Aziraphale he was lonely, says he wants the Holy Water, the immediate conclusion Aziraphale comes to is: He wants it as an emergency exit. In case things go pear-shaped. He wants it to escape whatever dreadful punishment Hell would have in stock for such a lonely traitor. He wants it as a suicide pill.
For Aziraphale to not even entertain the thought or believe that Crowley does indeed only want the Holy Water as a means of self-defense is, again, absolutely heartbreaking. Because it tells us a thing or two just how scared and desperate Aziraphale thinks Crowley to be. Something along the lines of: "If I myself am already so immensely terrified of Hell's punishment for Crowley, how terrified must Crowley be."
I think a whole lot of this is also very, very strong projection and shows us how Aziraphale himself feels about all of it. How scared he is for himself and Crowley. Of what would be done to them.
A: „Out of the question! Do you know what trouble I'd be in if they knew I‘d been ... fraternizing?“
He knows they would both suffer immense consequences and that Crowley‘s still would be worse. If anything, in a dark and twisted way, it shows that Aziraphale himself has definitely entertained the idea of suicide as a concept, at least. Maybe not for himself or Crowley, yet, but remember, he‘s awfully fond of Shakespeare‘s Hamlet.
A: „To be or not to be? Buck up, Hamlet!“
Yeah, buck up indeed. (By the way, there's a great meta by @greenthena on why Aziraphale likes Hamlet so much that kind of plays into my point a little. You can read it here).
And again, who knows what Aziraphale might have actually witnessed of Hell's cruel ways already in the past (Edinburgh of 1827, or at other times) that made him arrive at the conclusion that, ultimately, suicide would be the less painful choice for Crowley when faced with Hell's consequence for their relationship.
I told you this was gonna take a bit of a darker turn. So, here we are. At the turn. It doesn't get much lighter from here on out, I'm afraid.
Because all of this gives "You go too fast for me, Crowley" a whole new devastating meaning.
Personally, I always found it a teensy bit difficult to relate that line back to Aziraphale implying that Crowley was trying to push their relationship a little too fast for him.
Deducing that as the meaning of "You goo to fast for me" after we were shown in the montage of S1E3 that Aziraphale, from circa 1941 on, was undoubtedly fully aware of just how madly in love he was with Crowley, has always felt odd to me. And it continued to feel even odder after we got the whole story of 1941 in S2.
Because if that minisode showed us anything, it's that if you let Aziraphale take over the metaphorical wheel for about five minutes, "too fast" doesn't even match the astronomical speed with which he crashes head first into 15th base. Forget the hand holding and kissing, let's go straight to you shooting me on the first date I planned for us!
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And they say romance is dead.
Now look, of course, Aziraphale is still keeping most of his romantic feelings and longing bottled up out of fear that Heaven and Hell could find out about them and have Crowley destroyed. We've established that this very big fear of his is the driving factor behind him never trying to overstep that invisible line.
But still, those feelings? They're there. Oh, Hell, they are t-h-e-r-e.
Our angel is a master of self-delusion but not even he is holy enough to deny the fact that, if he could, he'd want nothing more than to lock that demon down and elope together into their happily-ever-after.
So, when Aziraphale finally budges and hands over the Holy Water to Crowley in 1967, I've always had a hard time believing that that line coming from Mr. "I guess there's something to be said for shades of grey" himself actually meant: "I'm not ready yet, you want to go faster than I do."
Because really, apart from trying to convince Aziraphale of the Arrangement and rescuing him from every silly, coincidental predicament the angel has gotten himself into over the millennia, what exactly is it that Crowley did here to "go too fast"? Hell, he's been at it at the pace of a snail ever since, very well knowing that Aziraphale would take a lot of gentle nudging and lunch temptations invitations to agree with the Arrangement.
All Crowley does in that moment in the car is offer Aziraphale a lift, anywhere he wants to go. And yes, that is code their little dance, that is how he shows his love for Aziraphale. But Aziraphale has never before deemed that an issue or seen it as a too-fast progression of their relationship. He even suggests another date himself two seconds later, saying:
A: "Perhaps we could go for a picknick one day. Dine at the Ritz."
So, what, one sentence later he suddenly wants to hit the breaks again? After he literally looked like this the last time Crowley drove (literally way too fast) through burning London?
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Nah, I'm not buying it.
Instead, here's what I think Aziraphale really means with this line that changed us all (and I'm sorry, but I'm about to one-up the sadness of the 1862 meeting):
I think Aziraphale is referring to what he thinks is the reason Crowley wants the Holy Water for.
Suicide.
And boy-fucking-howdy, does that change the game.
Because if we assume that Aziraphale, all throughout the one-century-long Holy Water standoff, thought Crowley wanted it as a quick, ahem, Escape From Everything, what I think Aziraphale really means with "You go too fast for me" is this:
To him, Crowley is asking the most cruel deed of him to bring him the one thing that could take Crowley away from Aziraphale for good. For ever. In case things go pear shaped. In case Hell finds out about them and comes after Crowley.
To Aziraphale, Crowley is asking him to load the bullet into his gun for the time it won't be a trick. So he can escape before Hell gets to him.
More devestatingly, I think Aziraphale even understands where that notion comes from. Aziraphale knows how dangerous their relationship is. And Hell does not send rude notes. So, I think after pondering on it for a good millennia, part of him has come to understand why Crowley would want an emergency exit.
Which is absolutely fucking heartbreaking.
Especially because that's not even what Crowley was thinking when he made his request. He truly only wanted it as a defense. But Aziraphale doesn't believe or fully realize that. Aziraphale believes the Holy Water is a suicide pill and to some extent even understands why Crowley might want that.
And yet, despite (wrongly, but well) understanding Crowley's intentions, Aziraphale is still deeply upset and terrified at the thought of Crowley taking his own life should they ever get caught. Which explains his extreme reaction all the way back at their clandestine meeting at St. James' Park.
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Aziraphale assuming Crowley's way out of the most pear-shaped situation of them all would be suicide also means that Aziraphale would be the one who'd be ... well, left behind.
He recognises that choosing death over possible eternal punishment is maybe somewhat of an understandable choice. And yet, it's a choice that, to him, Crowley has made without him. Seemingly way before their first talk about it.
Aziraphale thinks Crowley seems to have made up his mind about his escape plan without him in it.
He thinks that if they were caught, Crowley would want some Holy Water around to quickly chug before he would be at Hell's mercy and that would be it.
Crowley would, for the first time ever, really leave. Not just for Alpha Centauri. But actually leave. Escape and run away to a point of no return. For good. Without Aziraphale. To a place where Aziraphale couldn't follow him, no matter how fast he tried to run himself.
It goes a little something like:
"If they found out about us, you would choose to go where I couldn't follow. And you're asking me to pave the road for you to walk there. Without me ever being able to get a say in walking alongside you. You want to go to places where I could never join you. You'd run away without me and I understand why but you didn't even give me a chance to catch up. You go too fast for me, Crowley."
F*ck, man. I think I need to lie down.
Y'know what else that gives new meaning to?
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Alright, that's it, I'm out. Enough sad meta-ing for the day. See you all around once I've stopped slipping further into the void, folks. :')
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saltyfirebread · 2 months
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Season 3 of good omens, I want Crowley to wear his glasses around Aziraphale almost exclusively. I want Aziraphale to mourn the loss of seeing Crowley's eyes without that wall between them. I want Aziraphale to try and sneak glances, to do his best and catch a glimpse, to ask in forced casualness my dear, it's awfully dark in here, wouldn't it be easier if you just took those things off? I want to see Aziraphale's heart shatter on his sleeve when Crowley says he's just a demon, and he doesn't want the angel uncomfortable seeing that reminder of his side. That reminder of fallen and lesser. That he isn't forgiven, no matter how much Aziraphale may try to pardon away the worst parts of him. To watch Aziraphale realize the wounds on Crowley's heart match his own. That forgiveness is hollow when the worst parts of someone in Heaven's eyes are what makes Crowley worth loving.
I want to see Crowley feigning indifference. To see Aziraphale worry that perhaps he'd pushed Crowley far enough away where even he can't reach him anymore.
I want to see Aziraphale reach out to take off those glasses at the end of it all.
And yes, he'd see a broken heart. But all the pieces would be there. And he's bound enough books in his time to know that if he has all the pages, he can put together a story again with enough time and care.
Aziraphale should be the one to take those glasses off. To scale that wall Crowley built. To meet him beneath the awning. To be the first to step forward for no reason other than to step forward.
To watch Crowley, terrified, that this will prove he's not enough for the one person he's ever loved.
To see the relief on Aziraphale's face when he can finally, finally, see those wonderful eyes again.
There you are, he'd say.
I want to watch Aziraphale find Crowley's eyes and his actual heaven at the same time and never leave either of them behind again.
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saltyfirebread · 2 months
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I love this photo because this was Aziraphale's reaction after the priest lady interrupted Crowley pinning him to a wall. And he seems bothered by it
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saltyfirebread · 2 months
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“Aziraphale, we are in DANGER.”
My god you’re pretty.
“DANGER ZONE. HERE.”
Look at your pretty yellow eyes.
“There are demons outside our bookshop.”
Oh my god he said our.
“Are you listening to me?”
I adore you.
“AZIRAPHALE.”
Let’s dance first.
“WE ARE GOING TO DIE.”
Did he change his shirt for the event? Goodness. He is the handsomest angel and demon and human being I’ve ever seen.
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saltyfirebread · 2 months
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Crowley's expressions of love in season 2
Bonus:
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saltyfirebread · 2 months
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Person of Interest | 1x05 Judgement
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saltyfirebread · 4 months
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Potential 06x02 spoiler? Slightly suggestive content too
I know this season has ✨issues✨ but I still had a great time.
Had to get the Gentlebeard wormies out of my system before getting back to work 😭 I'm so soft
(Ed gets the twink treatment, sorry I don't make the rules)
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saltyfirebread · 4 months
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Potential 06x02 spoiler? Slightly suggestive content too
I know this season has ✨issues✨ but I still had a great time.
Had to get the Gentlebeard wormies out of my system before getting back to work 😭 I'm so soft
(Ed gets the twink treatment, sorry I don't make the rules)
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saltyfirebread · 6 months
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Potential 06x02 spoiler? Slightly suggestive content too
I know this season has ✨issues✨ but I still had a great time.
Had to get the Gentlebeard wormies out of my system before getting back to work 😭 I'm so soft
(Ed gets the twink treatment, sorry I don't make the rules)
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saltyfirebread · 6 months
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Things that we lost: David Tennant on set of unreleased series Rex Is Not Your Lawyer, 2009.
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saltyfirebread · 6 months
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"take it slow" they said. OUR FLAG MEANS DEATH 2x06 - calypso's birthday
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saltyfirebread · 6 months
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An evolution of their kisses: I like you >>> I need you >>> I must fck you on this ship NOW
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saltyfirebread · 6 months
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#The nod of consent is so important to me 😭
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saltyfirebread · 7 months
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Loosely based off the brilliant AO3 fanfic “Too Wise to Woo Peaceably” by @feralbutfluffy
(Ack! I had FeralbutFluffy’s name backwards! Edited to fix)
Wine + Someone you’re totally crushing on + avoiding discorporation TWICE in one night= Sexy Results
@toowisetowoopeaceably
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saltyfirebread · 7 months
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#Gaslight, Gatekeep, Girlboss
STRANGE WAY OF LIFE (2023) dir. Pedro Almodóvar
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