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It feels like Post Malone is a male author pen name/alter ego (at least when he's in her head, the TPD, and at the typewriter).
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OLD HABITS DIE SCREAMING
"We're going to be exploring the feelings of depression that often lace their way through my songs. In times like these, I'll write a song because I feel lonely, or hopeless, and writing a song feels like the only way to process that intensity of an emotion. And while these things are really, really hard to go through, I often feel like when I'm either listening to songs or writing songs that deal with this intensity of loss and hopelessness, usually that's in the phase where I'm close to getting past that feeling."
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And for a fortnight there, we were forever
Bonus:
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anyway here's all the clean/alternative lyrics compared to the original lyrics on ttpd:
the tortured poets department explicit: who's gonna hold you like me? / nobody / no-fucking-body clean: who's gonna hold you like me? / nobody / no-o-body
down bad explicit: everything comes out, teenage petulance / fuck it if i can't have him clean: everything comes out, teenage petulance / [gasp] what if i can't have him? explicit: 'cause fuck it i was in love clean: 'cause what if i was in love?
but daddy i love him explicit: i'd rather burn my whole life down / than listen to one more second of all this bitchin' and moanin' clean: i'd rather burn my whole life down / than listen to one more second of all this gripin' and moanin' explicit: all the wine moms are still holdin' out, but fuck 'em, it's over clean: all the wine moms are still holdin' out, but... it's over
florida!!! explicit: so you pack your life away just to wait out / the shitstorm back in Texas clean: so you pack your life away just to wait out / the firestorm back in Texas explicit: at least the dolls are beautiful, fuck me up, Florida clean: at least the dolls are beautiful, f-- me up, Florida explicit: can I use you up? / Florida / is one hell of a drug / Florida / go on, fuck me up clean: can I use you up? / Florida / is one hell of a drug / Florida / can i use you up?
loml explicit: you shit-talked me under the table / talkin' rings and talkin' cradles clean: you talked me under the table / talkin' rings and talkin' cradles
i can do it with a broken heart explicit: 'cause i'm a real tough kid / i can handle my shit clean: 'cause i'm a real tough kid / i can handle it explicit: lights, camera, bitch, smile clean: lights, camera, and smile
the smallest man who ever lived explicit: in your Jehovah's Witness suit / who the fuck was that guy? clean: in your Jehovah's Witness suit / who the hell was that guy?
the black dog explicit: and i hope it's shitty in the black dog clean: and i hope you miss me in the black dog
thanK you aIMee explicit: screamed, "fuck you, Aimee" to the night sky as the blood was gushing clean: screamed, "f--k you, Aimee" to the night sky as the blood was gushing
cassandra explicit: when it's "burn the bitch," they're shrieking clean: when it's "burn the witch," they're shrieking
the bolter explicit: ended with the slam of a door / then he'll call her a whore clean: ended with the slam of a door / then she'll call him a bore explicit: all her fuckin' lives / flashed before her eyes clean: all her many lives / flashed before her eyes
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my most tinhat taylor theory is that she wrote the first draft of all too well (the one in the lover diary not the tour rehearsal thing) the same night she touched the heat lamp
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Watching a documentary about cowboy Carter and my mind is blown
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paris // lavender haze // fresh out the slammer
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STEVIE NICKS WROTE "SHE WAS JUST FLYING THROUGH THE CLOUDS WHERE HE SAW HER SHE WAS JUST MAKING HER WAY TO THE STARS WHEN HE LOST HER" FOR TAYLOR SWIFT AND SIGNED IT "FOR T - AND ME" AND I AM SUPPOSED TO BE NORMAL??????????
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Ttpd (OG verison) is the most linear of any of Taylor’s albums and truly an album that needs to be heard in order. Which tracks because it’s not just a compilation of thematically-related stories like so many records are, but a collection of songs that tell the step by step story of a time period in her life. listening to it straight through is literally like listening to a book and each song is a chapter. As someone who is usually a fan of shuffle and playlists this might be one album I always listen to in order
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anyway one cool production thing i’m loving about so long london is that during “you swore that you loved me, but where were the clues i died on the altar waiting for the proof you sacrificed us to the gods of your bluest days” the background loses the beat and is not there but then during “and im just getting color back to my face” it picks back up sorta like a heart coming back and beating again
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Taylor’s been on tumblr for four months and we still have not gotten any kind of acknowledgement or explanation of this gif:
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WELL I DEMAND ANSWERS.
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the manuscript ending the album on the utter jawdrop moment that neither of the muses of the actual album were the first men to fuck her up with promises of marriage and babies, and that first heartbreak so long ago laid the scene for the woman she would become and the ways she would approach love and how we all watched her life like scenes in a show but she kept coming back to the manuscript of the first torrid affair that ruined her, to bookend an album about two love affairs that destroyed her utterly in almost the exact same way, because all her muses are acquired like bruises........ it's bone-chilling
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cowboy like me // Wonderland // Blank Space // Forever & Always // The Great War // Out of the Woods // False God // Dancing With Our Hands Tied // Labyrinth // Wildest Dreams (all lyric connections)
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I hate it here so I will go to secret gardens in my mind
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I might just not get up, I might stay down bad
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