the goldfinch!au // boris!ermal × teo!fabrizio
ㅤㅤㅤㅤ— Za nas!
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ʟᴏᴏᴋ ᴀᴛ ᴜs ᴡᴇ ᴄᴏᴜʟᴅ ʜᴀᴠᴇ ɪᴛ ᴀʟʟ
sᴏ ᴅᴀᴍɴ ʀɪɢʜᴛ ᴛʜᴀᴛ ɪᴛ sʜᴏᴜʟᴅ ʙᴇ ᴡʀᴏɴɢ
ʟᴇᴛ's ɴᴏᴛ ᴄᴏᴍᴘʟᴄᴀᴛᴇ ɪᴛ
ɪғ ɪᴛ's ʟᴏᴠᴇ ᴅᴏɴ'ᴛ ʜᴀᴛᴇ ɪᴛ
ᴅᴏɴ'ᴛ ᴘᴜʟʟ ʙᴀᴄᴋ ɪғ ʏᴏᴜ sᴛᴀʀᴛ ᴛᴏ ғᴀʟʟ
ʟᴇᴛ ᴏᴜʀsᴇʟᴠᴇs ɢᴇᴛ ᴀ ʟɪᴛᴛʟᴇ ʟᴏsᴛ
ʟᴇᴛ's ɴᴏᴛ ᴄᴏᴍᴘʟᴄᴀᴛᴇ ɪᴛ
ɪғ ɪᴛ's ʟᴏᴠᴇ ᴅᴏɴ'ᴛ ʜᴀᴛᴇ ɪᴛ
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😍❤️
"you are the great van helsing! trained by monks and mullahs from tibet to istanbul! protected by rome herself! but, like me, hunted by all others"
thanks to my kitty girl @perchevietatomorire for reminding me what a wonderful thing van helsing, 2004 is and what a great au the story of gabriel and dracula could be // sooo..... what if..... fabrizio is gabriel van helsing, a legendary hunter of monsters, who suffers from amnesia and try so hard to earn redemption for his forgotten sins // and now he is tasked by cardinal to destroy count vladislaus dracula // but what if the ruler of transylvania doesn't want to be destroyed? what if his only wish is life...? and..... continuation of his kind? // how will the meeting of two enemies go? and what role will a luxurious red dress play in this?
"i can tell the character of a man by the sound of his heartbeat. usually, when I approach i can almost dance to the beat! strange that yours... is so steady"
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// il volo — l'amore si muove
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The person I reblogged this from deserves to be happy
I tried to scroll past this. I really did
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…. 💛💙….
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perché amare quasi sempre è voce del verbo morire...
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ermal meta's singles
album: umano
× part 1 ×
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((…okay I know I’m going crazy and it’s too much and it’s so stupid…)) BUT… imagine… anastasia au… where ermal is the last descendant of the royal family who remembers nothing of his past and fabrizio is a con man who then helps ermal find out the truth about himself… 🎶 once upon a december 🎶
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I’m sure someone’s already noticed this but-
Look at how they framed the shots of Adam’s confrontation with Satan.
He’s got, quite literally, a demon and an angel over each shoulder.
AND THAT’S NOT EVEN THE BEST PART.
Because in those classic depictions of the angel and the devil each perched on a shoulder, the two are always portrayed as fighting with one another, each trying to influence a person for Good or Evil, but HERE they’re not fighting. At least, not with each other.
Though they’ve employed different methods to reach this end, they are united in a common goal. Save Adam. Save the world.
Crowley and Aziraphale are a visual representation of what Adam has within himself - what all humans have within themselves, the potential for good and evil / light and dark / whatever you want to call it.
And I think what this scene is visually implying is that it’s okay to have a bit of both - in fact, it’s probably for the best, given the cruelty we see dished out by those who are purely angel and demon.
Adam has both good and evil within him. All humans do. And THAT is what allows him to choose to rebel against his father. And it’s that very choice which makes the rebellion possible because it proves beyond all doubt that he is something the antichrist could not possibly be - human.
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