My name is Henry, and I'm a student and fan of animation. This blog is dedicated to one of my favorite parts of the process, the "pencil test." This is the animation at it's purest, where every line is visible and you can see how the animator thinks.
I found this buried in the stacks at a local Disney collectibles store. It’s the “year book” of sorts given out to the production crew of “Mulan” after the film wrapped. Mulan was the first feature film completed entirely at the Florida Disney Animation Studio at Disney-MGM Studios.
It’s a great little book, filled with lots of photos of animators and producers I recognize, and even more photos of people I don’t. But every one of them helped contribute to one of my favorite animated movies.
It also has lots of great little joke sketches in it. I especially like the “girl scouts” one which, while not credited, is obviously by Chris Sanders.
I found a goldmine of my old VHS rough animation tapes in my attic! This is the last scene I animated at #Disney (until Bro Bear). It’s #mushu from the Drawn To Animation attraction that played for over ten years in #Disneyworld, #californiaadventure and #disneyparis
Pencil Tests turned 5 today!
Five years ago I started this blog as a repository for the best rough animation in the business. And for about 3 years I haven’t kept up with it. Life got in the way. Maybe some day I’ll come back to it, but until then, keep going back to my previous posts. Don’t let the tradition of hand drawn animation be forgotten.
About three years ago I made this chart to illustrate to everyone what studio made which film, and by extension what company owns those characters. After recent events I decided it was in need of an update. Voila.
2D Animation week, day 6. Sorry, I meant to post this on Saturday. “Abu” from Aladdin by Duncan Marjoribanks. #Abu #Disney #aladdin #2danimation #Disney
This is the clean up phase. My drawings were cleaned up and the in-betweens completed by my excellent assistant Dan Tanaka and his team. This version also has some cast shadows done by the effects animators.
The next step is the “tie down” phase. Now I am trying to get the characters “on model” and the volumes consistent. I’m polishing spacing, timing and arcs, as well. Finally, I am adding dialog animation and overlapping and secondary animation. You’ll notice there are a lot of “partial” in-betweens. I draw anything that I think is open to interpretation or doesn’t precisely follow the timing charts. That way, when I pass it of to my assistants, there is no guess work. You’ll also notice some of the animation has changed. Eeyore had to be sitting up at the end of the shot to hook up properly with the next shot.
This is my first “ruff” pass. At this stage I only do key drawings. I’m not concerned with making “beautiful” drawings. I’m just trying to get the feeling and movement down. But I should note that I am concerned with timing. I am already putting timing charts on the artwork to try to nail the timing down.
Pocahontas originally had a turkey named “Redfeather” as her sidekick animal. He was to be voiced by John Candy. But when Candy died in ‘94, they scrapped the character and did away with the talking animals all together.
Percy lost his ability to speak, and they wrote in Meeko and Flit to add a slapstick dynamic. I think it worked out, but it would be interesting to see how the movie would have turned out with a talking turkey in it.
I finally finished my custom Disney Bluray case project! I did a completely new case for each film, with the year of release on the spine and artwork on front and back of the case. I’m really happy with how most of them came out.
Check them out here:
Part 1
Part 2
Part 3