paragon-arthur
Den of Knights
"I am Saber. A Servant that will protect you." - Saber, Fate Prototype
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Damn Zerav! You be cooking like a gourmet chef!
You mentioned up above how the PL girls would try to rescue Apple Pie. Do you have more Insight on how the event itself would unfold?
Super Sankta 2 Exu sounds like an excellent idea Zerav. For maximum meme, she's a John Wick style Guard- just uses guns to bash in people's skulls.
Super Sankta 2 Exu whose going John Wick style on people is funny but my concept for Exia Alter was always based on like, the concept that Skadi Alter first introduced that we all thought at the time was gonna be the standard fare for alters
My Ultimate Sankta vs Exia 3 concept was based around the idea of a "Bad End" Exia the way Skadi Alter is, where Exia would be further mechanized ala Executor and become an emotionless seraphim-type unit who would essentially be the ultimate Sankta weapon. This would happen as the result of Laterano having some kind of big event that would cause them to pull all remaining Sankta from all corners of Terra for their promised day of ascension where they would leave Terra and all its problems behind, with certain Sankta (Like Exia) essentially being the vanguards and protectors of these people (I essentially just took the idea of the Rapture and assigned it to the Sankta), with the event concept in question being Penguin Logistics invading this holy land to save their girl.
So like. you can imagine how hard ive been popping off with all the new lore reveals we've gotten over the past 2 years. That said, this concept is a little outdated, and just leaving it at that would be no fun
So here's my pitch for how Exia Alter 4: The Quest For Peace would go with modern foresight (added read more because reasons)
The Popes basement computer in Zwillingsturme just let out a directive that they need to gather their best Sankta to fight against the end of the world. This is in conjunction with the last few events squarely tying together Iberia's Seaborn plotline with both Laterano and Siracusa and their dividing faiths. Now, all of this is in conjunction with the hints we've been getting that Penguin Logistics is going to split up (Lappland and Mostima have already flown the coop, and currently the rest are in Siracusa helping Texas the Amogus, but that will likely not last especially bc Exia's own anniversary line all but majorly hints at this split happening because they all got different stuff going on)
If Penguin Logistics splits, Exia will well and truly be left without a support system.
Now, Exia has always been kind of off as far as Sankta go, because for all intents and purposes she shouldn't be out of place: We see just how Sankta tend to act in Guide Ahead, and Exia didn't really seem all that different. Yet, when we look at her history and actions (she was basically kicked out, she was super accident prone which made other Sankta hate her, as part of Penguin Logistics shes constantly drunk, Texas herself says that Exia being an optimist makes her different, etc), she's actually Really different.
Almost like she has an abnormality compared to other Sankta. Me and a few others (check out @annierosaart post here) have speculated on her being different, but we also don't really know WHY: Even if she was suddenly disconnected from the Sankta empathy powers, we don't see any indication of how, and unlike Ezell we don't have any sort of 'wake-up' moment for her.
But given the weirdness about her and her lines, I think I know what the exact nature of her abnormality may be (and heres my pitch) when looking at the most relevant characters who have abnormalities, namely Executor and Arturia, because I think she falls in line with them (shameless plug to my old exia/executor buddies post):
Executor's abnormality is that his emotions are incredibly muted compared to others. He isn't heartless or emotionless, but more that his heart and mind runs on rationale and logic first and foremost, which almost disqualified him from being canonized had he also not been Laternos single most competent man because saint fedex is entirely disconnected from caring about petty things like being racist.
Arturia's abnormality is that she is receptively empathetic to the point she has nothing within her. She can remove the inhibitions of people, and this is in service to understanding them, because she lacks an understanding of herself: She has a grand dream of an empathy for the world even beyond the Sankta Empathy power, and to accomplish this she draws out the emotions that people hide. As a result, she reflects the emotions of others within herself and thus is incredibly empathetic to the point she's also lacking in emotions and a self.
Exia? I think that her abnormality is that she's too emotional, that the emotions she feels are far more amplified compared to others.
I believe this for a couple of reasons: All the weirdness surrounding her aside, whats the one thing that's always defined Exia? Her Rapid Casting EX. It's always been memed about, but simply firing a single bullet from a gun is akin to casting an Arts attack, with guns serving as a type of wand in these cases. Exia is the only character within the series whose been noted to be so fast with her arts and casting.
This post here does a phenomenal job expanding on this point, but Arts are an expression of the soul, they're influenced by emotions and become stronger with them because they are ultimately expressions of the self, which all characters in and of themselves having a "unique" arts inherent to them. Hell, all of Leithaniens arts are based around using musical expression, while Sarkaz are noted for their arts based on souls and memory, with the literal main heroine of Arknights having an empathy based arts superpower.
Exia, having Super Emotion as her Sankta halo abnormality, could explain why shes so good at gun, even without Oripathy, because said emotions are boosting her casting ability. Remember, anyone can use originum arts, it's just that oripathy is needed for them to be able to do it without a casting device.
This heightened emotion could also possibly explain her crush on Mostima, and even why Mostima is so weird/cruel about her: Mostima was simply a childhood friend alongside her and her sister, and yet when she left for Lungmen, Exia was hot on her trails and then waited 4 YEARS to be beside her and meet her again. She joined Penguin Logistics specifically because of Mostima. It's incredibly likely that Exia might have just had a small crush on her that then spiraled heavily because of this, and Mostima (with her chronic backstory-itis letting her find out that the whole Sankta and halo thing is a scam from her op files and events) might even be aware of this aspect of Exia, and may have wanted her to get over it, always leaving to try and make Exia move on but also always coming back because she needs to look after Exia. After all, if Exia had heightened extreme emotions, what are the chances she could die of grief? She already gets drunks regularly, and despite being cheerful and optimistic, Exia is wearing a mask hiding an incredibly depressed individual.
It could also be possible that the reason why Exia never noticed this is because while it doesn't let other Sankta feel her emotions, she can still feel that of others. She's always confused as to why back in Laterano people always accused her of being disingenuous, because can't they feel her emotions? Well, if she has Super Emotions, it could potentially be overloading her halo, so while she can receive signals, they can't be felt by others. Moreover, this mechanical aspect blends in well with her E2 art, where she is the single operator in the game without an animal/living motiff
Even other Sankta have birds and/or human statues and robotic elements (funnily enough, Executor Sniper only has crosses but even then he is clearly being themed as specifically an angel), but Exia? She has her guns, becoming wings as a ring forms with them. She's literally ascending while her wings become darker.
So what does all this mean?
Well, the Pope's basement bonzi buddy just sent out a directive for the Pope to gather the best Sankta to fight against the end of the world, and who else to recruit but a vulnerable, lonely Sankta who was kicked out for being TOO destructive? Exia's profile does make mention that despite appearances, she is also incredibly pious just like other Sankta, and if the Pope himself came knocking, wanting to give Exia a place back in Laterano, and in a high ranking, respected position no less?
She would jump at the chance, not only to be beside her sister (and possibly Mostima), but also to be accepted back into Laterano society.
Executors own halo has a mechanized element to it, where he also gains more parts to it when he goes from normalest man to saint fedex, so he likely underwent some kind of modification to go along with his promotion, especially because he also now carries an Nier Automata companion cube with him straight from the machine
If Exia is to be canonized, she might be adjusted in a similar way by The Law.
She might even be fully altered into becoming Laterano's perfect weapon to fight against the end of the world. The Witch King himself describes this approaching threat as a void of infinite knowledge which seeks to eliminate them, an unshakeable truth of existence that drives people insane.
The Creator must perish.
What better weapon to fight against such a thing than one who feels her own emotions so strongly she cannot be swayed? Or better yet, an equally as unshakeable, emotionless machine?
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Okay, first of all: it is not at all surprising that tumblr is into this beef. at least half of being in fandom is beefing constantly, and the levels of haterdom that Kendrick Lamar has achieved are...... truly impressive and a little bit scary.
this is gonna be messy and not comprehensive but i've been thinking about this for like a week and there's just so much....... context. there's layers to this shit.
so let's start at the beginning.
DRAMATIS PERSONAE
DRAKE AKA THE BOY AKA THE 6 GOD AKA THE TEFLON DON AKA CHAMPAGNE PAPI AKA WHEELCHAIR JIMMY
Aubrey Drake Graham is a rapper and actor from Toronto, Canada who I first became acquainted with from the television show Degrassi, where he played Jimmy Brooks, a hot headed jock who was later targeted in a school shooting and was paralyzed from the waist down. Everyone was skeptical when he started rapping in the 2010s, but he was a talented enough musician and business man--especially in his ability to chase and hop on trends--that he has become a very powerful figure in the music industry. One of his earliest massive hits is YOLO, a song that was inescapable when I was in college.
Drake has long had a reputation for being soft, firstly because he used to make music that women really fucked with (Hold On, We're Going Home is a great example, as is the video for Nice For What), and also because, well, he is a rapper from Canada who got his start on fucking Degrassi. This has very obviously bothered him throughout his career.
KENDRICK LAMAR DUCKWORTH AKA KENNY AKA KDOT AKA THE SECOND MOST PETTY PULITZER PRIZE WINNER
Kendrick is so different from Drake in almost every capacity. Kendrick is a rapper from Compton and from the start he was showered with critical acclaim for his technical skill but not necessarily the same kind of fame and success as Drake did. KDot has rapped a lot about his experiences as a gang member, and in many track reminds the listener that he has killed someone. His albums Good Kid M.A.A.D. City and To Pimp A Butterfly are considered modern day hip hop classics. They're really both incredible albums tbh but very very dense and emotionally effecting. Kendrick also won the 2018 Pulitzer Prize for music for his album DAMN. in 2018.
On top of that, Kendrick really holds it down for the culture--his song I and Alright became spontaneous protest chants during the George Floyd protests in 2020. I actually sort of can't listen to those songs anymore because I associate them with that movement so strongly!
PROLOGUE
It wasn't always beef between Drake and Kendrick. In fact, Drake had Kendrick open for him on tour in 2012 and Drake featured on the Kendrick single Poetic Justice. The only evidence of animosity between the two occurred after Kendrick's infamous verse on Big Sean's song Control, where Kendrick essentially named a bunch of rappers and said he was coming for them to be the greatest rapper of all time. Drake was one of the people he named.
Many people interpreted this as a diss, but Kendrick didn't respond to anyone iirc. At the 2013 BET Awards, Kendrick's verse in the cypher referenced Drake's album Nothing Was The Same, and talked about tucking a "sensitive rapper" back in his pajamas. Drake insisted there was no real issue. HM!!!!!!
SIDEBAR: THE STORY OF ADIDON
Kendrick is not the only person that fucking hates Drake. In 2018, the rapper feuded with one of his idols, Pusha T. If you don't know Pusha T, actually, yes you do: he is one half of Clipse, which had the smash hit Grindin'. If you have been in a public school where kids are slamming that beat out on the lunch tables you and I come from a shared heritage.
I don't want to get into the weeds here, but Drake and Pusha went back and forth until Pusha dropped The Story of Adidon, where Pusha revealed that Drake had secretly fathered a child with an a sex worker in France. At first Drake denied it but then like a year later he claimed his son as his own. He was shamed into caring for his son through rap beef. For years, I have maintained that the hardest bar in rap music is "You are hiding a child!"
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This is important to note because this is the first time beef with Drake like, stuck. He has beefed with other people before, but usually he just pumped out a pop radio hit and dominated the airwaves, basically neutralizing whatever response he was gonna get. Drake would blame Kanye for this and then start beefing with Ye but that's a whole other thing.
LIKE THAT
This is where the current beef starts. In March, rapper Future, a former Drake collaborator, released an album produced by Metro Boomin called We Don't Trust You. Kendrick has a surprise feature on Like That where he says "motherfuck the big three, nigga it's just big me." This is a reference to the J. Cole and Drake song First Person Shooter, where the two refer to themselves and Kendrick as the big three of rap. Kendrick doesn't want Drake to speak his name even as a compliment.
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J Cole dropped a response and then literally three days later apologized and removed it from streaming. What Did He Know??????
DRAKE RESPONDS
On April 13th, a leak of a song goes around Twitter and people think it might be Drake's Kendrick diss. IIRC a few days later it shows up on Spotify as a song called Push-Ups. He also releases a song called Taylor Made Freestyle, where he makes fun of Kendrick by using AI voices of two iconic California rappers, Tupac and Snoop Dogg. He also mentions Taylor Swift, saying that Kendrick is a bitch for moving his release dates around not to conflict with hers, and that his feature on Bad Blood was stupid.
Tupac's estate threatened Drake with a cease and desist and Drake took down the song.
EUPHORIA, 6:16 IN LA
On April 30th, Kendrick releases Euphoria, an extremely fucking mean song. He calls out Drake for being a culture vulture for black American culture, referencing the way that Drake will identify a music trend, go to that scene, and then package it and sell it under his own name. He really does go as far as to change his accent on some of his songs, it's super weird! At the end of the track, Kendrick disses Drake using the regional accent and slang from Toronto, Drake's hometown.
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Three days later, Kendrick drops 6:16 In LA, which is much shorter and rougher than Euphoria, though just as nasty. Hilariously, the beat was produced by Jack Antonoff, Taylor Swift's major collaborator and main producer. The song also samples an Al Green song where Drake's uncle played guitar. Check Jack's faves on Twitter--I would love to know what Drake did to piss Taylor off!
FAMILY MATTERS AND A QUICK NOTE
On May 3rd, Drake drops Family Matter. On this track mostly he calls Kendrick short a lot. He also implies, but does not outright say, that Kendrick beats his wife Whitney, who is shown on the cover of Kendrick's album Mr. Morale and the Big Steppers.
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Now, I want to mention this because it's a serious allegation but 1) rap beef is not journalism, sometimes these dudes just lie and 2) many of the things that Kendrick will go on to mention can be corroborated by outside sources, but this I haven't been able to. Also the way that Drake says it on the song does not really make me feel like Drake even means it, but is just searching around for something that will provoke and insult Kendrick. You may feel differently.
Not to say that Kendrick is perfect about women and abuse: Mr. Morale has some weird... stuff on it about women; Kendrick is just kind of a hotep; he threatened to take his music off Spotify if they took down R. Kelly's catalogue. No one in this conflict is perfect. I would argue Drake suffers from a much deeper level of sickness.
MEET THE GRAHAMS, NOT LIKE US
So, all this time, people had been wondering where the fuck Kendrick's response was. I thought he might not respond--it's not really his style. About an hour after Family Matters drops, Kendrick releases a song called Meet The Grahams. In previous songs, Kendrick alleged that Drake had a leak in his camp, and that the people around him dislike him so much they're feeding Kendrick dirt. Based on how quick this response came out, I would say that's probably true.
This song.... is fucking nasty. It's addressed to everyone in Drake's family, starting with his son Adonis. In the first verse, he apologizes to Adonis for having such a horrible father, and also says that he wishes Adonis's grandfather had worn a condom. By the time he's addressing Sandra, Drake's mother, he tells Sandra that he wishes men like Drake would die. He then insinuates that Drake is a pedophile.
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Now, there have been many, many instances of Drake getting caught talking to underage Instagram models etc etc. The most famous example of this is when Millie Bobby Brown, then 14, said that she was friends with Drake and they text often. Drake at that time was 36. That's not fucking normal behavior.
Kendrick also says that Drake has a secret eleven year old daughter. Turns out the only bar harder than "you are hiding a child" is "you are hiding a second child."
That night--literally, I was brushing my fucking teeth and my husband was already asleep--Kendrick releases Not Like Us. On this track, he repeatedly calls Drake a pedophile over a fucking DJ Mustard beat.
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It is a completely bonkers song. It made me feel like I was hallucinating. People have already started playing it in the club. Kendrick successfully used Drake's main tactic of releasing a club banger when there's beef against him. Like no shit, the Dodgers social media referenced the song in a recent tweet, this is a club banger about how Drake is a pedophile.
On this song Kendrick also has a bar that insinuates that there at least six more diss tracks in the chamber. I have no idea what's going to happen and I'm kind of fucking terrified. Anyway thanks for reading, sorry if I left anything out.
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that some people respond to any well-foreshadowed reveal with “ugh that plot twist was so predictable” proves bad faith criticism has rotted their brains to the point they think it’s bad writing if they can correctly identify information the writers were intentionally giving them
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@canonical-transformation @emanation-aura @chrysoula
me @ my mutuals
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"I cant draw" then do it bad who gives a fuck.....
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So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.
I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!
Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.
This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!
This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.
What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.
Eating is an instinct, a necessity for the survival of every single living being.
And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)
In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.
On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.
Btw, this tweet and this thread gives additional characterisation to Sukuna:
Link to the original thread: Link.
More context (and reactions :P):
Link to original thread: Here
This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.
When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:
When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?
No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.
This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.
This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.
Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )
I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.
He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.
I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.
Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.
Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.
This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.
I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:
Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.
Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.
But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:
This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.
Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.
If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3
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I’ve never needed something as bad as I need Mudrock drawn like this:
Yes, with the Donkey Kong suit.
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Fanfic writers are like crows. If you give them treats (comments) they will bring you shiny things (fanfic)
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Instructions for how to download a Youtube video using VLC on Reddit
Instructions for how to navigate the underworld on an Orphic gold tablet
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Give yourself permission to write garbage.
This is the best writing advice I have ever received. Ever.
Anytime I either find myself intimidated by writing something or I simply can’t seem to get words moving, I use this. It’s great for the run of the mill perfectionist, as well.
Giving yourself permission to write garbage means letting yourself do something imperfectly. I always use this when I can’t seem to find a place to start, and I set out to write the “worst version” of whatever I’m writing. Not only do I give myself permission to write badly; I ask myself to. Instead of writing something eloquent like “the banisters were carved straight out of Queen Victoria’s past” I’ll write “the banisters were fancy-looking and stuff”. Or rather than coming up with the beautiful world building of the setting, I’ll just start with “they’re outside and it’s pretty” and move on.
Every time I do this, perhaps the first line or two will be a little worse for wear, but as a whole, never comes out “bad”. You’re just giving yourself the opportunity to write a “first coat”, if you will, and then add onto it when you edit later. And often I just need this advice to write the first sentence, and then I’m in the flow again. For me, at least, if I didn’t do this when I needed it, I’d just sit paralyzed at my computer staring at a blinking cursor. I’d rather just type some garbage that I can edit later than have nothing at all.
It’s simple and it’s silly (and sometimes cringe-worthy), but it gets you writing and that’s all that matters.
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I'm not sure I can express this sentiment strongly enough, but I'm going to try via the medium of large bolded text.
Write what the fuck you want.
Write what makes you happy. Write what makes your soul sing. Write what fucks you up and makes you cry. Write what comforts you. Write what distracts you. Write what you want to read. Write what you want to watch.
Write what you want to dream about tonight.
Write what you can't get enough of. Write what you're completely obsessed with. Write what wakes you up at 4am and drags you out of bed because you can't stop thinking about what your characters are going to do next.
Write what turns you on, if that's your vibe. Write characters you're in love with and characters who inspire you and characters you want to be friends with and characters you fucking hate but oh my god they're so much fun.
Write about things you would sell your soul to do in real life and things you would never do in real life. Write about things that are happening right now and things that happened a thousand years ago and things that might happen in the future and things you wish could happen.
Write to get a publishing deal or to sell your books yourself or not to sell your books at all. Write for your friends or for strangers or for the people who reblog your posts on Tumblr and send you songs that remind them of your characters.
Write for yourself.
Fuck any system that tells you there's only one right way to create or one valid way to share your writing. Your story, the way you tell it, has so much value. Make people smile or piss people off or do both of those things because art is divisive and fascinating and beautiful.
Start writing. Keep writing. And write what the fuck you want.
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get up and go write.
write for the people who will one day pore over the words you've chosen.
write for the people who think you could never have gotten so far.
write so you can bring words to life.
write so one day you can look back and see how far you've come.
write to inspire people who are too afraid, or who cannot, put words to paper.
write, because if you don't create this, who will?
and if anything, get up and go write for yourself. there's still so far to go. take a break, breathe, but go back. there's still so many things to share.
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Some of my writer’s block cures:
Handwrite. (If you already are, write in a different coloured pen.)
Write outside or at a different location.
Read.
Look up some writing prompts.
Take a break. Do something different. Comeback to it later.
Write something else. (A different WIP, a poem, a quick short story, etc.)
Find inspiring writing music playlists on YouTube. (Themed music, POV playlists, ambient music, etc.)
Do some character or story prompts/questions to get a better idea of who or what you’re writing.
Word sprints. Set a timer and write as much as you can. Not a lot of time to overthink things.
Set your own goals and deadlines.
Write another scene from your WIP. (You don’t have to write in order.) Write a scene you want to write, or the ending. (You can change it or scrap it if it doesn’t fit into your story later.)
Write a scene for your WIP that you will never post/add to your story. A prologue, a different P.O.V., how your characters would react in a situation that’s not in your story, a flashback, etc.
Write down a bunch of ideas. Things that could happen, thing that will never happen, good things, bad things.
Change the weather (in the story of course.)
Feel free to add your own.
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I don’t know which author needs to hear this right now but even if you never update your wip i would never regret reading it a time of joy is never wasted
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My secret to actually finishing publishing projects is that when I don't feel like working on them, I procrastinate by pissing around with the innumerable tiny housekeeping tasks associated with the project that would otherwise bring things to a crashing halt at the 99% mark, so that when I eventually do get to the 99% mark, they're already done.
Like, you don't feel like actually writing the thing?
Screw around with the layout and formatting of your credits and copyright notices page.
Put together a spec for an illustration you imagine you might one day commission, if you ever find yourself in possession of a budget.
Fire up your graphic design software and compose a completely unnecessary diagram or visual aid.
Tinker with the wording of the promotional blurb on the itch.io page you set up in a previous bout of procrastination even though the product doesn't actually exist yet.
Any non-trivial publishing project has a billion peripheral little tasks that need taking care of, most of them sufficiently small and sufficiently different from Writing The Thing that you can probably convince your brain that doing them when you "should" be writing counts as procrastinating – and that list may look a lot less intimidating when it's framed less as "a billion things I Have To Do" and more as "a billion things I can distract myself with to avoid actually writing".
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