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oumaheroes · 27 days

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Oh my gosh I want to know more about all of them but in particular the Kirkland revivals band sounds very intriguing and is giving me visions of the bros in a band and I am losing my mind 👀 and PLEASE I need to know more about the werewolf au

phi-phil! hello! it is in fact a band fic like the title implies. I may posted a bit about it before but in essence:

Sean, Alasdair, Rhys and Arthur all grow up on the road and on top of each other, all of them the children of legacy folk musicians from across the UK. Sean and Alasdair are part of the older lot of children kicking about, doing odd jobs until Sean graduates into performing backing vocals and instrumentals when he vaults over seventeen. Alasdair could be doing the same if he wanted to, he certainly has the voice and the composition skill, but he is finds his niche in their mismatched community as a technician; a jack of all trades with a technical degree. Arthur spends his early teenage years watching Alasdair fix and carry equipment like it weighs nothing and learns something that tastes a lot like craving. Something more visceral than longing. Rhys is an easy child, stubborn and well loved although comes up chaffing against the constant travel. They grow up around each other, on top of each other, camper vans and sleeping bags under nylon, under the stars. They are a good draw together, talented and brought up like kin. They have never known anything except this; the road, the music, and each other.

(And what Arthur treasures most: the mornings when he slips into Alasdair's camper to share his warmth. The evenings when Alasdair will tune his violin for him and strum along on his guitar to whatever Arthur composes, slowly coming into his own as a musician. This fic is not scoteng-centric exactly, but it does take a shine on his relationship with Alasdair especially. And his journey as a trans man and a singer.)

A lot of things come to head and inevitably the band falls apart. Rhys applies to university and gets in, and although he only tells Arthur it puts a strain on his relationship with everyone. Sean is constantly fighting the people who manage them, for valid reasons but also partly because he is on a warpath after his biological father contacts him. Alasdair is getting more and more responsibilities piled on him under the guise of 'we are all family here; surely this is not labour exploitation'; they barely see his hide around. What deals the final blow is when Arthur comes into rehearsals one morning, a few months shy of eighteen, with his hair shorn off. He'd spent some three years at that point negotiating how he presented when it was just 'their family' and being pressured to keep up appearances when performing. Rhys having the courage to apply for uni is what tips him off, that and the realisation that he doesn't want to spend the rest of his life pretending he isn't a man just to save face. And now, Arthur has always been headstrong but the way he shouts back that day when their 'manager' confronts him is the end of it. Alasdair misses the shouting match and only realises that Arthur finally cut his hair when Arthur comes to find him after his nights shift. He cards his fingers through the choppy nape of his neck and doesn't know what to say. His silence is plenty though, and Arthur makes up his mind.

He prepares, sees his eighteenth quietly, and three weeks later he is gone. Slips away early in the morning and takes only what he can carry with him. Clothes that belonged to each of them; Sean's fiddle. What little cash he has to his name.

The rest of the fic follows him as he busks his was from the UK to Nashville. Francis takes him on as a manager and helps set him up and support his gender transition with gigs. The others don't hear from him until Rhys does a mad dash to the radio when he recognises Arthur's voice crooning form an ocean away. I honestly love thinking about this fic and I spend a lot of time just adding songs to a playlist for it.

The werewolf AU was born from an extremely self indulgent idea. It is 60% smut, 25% fighting 15% more smut. Alasdair and Arthur grow in a group home but become estranged by well over a decade after Arthur runs away. The both end up resenting and missing each other by equal parts. Alasdair is attacked by a werewolf while he's out in the woods one night and with his body spiralling out of control the only person he can think of (and that he instinctively seeks out) is Arthur who has been carving out a life for himself. Francis is a necromancer living across the street from him in this one and again 10/10 just pure self-indulgence on my part.

Thank you for asking about these! I'm so happy to talk about them.

#heroes fic recs #honey #honey my love i cannot tell you how odten i think about these fics #all of yours actually #the little snippets you've given us across the years are so defined and vibrant in my head #(your dragon rider fic maybe most of all)

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oumaheroes · 29 days

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[8] + fruk? idk, it sounds like something they'd hardly tell each other but I figured it's a challenge you could enjoy solving. :) i love your writing btw. Thank you for sharing it with the world. <3

[8] 'I love you'

Both of these asks are so so old but I enjoy a challenge, Anons! Took me a while but I got there in the end. Hope you like!

Characters: France, England, FrUK

----------------------------------------------------------------------------

Love Is...

'You're not entirely intolerable.'

England says this to him in warm candlelight, yellows and orange hues dancing gently on his cheek and across his nose. On his back, no less, looking up at France with wine soft eyes amongst expensive coverlets and pillows of a borrowed palace bed.

France's hands are busy, one supporting him, one not, and thus he knows there is some bias to England’s words.

If it were darker, less candlelight and more masking cover, maybe they would be more true. England had always been gentler in the shadows, safer when he feels he can't be seen.

'Shame the same cannot be said for you.' France says in reply, and bites him hard on the shoulder.

-------------

'You can be useful.'

France sounds surprised.

England clenches his jaw. 'Fuck you.'

'I'm serious.' France twirls the pointed end of his share knife into England thick wooden table. 'There may yet be hope in regards to you being anything of value.'

It is France's own knife, at least, that he is blunting. Gilded- overly so, so it's almost more decorative than usable. Almost. France does so like to find those lines and tease them.

The remains of a meal are pushed aside, a map open and curling long between them instead like a dried up sea. England wants to grab the knife out of France’s hand and jab it in his eye but he doesn’t. He needs France, as much as he doesn’t want to admit it, needs his help sweet talking the French nobility and keeping his King in check and so refrains from lunging across the table. Swallows bitterness down and looks from the maimed table to the map.

The French coastline looks alien upside-down but England doesn’t ask France to turn it around.

‘So.’ France’s voice is silky and low, ‘Can you deliver on your end?’

England thinks of his own King, thinks of his endless envy that is great enough to engulf his nation’s pride. He nods.

France clicks his tongue, ‘What a surprise.’

-------------

‘Where have you been?’ A nation who will one day be England pouts and crosses his arms across his chest, ‘I’ve been waiting here for hours’.

‘It wasn’t hours.’ A nation who will one day be France looks about the bank of the tree where England is sat in distain, ‘The ground is wet.’

‘You’re late.’ England insists, ‘You said you would be here by noon. And wet ground is better to write in.’

‘It’s still noon. Couldn’t you have picked somewhere sunnier? The ground hasn’t dried here; where will I sit.’

‘Are you stupid?’ England holds out an arm and gestures to the shadow it makes upon the floor with another. It is slightly longer than noon would provide, ‘Does that look like noon?’

‘Do you want me to help, or not.’

‘No.’

France sighs, ‘Fine. Do you want me to do this the easy way or the hard way.’

England kicks at a small stone and it bumps a little ways down the small pathway along the edge of the wheat field he’s been biding his time in. This France knows, because there’s chaff caught in his hair and dusting amongst the mud of the dampened hem of his cloak.

‘I already know how to write letters,’ England grumbles, ‘Rome made me learn his, and they’re exactly the same as your ones. Why do I have to do this all again.’

‘Because after Rome, you learnt some barbarian ones, and now I want to make you presentable. These are things any decent, proper nation should know.’ France dusts down England’s hair, ‘And it’s very hard to bring you up to par when you keep avoiding my visits and moving from castle to castle.’

England shakes his head and looks away.

‘You should stay with the King,’ France says pointedly, ‘Not move about the strongholds like a vagabond. You shouldn’t show your earls too much favour.’

France sees England hold himself back from speaking. He knows what England wants to say and is relieved when he keeps the several possible and difficult arguments to himself. An improvement, but maybe only because there’s no one else to hear.

‘Move.’ England says suddenly. He picks up a stick that France had failed to notice, propped up ready to go against a thick root, and waves him out of the way and off the flat dirt road. He begins scrawling in the ground in rigid, sharp strokes. ‘If I write “go fuck yourself” in Latin, Norman, and French, will you do so?’

-------------

‘I don't always hate you.’

France says this so quietly that England almost didn’t hear him. He wouldn’t have done, if he didn’t know France’s voice and his habits so well. He halts, the quiet palace yawning open unseen down the darkened passage ahead.

From the corner of his eye, England sees France shift where he leans in the archway. He was so still that England hadn’t noticed him as he walked, his dark shape held like a statue in shadows. Now that he knows he’s there, England can almost see the glint of silver threads in the moonlight, fine clothes on a man made just as much from the dirt as he.

A shift of fabric as France moves again. England stares ahead and does not look at him.

‘You may not believe that, but it’s true.’ France offers quietly. ‘I don’t like to think that you believe otherwise.’

‘I don’t like that you make me believe so.’

A pause. England can hear the sounds of the evening: distant footsteps on flagstones, the rustle of trees in the orchard beyond the stone courtyard walls. The smells of thousands of past summers on the warm breeze, blurring the edges of the era and turning the night endless.

The moment stretches, full and expectant. Then, a sigh.

It passes.

France does not reply, and England walks away.

-------------

‘Are you coming with me?’

France snorts. ‘I am offended that you would ever think that I would.’

‘Oh fuck off. Come on.’ England’s eyes are dangerously captivating, ‘You’re just as bored as I am.’

‘Unlike yourself, I am able to find joy in the finer things.’

‘Francis, this is the worst fucking ball we’ve been to in centuries.’

France winces, ‘Yes, but the food is at least good. And the people here are-‘

‘All over fifty.’

‘We are over fifty. And they’re-’

‘Boring.’

‘Important.’ France corrects, ‘They are important, my dear.’

England scoffs and looks across the lacklustre and lethargic dancefloor, couples with outdated clothes and dour expressions stiffly moving in their formations. He swirls his wine in his glass and points with it shamelessly, ‘Important for what, exactly.’

‘To be seen by. To talk politics with. To encourage away from silly decisions that will ruin my skin for the next decade.’

‘And the younger important people? Or heaven forbid, any fun ones? Where are they?’

France shrugs with one shoulder helplessly, ‘The Viscount is... particular.’

England raises and eyebrow and France shrugs, ‘Fine. It is dull. He is dull, and these are all his dull friends. What do you want me to say, the money is here but the life is gone. I’m not blind, Arthur.’

England adjusts the lace of France’s collar, straightening it from where a point has curled under itself, ‘Well, I’m going to the inn on Perry street. That’s where the kitchen boy told me-‘

‘The one with the hair, or the one with the funny leg?’

‘The one with the teeth.’

France shakes his head, ‘Poor boy. Sugar is a terrible thing, I wonder when people will pick up on that.’

England rolls his eyes and downs his wine. France winces, ‘That was expensive.’

‘Good. I’m off.’ England kisses his cheek quickly, the powdered hairs of his wig tickling France’s neck, ‘Have fun somehow being the most interesting thing in the room for a change.’

‘Ha ha.’

France watches England carelessly drop his very expensive glass onto a passing waiter’s tray and tuts at him, ‘You’re too over-dressed for a common inn, you’ll get mugged.’

‘I’ll manage.’

‘I’m sure you will. When I find your naked corpse in a hedge tomorrow, don’t tell me I didn’t tell you so.’

‘I tell you your make-up makes you look like sun bleached fish every day, and yet you still wear it.’

France huffs and turns away. He hears the clip of England’s shoes as he slips behind a curtain until his steps soften, sights fixed on the dancers. The crowds in the edges of the hall, in the dark corners where candles cannot find them, have a low murmuring buzz that heaves itself above the orchestra enough to give life to the odd word of two. None of them give France any hope.

Once he is sure no one noticed England leave, France downs his own wine and pushes himself away from the wall to join him.

------------

‘Be careful.’

England blinks, confused.

It is dark, moonlight all they have to go by, and they are watching British soldiers pour out from and over French beaches into hungry, waiting boats. Months of planning, countless sleepless nights and hours held stressed and tense in the wait for scraps of coded information has lead them here, to this. To men running through waves, to home so close and yet so far, and a flight through the dark to get stranded soldiers home before France falls.

England feels hollow. His chest feels concaved, an empty feeling of something like relief rotting and curdling there at the thought that this momentous victory is in the grand scheme of things, nothing at all. A huge success merely only for how difficult any small victory is. And still a failure because... because-

France’s hand brushes his. England swallows and entwines their fingers together.

‘You’re the one who should be careful.’ He says.

France squeezes his fingers. ‘If-‘

‘Don’t.’

‘-If.’ France’s grip tightens, ‘If, Arthur. Just be careful. I’ll be fine. It’s you who-‘

France breaks off.

‘I won’t.’ England says. He takes a deep breath in. ‘Not me. Not yet.’

‘I would be deeply embarrassed for you, if you do. It’s shameful. To a child, and one raised by Gilbert, no less.’

England snorts and smooths his thumb over France’s knuckle before he breaks them apart. He tugs down his uniform, wishing for gold trimming and a deep red coat, and smooth wood of a longbow.

D-Day unfolds in the muddied, darkened shallows of Dunkirk beach, and two empires watch the world turn over and into something new.

------------

‘Move over.’

France wakes to a knee in the small of his back. ‘A.. Arthur?’

‘Francis, move.’

Bewildered, France obediently shuffles over and there’s a gasp of cold air as England lifts the covers to climb inside. ‘What are...?’

‘Shh!’

France hears the heavy drapes around his bed being rearranged, then gets another knee in his back as England burrows down next to him.

France turns over. In the darkened room and behind thick curtains, England is nothing more than a source of warmth and the feeling of being watched. ‘What are you doing here.’

‘This is my castle, isn’t it?’

‘It’s one of your King’s castles, yes.’

‘Well then.’

‘But you weren’t here.’ France whispers, When we arrived. ‘He is very upset. He says you shame him.’

‘He shames me.’ England’s cool hands find themselves under France’s back, ‘The grandson of a usurper has nothing to do with me.’

‘Arthur.’ France cautions, but then stops. It is not the time, nor place. Nor, he knows, his place, really, to say anything at all. He places his hand on the cool skin of England’s arm and squeezes it, ‘I’m happy you’re here now. Apart from all the dirt you’ve likely tracked into the bed.’

‘I haven’t.’

‘I can smell it. You smell like outside.’

‘Outside doesn't have a smell.’

It does. Brought in to a human space where it doesn’t belong, the night air that clings to England’s hair and skin is earthy and cool. Fresh and foreign amongst wood fires and the fresh thresh on the floors.

‘I changed.’ England insists, seemingly having taken France’s lack of answer as an argument, ‘I do have nightclothes, you know. I’m not a savage.’

‘Hmm.’

England wriggles his fingers under France’s back to the soft parts of his sides and France can’t help but yelp as they tickle.

‘I was in York but heard you were leaving.’ England says, ‘Did you want to go riding before you go?’

‘We go Tuesday.’ France whispers, conscious of the servants littered about the room asleep. How England crept past them all or even got into the castle so quietly in the first place, he’ll never know. ‘We’re almost ready.’

‘So, do you want to go riding, or not.’

It is Sunday. There will be a lot to do before he goes back to his own lands, lots of packing and planning and then talking to people and France is exhausted just thinking about how much of it he will be needed for, let alone the voyage back across likely windy seas.

‘I don’t want to share. I want my own horse.’

‘Fine.’

------------

‘Here.’

England looks up from his laptop to find a cup of what might be soup held aloft before him.

France waggles it, evidently deeming England too slow on the uptake, ‘Take it.’

England does, cautiously, and moves his laptop aside to safety. ‘What’s this for.’

‘You.’

‘I could infer that.’

‘Could you? I never want to assume.’ Before England can tell him not to, France settles himself in the seat opposite. The booth England has hidden himself in has a wide table down the middle which takes up most of the room, but France moves himself into the tight space far more dramatically than is needed.

The soup is hot. England pops the lid off- carrot and coriander. His stomach clenches at the smell, he hadn’t realised how hungry he was. ‘Where on earth did you get it? They stopped serving dinner hours ago.’

‘I know. You missed it.’ France shoots him a pointed look, ‘I went to a café down the road.’

England looks down and swirls the soup around the Styrofoam. It’s thick, good quality. ‘I’m not paying you for it.’

‘Ah yes, because that is why I went.’

England glances at his laptop. France shuts it. ‘Now, whilst you’re eating, listen to me. I have a story for you.’

England takes the spoon that France offers and stirs. He wonders if France has any chocolates in his pockets, ‘Is it about the look Antonio gave-‘

‘Yes.’ France leans forwards eagerly, ‘But shut up. Let me talk.’

-------------

‘It’s... it’s large.’ The scientist at the front of the room looks shrunken, weighed down and wizened. He runs a hand through his hair, glasses glinting in sterile, overheads lights. ‘It’s large.’

France looks up and catches England’s eye. He looks tired, old.

Scared.

Question lights flash on around the room, every national and political delegation with something to say or ask. The scientist seems to freeze, overwhelmed by where or who to turn to first, and then people start shouting all over each other, nations and their politicians alike.

‘What the fuck is this?’ France’s president holds her hands to her mouth and shakes her head slowly from side to side, ‘This cannot be happening.’

‘There is nothing we can do!’ France hears the scientist say over the braying clamour, ‘It’s too late, it’s-‘

‘Francis.’ England is there, at his shoulder. ‘Come on.’

-------------

‘What the fuck have you done to yourself?’

France sniffs and turns away, ‘That’s none of your business.’

England snorts and hangs his hat and coat on the stand, ‘You look like you’ve fallen off a horse.’

‘You look like an unkempt vagabond.’

England looks down at his finely pressed suit and trousers and then back to France. He is on his sofa, studiously reading a book and not looking at England making himself comfortable in France’s livingroom. His leg is before him on a padded stool, swollen at least twice the size, and there is a purple bruise blossoming upon one cheek.

England comes around the back of him and brushes soft golden hair away from France’s shoulder. ‘I could do better.’ he says, gently thumbing the fragile scabbing of France’s bottom lip.

France swats at him, ‘Go away. I don’t want you here.’

‘Wrong place wrong time? Or did you try to speak sense again to someone who actually has some.’

‘Arthur, stop.’ France catches England’s wrist and kisses the inside, ‘You’re too unsympathetic to understand.’

‘Hmm.’ England kneads at France’s shoulder and then heads to the kitchen, ‘Would it help you to know I’m planning on telling everyone you fell ice skating?’

France lets out a bark of laughter, ‘Oh? And who on earth would you tell.’

‘Anyone who will listen.’ He collects a glass and a bottle of wine, along with some bread and some of the expensive cheese that he knows France always squirrels away in his pantry whenever he can, and takes them back to the living room.

-------------

‘If you could be anywhere, where would you be.’

Soft music from a Spanish restaurant down the road, warm ocean breeze. Anywhere and everywhere, all at once.

Besides him, England sips warm ale from a can he smuggled through customs and shrugs, ‘Home.’

‘That’s a boring answer.’

‘That’s the truest answer.’

‘And where again would Arthur go, if he could leave England behind.’ Francis watches Arthur from the corner of his eye, sees the fragments of him outside of all else that they always are.

‘I can’t leave England behind.’ England says, ‘So there’s not much point entertaining it.’

‘I’m trying to have a serious conversation.’

‘Then don’t ask a hypothetical question.’

Francis sighs, and retreats. He takes a deep drag of his cigarette and watches the smoke drift away into the dark.

‘But if you’re asking time.’ England tilts his head, considering. Behind them on the seafront, students between bright club front lights in loud, drunken clusters, ‘Now, I think. Maybe a hundred years ago, at most.’

‘Really?’ France is surprised, ‘I would have thought-‘

‘Boring answer,’ Arthur says, and the rest remains unfinished.

-------------

‘Don’t you fucking die on me.’

Of all the places England expected to die, this was actually what he’d considered the least likely. In Calais, oft contested, right by the sea, and entirely calm. No war or battle to take him, no disease or crop failure to push him along. He can see Dover in the distance, his white cliffs so close he can almost feel them in the bones they represent.

But above them, burning and close, the sky roils.

France lies in his lap on the grass of his garden, eyes wet and smiling. ‘That’s not fair, you can’t say that to me. That’s what I was going to say to you.’

‘I’m serious.’ England swallows down something bitter and painful in his throat, and brushes the hair from France’s face, ‘You’re not allowed to go first unless I’m given that honour. Keep yourself awake.’

France freezes, eyes wide, ‘What-‘

‘I know you too well,’ England says, and dips his head to kiss him. There is a golden chain around France’s neck, old and reliable. On it hangs a much-used pendant, once again filled and ready. Still full, he hopes.

England fiddles with it in the hollow of France’s neck and sees the burning heavens reflected in his eyes. ‘We’ll go together.’

-------------

‘I love you.’

On a nameless bit of a terraformed Earth that might have once been a small kingdom in the northern sea, a man called Francis pauses at the hydro sink, half washed cup in his hands. A man called Arthur stands next to him with a dish cloth and when Francis turns to him, Arthur stares back, face inscrutable.

Arthur does not mince words. He has always spoken his mind frankly, regardless of how offensive or tactless his thoughts may be. He has never tailored himself to a situation, never presented himself as anything he is not. But softness and open vulnerability is not a texture he can wear upon himself. Not because he doesn’t have any, Francis knows, but because he expects that Arthur doesn’t know how. Some core part of his personality that gets lost from his heart to his tongue, or given spikes along the way.

Maybe that was what caught Francis’ attention in the first place, all those years ago on the transport ship to Earth. The parts Arthur kept to himself more than the parts he did not. Arthur spoke kindness and care in actions, not words, and words were what Francis had heard far too much of.

Francis looks away and makes sure to keep his face just as blank, just as unconcerned.

‘I love you too.’

#fruk #aph england #aph france #hws england #hws france #hws #hetalia #aph #aph fruk #hws fruk #arthur kirkland #francis bonnefoy #day 2 reblog!

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