The name Jonathan means 'God has given' while the surname Sims means 'He who hears' and I could write an essay on the importance of the name and how it connects to the plot of tma but I CANT because all Jonny did was PLAGIARIZE his FUCKING BIRTH CERTIFICATE

My man Sebastian just driving Megan/Nikola absolutely insane by simply NOT. NOTICING. her entire production and display they has set up to scare/shock him

Georgie going on a date purely to eat specific food is such a vibe

Mag 85, is it the spiral? Or the end? The stranger?

I wonder what they’re gigglin’ about =)

I know it’s a horror podcast but I want them to be silly and happy =(

"I wish I could talk it out with Martin… or Tim… or Sasha. But we never really did that did we?" TMA s1 (s2, s3, s4 and s5) headshots! Video

Nikola has the most incredible intro to this podcast. Jessica Law absolutely KILLED with that voice acting, the cadence, the lilting speech just all of it 😍😍

Just picturing Jon with his hair all messy, What The Ghost t shirt and fancy pants with slippers, absolutely COVERED in cat hair but still somehow looking very Serious.

Face of pure indignation as Georgie just looks back with the perfect "sure jan" face before just walking away

I could be on drugs!?!

I could be on drugs!?!

Annabelle being described as look like "a vintage clothing store exploded on her" is underrated as hell

I love this visual

jon sims the archivist character of all time. canonically does not fuck and has no interest in fucking yet still manages to have intense verbal sadomasochistic hatesex with nearly every other character in the podcast.

"Surprisingly, it seems comprehensive shipping records are harder for Tim to flirt his way into than police reports"

Tim really out here using his chaos bisexuality to get info for the eye

I can imagine Elias in his office watch Tim like "well....so long as it gets The Eye information, I suppose??"

for several months ive had a sticky note saying "make a moth jon joke" in my room. here it is i guess

og meme here

(also please read my new comic)

Oooh hey it’s him again!

Drawing this guy gives me the giggles

[ID: fan art of Jonathan Sims from the Magnus archives. A bust shot of Jonathan sims looking at the viewer, he is covered in orange glowing eyes and his own eyes are glowing too. The lighting is dark and green and the orange stands out against it. He looks quite shocked, poor guy. End ID]

Crack tma au where all the avatars are kids solely so that they can argue over whose domain fireflies fall under.

Jane: Lightning BUGS!!! >:(

Mike: LIGHTNING bugs!!! >:(

Jude: FIREflies!!! >:(

Simon: FireFLIES!!! >:(

hey jon what the actual fuck does this mean

this is a difficult thing to have conversations about because it provokes really strong reactions in people for completely valid and understandable reasons, so please feel free to hit da bricks on this post whenever you want, but I do want to try and analyse the jonmartin slaps. we get three across 160, 169, and 172, and a line addressing it in 173, and then it never happens or comes up again. none of them come out of nowhere, and they mostly fly under the radar until 173 because they all broadly fit the "slapping someone out of a trance in an emergency" trope, but each of them slowly decreases in urgency.

the first time, the apocalypse starts up and martin comes back to find a passed out jon, can't wake him by making noise, and strikes him in a panic. this makes sense, this is a man who has entered a supernatural coma before and martin had no idea what was going on, so of course he'd jump to something desperate.

the second time, they're in a burning building, jude arrives while jon is still mid-statement, and when making noise doesn't work martin slaps him out of it. this makes sense, they were there for jude and if jon didn't come back to himself then she likely would have hurt them, though martin knew that her powers against them were limited.

the third time, jon is getting pulled into into a repeating statement instead of coming out on his own like usual, so martin speaks once or twice to try and get his attention, and then slaps him out of it. this... again, it makes sense, jon was getting trapped, but there was no immediate peril like before, martin just got freaked out and wanted to leave quickly. he seems to get that it was harsh because he apologizes for it, but they don't linger at all, martin just starts in on them having to leave immediately.

the last time it's mentioned is when they're on night street, during what is one of their most intense arguments. jon tries to talk about the suffering of the children there for longer than he needs to in order to make a point, martin cuts him off, and he pointedly says, "thank you for not hitting me this time." it never happens or is brought up again.

to our knowledge, jon doesn't say anything about the slapping until 173. he's not a guy who's known for speaking up when things upset him, he was amiably working with daisy within about a week of her trying to kill him, so it makes sense that he would just sit with this comparatively more minor thing. however, I do think it's relevant to note that, at this point in their relationship, martin will sometimes voice his feelings and boundaries (not listening to statements, not consenting to mind reading, worrying when jon expresses discomfort with his body), while jon doesn't. from the couple of times he does talk about his feelings this season, I think that tendency comes a few places: he has a hard time being aware of his emotions at all, he doesn't know how to evaluate his emotions' importance in comparison to others', he assumes his emotions are obvious and thus people already act with full knowledge of them, and the topic is just hard to make himself talk about. from what he says in 173, I think the slaps bothered him the entire time, but he made himself be fine with it until he was upset with martin for unrelated reasons and finally let it out.

as for martin's side, I do not think the slaps came from any kind of suppressed desire to hurt or wield power over jon. we've seen him when he's angry at jon, this isn't how he acts, he gets shouty and indignant but never violent. I'd even go as far as to say he doesn't do it in 173 because he's genuinely upset at jon and the situation they're in, and it would never occur to him to deliberately inflict pain on someone he cares about to assert control over them. the connecting line between all of them is fear from something that he wants jon to help him handle. the apocalypse starts, he is stuck inside one of his worst nightmares, and he's paranoid that the web took control of him. he's some who is "always following, never leading" (170), and he gets tunnel vision when something scares him and his "leader" isn't there.

jon did need to be pulled out of all three of those situations, and words proved insufficient, and maybe a quick jolt of pain was the only thing that could have worked, but martin doesn't seem to consider what that would feel like from jon's pov. in my experience of relationships, if there's ever an unavoidable emergency where you do actually need to cross a line that you never would otherwise, you talk about it afterwards. you do a debrief where you say "I'm really sorry about that, I didn't see another way, I'll try and be better prepared next time." they do this for problems they have later on (177, 198), but martin doesn't do that here. jon's point-of-view just doesn't seem to occur to him. when jon expresses discomfort, he drops the tactic without a word; later, when he needs to anchor jon in the panopticon, he talks him through it before it can get too far. so, it's not about a lack of care for jon's feelings.

I think it comes down to a few things: a) his occasional tendency to treat people as a means to an ends and not think about their perspective. he's so glued to putting others first most of the time that when he stops, he can't find a middle ground and forgets that other people can have feelings about his actions. b) his problems with conceiving of himself as a person of any importance who is capable of doing anything, especially of doing harm. as a concept, "hurting jon" is the thing he would least like to do in the whole world, it is his nightmare scenario and literally the culminating moment of his tragedy. he finds it almost unthinkable, so the idea that he does it casually when he's scared doesn't cross his mind. one of his central worries at this point is that jon is now so powerful that he no longer needs martin, how could he hurt someone like that? he's not anywhere near a comparable level of importance, it's not like he has his own domain that he's not aware of because jon told him about it and he immediately rejected the information. he's powerless and could never bring himself to hurt the man he loves.

I just. think it's an interesting microcosm of some of the lows of their relationship. once the problem is discovered martin instantly takes the note and doesn't put it on jon to explain himself further or assuage his guilt, they are willing and able to adapt, but it still comes from some of their bedrock flaws. martin doesn't understand that he can hurt people, and jon has such an inflated understanding of his capacity to hurt people that it sabotages his self-worth and his ability to respond to pain and displeasure.