whenever i'm trying to talk myself out of buying something i don't need i always hear my old russian professor's voice echoing in my head: "WHAT??? WILL YOU DIE THE RICHEST MAN IN THE GRAVEYARD?" and then i make an unwise financial decision

one of the greatest tragedies in life is that you will always be loved more than you will ever know. someone in class finds your presence inviting and warm, even if you’ve only ever exchanged a few words with them—maybe none at all. someone on the street loves your smile and it gets them down the next few streets. someone you used to be friends with still wishes to fondly call your name. someone you used to be friends with five years ago would give anything to be in the same room as you today. someone who regularly comes into work is disappointed when you aren’t there to brighten their day. someone missed you today. someone noticed you were gone. someone loves you when you’re there; someone loves you when you’re nowhere to be found at all. you think you have always disappeared when you’re no longer in the picture, but you’ve never left the frame.

🙃 Regular reminder that while Hozier has amazing love songs, he is ALSO very outspoken about his leftist politics, specifically anti-fascism, anti-racism, reproductive rights, Palestinian rights and more.

Take Me To Church and Foreigner’s God are scathing critiques of organized religion, specifically the Catholic Church and the colonization of Ireland.

Moment’s Silence is about oral sex but it’s ALSO about how that specific sexual act is often distorted to a show of power rather than that of love.

Nina Cried Power is an homage to various (mostly Black) civil rights activists from the US and Ireland and a call to follow their path.

Be criticizes anti-migrant policies and Trump and his ilk.

Jackboot Jump is about the global wave of fascism and about protest and resistance.

Swan Upon Leda is about reproductive rights and the violent colonial oppression of Ireland and Palestine.

Eat Your Young is about the ruinous way the 1%/capitalism and arms dealers prioritize short-term profit over everything else to the detriment of the youth/99%

Butchered Tongue is about Irish and other indigenous languages being suppressed and erased by imperial powers.

If any of the above surprised you, please, please delve deeper into Hozier’s music, you’re missing such an important part of his work.

The killing of Palestinians is still going, boycotting is still going

@amal.jamaludin

They Do Not Exist (1974) by Mustafa Abu Ali (watch)

from PalestineCinema.com:

Salvaged from the ruins of Beirut after 1982, Abu Ali's early film has only recently been made available. Shooting under extraordinary conditions, the director, who worked with Godard on his Ici et Ailleurs (Here and Elsewhere), and founded the PLO's film division, covers conditions in Lebanon's refugee camps, the effects of Israeli bombardments, and the lives of guerrillas in training camps. They Do Not Exist is a stylistically unique work which demonstrates the intersection between the political and the aesthetic. Now recognised as a cornerstone in the development of Palestinian cinema, the film only received its Palestine premiere in 2003, when a group of Palestinian artists "smuggled" the director to a makeshift cinema in his hometown of Jerusalem (into which Israel bars his entry). Abu Ali, who saw his film for the first time in 20 years at this clandestine event noted: "We used to say 'Art for the Struggle', now it's 'Struggle for the Art'"

Hey. Artist that only has a phone or a simple computer. Did you know you can still Glaze your art??

While Glaze was initially computer-only, the team learned that many artists either have a computer not powerful enough to run glaze or don't have a computer at all. SO they've made WebGlaze!! (Read about it and get it here.) Basically you send over your art and they Glaze it over on their servers that are strong enough to do it for you. And yes, it's still free.

If you have a computer that runs the original Glaze program, it is highly recommended by the Glaze team that you continue to use it and not the website.

While the servers are very secure, it is still ideal to keep the unglazed art on your end only, and it will likely be faster on your own computer anyway since there's only your art being Glazed, unlike the servers which are glazing several people's at once. Currently I believe there is no web version of Nightshade, but they are working on adding it to WebGlaze last I heard. Check the Nightshade FAQ here for updates on that :)

Please feel free to reblog, I know there's a lot of artists out there without access to powerful CPUs and GPUs that would like to protect their art as well :)

The finished result! I’m so ridiculously proud and pleased with how it turned out!

This was an ordinary door + 3 pieces of mdf board. I carved and sculpted them with my dremel multitool, inspired by the carvings I saw in Bali, mounted them and then painted and sanded the whole thing in several layers before adding a final tint of gold. 💙

The door and side panel I sculpted myself. The top carving is from Bali.

sea, swallow me

Strip Game!

Astarion is ready for you! Now you really got his attention!

Want to see more of his beautiful body? Make sure to give the post some love!

Also, Happy Valentine's Day!

by NyeIgneous [ X ]

guys i actually beg of you to not let palestine become an unpleasant flashback, a transient tumblr trend, a hasbeen subject that just faded away. as an arab—and specifically iraqi—girl, i know what it feels like to have family displaced all over the world as a result of western imperialism. i know what it feels like to not be able to step foot into your homeland because it’s no longer safe. as an american iraqi, raised in the us and insulated from my roots, it wasn’t until last summer that i was able to visit iraq for the first time, and even then my family was worried for my safety—in my own blood country. although nothing like what palestinians are experiencing right now, it might be the tiniest semblance of what it feels like to watch your country disintegrate in front of you.

and this is a universal arab experience. i volunteer weekly at a refugee center that serves middle eastern refugees, and every day i see the longing in their eyes when they speak of where they hail from. it’s safe to say that we will be getting a wave of palestinian refugees very soon: just another generation of arabs who can’t inhabit their own country.

arab culture is so rich, so profound, so beautiful. i am tired of being told by the world—through literal genocide—that it doesn’t mean anything. please never let this be forgotten. free palestine. free palestine. free palestine.

none of us expected much from the icj and all of us know israel would never abide by international law even if the ruling was more decisive anyway but really it's so fucking aggravating that these motherfuckers just said "we can't say it's a genocide, but israel has committed several acts that fall under article 2 of the genocide convention, with overwhelming evidence of genocidal intent which we have READ ALOUD IN THIS RULING but yeah let's wait a month from now and see what israel's report is like hopefully they've stopped slaughtering people to extinction or exile by then🤗🥰" and if they don't, which they definitely won't? would it be considered a genocide a month from now, after israel prove to us for the millionth time how little of consequence international law is to them? will you finally say it's a genocide when another couple thousand palestinian children starve to death or get obliterated by airstrikes? if so, what gives? what changed? the genocidal acts, the genocidal intent was there from the beginning and you said it with your own tongues

To The Substitute Art Teacher - Jordan Bolton