If its more than one of these, vote the one that was strongest and/or lasted the longest.

I wanted to be a marine illustrator !! Like for textbooks n stuff

🙃 Regular reminder that while Hozier has amazing love songs, he is ALSO very outspoken about his leftist politics, specifically anti-fascism, anti-racism, reproductive rights, Palestinian rights and more.

Take Me To Church and Foreigner’s God are scathing critiques of organized religion, specifically the Catholic Church and the colonization of Ireland.

Moment’s Silence is about oral sex but it’s ALSO about how that specific sexual act is often distorted to a show of power rather than that of love.

Nina Cried Power is an homage to various (mostly Black) civil rights activists from the US and Ireland and a call to follow their path.

Be criticizes anti-migrant policies and Trump and his ilk.

Jackboot Jump is about the global wave of fascism and about protest and resistance.

Swan Upon Leda is about reproductive rights and the violent colonial oppression of Ireland and Palestine.

Eat Your Young is about the ruinous way the 1%/capitalism and arms dealers prioritize short-term profit over everything else to the detriment of the youth/99%

Butchered Tongue is about Irish and other indigenous languages being suppressed and erased by imperial powers.

If any of the above surprised you, please, please delve deeper into Hozier’s music, you’re missing such an important part of his work.

Daft Punk said something to me that blew me away. They said they wanted to do an album as if the internet never existed. I said, "oh, old school!" It was certainly the most rewarding to have been involved in a project that was so monumental to my life. Winning my first Grammy was amazing to me. It's become a great learning experience for me, after Daft Punk. I started playing with much younger artists. No one is my age, I'm 70! Charli XCX, Burna Boy. I just recorded my first k-pop record, and now I've got like five under my belt and they're huge. Life was one way before Random Access Memories and completely different after. — Nile Rodgers

💿📀 Daft Punk — Memory Tapes dir. WARREN FU (2023).

Leaves a Monopoly game at the Ormuu's Horn and watches the chaos ensue

🌿 HI PALS! 🌿

I'd like to share some of my Palia fanarts here :DD

Hope yall like it!

This acc will be probably only for Palia content but we will see haha

OMG

*clears throat*

Tomorrow

Speaking of Kurt, here is a sketch I did some time ago that I didnt post here, lets celebrate his debut in the anime😂

sometimes you have to search up a character on your own blog just to see what a real one is saying about them

they should invent a doesn't kill you that actually makes you stronger

I don't remember which fic this was, but I want this to be my legacy.

I like how being single isn't like my whole personality but people still understand I am Not under any circumstances down and that's okay with them. weird kid privilege has its perks.

dungeon meshi is so fucking awesome because you can tell that ryoko kui is having immense fun with her OCs. i saw a post a while back that was like "it's easy to forget that all of these manga characters are essentially the mangaka's OCs but for dungeon meshi you can really tell" and it's so true bc you REALLY really can....ryoko kui pours so much of her fondness for her characters into her work and puts them into little situations and dresses them up and delves into her universe in a way that feels very familiar to anyone who's ever been really invested into their OCs i think :) the urge to play with your OCs like dolls...to flesh out their world in mundane details that absolutely nobody but you would think of at first......thank you ryoko kui for your service

this email could’ve been a fight to the death

ok stupid question my bad

sometimes I'm like: it would be nice to hold someone's hand

but then it's like: it what cost?

Anemia gang rise up! (but not too fast)