muddpawpie
Mudd
✦Hii!! i draw sometimes and reblog a bunch!✦
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Angel Crowley!!!
#good omens#aziraphale#crowley#good omens season 1#good omens fanart#good omens 2 spoilers#good omens spoilers#good omens season 2 spoilers#ineffable husbands#aziracrow
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Can't wait for season 3 🥲!!!
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what is this steve? dandruff??
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✨HER✨
#what we do in the shadows#wwdits#wwdits nadja#what we do in the shadows nadja#nadja of antipaxos#nadja wwdits#wwdits fx#wwdits season 5
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the angel who got too close to the sun
viktor icon free to use
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“When you're going to change the world, don't ask for permission.”
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hi!! my computer has randomly decided to stop working and i need to send it in for repairs so i’m taking a few commissions!! feel free to DM or email [email protected] to get an icon or full-body of you/a character of your choice!!
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miscellaneous things i appreciate about wendell & wild:
-the nuance built into kat’s punkness. yes, she absolutely is a contrarian rebellious teenager, but it’s also genuinely how she’s always been. it’s not portrayed as rebellion for rebellion’s sake, it’s kat’s way of reasserting her identity and her connection to her parents when she’s spent years having her choices stripped from her.
-how many of the characters like kat. raúl sees a kindred spirit. siobhan wants to be her friend and is being kind in the way she knows how. sister helley reaches out to her even before she becomes a hell maiden. wendell & wild are in awe of her. ms. hunter doesn’t let her position prevent her from treating kat like an individual with agency and importance. it’s heartening that kat, a character defined by guilt both personal and state-issued, is coming into a setting where people genuinely want to see her thrive.
-the future sequence where it’s revealed she stays in rust bank and helps restore it to its former glory made me cry. it’s what they all deserve.
-no one has any “it’s my style” excuses for whitewashing when w&w gave us a litany of black characters with individually distinct features.
-even the demons have more emotional intelligence than your average corporate CEO.
-“you don’t get to smack me”
-when all that’s left of the memory monster is the memory of losing her parents, kat hugs it, letting it dissolve into her. she’s acknowledging that the choices she’s made and the things that’ve happened to her have gotten her to this point, but she’s absolving herself of the guilt — embracing her past instead of hating herself for it.
-raúl’s struggles as a trans boy aren’t framed as oppression porn. siobhan’s accidental deadnaming is just that — an accident— and undoubtedly one she’ll learn from in the future. his mother supports him without reservation. kat doesn’t even make note of it. they could’ve easily added catty smiles, tired sighs and “wait, you’re trans?” moments, but they didn’t. raúl is a human being whose transness informs his life without being crushed by it.
-siobhan’s arc is wonderful. she doesn’t become kat and raúl’s personal savior, she doesn’t angst over what she has to do, the story never becomes about her — but she uses her position (read: her class privilege) to do what she can. she becomes part of the solution.
-i know the last two points read like “duh, everyone should be doing that” but it’s such a relief to have a film get these things right, unapologetically so and without a core of virtue signaling. it’s nice to not have the stories we want told held for ransom, then declawed by producers because pissing off uninspired rich people would be bad for business.
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yall miss those pony hearts ? well miss them no more have some gay. hrorse
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JOBI x MORRIS (TIMOTHEE) 2nd color (Hinatique x OKLuna)
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