girl the way little nightmares haven’t even acknowledged tson winning a webby and haven’t posted any LN3 content yet OR announced the enhanced edition. am i crazy

Hello!! I noticed that you were opened for requests! If it isn't too much trouble, maybe you could draw the Little Nightmares Kids watching their favourite TV show together?

I love your art by the way!! It's very pretty and I love how you draw everyone!! Hope you have a nice rest of your day or night!

All enjoying their little show.

And thank you for your kind words! They make me so happy!

Thank you for the request!

it irritates me when people say mono and six "aren't innocent" because they kill the monsters that are actively trying to kill them. it's actually the worst take you can have about their characters, no contest.

what would make them "innocent" in your eyes, then? laying down and dying? not trying to survive against something bigger and stronger than them in every way imaginable?

tell me that you're media illiterate without telling me you're media illiterate. mono and six literally ARE innocent. that's the whole POINT. they're innocent children trapped in circumstances that push them to extremes. what's not clicking

Finished little nightmares 2, am in shambles, so i fixed the ending

oh no mono

-reposting a messy drawing from insta (•ө•)♡

the maw does not begin as an outright prison, at least not for the vast majority of children stashed within it's depths.

the enormous amount of meat needed to satiate the unending hunger of the guests takes a year to gather... hence the annual nature of the feasting that takes place onboard. over the course of each year, children are shepherded to the ship that would one day become their tomb and kept as unwilling guests.

the meat tastes it's best when the little brats are freshly killed. crude though the chefs are, indifferent as the lady is to the fate of her visitors, the children are kept alive as long as possible in order to preserve the best taste. this is an experience that is advertised to lure in the hungry from all over the nowhere. it must live up to the fantastical tales of endless gluttony to some degree.

the prison exists as a temporary home.

roger is put to work on another matter alongside his usual duties- tending to the children. he deals in general upkeep and repairs around the ship, of course, but his priority is to be the containment and appeasement of their living food reserves.

escape is unforgivable. roger is patient, but there is a decisive limit to how many runaways he'll haul back to the beds before punishing the wrongdoing.

causing unrest among their peers or discussing any desire for freedom is sure to cause a watchful eye to be cast the offending child's way. if the behaviour continues , they are taken away. the others do not know where, but nobody ever returns.

the more unruly children can be outright killed to make an example of them as a last resort- though this tends to only happen once there is already unrest within the dormitories. once a point of no return has already been reached, once the maw's true purpose has somehow gotten out. some children are swept away and cast into cages.

on a very rare occasion, the lady might ask for a particular troublemaker to be brought before herself. roger obliges without question, of course. there is always a need for more nomes to cast into the depths of the maw to keep the engine humming... always amusement to be sourced in keeping a little lost thing in a gilded cage within her residence while she muses over what is to become of it, watching it tremble in due deference.

roger does find enjoyment in the work. his actions could almost be construed as genuine care. the children are tucked into bed, where they remain until morning . they are counted with regularity, though it becomes harder and harder to keep up with escapees and ensure numbers are correct the more children are being held in the prison. the number steadily mounts as the year goes on. he becomes sloppy, careless- leaves the door cracked when scrambling in pursuit of one child...

only for another runaway to take advantage of his mistake and slip out, too, a shackle still clamped around his little ankle.

the chefs prepare slop for the children and they are ushered into the cafeteria to eat whatever is put before them, drink a cup of water. in earlier days, they chatter among one another. as the feast draws closer, as more of them have come to understand the true nature of this terrible place, there will be a resounding silence and a few notably empty seats from some of their more outspoken peers being taken away in the night without explanation.

the playroom is bursting with toys of roger's own making. swings, model train sets, a roundabout... carefully carved dolls and blocks. the children are to spend their days playing together within, under his watchful eye. he used to unsettle them. many of them even hated him, in the beginning. but they come around... or at least learn to ignore him as best as they can. he'll bring things on request sometimes. a silver music box, a whittled nome toy. he has yet to oblige the request for a television set many children have posed.

none of the children are happy to be there. all seek escape initially. they don't understand why they're here or why they can't leave, and roger certainly doesn't provide much in the way of answers. he doesn't like questions at all, actually. but they're treated well enough that most concede to remaining within the prison for a large chunk of their stay... before the day of the feast draws close and they're all bundled up and sent off to the kitchen.

Six loves Nomes and was friendly to almost every kid she came across (RCG, Most of the nomes, Mono) . Under any other circumstance I bet she and RK would become friends.

since little nightmares is set after the events of little nightmares 2, i do think that six would be more apprehensive of friendship and sticking close to another child after everything that transpired with mono.

however, a lot of the fanon consensus that six would dislike runaway kid seems to derive from the theory that six is the lady, which i personally don't think is the case. so many people also joke about six knowingly having eaten him, which is obviously just a silly little fandom thing, but liiiiike...

i think she definitely has the capacity for compassion, but i think after she's escaped the pale city, she has the belief that 'kindness will be her undoing.' just like the achievement fr

honestly i’m not a great person to follow because i’m so protective over my interpretation of little nightmares that even the slightest disagreement makes me rabid

six little nightmares they could NEVER make me hate you

i never really see a lot of media where six and the runaway kid are friends and it makes me sad. there’s a lot of artwork and stories based around mono meeting rk and offsetting his terrible fate, but everyone seems to think rk and six innately have beef.

saw someone post on twitter about how little nightmares 3 is potentially about pollution and i feel sick from how absolutely right they probably are 😭 i’ve been FUMBLING!

maybe if i think really hard about video game character everything will be okay

Deadbeat older sister

girls will be like "this is my comfort game" and it's little nightmares, the game about the complete loss of childhood innocence and children being subjected to immeasurable amounts of trauma

What do you think is the meaning behind Mono turning into the Thin man at the end? Do you think that’s an example of his character repeating the cycle of abuse which was imposed onto him?

thank you for asking! i love dissecting the story of little nightmares and the characters so much, so i foresee myself rambling a lot in this answer. here we go.

the long and short of it is, i think that the pale city was always awaiting mono's arrival.

we can see in the scene where mono and six are first travelling to the pale city that upon their approach, the buildings immediately begin to bend and warp towards them. the city already seemed to recognise mono's latent powers in this moment as it responded to his presence- that, or his fate had already been decided by the nowhere. the city demanded a broadcaster.

my (current, and constantly subject to change!) interpretation of events is that six accompanying mono impeded what the nowhere had already predestined him to.

he's described throughout promotional materials as "an uncommonly single-minded child." this phrase has always fascinated me. we get so few solid details about the children's mindsets and motivations in this world so it's difficult not to fixate on that simple string of information. yet despite him having this singular, unshakeable motivation to move towards the pale city and find the source of the transmission, the signal tower, he still allowed himself to be waylaid. he stopped to free six.

the pale city exists because the need for escapism exists. therefore, the broadcaster that would oversee the signal tower and send out the transmission across the city would have to be a figure that was sunken deeply into escapism, too. somebody who needed a distraction. somebody who had been through such immense pain, such betrayal, that they would do anything to put it to the back of their mind. somebody who needed the false comfort that escapism and denial of reality provides.

when asked if mono ever thought about lashing out against the tower, using his powers to level the city, or generally defying what had happened to him, the little nightmares twitter responded: "of course not. like all sensible children, he eventually came around to our way of thinking." they also stipulated that mono's idea of escapism would be, "revenge, maybe? a second chance?"

i believe that the looping events of little nightmares ii are caused by mono's own desire for either revenge or a second chance. he conceded to the tower's will because escapism was offered to him when he so desperately wanted it.

he is the thin man, cast into the depths of the flesh walls, but in his mind, he's mono again, back at the start of everything in the forest. the loop that persistently plays out is a recreation of events that allows mono to engage in the escapism of being at six's side again after everything that happened forever. he can't change what happened. but he can enjoy second chance after second chance, being her friend again before everything went wrong- the thing he so desperately craves.

the thin man takes his revenge in chasing her and stealing her away. keeping her prisoner in the signal tower, in pain just as he is and will continue to be forevermore. even if he goes on to free her after the fact. i don't think mono exactly 'remembers' how everything happens when he lapses into these bouts of escapism with the loops playing out over and over. it wouldn't be true escapism if he was aware of how painfully everything was going to end. everything feels new for mono, but as the thin man, he remembers and guides others into the false lull of security that turning away from reality offers.

six was a perfect instrument to use against mono. even though she was initially detrimental to the tower's goal of drawing mono in, she later became an essential part of it.. she was a catalyst of trauma and the tower maliciously aligned events when it warped her into a monster, setting everything up to transpire in such a way that she would abandon him. when mono shattered six's music box, he denied her the escapism it provided. the comfort and denial of her painful reality was snatched away. this goes to show exactly how intoxicating the tower and it's transmission are, and how manipulated events between the two children were. the end goal was always for mono to think he was saving six, while she wholeheartedly believed he was hurting her and ruining her happiness. that he was unsafe to be around.

hate how you always have to be like “mono isn’t an angel!” or “six isn’t perfect!” to have your point taken even somewhat seriously in this fandom. you know what? considering their circumstances, mono IS an angel and six IS perfect. now what 🙄