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intimateaddictions · 9 years
Link
Listen to my Intimate Addictions performed at MATA Festival (The Kitchen, NYC) w/ Bearthoven, April, 2015.  
http://www.wqxr.org/#!/story/listen-bearthoven-plays-2015-mata-festival/
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intimateaddictions · 9 years
Video
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Intimate Addictions
David Collins, saxophone/electronics Trevor Saint, glockenspiel Steve Schlei, ipad/TC-11 Amanda Schoofs, voice/electronics
Paul Mitchell, animation
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intimateaddictions · 9 years
Quote
Schoofs’ work, entitled Intimate Addictions, was essentially an extended improvisation, featuring the composer vocalizing wild, breathy grunts and primal noises and communicating with the ensemble through occasional intimate glances and bodily cues. The opportunity to witness such a creative process in real time, coupled with Schoofs’ courageous performance, elevated the evening to an entirely different level of sophistication.
 I Care If You Listen
MATA 2015 at The Kitchen, NYC
http://www.icareifyoulisten.com/2015/05/three-nights-at-mata/2/
(via amandaschoofs)
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intimateaddictions · 9 years
Audio
Intimate Addictions, by Amanda Schoofs
for any performance, no matter how radical, by any performer/s, for any duration.  Portfolio of 14 Archival Inkjet Prints (7.5"x 5").
Performers:
Trevor Saint, glockenspiel
Steve Schlei, ipad/TC-11
Amanda Schoofs, voice/electronics
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intimateaddictions · 9 years
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Intimate Addictions (2014) a visual and poetic score For any performance, no matter how radical, by any performer/s, for any duration Portfolio of Archival Inkjet Prints (7.5"x 5") Intimate Addictions is an exploitation of equilibrium through a balancing of extremes. The score explores brutal inharmonic aggression stabilized by exquisite, forbidden beauty; pure sustained pitch embedded with grating, metallic noise; and alluring, intimate phrases interwoven with raucous, glitch-fucked symmetry. Both a catalyst, and a restraint Intimate Addictions deliberately provokes distinct musical and performance qualities. Poetic directives and raw painted marks were created to be equally explicit and obscure. The score has a unique mobile structure that actuates diverse performance possibilities. It invites you to embrace spontaneity in performance, while demanding an intensely personal and intimate exploration of performance. To Play: Choose your cards, by any means, in combinations of 1, 2, 4, 6, or 9. Explore the possibilities of different card combinations. If playing with others, you can choose to play from the same cards, or from different cards, or a combination of both. Cards should be placed on a flat surface in a matrix. Play with different layouts, discovering longer continuities of line, gesture, and idea between multiple cards. When playing, let your eyes move throughout the matrix, performing the scores in any order; playing them linearly or simultaneously; with or without repetition.
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intimateaddictions · 10 years
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Intimate Addictions exhibited and performed as part of “The Art of Music in Milwaukee” exhibition at Walker’s Point Center for the Arts, June/July 2014.
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intimateaddictions · 10 years
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Exhibition of Amanda Schoofs’ Intimate Addictions graphic score and Intimate Addictions video (w/ artist Paul Mitchell) as part of “Vernissage der Ausstellung salem2salem 2014″ in Castle Salem, Bodensee, Germany. The exhibition ran from August 22 - October 5, 2014.
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intimateaddictions · 10 years
Audio
Intimate Addictions (2014) a visual and poetic score
This is a sketch of Forbidden Beauty, from Intimate Addictions, by Amanda Schoofs. Rehearsal recording, summer 2014.
David Collins, Sax Trevor Saint, Glockenspiel Steve Schlei, ipad/TC-11 Amanda Schoofs, Voice
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