Do other writers ever get this like, hyper-specific dialogue exchange drop into their brains and you know exactly where these character are standing and what they’re doing and how they’re saying these words but that’s all you get. You don’t have much other context and this specific moment that exists only at this time in your headspace??
not to sound old fashioned or whatever but getting rid of payphones is a mistake, and the only reason we should do it is if we're replacing them with free, public use phones. Having the ability to reach out to others in every place of public congress and transit is an important safety feature and the advent and adoption of smartphones does not negate their utility.
I know i've already lost this battle, so it's somewhat pointless to say, but smartphones die. chargers aren't always there. smartphones break. some people don't have them. Being able to call someone and ask for help, to get in touch with friends and family, without relying on something you yourself own, is a societal good.
Furthermore, expecting everybody to have a single piece of fragile technology on them at all times to the point that critical services are not available without them is truly mind-boggling to me. This goes for things like restaurant menus and transit maps as well. you should be able to navigate the world without a brick made by Apple or Samsung, and if you can't, then something is fundamentally broken. It's one thing for new technology to augment an existing real-world experience, it's another thing to usurp it entirely.
I hate how people will look at popular indie artists who had one or two songs go viral on TikTok and start making fun of anybody who listens to them. "Oh you listen to Lemon Demon, Will Wood, Jack Stauber, Glass Animals, and Mother Mother? Tsk, don't you know that is stupid TikTok neurodivergent white transmasc preteen music? It's so mid and bad you should listen to real music–" you are a pit of misery
The amount of confusion I got hearing the minute of bird sounds in Paladin Strait and then I get hit either “so few, so proud, so emotional. hello Clancy”.
Tyler wtf is this I need you to explain right now.
The skies of Gaza fill with shifting shapes on an early spring morning. At first they are barely visible, only specks soaring above central Gaza’s wetlands.
Mandy Sirdah quickly raises her binoculars. “Storks!” she shouts excitedly. Close by, Lara Sirdah, her identical twin sister wearing matching clothes, grabs her long-focus camera and points it to the sky. “So many! So beautiful!” she cries out with joy as she snaps photos of hundreds of white storks flying in circles above her.
Every spring, millions of birds set out from their wintering grounds in Africa and make their way north to Europe and Asia. At the intersection of three continents, the Middle East is an important stopover and one of the world’s busiest corridors for bird migration.
Many of these birds fly over Gaza, an overcrowded coastal enclave often described as an “open-air prison.” The birds soar above more than two million people, most of them refugees whose families were forced to leave their villages in 1948 with the establishment of the State of Israel and have been unable to return. Concentrated in refugee camps, Palestinians in Gazahave also been confined by Israeli policies of military closure over many decades and a brutal air, sea and land blockade imposed since 2007.
“Our movement is very restricted,” says Lara, who feels cut off from the rest of the world. “We wish we were birds so we could move freely.” Over the past years, birdwatching trips to the Strip’s wetlands, groves and fields have offered the twins a rare opportunity to escape the feeling of confinement. With their heads raised to the sky, they search for birds and dream of flight