I forgot how lonely it is to write original fiction.
Where are the kudos? The subscriptions? The comments? The people cheerleading me chapter to chapter? Where are the kind words and compliments and reassurances that what I'm writing isn't complete crap? Where are the unhinged emojis? The asks on Tumblr? Where are my mutuals in my dms apologizing for not reading the latest chapter right away (side note, you know you don't have to apologize at all, right??). Where is the fanart? Where are the recs?
Where is my motivation to keep going?
It's something I've been thinking about a lot, actually, lately. How the experience of writing fanfic is so unique. How you already have an audience, willing and waiting and captive. And that's really it, isn't it? You have an audience. It's almost performative, writing fanfic. It's being on a stage, a one-person show (or two, if you do it with a friend); it's getting live reactions to your performance, it's feeding off the energy of the crowd and informing it back in a feedback loop; it's improvised, sometimes, in almost-real-time. It's building something that you couldn't have built by yourself. A thing that takes on a life of its own.
It's an experience you can't get writing original fiction, and, honestly, not having it is making it hard to write something original at all.
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Beta Readers Question
Be curious to hear from others how you are running your beta reader program. I've got about roughly 11 weeks left in my editing process, so I'd be opening up submissions for readers probably in the late May to early June time-frame.
I haven't run a full-on beta program before, so looking for feedback on-
Tools used for effective communication
Process- do yall prefer the whole thing at once, or weekly chapters
Do you just do word doc with comments enable- is there better software out there?
Anything else that you've found works well for beta readers
Any and all feedback here is appreciated!
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Enemies to "I accidentally came across you while you were vulnerable and scared and I'm not a total asshole so I tried to help you" to "accidental mutual uncovering of softer sides and vulnerabilities" to "I can't be mean to you anymore, not out of pity but because it would feel weird betraying that brief truce we had" to "Fine I'll make an effort to be nice to you now I guess" to "actually now that we're not actively hating each other you're not so bad I guess" to "i think we're friends but I'm not going to say that because I'm afraid you're not gonna feel the same way" to "oh you also think we're friends? Great" to lovers
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everyone: what's your goal in life?
me: to write a story so soul snatching, so gut wrenching and so devastatingly beautiful that it leaves you crying at 3am when you have a 8am lecture/shift and it inspires people to write entire essays, to write entire fanfics, mood boards and playlists based on it.
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What’s your typical day like?
i wake up. i malfunction. i call it a day
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when you need to write two characters emotionally connecting and bearing their true thoughts/feelings/insecurities, but one of them typically speaks in two word sentences and is now talking in paragraphs and it doesn't feel right.
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big fan of characters with abandonment + attachment issues so profound that they leave claw marks in everything they touch but would sooner gnaw off their own leg than admit they just want someone to stay for once. in a totally normal well adjusted and not at all projecting way of course.
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its so scary to put yourself out there but a SINGLE message saying "hi i loved what you made it touched me in some way" makes it all worth it 10000%
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07
It wasn't until after his death that she began to understand him.
Until then, she had never truly known him.
There was so much about her husband that she had taken for granted.
He didn't talk to his parents, because they couldn't accept that he left their faith in favor of another. He grew up in a small town, and had always wanted to live in a big city, to experience that life. He worked in the pharmaceutical industry, and made an extremely comfortable living. He took care of the financials, which she'd never minded, because she wasn't so great with numbers.
He wanted a family, so they'd been trying to have a child. He wanted a small farm out in the country, and they'd been saving up to purchase land. He didn't have a problem with her working, but felt it was his duty to take care of her, regardless.
So many little things - put together, they'd made up the foundation of her life - made up the entirety of everything she knew about the man she'd decided to spend the rest of her life with.
Now, only five days buried, that foundation crumbled beneath her feet.
The potbellied detective sat across from her, tapping his fingers against the rough surface of the wooden desk. His mouth was settled into a deep frown, and his eyes stared at her expectantly.
"I... I don't know," she said again. Her hands wrapped around the edges of her chair's uncomfortable seat. "I really don't know."
"You didn't know that your husband was selling drugs illegally?" he repeated, the disbelief in his voice grating against her skin. "You didn't suspect that your husband was making more money than someone in his position should?"
"No!" she repeated. "He - he made a good salary. We were comfortable. He was good with money." Everything she ever believed about him came to the surface. "He's a good man. He works hard. That's why we had money - because he had a good job and he worked hard and he was good with money!"
The officer grimaced, but otherwise didn't share his thoughts. She felt pathetic - an idiot - because if what they were saying was true, then she had been nothing more than a stupid, scatterbrained woman who fell for another man's trap.
Regardless of the truth, however, she couldn't help them. She couldn't help them.
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Ideal ship dynamic is “person whose love language is acts of service” and “person who has never been cared for before”
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A question for writers who share excerpts on here. Please reblog so we can get more responses.
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