I watched Heart Shot last night, a short film on Netflix. It’s so short that pretty much any discussion is going to have Spoilers, so beware.
The plot itself is generic, and you’ve seen it a thousand times: A person raised by assassins/criminals realizes they want out, escapes, finds love, but is tracked down by their former associates who kidnap their loved one in revenge.
Like I said, generic.
But the execution is actually really good.
I’m going to point to the soundtrack first, because there’s this overlay of heavy breathing which plays during periods of stress or danger and it is visceral. I felt tense just hearing it, as thought I were in danger right alongside Nikki. It ratchets up the fear and suspense which is how it would feel in these situations even if you were a trained fighter.
The story, despite being generic on its surface, is nonetheless still a break away for the simple fact that it’s about two women of color. Yes, that does matter. It’s been pointed out many times by better analysts and critics than I, but so many stories that are “cliché” or “already been done” with white cis/straight characters are nonetheless new to everybody else because they weren’t allowed to be in those stories for the seventy years that Hollywood was churning them out every week. There might be a hundred action movies with the same premise starring white men chasing after their white female love interest, but how many are there where it’s a nonbinary Filipino rescuing a black woman?
The action was well done. It was very subdued, with minimal special effects or sound effects, which gave it a sense of realism. Nothing EXPLODED, no cars were catapulted through the air, no gravity-defying acrobatics, etc.
I desperately want this to become either a full-length movie or a TV series, because I need to know happens next and see more.