@missy832001 Oh, that’s interesting. Makes me think of the movie Big. And with her references to her inner child throughout the anthology… he wishes to grow up right? But then realizes he still has a whole lot of childhood to live. I think maybe she wasted so much time growing up as Taylor Swift the brand that she left her inner child behind and that version of her wants more time, wants more empathy, wants a chance to live more truly. Now I’m crying. 😭
I truly think WB is Karlie, especially after Sweet Nothing. It’s literally 3:08 long (not to mention track 12= 1+2= 3), that instagram post with the “i spy with my little eye” caption, “you’re in the kitchen humming” x “barefoot in the kitchen” x “some of my best times are with her, laughing in the kitchen”, and to top it off the melody is something I could see Karlie playing on the piano
Hi, anon. I agree 113% with you. 😊
As I've said countless times before, we're all tired of knowing that Taylor Swift NEVER does anything haphazard when it comes to her music. Sweet Nothing is the only Midnights song that WB is involved with and, as you rightly said, Tay dropped all the hints insinuating that William Bowery is Karlie... the duration of the song which is exactly the mirror of KK's birthday (3:08) and the numbering of the song which once sumed is again equal to KK's birthday day (3).
Taylor put the name of a doctor who used electroshock therapy in an attempt to “cure” homosexuality in So Long London
The first few times I listened to the song I noticed it sounded like she said “heath” instead of “hearth” in the second verse. I googled the definition and couldn’t make any sense of the noun’s significance “a tract of level, uncultivated land with sandy soil and scrubby vegetation.”
So I googled “heath LGBT” and the very first result was the Wikipedia entry for Robert Heath, a psychiatrist born in 1915. And lo and behold, he practiced electro shock therapy on subjects, to attempt a “cure” for homosexuality.
Then I googled the lyrics to SLL just to be sure I was hearing them correctly. Not only does she indeed sing heath, not hearth, but in the lyrics, heath is capitalized
I’m shaking. Despite already believing the music video to be a direct reference to conversion therapy, this sneaky and hidden in plain sight confirmation has me overcome with emotion for Taylor. For everything she’s endured.
We see you Taylor, we love you 🤍
Content warning on the below description of this sicko’s “studies”
instead of the post mortem swifties wanted, tay was like f*ck all ya’ll fans (you know you you are) and f*ck all y’all men for closeting me all these years (you also know who you are) 😆
she really went there at an unprecedented level!
she really… she really crafted a framework for singing about her fans bemoaning a love that they don’t approve of. it’s right there people!! like, helloooooooo
So, the visual for Robin on Spotify is long grass rustling. This is probably a reference to "way to go, tiger" and all the tiger imagery Taylor has been invoking the last few years.
When people think of tigers, their first thoughts are usually of them as hunters, big cats, whatever . . . but one of the most distinctive features of the tiger is its stripes. That's what they're really known for. And those stripes exist as a camoflage mechanism - to allow them to blend into long grass and move through the world unseen.
It's not an accident that the visual Taylor chose to accompany a song about her little tiger, is of grass moving while something invisible passes through. This whole song is just screaming that it's about a child who is hidden in plain sight.
I do use Spotify so I did not know where to find the visual. If someone wants to add it or send the link in I would appreciate it.