e-paiva
blog do elias ✌️
24y, illustrator from brasil
32 posts
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Oh no, there she goes
Dressed up in daddy's clothes
Quick, while he's still away
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my take on the scooby doo crew 🔎👣
shaggy, daphne, fred and velma, in that order, if they were all trans.
i'm thinking that maybe in this universe they all met while investigating a ✨Mistery✨ in some kind of LGBTQ+ group, like a LGBTQ+ student association???? suggestions welcome!
i posted this on twitter first.
here's my portfolio: artstation.com/e_paiva
buy me a kofi: ko-fi.com/epaiva
#scooby doo#shaggy scooby doo#daphne scooby doo#fred scooby doo#velma scooby doo#daphne blake#norville shaggy rogers#fred jones#velma dinkley#mistery inc#transgender#trans#lgbt artists#brazilian artists#my art#fanart
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a lil more hades fanart! this time my designs for eros and psyche - ive already drawn eros before, but i had to include his wife, considering shes one of my all time fav greek heroines!
💘 kofi link in bio if you’re feeling generous 💘
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There’s a protest going on against AI art over on artstation, so I feel like now is the time for me to make a statement on this issue!
I wholeheartedly support the ongoing protest against AI art. Why? Because my artwork is included in the datasets used to train these image generators without my consent. I get zero compensation for the use of my art, even though these image generators cost money to use, and are a commercial product.
Musicians are not being treated the same way. Stability has a music generator that only uses royalty free music in their dataset. Their words: “Because diffusion models are prone to memorization and overfitting, releasing a model trained on copyrighted data could potentially result in legal issues.” Why is the work of visual artists being treated differently?
Many have compared image generators to human artists seeking out inspiration. Those two are not the same. My art is literally being fed into these generators through the datasets, and spat back out of a program that has no inherent sense of what is respectful to artists. As long as my art is literally integrated into the system used to create the images, it is commercial use of my art without my consent.
Until there is an ethically sourced database that compensates artists for the use of their images, I am against AI art. I also think platforms should do everything they can to prevent scraping of their content for these databases.
Artists, speak out against this predatory practice! Our art should not be exploited without our consent, and we deserve to be compensated when our art is exploited for commercial use.
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Strange roadside buildings where you shouldn’t ever go.
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Enrique Martínez Celaya (Cuban, b. 1964)
The Will, 2022
Oil and wax on canvas
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Salman Toor, Over His Shoulder, 2021
Oil on canvas, 16 x 12 in
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Hello welcome from Twitter, here are my favorite flower illustrations I’ve done
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