EVERYBODY DO THE WENIS

Drag duo name Roseanne Krantz and Gilda Stern. Is that anything?

✨ Please reblog the polls to make them reach out to as many people as possible, but KEEP IT SPOILER-FREE to make people listen to the music with an open mind 💖 Artists and titles will be revealed after the poll's conclusion, check the original post for an update! ✨

if you like penis coladas.. and getting shot in the brain!

i'm going to add MY top five

watching iron man 3 together in theaters while you for real did not know my name

that time we were so desperate for our cheese sticks we risked like a severe thunderstorm

i'm counting the organ music incident because i was there

that time we binged two seasons of dghda in like a 24 hour period

seeing lego batman in theaters

top five moments in our friendship.

becoming friends via me butting in on the conversation I was eavesdropping on

watching The Boy with each other for the first time

gaslighting yams into thinking I went to your school

coming up with kazling together (it was like the Big Bang, our impact…and now look at it…)

I’m rolling all the cheese stick parties into one

bonus: locking you in my house and forcing you to watch all of death note

So actually Vampire is an ancient Eastern European god, they worshipped him before monotheism happened. Yeah he’s my patron. I can talk to him and he’s actually vegan and can go out in the sun just fine. The centuries of folklore is all just propaganda. Look at this 5-paragraph blog post from 2006 and you’ll see what I mean.

sorry i know i've complained about this a lot but if there was One thing i wish people on here would grasp wrt roman approaches to mythology. is the centuries and centuries of italian mythic tradition & transmission that existed here. like a lot of these myths were being told & transformed & developed local version before rome even existed. these guys were trading materials & traditions with the greeks since like the bronze age. a person in rome might of have heard a lot of these stories as a kid from their grandmother who heart it from her grandmother, who heard it from hers etc etc. they were living changing myths in italy! with their own variations even! so a roman author, while they DO extensively use greek literature, is nevertheless working off something that is a deeply embedded part of their culture too. to act like these ideas were just transplanted directly from 5th century athens to 1st century rome, and especially as if greece had the oral tradition while rome was purely literary, is silly

✨ Please reblog the polls to make them reach out to as many people as possible, but KEEP IT SPOILER-FREE to make people listen to the music with an open mind 💖 Artists and titles will be revealed after the poll's conclusion, check the original post for an update! ✨

Iggy Pop - Lust for Life 1977

"Lust for Life" is a 1977 song performed by American singer Iggy Pop and co-written by David Bowie, featured on the album of the same name. The song is known for its opening drumbeat, played by Hunt Sales. The rhythm was based on the Armed Forces Network call signal, which Pop and Bowie picked up on while waiting for a broadcast of Starsky & Hutch. The drumbeat has since been imitated in numerous songs, including "Are You Gonna Be My Girl" by Jet and "Selfish Jean" by Travis; however, Sales's use of the rhythm was not original, as it was itself derived from "You Can't Hurry Love", released in July 1966 by The Supremes, and "I'm Ready for Love", released in October 1966 by Martha and the Vandellas.

The song's lyrics contain a number of references to William S. Burroughs' experimental novel The Ticket That Exploded, most notably mentions of "Johnny Yen" (described by Burroughs as "The Boy-Girl Other Half strip tease God of sexual frustration") and "hypnotizing chickens".

In a 1995 interview, Doors keyboardist Ray Manzarek and manager Danny Sugerman stated that the opening lyrics were about their deceased heroin dealer, nicknamed "Gypsy Johnny", arriving at Wonderland Avenue, with his heroin and his "motorized dildos".

"Lust for Life" gained renewed popularity in the late 1990s after being featured in the 1996 British film Trainspotting. The song was heavily featured in the film's marketing campaign and subsequent soundtrack album, resulting in a new UK chart peak of number 26 after being reissued as a single. It also reached number 39 on the US Radio & Records Alternative chart, number 44 in Canada, and number 2 in Iceland. A remix by the Prodigy was included in Trainspotting's 2017 sequel, T2 Trainspotting.

"Lust for Life" received a total of 72,7% yes votes!

I feel I should specify when I talk about the vast majority of Israelis supporting this genocide it's not to call for violence of them or even to demonise them. It's to call attention to Israel having a genocidal education system which dehumanises Palestinians from the moment Israelis start school. Ilan Pappé did a study in 1994 of the Israeli education system and raised the alarm that it would raise a generation who are even worse than those who first colonised Palestine in 1948. We're seeing the truth of that now.

I raise this point because we're seeing this attempt by politicians and the media to claim that it's just Netanyahu who is to blame for this genocide and not a systematic problem that requires boycotting, divestments and sanctions to push them to correct. This lie is being pushed because they do not want to change the status quo which allows for Israel to steal Palestinian land and homes and keep Palestinians under military occupation.

The Menu 2022 • dir. Mark Mylod

this is what i mean when i type 👀 btw

You wouldn’t last an hour in the asylum where they raised me

like there's real magic within his mind to write spike/oz. crackship king i literally feel faint

new favorite bit is saying "I would be fangirling so hard if I met him in real life 😍" about random species of fish

"I could be really brash and really loud and really dressed however I wanted to and almost made [Chappell] on purpose a drag version of myself so I can be whatever I want. It allows me to feel really safe exploring those aspects of myself. I’d never be able to do that if I took myself super seriously with pop. I think that the project has allowed me to be a part of the queer community in a deeper way because I'm not observing from the outside anymore. I feel like I'm in it. I am the queer community–it's allowed me to just feel queer, feel like a queer person and feel freedom in that."